{"title":"Weekend Specials: New \u0026 Noteworthy","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDiscover what’s new with this weekend’s New \u0026amp; Noteworthy collection! Explore\u003cstrong\u003e 150+ recent releases\u003c\/strong\u003e, all\u003cstrong\u003e 15% off\u003c\/strong\u003e for a limited time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDig into the latest from \u003cstrong\u003eVerve, Decca, Deutsche Grammophon, Blue Note Records, Warner Classics,\u003c\/strong\u003e and more, with plenty of jazz favorites and vinyl selections to discover. Explore new recordings featuring \u003cstrong\u003eAndrea Bocelli, \u003c\/strong\u003ethe \u003cstrong\u003eShanghai Philharmonic Orchestra, Tenebrae\u003c\/strong\u003e, and other acclaimed performers, alongside works by \u003cstrong\u003eMozart, Liszt, Bach\u003c\/strong\u003e, and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eSave 15% on the entire New \u0026amp; Noteworthy collection this weekend, plus enjoy FREE SHIPPING on orders over $60.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShop now before this deal ends on Monday, September 28th, 2026 at 9:00AM!\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"looking-at-bird-1","title":"Looking At Bird","description":"“...a serious meditation in the Parker universe: Shepp accompanied only by the extraordinary bass of intuitive Niels-Henning Ørsted Pedersen... 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Attached to his home land he declined an invitation to move to Moscow, and he stayed the rest of his life in his native Kiev, where he became a highly respected composer and teacher.  - Shamo wrote orchestral works, chamber music, songs and works for film and theatre. His piano works however form the core of his oeuvre. His musical language is tonal and based on classical principles (his favourite composer was J.S. Bach). The melodies have a strong narrative character, the harmonies are based on classical and popular modes, enriched by chromaticism and jazz. All his works are rooted in the rich folklore of his native country Ukraine, the moods alternating between melancholic sadness and gloom and dance-inspired frenzy.  - Dimitri Tchesnokov is an excellent pianist and an important composers himself as well. His works are increasingly noted, especially his haunting and mystical choral works. 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Abel is best known for his partnership with Johann Christian Bach in organizing the famous Bach-Abel Concerts (1765-1781), the first subscription concerts in London, which greatly influenced the city's musical culture. These gatherings introduced audiences to both established and contemporary works, laying foundations for the public concert tradition. Abel's music reflects the elegance and clarity of the galant style, bridging the late Baroque and early Classical periods. His compositions emphasize lyrical melody, balanced phrasing, and transparent textures, qualities that made them appealing to both connoisseurs and amateur performers.  This 3CD set offers reissues of successful Brilliant Classics recordings with works by Abel: works for flute and orchestra, a symphony, concertos for harpsichord, viola da gamba and orchestra, trio sonatas and sonatas for viola da gamba and B.C.  Performers include Nordic Affect (Georgia Brown), La Spagna Baroque Orchestra (Alejandro Marias) and viola da gamba player Marco Casonato and Massimo Marchese (Theorbo).  'Affectionate explorations of seldom performed pieces by mid-18th century composer' (BBC Music Magazine about Nordic Affect).","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":52434493931800,"sku":"5063758700504","price":14.44,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4517502-3605827.jpg?v=1784889602"},{"product_id":"j-s-bach-clavierubung-dritter-theil","title":"J.S. Bach: Clavierubung dritter Theil","description":"Published in 1739, Johann Sebastian Bach's Dritter Teil der Clavierubung (Third Part of the Keyboard Practice) is one of the most profound monuments of organ literature. Conceived as a theological and musical summa, this cycle of chorale preludes framed by a majestic Prelude and Fugue reflects Bach's deep Lutheran faith and his consummate mastery of counterpoint. Intended 'for amateurs and especially for connoisseurs for the recreation of the spirit,' it invites us into a world where intellect and devotion meet in perfect harmony.  This collection is not merely a set of organ pieces-it is a spiritual architecture in sound. Every element, from it's opening tri-thematic Prelude to it's closing five-voice Fugue, is imbued with symbolism, theological meaning, and artistic grandeur. For Bach, music was never just ornament; it was a language of faith, capable of expressing the mysteries of doctrine with clarity and beauty.  Bach's models for this work were inspired from two great traditions: Italian Liturgical Collections - Above all, Girolamo Frescobaldi's Fiori Musicali (1635), which provided organ music for the Catholic Mass. Frescobaldi's influence is evident in the structural parallels: preludes before the service, organ verses alternating with chant, and pieces for specific liturgical moments. The other influence is the French Baroque Livres d'Orgue - Especially Nicolas de Grigny's Premier Livre d'Orgue (1699), which Bach copied in his youth, and Francois Couperin's organ masses. These works introduced Bach to the elegance of French ornamentation, the grandeur of the plein jeu, and the expressive possibilities of contrasting registrations. Bach absorbed these influences and reimagined them within the Lutheran framework, creating a cycle that parallels the structure of the Mass but substitutes chorales central to Reformed doctrine. In doing so, he forged a synthesis of Italian rhetorical expressiveness, French coloristic refinement, and German contrapuntal rigor.  Played with intense devotion and understanding by Sergio Vartolo. Sergio Vartolo is an Italian organist, harpsichordist, and conductor known for his expertise in early music, especially the works of Baroque composers. Born in Bologna in 1944, he studied organ, composition, and musicology, developing a deep interest in historically informed performance. Vartolo has performed widely across Europe and recorded extensively, bringing renewed attention to lesser-known Italian composers. His interpretations combine scholarly research with expressive musicianship, making him an influential figure in the early music movement.","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":52434493964568,"sku":"5063758700320","price":12.74,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4517501-3605826.jpg?v=1784889607"},{"product_id":"new-music-for-two-voices","title":"New Music for Two Voices","description":"Sopranos Susan Narucki and Kirsten Ashley Wiest team up for an illuminating collection of music for two voices by a range of composers. 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Barbirolli was a passionate advocate of Elgar's music, but also of Bruch's, whose Kol Nidrei Astrig has recorded-'one of the most beautiful works ever written for the cello,' says the cellist, who is accompanied by the London Symphony Orchestra under the baton of Francois-Xavier Roth. Also on the program, this time with her friend Nathanael Gouin at the piano, is the sonata by Britten, who declined the title of 'Sir' but was a Lord","brand":"Alpha","offers":[{"title":"CD","offer_id":52462327890200,"sku":"3701624512173","price":17.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4520472-3614333.jpg?v=1785499826"},{"product_id":"marcello-psalm-xvii","title":"Marcello: Psalm XVII","description":"Benedetto Marcello (1686-1739) was an Italian composer, writer, and magistrate of the late Baroque period. Born in Venice into a noble family, Marcello was expected to pursue a career in public service rather than music. Nevertheless, he received an excellent musical education and developed into one of the most respected composers of his time. Although he held various governmental positions in the Republic of Venice and later served as a governor in cities such as Pola and Brescia, Marcello remained deeply devoted to music throughout his life.  Marcello is particularly known for his collection Estro Poetico-Armonico (Poetic-Harmonic Inspiration), published between 1724 and 1727. This monumental work consists of musical settings of the first fifty Psalms, based on Italian poetic paraphrases by the writer Girolamo Ascanio Giustiniani. The collection was highly admired across Europe because of it's expressive style and it's blending of sacred tradition with contemporary musical language. Marcello combined elements of Gregorian chant, Baroque harmony, and operatic expressiveness, creating works that were both devotional and dramatically vivid.  One of the pieces from this collection is Psalm XVII a tres, written for three voices and basso continuo. The term a tres indicates that the work is composed for three vocal parts, often performed by combinations such as soprano, alto, and bass. In this psalm setting, Marcello demonstrates his ability to write clear yet expressive vocal lines. Each voice contributes to a transparent polyphonic texture, where the text remains understandable while the music retains harmonic richness.  The composition reflects the emotional depth of the psalm text, which expresses a plea for divine justice and protection. Marcello emphasizes these themes through expressive melodic contours and carefully shaped phrasing.   Performed by Ensemble Salomone Rossi, conducted by Lydia Cevidalli, with an instrumental ensemble consisting of violin, cello, double bass, violone, theorbo and harpsichord, playing together with the Odhecaton vocal ensemble.","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":52462361510168,"sku":"5063758700290","price":11.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4520489-3614360.jpg?v=1785501466"},{"product_id":"the-landscape-of-clara-schumann","title":"The Landscape of Clara Schumann","description":"The Landscape of Clara Schumann unfolds like a finely drawn musical panorama: a recording that combines historical resonances, personal perspectives, and contemporary sound to create a multi-layered overall picture. Pianist Heike-Angela Moser - a descendant of Clara Schumann- dedicates herself here in a special way to the legacy of her ancestor; not in the form of a nostalgic retrospective, but as a lively, artistic exploration of origins and the future. A central element of this recording is the 1859 Schiedmayer fortepiano, whose historical character and fine timbre allow the repertoire to shine with a rarely heard authenticity. The Landscape of Clara Schumann is a poetic journey of sound: a dialogue between generations, between memory and renewal, between the historical breath of an instrument and the living voice of it's contemporary interpreter.","brand":"Coviello","offers":[{"title":"CD","offer_id":52462361674008,"sku":"4039956926085","price":17.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4520502-3614345.jpg?v=1785501476"},{"product_id":"mogens-christensen-growing-darkness-1","title":"Mogens Christensen: Growing Darkness","description":"For over four decades, Mogens Christensen (b. 1955) has crafted a unique musical world where the fluidity of dreams meets an aphoristic, crystalline concision. His works often draw on tangible inspirations - natural phenomena, Nordic myths, or literary echoes - guiding the listener through landscapes of intense atmospheric depth. From the 'friendly apparitions' of \"Nordic Summer Ghosts\" to the subterranean rivers of the monumental \"Flumina mortis,\" this release showcases a composer who perfectly balances Arcadian poetry with a modern, functional clarity.","brand":"Dacapo Classical","offers":[{"title":"CD","offer_id":52464941564184,"sku":"747313697427","price":13.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4507201-3562897_3dabe43d-0fa5-47d4-aa7d-f4c95bc24e66.jpg?v=1785588183"},{"product_id":"mozart-don-giovanni-32","title":"Mozart: Don Giovanni","description":"Ivan Fischer and Channel Classics release a recording of Mozart's Don Giovanni with the Budapest Festival Orchestra. Recorded live in October 2025 at the spectacular Teatro Olimpico in Vicenza, this is the first volume of a Mozart trilogy, with The Magic Flute and The Marriage of Figaro to follow in the coming years. With a dream duo (Andre Schuen as Don Giovanni and Luca Pisaroni as Leporello) and a first-rate cast, Ivan Fischer presents his vision of Mozart's masterpiece: 'In a nutshell the first two bars of this opera describe the story: the fight between order and rebellion. The basses repeat their constant bottom note three times, finally overpowering the revolutionary syncopations of the violins. The energetic, defiant violin notes represent Don Giovanni, the man, who doesn't accept any rules, who doesn't know limits. He follows his own instincts, uses and misuses his power, his wealth, his servant, to follow one goal only: his passion. On this journey he kills, he hurts, damages others, without any remorse or even second thoughts. He is perfectly free, happy, liberated from inner doubts and outer control, from all the regulations of what we call morality.'","brand":"Channel Classics","offers":[{"title":"CD","offer_id":52485925568792,"sku":"723385499268","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4520492-3614380.jpg?v=1786106188"},{"product_id":"j-s-bach-kothener-trauermusik","title":"J. S. Bach: Kothener Trauermusik","description":"For it's first album on Linn, Solomon's Knot performs one of Bach's most fascinating works. Although not a single note of the Kothener Trauermusik survives, almost every other detail of the performance does: we know it's date, the first performers, the librettist and the libretto. Reconstructed by Chad Kelly from various sources, chief among them Bach's first version of the Matthaus-Passion, this work was commissioned for both performance and this live recording by Solomon's Knot. Kelly's reconstruction does not claim to be definitive; such certainty is unattainable and beside the point. Instead, he uses carefully considered creative licence to bring to life two elements central to the original: the sincerity of the text, and the context of the occasion for which it was written. As 'one of the UK's most innovative and imaginative ensembles' (The Observer), the Baroque music collective Solomon's Knot is in full swing in this performance recorded at the Dreieinigkeitskirche during the Tage Alter Musik Regensburg festival.","brand":"Linn Records","offers":[{"title":"CD","offer_id":52517620941080,"sku":"691062078825","price":25.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4523803-3630142.jpg?v=1786706726"},{"product_id":"the-earth-trembled","title":"the earth trembled","description":"Signum Quartett presents the album the earth trembled, recontextualising the visionary string quartets of Leos Janacek alongside the striking String Quartet Op. 8 by Vitezslava Kapralova. Janacek's lifelong engagement with folk traditions shaped these works profoundly; he lays bare an extraordinary spectrum of feeling, exposing the innermost reaches of his psyche with an almost unsettling immediacy, music in which the earth really does tremble. Set against this, Kapralova's quartet offers balance: a strikingly youthful yet assured voice emerging from the same cultural milieu, opening an equally compelling emotional range. Interspersed throughout are fragments of Janacek's folk song arrangements and intimate miniatures from his album for Kamila Stosslova, whose absent voice subtly haunts the programme, weaving a fragile, imagined narrative between the works.    This recording offers a fresh perspective on works that have accompanied the Quartett for many years and remain among the most emotionally overwhelming in the repertoire. Signum Quartett is frequently hailed as one of the most adventurous and outstanding ensembles of today. This is the quartet's fourth album with PENTATONE, after the Schubert cycle including Aus der Ferne (2018), Ins stille Land (2020), and Lebensmuth (2023).","brand":"PENTATONE","offers":[{"title":"CD","offer_id":52517675925784,"sku":"8717306265270","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4523821-3630183.jpg?v=1786707624"},{"product_id":"handel-reimagined","title":"Handel Reimagined","description":"All music on this album is composed and arranged by Clara Ponty and inspired by the famous works of George Frideric Handel and additional arrangements by Pierre Doursout and Gladsome Passacaille by Johan Halvorsen and Clara Ponty. The album is co- produced by Clara Ponty and Pierre Doursout. Recorded, mixed and mastered by Julien Basseres.  Clara Ponty is a classically trained pianist, singer, and composer with an eclectic body of work presented across six albums.  Daughter of Jean-Luc Ponty, a pioneer and undisputed master of violin in the arena of jazz and rock, Clara's diverse background, including exposure to a broad world of music from an early age, along with residences in different countries and cultures, is the source of inspiration for the development of her wide-ranging output.  All works are inspired by wellknown Suites, Minuets and of course one of his most famous works: Water Music. Clara Ponty revived the music in her own way and gave it all her own twist: 1. Sweet Gigue; Inspired by Handel's Suite in E Minor-Gigue G.162, 2. Sarabande Reimagined; Inspired by Handel's Suite in D minor-Sarabande G.110, 3. Baroque Andante; Inspired by Handel's Suite in D Minor-Presto G.117 and more to discover!   'I want to give new life to this exceptional music. My hope is that this album will be perceived as a bridge, proving that classical music is not a niche genre, but a universal emotion.' - Clara Ponty    - When Baroque Meets Modernity: Composer-Pianist Clara Ponty unveils her album 'Handel Reimagined'   - How can we breathe new contemporary life into the legacy of George Frideric Handel? With her new album 'Handel Reimagined, ' pianist and composer Clara Ponty offers a bold and intimate reinterpretation of the Baroque repertoire.   Born out of the isolation of lockdown and a prestigious invitation to the city of Halle in Germany (Handel's birthplace), this opus breaks down the boundaries between eras, making classical music accessible to all generations.  - Handel Reimagined - All works are inspired by well-known Suites, Minuets and of course one of his most famous works: Water Music. Clara Ponty revived the music in her own way and gave it all her own twist.","brand":"NEO CLASSICS","offers":[{"title":"CD","offer_id":52517676187928,"sku":"5063758200059","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4523808-3630120.jpg?v=1786707628"},{"product_id":"stravinsky-music-for-piano-orchestra","title":"Stravinsky: Music for Piano \u0026 Orchestra","description":"The works for piano and orchestra by Igor Stravinsky (1882-1971) represent a distinctive part of his output and reflect his evolving musical style during the early twentieth century. Although Stravinsky is widely known for his revolutionary ballets such as The Rite of Spring, his compositions featuring piano and orchestra demonstrate his interest in rhythm, clarity, and neoclassical form.  The most significant of these works is the Concerto for Piano and Wind Instruments (1923-24). Unlike the traditional Romantic concerto that pairs the piano with a full symphony orchestra, Stravinsky scored this piece for piano and a large ensemble of winds, brass, timpani, and double basses. The absence of strings creates a bright, sharp sound that highlights the percussive nature of the piano. Stravinsky himself often performed the solo part, and the concerto reflects his own technical abilities as a pianist. Structurally, the work follows a clear three-movement design-Largo, Allegro, and Largo-blending Baroque inspiration with modern rhythmic vitality.  Another important composition is the Capriccio for Piano and Orchestra (1928-29). Written again for Stravinsky's own performances, this piece is lighter and more playful than the earlier concerto. It consists of three continuous sections and features brilliant piano passages combined with lively orchestral textures. The title 'Capriccio' suggests a free and imaginative character, which is evident in the work's energetic rhythms and witty musical gestures. The orchestration includes a full orchestra, producing a richer sound than the wind-dominated concerto.  Also presented are a selection of shorter works for piano solo: Tango, Ragtime, Circus Polka, Piano Rag Music, Valse pour les enfants: quasi-popular music, infused with Stravinsky's unique rhythms, dissonances and wit.   Giuseppe Andaloro (Palermo, 1982) is one of the most acclaimed Italian pianists of his generation. Winner of prestigious international competitions - including the Ferruccio Busoni (Bolzano). He has performed in some of the world's leading venues: Teatro alla Scala and Sala Verdi in Milan, Teatro San Carlo in Naples, Mozarteum in Salzburg, Konzerthaus Berlin, Salle Gaveau in Paris, Royal Festival Hall in London, Sumida Triphony Hall in Tokyo, Esplanade in Singapore, Concert Hall in Hong Kong. He has appeared at renowned festivals such as the Salzburg Festival, Ruhr Piano Festival, Spoleto Festival dei Due Mondi, George Enescu Festival, Ravello Festival, and Beirut Al Bustan. As soloist, he has collaborated with orchestras such as the London Philharmonic, NHK Symphony (Tokyo), under the direction of conductors like Vladimir Ashkenazy, Gianandrea Noseda, and Andrew Parrott.","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":52517676384536,"sku":"5063758966160","price":12.74,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4523757-3630124.jpg?v=1786707632"},{"product_id":"erno-dohnanyi-symphony-no-2-ruralia-hungarica","title":"Erno Dohnanyi: Symphony No. 2; Ruralia Hungarica","description":"Ernst von Dohnanyi was one of the most versatile and influential musicians of his time but his works are now seldom played. A gap which Capriccio want to fill now with this already eight recording of his late romantical, sensual music, deeply rooted in the Austro-German classical tradition. His Symphony No. 2 is a colossal work, lasting around an hour and calling for an extraordinarily large orchestra. The composition coincided with his departure from war-torn Hungary during World War II. 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As tradition dictates, the programme begins with Prokofiev's Symphony-Concerto performed by First Prize winner Ettore Pagano, followed by Lutoslawski's Cello Concerto performed by Second Prize winner Tae-Yeon Kim. These are followed by Barber's Cello Concerto performed by Third Prize winner Leland Ko and Shostakovich's Cello Concerto performed by Fourth Prize winner alvaro Lozano Cames.    A full disc of chamber music extends the journey, ranging from Josef Suk to Kaija Saariaho, and featuring Harold Noben's compulsory work alongside other highlights from the competition.  The programme then returns to the orchestral repertoire with concertos by Anton Kraft and Leopold Hofmann, before concluding with Four Odes to the Tidings of Flowers by Fang Man, the compulsory work of the final round.    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In a generous 85-minute survey, the pianist Matteo Cardelli presents piano music composed over a period of exactly 150 years by musicians who are all related (either by blood or by marriage) to Alexander Scriabin (1872-1915). Scriabin took his first lessons at the piano with his mother, who had studied with the renowned pedagogue Theodor Leschetitzky at the conservatoire in St Petersburg.   This chronologically ordered recital presents some of the striking pieces from his adolescence, including a pair of fugues and a more elaborate Fantasy in A minor, The most extensive piece on the album is the little-known 'Symphonic Allegro' which Scriabin wrote in 1896, possibly as the first movement of a never-completed symphony, and which Leonid Sabaneyev then transcribed (after the composer's death) as a Poeme en forme d'une sonate.   Julian was the sixth of Scriabin's seven children, born in 1908 to his mistress Tatiana Shlotzer; Paul de Schlozer was Tatiana's uncle. Julian drowned in the Dnieper river at the age of just 11;the maturity of those few compositions he left is all the more remarkable: the Prelude Op.2 is the longest and most complex of them, alternating a hypnotic, suspended harmonic sequence with a tumultuous Presto, and thus evoking the same fantastical world created by his father in later compositions such as the Fifth Piano Sonata.   Also born to Tatiana was Marina, the last of Scriabin's children, in 1911. Living until 1998, she composed this rigorously ordered, atonal set of theme and variations at some point in the 1940s. Daniel Lazarus was Scriabin's grandson, born to his fifth child Ariadna, and his set of Six Pieces reflect the turbulent era of their composition in the early 1920s, evoking styles from Schubert to Prokofiev. Robert Cornman married Ariadna's eldest daughter, Tatiana-Myriam; his Sonata brevis owes something to Copland. 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His unusual programme consists of nine sets of variations on Christmas melodies by four French composers, one Franco-Lebanese and an Englishman using what is probably the only well-known Ukrainian tune. The meeting of old and new in these variations shows off the splendours of the new instrument, the virtuosic writing ranging from gossamer delicacy and sumptuous harmonies to statements of colossal power.","brand":"Toccata","offers":[{"title":"CD","offer_id":52517678612760,"sku":"5060640070486","price":17.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4523833-3630114.jpg?v=1786707780"},{"product_id":"48-north-caldara-from-venice-to-vienna","title":"48° North - Caldara, from Venice to Vienna","description":"In Celtic mythology, the 'Banshee' is a messenger between worlds. 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There, Caldara joined a cosmopolitan and flourishing milieu, where the influence of travelling musicians such as Georg Muffat had already paved the way for a dialogue between Italian and Germanic styles.","brand":"Alpha","offers":[{"title":"CD","offer_id":52517678579992,"sku":"3701624512609","price":17.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4523733-3630099.jpg?v=1786707776"},{"product_id":"fevrier-pieces-de-clavecin-1re-livre-paris-1734-secon","title":"Fevrier: Pieces de Clavecin, 1re livre (Paris, 1734) \u0026 Secon","description":"Pierre Fevrier (1696-1760) was a French composer and harpsichordist active during the late Baroque period, a time when France cultivated a highly refined keyboard tradition.   Fevrier served as organist at the Abbey of Saint-Germain-des-Pres in Paris, a prestigious position that placed him within an important musical and cultural center. His work reflects the elegance and ornamentation characteristic of French Baroque music, while also demonstrating a personal sensitivity to melody and structure.  Fevrier's writing is firmly rooted in the French harpsichord tradition as shaped by Louis Couperin and d'Anglebert, codified by Francois Couperin, and enriched by Rameau's harmonic innovations. Like his contemporaries, Fevrier adopts the structure of the suite or ordre, based on sequences of stylized dances-Allemande, Courante, Sarabande, Gigue, Minuet, Gavotte-augmented by character pieces with evocative titles (La Sonore, La Delectable, L'Intrepide).  At the same time, his musical language reveals a perceptible evolution: textures become clearer, and often more homophonic, melodic lines grow increasingly songful, and counterpoint-still present-is never ostentatious. It yields primacy to a measured eloquence in keeping with the French ideal of bon goût. This aesthetic of restraint situates Fevrier at the threshold between late Baroque and emerging galant style, without ever abandoning the formal rigor inherited from his predecessors.  This is another enterprising recording by Fernando de Luca, who has done a great deal to revive forgotten names from 18th-century music with complete surveys of their music on Brilliant Classics, among them Dufour, Foucquet, Jollage, Gravier and Siret.  '[De Luca] thinks outside of the box, and he clearly is a man with discerning tastes. These extend to his playing, which is clear-headed and disciplined, but never rigid. 'Charm' is such an overused word, but I cannot think of a better one to describe this music and these performances.' (Fanfare on the Jollage album, January 2024).  Fernando de Luca plays a French harpsichord after Blanchet (1754).","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":52517678678296,"sku":"5063758976428","price":12.74,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4523759-3630126.jpg?v=1786707780"},{"product_id":"c-p-e-bach-cello-concertos-2","title":"C. P. E. Bach: Cello Concertos","description":"The Canadian-American cellist Elinor Frey performs and conducts Carl Philipp Emanuel Bach's three cello concertos with the Accademia de' Dissonanti. These dramatic works, rich in turbulent exchanges yet also in tender moments, bear witness to C. P. E. Bach's fiery imagination, where emotion and melody take precedence. In Bach's time, personalising a performance was both common and expected. The question of 'how a cellist premiering these works would have approached these concertos' lies at the heart of this recording. Drawing on a vocabulary of ornamentation and melodic analysis derived from the music of the composer and his contemporaries, Frey has reconstructed the social milieu and instrumental practice of Bach's time, in order to approach the way in which this music was once heard and felt.","brand":"Channel Classics","offers":[{"title":"CD","offer_id":52517678711064,"sku":"723385504269","price":17.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4523767-3630152.jpg?v=1786707784"},{"product_id":"alessandro-antonio-rolla-chamber-music-with-clarinet","title":"Alessandro \u0026 Antonio Rolla: Chamber Music with Clarinet","description":"Alessandro Rolla (1757-1841) was widely acknowledged in his time as a violin and -especially- viola virtuoso, composer and teacher. He gained great fame as a teacher of Paganini and some of the technical innovations that Paganini later used, such as left-hand pizzicato, chromatic ascending and descending scales, the use of very high positions on violin and viola, octave passages, were first introduced by Rolla.   In 1782 Alessandro Rolla was appointed principal viola and the leader of the Ducale Orchestra in Parma, playing violin and viola until 1802. He travelled around Europe both as a soloist and conductor and became known also abroad. His works were published in Paris and Vienna.   In 1802, Rolla was offered a position as leader and orchestra director of the La Scala Orchestra in Milan, where he remained until 1833. Here he conducted the first Milanese performances of Mozart's Don Giovanni, Così fan tutte, Clemenza di Tito and Nozze di Figaro and Beethoven's first Symphonies. During this period he also conducted about eighteen operas of the then most loved opera composer, Gioacchino Rossini, as well as operas by Donizetti and Bellini, whom he got to know personally.  Rolla's compositions are characterized by elegant melodies, clear structures, and increasing emotional depth, bridging the clarity of Wolfgang Amadeus Mozart and the expressive intensity that would later define Ludwig van Beethoven.  This delightful program presents chamber music in which the clarinet plays the leading role: a sextet, several duets of clarinet with other instruments, and a concerto for basset horn and string quartet.   Brilliantly performed by Luigi Magistrelli, one of the leading clarinet players of Italy, seconded by a fine selection of Italian soloists. Magistrelli made many recordings for Brilliant Classics with works by C.P.E. Bach (95307), Giuliani (95541), Kummer (94472), Archduke Rudolph (94952), Rebay (94171) and Fuchs (96305). 'Luigi Magistrelli is a skilled artist, with the fingers and the enthusiasm for Weber.' Gramophone.","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":52517678973208,"sku":"5063758977296","price":11.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4523762-3630129.jpg?v=1786707788"},{"product_id":"donizetti-bellini-rossini-opera-arias","title":"Donizetti, Bellini, Rossini: Opera Arias","description":"The Chinese baritone Wang Huandong has conquered stages across Europe with golden tone, magnificent projection and dynamic stage presence. In this debut recital on record, he presents a personal selection of arias from the bel canto repertoire, including both audience favourites and rarities.   Having graduated from his initial training in Beijing, Wang Huandong continued his studies with the tenor Angelo Lofrese. He won prizes in several European competitions before making impressive debuts with major companies such as the Arena di Verona and the Opera National de Bordeaux. He is undoubtedly one of the most exciting operatic talents to emerge from China in recent years, and has specialised in the Romantic Italian tradition from Donizetti to Puccini.   This album thus makes a captivating showcase for Wang Huandong, and for the full range of his technical abilities and musicianship. The authenticity of it's style is further enhanced by the participation of the Orchestra Filarmonica della Calabria, who are steeped in this style. The conductor Filippo Arlia has his own extensive experience in the field of Italian opera; as does the producer Ra?aele Cacciolla, the resident sound engineer for the Opera alla Scala in Milan.   The album opens with the showpiece for Enrico in the first act of Donizetti's Lucia di Lammermoor. The sombre atmosphere of 'Cruda e funesta smania' dissolves into the furious outburst of virtuosity in the cabaletta, 'La pietade in suo favor'. Much less familiar is the first-act scena for Severo in Donizetti's Poliuto. Then the aria 'Resta immobile' captures the moment of highest tension at the heart of Rossini's Guillaume Tell, as the eponymous hero attempts to shoot an apple placed on the head of his son.   Wang Huandong returns to Donizetti for a pair of contrasting scenes from La Favorita, and then the superb Romanza from the composer's final opera, Dom Sebastian. On more familiar territory, he also presents 'Ah per sempre io ti perdei' from Bellini's last opera, I Puritani. Further demonstrations of Wang Huandong's versatility, adventurousness and Italianate feeling include excerpts from Bellini's Il pirata and Donizetti's Il duca d'Alba, before this showcase concludes in time-honoured fashion with the celebrated 'Largo al factotum' from Rossini's Il barbiere di Siviglia.","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":52517679268120,"sku":"5063758701075","price":11.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4523755-3630122.jpg?v=1786707788"},{"product_id":"torsten-mossberg-sings-olle-adolphson","title":"Torsten Mossberg sings Olle Adolphson","description":"Olle Adolphson (1934-2004) is one of the most important representatives of the Swedish ballad during the second half of the 20th century. He wrote long series of ballads that are loved by the Swedish people. Many of them have become so well-known that they can now almost be considered Swedish folk songs. Olle was inspired by and associated with great cultural figures of the time such as Evert and Sven Bertil Taube, Lars Forssell, Beppe Wolgers, Carl Fredrik Reutersward, Stig Claesson, Monica Zetterlund, Monica and Carl-Axel Dominique and others.","brand":"Sterling Records","offers":[{"title":"CD","offer_id":52517679464728,"sku":"7393338188421","price":17.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4523825-3630159.jpg?v=1786707795"},{"product_id":"stranger-sainton","title":"Stranger Sainton","description":"This album is built around a remarkable instrument: the Guarneri del Gesù 'Sainton Betti' violin, once played by Prosper Sainton. More than a solo voice, the violin shapes both the repertoire and the narrative of the project.    From this starting point a journey through the golden age of the Romantic violin unfolds. Works by Niccolo Paganini, Gioachino Rossini, Hector Berlioz and Richard Strauss reflect the musical world Sainton inhabited, while bringing renewed attention to this fascinating yet overlooked figure.    At the heart of the project, violinist Dmitry Smirnov reveals the instrument's full expressive range, joined by Victor Jacob and the Kammerorchester Basel. Together, they create a vivid dialogue between soloist and orchestra. A programme that connects repertoire, instrument and history into a single, coherent musical narrative.","brand":"Fuga Libera","offers":[{"title":"CD","offer_id":52517679431960,"sku":"5400439008748","price":17.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4523796-3669000.jpg?v=1786707791"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/collections\/ChatGPT_Image_Sep_25_2026_11_29_19_AM.png?v=1790355077","url":"https:\/\/hbdirect.com\/collections\/weekend-specials-new-noteworthy.oembed?page=9","provider":"HBDirect","version":"1.0","type":"link"}