{"product_id":"hagen-quartett-30","title":"HAGEN QUARTETT 30","description":"This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. \u003cbr\u003e  \u003cbr\u003e  \u003cb\u003eBeautifully played and recorded this recital is characteristic of the Hagen Quartet.\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e The Hagen Quartet comprise three siblings from one Salzburg family: Lukas, Veronika and Clemens Hagen. The line-up is complete with German violinist Rainer Schmidt who joined the quartet in 1987. 2011 marks their thirtieth anniversary which was founded in 1981. Following a fruitful twenty year relationship with Deutsche Grammophon - producing forty-five CDs - this Super Audio hybrid CD is their first release with Mainz-based Myrios Classics. \u003cbr\u003e  \u003cbr\u003e  Beethoven wrote his set of three  \u003ci\u003eRazumovsky\u003c\/i\u003e quartets, Op. 59 in 1805\/6 as a result of a commission from Count Andreas Razumovsky, the Russian ambassador in Vienna. This was a wonderfully productive time for Beethoven with the writing of several major works including the  \u003ci\u003eAppassionata Sonata\u003c\/i\u003e, the  \u003ci\u003ePiano Concerto No. 4\u003c\/i\u003e, \u003ci\u003e \u003c\/i\u003ethe  \u003ci\u003eSymphony No.4\u003c\/i\u003e and the  \u003ci\u003eViolin Concerto\u003c\/i\u003e. The Hagen chose to start this programme with the  \u003ci\u003eQuartet No. 8\u003c\/i\u003e, \u003ci\u003e \u003c\/i\u003ethe second  \u003ci\u003eRazumovsky\u003c\/i\u003e. \u003cbr\u003e  \u003cbr\u003e  In the splendidly played opening  \u003ci\u003eAllegro \u003c\/i\u003ethey avoid exaggerating the dynamics. Immersed in a steely beauty with a sensitive probing for spirituality in the  \u003ci\u003eAndante\u003c\/i\u003e the Hagen underlines the episodes with biting ferocity. There’s fleet-footed playing in the  \u003ci\u003eAllegretto\u003c\/i\u003e - a movement of lyrical dance themes. The  \u003ci\u003eFinale\u003c\/i\u003e,  \u003ci\u003ePresto\u003c\/i\u003e is vivacious with rapid-fire delivery. Overall many will want their Beethoven played with additional passion and force. \u003cbr\u003e  \u003cbr\u003e  Mozart met Haydn in 1781 and soon after became profoundly impressed with his older contemporary’s set of six quartets, Op. 33 known as the  \u003ci\u003eRussian Quartets\u003c\/i\u003e. Mozart later dedicated to Haydn a set of six quartets that became known as the  \u003ci\u003eHaydn Quartets\u003c\/i\u003e. The \u003ci\u003e String Quartet No.16\u003c\/i\u003e K.428 was composed in 1783 around a year after Mozart’s marriage to Constanze Weber and the completion of  \u003ci\u003eDie Entführung aus dem Serail\u003c\/i\u003e, K.384. The quartet \u003ci\u003e \u003c\/i\u003eis affectionate with moments of impressive serenity. \u003cbr\u003e  \u003cbr\u003e  Careful, neat and precise playing from the Hagen in the opening movement is frequently serious and sometimes beautiful. The adroit shifts in tempi affect the prevailing mood so impressively but in a subtle manner rather than with any sense of wildness. With little in the way of memorable melody in the  \u003ci\u003eAndante\u003c\/i\u003e the Hagen create a curious mood predominantly calm and tender on the surface with a disconcertingly tense undercurrent. Predominantly dance-like the  \u003ci\u003eAllegretto \u003c\/i\u003eis immediately reminiscent of an attractive bucolic scene. With a dark tinge to the landscape things are not as carefree as they might initially seem. Light and active playing borders on the frenetic - here one can imagine a song-bird hopping from branch to branch. The shifting tempi are reminiscent of the opening movement. \u003cbr\u003e  \u003cbr\u003e  At the time of writing the  \u003ci\u003eFive Movements \u003c\/i\u003e( \u003ci\u003eFünf Sätze\u003c\/i\u003e)  \u003ci\u003efor string quartet\u003c\/i\u003e, Op. 5 in 1909 Anton Webern had completed his composition lessons with Arnold Schoenberg. Such a concentrated score, the  \u003ci\u003eFive Movements\u003c\/i\u003e could be regarded as a backlash against late-Romantic excess, such as Mahler’s  \u003ci\u003eSymphony No. 9\u003c\/i\u003e; \u003ci\u003e \u003c\/i\u003ea contemporaneous work that lasts around 75\/85 minutes in performance. Composed in 1911\/13 Webern had to wait over a decade before his  \u003ci\u003eSix Bagatelles for String Quartet\u003c\/i\u003e, Op.9 was given its premiere in 1924. Lasting only 57 bars the  \u003ci\u003eSix Bagatelles \u003c\/i\u003eis the embodiment of brevity, lasting four and a half minutes. These pieces are atonal with the adventurous Webern experimenting with a twelve-tone serial technique. In these stimulating and adventurous Webern scores the exemplary Hagen plays with clarity, precision and coherence. Their ultra-disciplined and unflappable approach comes at the expense a degree of expression, vitality and spontaneity. Using broad dynamics the Hagen add a cool steely greyness to their engaging tone colouring. \u003cbr\u003e  \u003cbr\u003e  Beautifully played and recorded this recital is characteristic of the Hagen Quartet. \u003cbr\u003e  \u003cbr\u003e  -- Michael Cookson, MusicWeb International\u003cbr\u003e","brand":"Myrios Classics","offers":[{"title":"SACD","offer_id":49606957531416,"sku":"4260183510062","price":21.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1514135.jpg?v=1736503310","url":"https:\/\/hbdirect.com\/products\/hagen-quartett-30","provider":"HBDirect","version":"1.0","type":"link"}