Ernst Krenek’s ambitious works were complemented by smaller marches and waltzes for piano. In his early and mid-teens, a clear development toward vocal settings of German poetry is evident, be it as art songs or choral works. Occasional instrumental works, such as variation works for piano trio, a sonata for cello and piano, or a stage work, are early testimony of the diversity in Krenek’s future oeuvre. (Centaur)
