In the compositions on this CD - "Sichtbare Spuren - Visible Traces" - within the "Edition Musikfabrik", visible things have left audible traces, whether in reference to the image of the pieta, distorted to the point of grotesquery by Mario Lanza or in the form of the everyday activities from which Nicolaus A. Huber has fashioned his music’s “canvas.” In Bernd Alois Zimmermann’s score for an experimental film by Michael Wolgensinger, we find traces from a whole range of musical spheres, as a counterpoint to the image.
