Violinist Th�otime Langlois de Swarte and lutist Thomas Dunford illuminate aspects of the elusive amalgamation that is the 17th-century English notion of melancholy. The inconsolable 'Mad Lover' of the album title is reimagined as a character from the reign of Charles II. This tale is told through music from the pen of such violin virtuosos as the prodigiously gifted Nicola Matteis. Heightened by the exuberance and abandon common to those musicians transplanted from Italy, the beguiling nuances of this language of yearning and loss continue to echo in the popular music of our time.
