"Julian Rachlin has a rapturously wide tonal armoury. From the very opening of the Concerto he demonstrates an imaginative reach; his sound being slender yet nectar-sweet. What is more, Maazel and the Pittsburghers catch the same kindling spirit. There is an alacrity and engagement about their playing that is not always present in the symphonies. Rachlin deserves consideration alongside Spivakovsky (Everest), Oistrakh (BMG-Melodiya) and Mullova (Philips). This is no also-ran and neither is the gentle second serenade."
