The composer Elie Siegmeister once declared of Langston Hughes (1902-1967) that he was the “most musical poet of the twentieth century”. True or false, this judgement underscores the unquestionable facts that much of Hughes’s poetry lends itself fairly readily to musical setting, and that, for Hughes, music was perhaps the primary inspiration, other than the history and culture of African-Americans in general, for his writing. (Naxos)