{"product_id":"braunfels-konzert-und-andere-welt-ersteinspielungen","title":"Braunfels: Konzert und andere Welt-Ersteinspielungen","description":"\u003cbr\u003e \u003cbr\u003e  \u003cspan class=\"COMPOSER12\"\u003eBRAUNFELS \u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003eConcerto for Organ, Boys’ Choir, and Orchestra\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1. \u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003eToccata, Adagio, and Fugue in f\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e2. \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eSymphonic Variations on a French Children’s Song\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e2 \u003c\/span\u003e \u003cspan class=\"BULLET12\"\u003e • \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Hansjörg Albrecht, \u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1,3\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003econd, \u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e2\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e(org); \u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1,3\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eMunich SO; \u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eIveta Apkalna (org); \u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eTölz Boys’ Ch \u003c\/span\u003e \u003cspan class=\"BULLET12\"\u003e • \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e OEHMS 411 (73:02) \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eIt was a whim that led me to request this CD for review. I had never even heard of Walter Braunfels, after all. Moments after beginning to play it, however, I knew that my instincts were good, because this music is rather special, and deserves to be known by a broader audience. Braunfels was born in Frankfurt am Main in 1882. Annotator Susanne Bruse divides his life’s work into three periods, and these three works represent each one of those periods. His father was a Jew who converted to Protestantism before Braunfels was born, and Braunfels in turn converted to Catholicism after World War I because he “was grateful to have escaped the inferno.” Nevertheless, his works were banned by the Nazis in 1933, and he was silenced for nearly a decade, and relieved of his teaching duties as well. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThe \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eSymphonic Variations\u003c\/span\u003e \u003cspan\u003e, the last work on this CD, is the earliest one, completed in 1909 when Braunfels was 26. This is a sophisticated yet ebullient and good-natured work that sounds, perhaps, like Hindemith at his most optimistic and appealing, with suggestions of Richard Strauss for good measure. Braunfels builds his musical edifice on varied fragments of the original folk song. The textures are diverse but usually on the lush side. There is humor, too; at one point the janissary music from Beethoven’s “Ode to Joy” threatens to sidetrack the proceedings. At a bit over 16 minutes, the \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eSymphonic Variations\u003c\/span\u003e \u003cspan\u003e don’t outstay their welcome, yet the music has enough weight to feel consequential. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThe Concerto was completed in 1928, the year that it was premiered in the Leipzig Gewandhaus by organist Günther Ramin, with Furtwängler conducting. This is even more impressive, as it inhabits a similar world as Poulenc’s Concerto for Organ, Strings, and Timpani. First, there is an extended Fantasy, notable for its drama and seriousness. The organ, aided by the orchestra, engages in a heroic struggle. The second movement opens quietly with a brief organ prelude, followed by a touchingly melodic section for divided strings. Eventually, the organ joins in, and the brass intensify the mood. After a pause, the boys’ choir enters gently, to cap the movement with a beautiful chorale. After a mysterious organ interlude, the last movement arrives with a nervous fugue, initiated by the violins, and punctuated at intervals by the organ. This is built up at length, and then there is another capstone chorale, which closes the work thrillingly. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThe large Toccata, Adagio, and Fugue for organ was composed during Braunfels’s years of silence. Begun in 1933, it was not performed until 1946. Again, the Toccata impresses one with its drama and intensity. The \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eAdagio\u003c\/span\u003e \u003cspan\u003e begins seraphically, but is not saccharine; it has known human pain. In time, its texture thickens impressively. The work ends with an imposing fugue. In this work, conductor Albrecht moves to the organ, but his instrument is not as clear-sounding as the one that the excellent Iveta Apkalna uses in the concerto. I found this work to be the least attractive of the three, but I must admit that solo organ works are not high on my play list, generally speaking. Still, even for skeptics like me, it is worth a listen. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eI am astonished that none of these works have been recorded previously. I am thankful that Albrecht and his colleagues have presented them so ably. These are gorgeous performances of important music. Has the time come for a Braunfels renaissance? \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight:bold\"\u003eFANFARE: Raymond Tuttle \u003c\/span\u003e\u003cbr\u003e","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49608002437400,"sku":"4260034864115","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2067739.jpg?v=1777687882","url":"https:\/\/hbdirect.com\/products\/braunfels-konzert-und-andere-welt-ersteinspielungen","provider":"HBDirect","version":"1.0","type":"link"}