{"product_id":"baker-the-glass-bead-game-awaking-the-winds-shadows-t","title":"Baker: The Glass Bead Game - Awaking the Winds - Shadows - T","description":"\u003cbr\u003e \u003cbr\u003e  \u003cspan class=\"COMPOSER12\"\u003eBAKER \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eThe Glass Bead Game.\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1\u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003e Awaking the Winds.\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e2\u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003e Shadows: Four Dirge-Nocturnes.\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e3\u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003e The Mystic Trumpeter\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e4 \u003c\/span\u003e \u003cspan class=\"BULLET12\"\u003e • \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Leonard Slatkin, cond; \u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e4\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eHans Vonk, cond; Saint Louis SO \u003c\/span\u003e \u003cspan class=\"BULLET12\"\u003e • \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e NAXOS 8.559642 (66:36) Live: St. Louis \u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e1\/21–24\/1991; \u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e2\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e5\/14–16\/1993; \u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e3\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e5\/18–20\/1990; \u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e4\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e4\/16–18\/1999 \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eFrom 1991 to 1999 Claude Baker was the composer-in-residence to the Saint Louis Symphony, the fourth and last in a program in which he was preceded by Joseph Schwantner (1982–85), Joan Tower (1985–88), and Donald Erb (1988–91). Recorded souvenirs of the residencies of the first three were issued by Nonesuch and New World; neither Schwantner release made it to CD, but the Tower and Erb did and can still be purchased. Though arguably the most compelling artist of this distinguished quartet—please don’t send nasty notes—and certainly the one longest in residence, Baker was not so honored. A 1993 live recording of \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eShadows: Four Dirge-Nocturnes\u003c\/span\u003e \u003cspan\u003e was included in the limited edition commemorative set, \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eThe Slatkin Years\u003c\/span\u003e \u003cspan\u003e, but that is long out of print. (The Naxos disc opts for the 1990 premiere.) So this Naxos release of live recordings originally made for broadcast between 1990 and 1999, funded by Indiana University in Bloomington where Baker holds an endowed professorship, is a most welcome redress of an unfortunate oversight. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-style:italic\"\u003eThe Glass Bead Game\u003c\/span\u003e \u003cspan\u003e (1982\/83)—inspired, as is almost all of his music, by a literary work and quoting from the compositions of others as annotation—is quintessential Claude Baker and therefore a perfect work to open the program. Baker, inspired by Hermann Hesse’s novel of the same name, takes his thesis from the intellectual narcissism of Hesse’s Castalian scholars. Their obsession with analyzing the past, their fascination with games, trivial detail, cleverness, and systemic complexity, and their eventual stagnation and decline through failure to create anything new are all reflected in the musical program. Baker uses Hesse and the music to shine a light on 20th-century musical obsessions, using a brilliantly executed numerologically complex serial canon; a dream-like, period-correct performance of a Johann Schein courtly dance commented upon by modern atonality; and an amazing collage of six works by Dallapiccola, Schoenberg, Vaughan Williams, Shostakovich, Penderecki, and Liszt, given unity by their incorporation of the famous B-A-C-H motive. These six pieces are assimilated Castalian-syle into a final movement, which is both amazing in its virtuosity and sobering in its ultimate emptiness. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-style:italic\"\u003eShadows: Four Dirge-Nocturnes\u003c\/span\u003e \u003cspan\u003e (1990) and \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eThe Mystic Trumpeter\u003c\/span\u003e \u003cspan\u003e (1999) are grounded as well in literary sources. In \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eShadows\u003c\/span\u003e \u003cspan\u003e, Baker explores four haiku, using characteristics of the form—syllable counts, binary construction, and motivic concision—as compositional elements. The verses and the music are dark, evoking death, the graveyard, and mourning in each of the seasons from spring through winter. Woven into the nocturnal work are gestures, fragments, and quotes from works by Mahler, Britten, and Stravinsky, ending touchingly with a quote from “In diesem Wetter” from \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eKindertotenlieder. The Mystic Trumpeter\u003c\/span\u003e \u003cspan\u003e concerns itself with Walt Whitman, finding both literal and symbolic connection between the verse—the title poem and “The Dalliance of the Eagles”—and Ives’s \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eThe Unanswered Question\u003c\/span\u003e \u003cspan\u003e, and works by Messiaen, George Rochberg, and medieval troubadour Guiraut de Bornelh. \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eAwaking the Winds\u003c\/span\u003e \u003cspan\u003e (1993) is the anomaly. It has no literary precursor, contains no borrowed music, and is “freely chromatic” rather than Baker’s usual combination of tonality and atonality. Unlike the other works that are heavily driven by the percussion section, this one eschews even timpani. It essentially is a pastorale, though the composer disavows any programmatic intent, with suggestions of wind and sounds of nature, a storm, and a quiet dénouement. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eDuring the decade of these performances, Leonard Slatkin and the SLSO had a well-deserved reputation as promoters of new music, especially by native composers, and the orchestra was in superb shape, able to play anything that their composer might write for them. Vonk, who took over the podium in 1996, may not have taken to the idiom as naturally, but the orchestra still knew the way home and the Dutch maestro paces them most effectively. The execution of this bold, dramatic, and exceedingly challenging music is flawless, the moments of quiet and delicacy are sublimely poised, and even more to the advantage of the music, all is presented with absolute conviction. Recordings exist online of Indiana University ensembles playing this music—although \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eThe Mystic Trumpeter\u003c\/span\u003e \u003cspan\u003e seems to have disappeared for now—but good as they are—and the fine \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eShadows\u003c\/span\u003e \u003cspan\u003e is even conducted by Slatkin—none of the IU performances can match these in function or insight. The recordings themselves, the majority engineered by the late\/lamented William Hoekstra, are demonstration class, and reveal little of the very quiet audiences. I was present for at least three of these concert series, so for me there could not be a better tribute to Claude Baker or to his years with the SLSO than the release of these recordings. They should serve admirably to introduce the work of the composer to those not so fortunate, as well. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight:bold\"\u003eFANFARE: Ronald E. Grames \u003c\/span\u003e\u003cbr\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":49682402410776,"sku":"636943964224","price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2042837_469a5924-943c-48ab-a644-c56113cb02a5.jpg?v=1777585722","url":"https:\/\/hbdirect.com\/products\/baker-the-glass-bead-game-awaking-the-winds-shadows-t","provider":"HBDirect","version":"1.0","type":"link"}