Vinyl LP pressing housed in gatefold tip-on jacket. Under-recognized tenor Clifford Jordan blew in from Chicago with a trio of excellent Blue Note sessions in 1957, including this self-titled release featuring a septet with Lee Morgan (trumpet), Curtis Fuller (trombone), John Jenkins (alto sax), Ray Bryant (piano), Paul Chambers (bass) and Art Taylor (drums). This Blue Note Tone Poet Series mono edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI.
