The original semantic value of re-ligio, therefore considered as a restoration of contacts, as a meeting point of distant but related cultures. Referring to the genesis of the work, the composer herself states: Reading these works has significant inner similarities: contemplation and sophistication. The lines from the work of IV Oganov - "the pain of a flower's test", "... The roar of the singing garden grew", "... The revelation of the rose... ", "... The lotus was set on fire by the music", "... The white garden began to resound again with diamond borders... " - encouraged me to a concrete sound perception of this garden. On the other hand, however, all this ecstatic flowering was expressed naturally in Tanzer's reflections on the world in it's entirety. At the basis of the musical rendering of this piece there is in fact the opposition of the bright and diaphanous timbre of the natural harmonics with the sad coloratura of the intervals of minor second and minor third.
