After George Antheil had earned his reputation in Europe as the self-proclaimed "Bad Boy of Music" and caused plenty of scandals with his avant-garde experiments, he made a dramatic shift upon returning to his native America. This change in direction led to a significant number of important compositions, including his later symphonies and a series of one-act stage works, where Antheil dramatized a wide range of themes and situations. The final work in this series is�Venus in Africa, a charming, touching, and highly amusing piece for five characters, in which the ancient goddess of love helps an American couple forge a lasting relationship. The music, oscillating between operatic turbulence, impressionistic refinement, and musical-style tunes, is further proof that Antheil had successfully shed his early rebellious image.
