Published in Amsterdam in the mid-seventeenth century, Der Fluyten Lust-Hof (The Garden of Flute Delights) is a collection of variations for solo flute on the ‘hits’ of European music of the time, borrowed from such composers as Caccini, Dowland, Bull and Moulinié. For this recording, François Lazarevitch uses instruments characteristic of Dutch compailer Jacob Van Eyck’s time: not only the recorder, but also and above all cylindrical transverse flutes, as well as a seventeenth-century musette.