{"product_id":"serafin-string-quartet-1","title":"Serafin String Quartet","description":"\u003cbr\u003e \u003cbr\u003e\u003cspan class=\"ARIAL12bi\"\u003eQUARTET AMERICAN STYLE: POSTCARDS FROM THE AMERICAN MUSICAL PAST \u003c\/span\u003e\u003cspan class=\"BULLET12\"\u003e • \u003c\/span\u003e\u003cspan class=\"ARIAL12\"\u003e Serafin Str Qrt \u003c\/span\u003e\u003cspan class=\"BULLET12\"\u003e • \u003c\/span\u003e\u003cspan class=\"ARIAL12\"\u003e CENTAUR 3050 (65:52) \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan class=\"COMPOSER12\"\u003eSTILL \u003c\/span\u003e\u003cspan class=\"ARIAL12bi\"\u003eDanzas de Panama. \u003c\/span\u003e\u003cspan class=\"COMPOSER12\"\u003eDVO?ÁK \u003c\/span\u003e\u003cspan class=\"ARIAL12b\"\u003eString Quartet No. 12 in F, \u003c\/span\u003e\u003cspan class=\"ARIAL12\"\u003eop. 96, “American”.\u003c\/span\u003e\u003cspan class=\"COMPOSER12\"\u003eBARBER \u003c\/span\u003e\u003cspan class=\"ARIAL12b\"\u003eString Quartet in b, \u003c\/span\u003e\u003cspan class=\"ARIAL12\"\u003eop. 11. \u003c\/span\u003e\u003cspan class=\"COMPOSER12\"\u003eGERSHWIN \u003c\/span\u003e\u003cspan class=\"ARIAL12bi\"\u003eLullaby \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan\u003eIn the informative notes that accompany this disc, writer Renée Silberman asks: “What is ‘American music’—a school of American composition? Musical institutions? High art or folk art? Traditions of the Native Americans, of Blacks, of immigrants and visitors?” As Silberman suggests, it is all but impossible to explain what makes music “American.” Like the striking diversity that makes up our people’s DNA, American music is not readily susceptible to description or categorization, let alone definition. It is remarkable, therefore, that all-American music programs bode so well in the concert hall or on record, as evidenced by the album for consideration here, which I believe marks the debut of the Serafin Quartet, a string ensemble based in Wilmington, Delaware. \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan\u003eThe album begins and ends on a lighter note, with William Grant Still’s \u003c\/span\u003e\u003cspan style=\"font-style:italic\"\u003eDanzas de Panama\u003c\/span\u003e\u003cspan\u003e and George Gershwin’s well-known \u003c\/span\u003e\u003cspan style=\"font-style:italic\"\u003eLullaby\u003c\/span\u003e\u003cspan\u003e. In the former work, a delightful suite inspired by Still’s perennial fascination with the music of African slaves and Caribbean people, the Serafins provide idiomatic and rhythmically engaging performances. In the Gershwin work, the ensemble’s relatively quick pace prevents the premature onset of slumber and makes the music sound less repetitive­—and in truth more interesting—than it is. In Dvo?ák’s “American” Quartet, the Serafins play with impressive accuracy and drive, and the silvery tone of the violin of the ensemble’s leader—a Sanctus Serafin—is particularly delightful. If, at the end of the day, I still gravitate towards the Panocha Quartet’s more nuanced interpretation, the Serafin’s comparatively clear-eyed approach is undeniably valid. I have no reservations whatsoever about the ensemble’s performance of the Barber String Quartet. The Serafins are less driven than the Emerson Quartet, and their more flexible tempo allows the Brahmsian pathos of this work to shine through. Violinist Timothy Schwartz’s and cellist Lawrence Stomberg’s contributions in the \u003c\/span\u003e\u003cspan style=\"font-style:italic\"\u003eMolto Adagio\u003c\/span\u003e\u003cspan\u003e—most often heard in the arrangement known as the \u003c\/span\u003e\u003cspan style=\"font-style:italic\"\u003eAdagio \u003c\/span\u003e\u003cspan\u003efor Strings—deserve special note. (In the interest of full disclosure, I note that since this recording was made in 2009, Schwartz has left the ensemble.) \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan\u003eThe engineering is excellent. In sum, this is a memorable disc that is guaranteed to provide much enjoyment to chamber music enthusiasts. \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan style=\"font-weight:bold\"\u003eFANFARE: Radu A. Lelutiu \u003c\/span\u003e","brand":"Centaur Records","offers":[{"title":"CD","offer_id":49703922696472,"sku":"044747305028","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1732283.jpg?v=1777720702","url":"https:\/\/hbdirect.com\/products\/serafin-string-quartet-1","provider":"HBDirect","version":"1.0","type":"link"}