{"title":"Weekend Spotlight: Chamber Music Showcase","description":"\u003csection dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan\u003eThis \u003cstrong\u003eWeekend Spotlight\u003c\/strong\u003e celebrates the intimacy, artistry, and expressive range of chamber music. Explore \u003cstrong\u003eJoseph Marx\u003c\/strong\u003e’s richly lyrical chamber works spanning three decades, from impressionistic early pieces to his radiant \u003cem\u003eSpring Sonata\u003c\/em\u003e; \u003cstrong\u003eJulius Katchen\u003c\/strong\u003e’s remarkable legacy as one of the great \u003cstrong\u003eBrahms \u003c\/strong\u003einterpreters, captured across solo, concerto, and chamber recordings; and\u003cem\u003e Camerata Tchaikovsky\u003c\/em\u003e’s intimate new perspectives on masterpieces by \u003cstrong\u003eMozart \u003c\/strong\u003eand \u003cstrong\u003eStrauss\u003c\/strong\u003e, reimagined for string septet!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThen, continue the journey with an \u003cstrong\u003eOutlet collection of titles\u003c\/strong\u003e featuring chamber music and recitals including \u003cstrong\u003eMonteclair, Schubert, Bach,\u003c\/strong\u003e and more—all \u003cstrong\u003e50% OFF\u003c\/strong\u003e for a limited time!\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/section\u003e\n\u003cp\u003e\u003cspan\u003eSale prices will appear on the product pages before an item is placed in the shopping cart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShop these great deals before they end on \u003cstrong\u003eMonday, August 24th at 9:00am ET.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"kurpinski-moniuszko-noskowski-works-for-string-quartet","title":"Kurpinski, Moniuszko \u0026 Noskowski: Works For String Quartet","description":"\u003cp\u003eProviding an overview of almost a century, this album reflects the aspirations of Polish nationalism through the works of three pivotal figures: Karol Kurpinski, whose Fantasy for String Quartet is both serious and ingenious in design, Zygmunt Noskowski, whose witty piece on a theme of Viotti includes the use of a polacca, and Stanislaw Moniuszko, whose quartets balance the hymnal with the rustic. 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A curious short passage for  \u003ci\u003epizzicato\u003c\/i\u003e at 8:53-9:08 is impassive and characterless. Moser and Huhn drive the pace of the  \u003ci\u003eFinale\u003c\/i\u003e:  \u003ci\u003ePresto\u003c\/i\u003e like a gale-force wind. Here Furtwängler’s writing encompasses dramatic emotional contrasts with extremely wide dynamics. Short passages of relative calm provide only a brief respite from the near frenetic writing. Rather abruptly the score ends with a sudden outburst of energy. \u003cbr\u003e    \u003cbr\u003e  Beethoven’s \u003ci\u003e Violin Sonata No. 8\u003c\/i\u003e, \u003ci\u003e\u003c\/i\u003esometimes known as the ‘ \u003ci\u003elittle G major\u003c\/i\u003e’, \u003ci\u003e\u003c\/i\u003eis the last in a set of three sonatas. Published as op. 30 in Vienna in 1803 the set bears a dedication to the monarch Tsar Alexander I of Russia. 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Lieder ohne Worte, \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eop.19a\/1,3,6 (arr. Piati); op.109 \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e• \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eAntonio Meneses (vc); Gérard Wyss (pn) \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e AVIE 2140 (72:45) \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eAs Chopin’s works for cello owe their genesis to his association with Franchomme, so Mendelssohn’s pieces were written with specific cellists in mind. The charming and brilliant \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eVariations concertantes\u003c\/span\u003e \u003cspan\u003e (1829) and the First Sonata (1838) were written for the composer’s talented younger brother, Paul. In the interim, Mendelssohn composed the charming \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003ealbumblatt, \u003c\/span\u003e \u003cspan\u003eknown as the \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eAssai tranquillo\u003c\/span\u003e \u003cspan\u003e, as a gift for his Düsseldorf colleague, Julius Rietz. The weightier Second Sonata, from 1843, is dedicated to Count Mateusz Wielhorski, who became a professional cellist on his retirement from the Russian army and eventually an important patron of music in St. Petersburg. Mendelssohn’s last work for cello and piano, the poetic \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eSong without Words\u003c\/span\u003e \u003cspan\u003e, op 109, is dedicated to Lisa Cristiani, one of the few women cellists of the time. Three of the piano solo \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eSongs without Words\u003c\/span\u003e \u003cspan\u003e, transcribed by the cellist Alfredo Piatti, who was much admired by Mendelssohn when they met in London, are interspersed among the original works on this disc. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003e The distinguished Antonio Meneses—a celebrated soloist and, since 1998, cellist with the Beaux Arts Trio—is a near-ideal interpreter of this important Romantic repertoire. Commanding a rich and varied tonal palette, Meneses approaches Mendelssohn’s essentially lyric expression with poise and equilibrium. This does not mean that passion and drama are given short shrift. In the Scherzo of the D-Major Sonata, the cunning pizzicatos verge on the sinister, only to be dispelled by the flowing cantabile of the trio. 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