“JS Bach’s seven concertos for solo harpsichord & strings, BWV 1052-1058, occupy a significant place in the history of music, marking as they do the origin of the keyboard concerto genre. Collectively, they encompass the gamut of Baroque rhetorical expression; it is difficult to think of a more diverse, revolutionary and technically refined set of instrumental concertos from the Baroque period” - Andrew Arthur (Signum)
