Adriana Holszky’s own comments concerning her music reveal her fascinating use of parameters such as “space” and “time”. She prefers to describe her works as individually structured “sound spaces”. There are “expanding and shrinking spaces”, and there are shifts from one sound area to another, which she compares to film editing with its sharp cuts or gentle fades. There are sudden “intrusions” of one sound area into another, and sometimes two or more sound areas are superimposed. Also, the concept of time does not exist for her as a single entity: Temporal processes appear in multiple strands in her music: cosmic time, terrestrial time, and an endless variety of experiential times that permeate one another and are superimposed.
