{"product_id":"haydn-j-keyboard-concertos","title":"Haydn, J.: Keyboard Concertos","description":"\u003cbr\u003e \u003cbr\u003e  \u003cspan class=\"COMPOSER12\"\u003eHAYDN\u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003e Organ Concertos: in C, \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eHob XVIII:1,8,10.\u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003e Harpsichord Concertos: in C, \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eHob XVIII:5;\u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003e in F, \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eHob XVIII:7 \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Helmut Müller-Brühl, cond; Harald Hoeren (org); Ketil Gaugsand (hpd); Cologne CO \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e NAXOS 8.570486 (72:46) \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThese early concertos—from the 1750s, although some were revised in the 1760s—were written to be played by either organ or harpsichord, which is why this disc is entitled “Keyboard Concertos.” In Brilliant Classics’s recent 150-CD “\u003ca class=\"links\" href=\"album.jsp?album_id=206305\"\u003eHaydn Edition\u003c\/a\u003e,” all five of these works were played on an organ. The music is conventional, having elements both Baroque and rococo, but it is still Haydn, which means spirit and quality as well as competence. The only lack is individuality; I would hate to face a blind audition of each movement—especially if you switched solo instruments. These performances are also conventional, too much so. The modern-instrument band produces very little color, and less variety of it. Bland, tubby recorded sound reinforces that feeling; trumpets in the C-Major pieces are barely noticeable, and drumbeats are little more than extra reverberances. By contrast, Brilliant’s period-instrument Ensemble Dolce Risonanza produces vibrant colors and violent explosions. The tables are turned with the soloists, however; Brilliant’s Anton Holzapfel can hardly get a note in edgewise among all those dolce risonanzas, whereas both Hoeren and Gaugsand take the lead when called upon and give imaginative, well-rounded performances. The best things here are the Allegro finales, which are taken at spirited, upbeat tempos. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThis disc is in no way necessary, but you’re sure to enjoy it. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight:bold\"\u003eFANFARE: James H. North \u003c\/span\u003e\u003cbr\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":49682327929112,"sku":"747313048670","price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1450881.jpg?v=1777575609","url":"https:\/\/hbdirect.com\/products\/haydn-j-keyboard-concertos","provider":"HBDirect","version":"1.0","type":"link"}