VETTER: Wo? (Where) - Hier! (Here!) / Darum?! (Therefore?!)

The thirteen 'minor pentatonically' tuned strings of the long-necked Japanese floor harp sit like a mantra beneath my hands, Vetter writes. His koto playing is, however, more varied than a constantly repeated mantra, and more innovative in technique, which allows an underlying calm to vibrate through the many-layered structures.