Forgotten Gems from Stage & Screen

"Mr. Jenness, who passed away in 2017 at age 80, had a straightforward, unpretentious approach, which fondly put the spotlight on craft and moods of the songs, not on him as a performer. While singing was not his main occupation, and he doesn't have the most dazzlingly distinctive or resonant sound, there are some appealing and endearing qualities that make the listening rewarding beyond the satisfaction of hearing so many rare and rarified pieces. There's infectious joie de vivre in numbers like "Have Feet, Will Dance" (Burton Lane/ Dorothy Fields, from the TV musical Junior Miss) and the gleefully goofy "Gus the Gopher," an independent song with music and lyric by Sheldon Harnick. Serious and sad subject matter like the lamenting "Paris Is a Lonely Town" (Harold Arlen/ E.Y. Harburg, from the feline-focused animated Gay Purr-ee) doesn't hesitate to cue earnest, melancholy approaches, but doesn't sink into mopey morass … Accompaniment is uncluttered: the sturdy (but subtle when needed) piano work of Bert Dalton, sometimes joined by bass and percussion, never pulling focus or adding swaths of instrumental time … If you're looking for a big portion of high-quality theatrical treats from the 1930s to the 1960s to drink in and savor, with 26 samples provided by David Jenness, your cup will runneth over." -Rob Lester (Talkin' Broadway)

David Jenness (1937–2017) is best known as the co-author of the widely read and influential book "Classic American Song: The Second Half-Century, 1950–2000.” In it he explores the final work of the Masters and introduces us to songs written by the next generations of composers and lyricists who upheld the demanding criteria established by their forebears. But Jenness was also a cabaret singer held in the highest regard in Santa Fe clubs. Between 1993 and 1998 he made frequent visits to recording studios, preserving his performances of songs he held dear. He said, “I’ve always loved good songs from the theater and film. In my life I’ve been lucky enough to get to know some of the forgotten songs of songwriters and performers—the kind of songs that singers like to sing late at night during the last set or at a party, or the songs that songwriters have a sneaky love for. “There’s kind of a revival going on of cabaret and theater tunes from earlier eras. I wanted to get the ones I know and love down on tape, hoping you’ll like them, too.” Jenness, who passed away three years ago, only shared his recordings on cassettes with friends. This release marks the first chance all of us have to appreciate a warm, understated vocal style that always honored the songwriters’ intent. He’s accompanied by piano or a tasty jazz trio. And the hall-of-fame songwriters include Cole Porter, Irving Berlin, Arlen & Koehler, Kern & Hammerstein, Rodgers & Hart, Lane & Loesser, Ellington & Latouche, Hugh Martin and Stephen Sondheim. This album is nirvana for all lovers of vintage American popular song—especially those who want to be introduced to rarely heard (or completely unknown) material courtesy of Jenness’s marvelous interpretations.