In 1962, ten years after these judgements regarding his musica callada (silent music), Federico Mompou (1893-1987) was composing the Suite compostellana for the guitar of Andres Segovia. In this work, one could read celebratory expressiveness reflected in two artists' meeting on that very particular opportunity offered by the courses of Musica in Compostela. Initiated in 1958, it was an ambitous cultural event, which profoundly proclaimed liberian musical identity, issuing a call to unity to all the elite figures of that specific sector, to create a didactic excellence formed of those undisputed protaginists who, togegher, focussed world attention on the greatness of Spanish music.
