It was never even an unofficial club of composers like the Russian “Mighty Handful” or the French “Les Six”. And yet, there are striking commonalities among a group of Soviet composers all born in the 1930s. They were hailed from ethnic minorities in the Russia-dominated Soviet Union and they defied the cultural-political directives which eventually led them to find a post-ideological musical language – guided by a personal faith – that enchants listeners to this day with its unique beauty. Giya Kancheli, born in Tbilisi in 1935, is one of them. A fellow composer called him “an ascetic with the temperament of a maximalist – a restrained Vesuvius.” The works on this disc – for and with the piano – display exactly that side of his: To be able to make time seemingly stand still… while continuing to dance.
