The CD delves into the technique known as diminution, which flourished for several decades toward the end of the 16th century, primarily in Italy. As Peter S�derberg explains in the liner notes: "Diminution consists of subdividing the long note values of a vocal model into short ones in a solo instrumental part, laying the foundation for virtuosic ornamentation. Diminutions on a solo instrument were often performed in conjunction with the vocal piece, performed by an ensemble of singers or instrumentalists (colla parte). But the vocal model-usually a chanson, madrigal, or motet-could also be adapted for a solo instrument that allowed for polyphonic playing, usually a keyboard instrument or, as in this recording, a lute."
