Marco Antonio Mazzone (1556-1626) was a composer, musician, clergyman, and author of several literary works. In his book of Madrigals for four voices he places the text and the music on the same level, the consanguinity of these two arts: “notes are the body of music and words are the soul, and as the soul must be followed and imitated by the body to be more worthy of it, so the notes must follow and imitate the words.” The first Madrigal book contains both secular and sacred songs. The performance by the ensemble “Le vaghe ninfe” follows the performance practice of the period, in which much importance was laid on variety: a cappella, voice and organ, tablature for guitar or harpsichord, alternating voices and instrumental ensemble. When the madrigal is performd with instruments only the music is preceded by the reading of the poem.
