The Estonian strings sing their hearts out…the woodwind solos are very lovely, too. Viola-player Mikhail Zemtsov impresses with the sheer beauty of tone.
– BBC Music Magazine
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This album with the Estonian National Symphony Orchestra and its artistic director, Neeme Järvi, features two mature works by Bohuslav Martinu, recorded in the splendid acoustic of the Estonia Concert Hall in Tallinn.
One of the most wide-ranging composers of music for the stage, Martinu was also enthusiastic about the theatrical possibilities of including new media in his operas. Špalícek in many ways belongs to this experimental tendency. Although it was published and billed at its first performance as a ballet, it might best be described as an opera-ballet, as alongside the many dances there are extensive roles for chorus as well as tenor, soprano, and bass soloists. Martinu described the work on his manuscript as deriving from folk games, customs, and fairytales.
The lyrical Rhapsody-Concerto was written in 1952, at a time when Martinu was fighting homesickness and depression, worsened by the political situation in his native Czechoslovakia. The work is a marked move toward a more romantic sound world. The soloist here is Mikhail Zemtsov, principal violist of the Residentie Orchestra The Hague since 2001 and a prize winner at the first International Viola Competition (Vienna) and the Elisa Meyer String Competition (Hamburg).
The exploration by Järvi and the ENSO of hidden gems from the late nineteenth and early twentieth centuries has proved highly successful, their recent recording of works by Suchon awarded the Choc de Classica
