{"title":"The Passions Sale 2026","description":"\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eOver 120 titles\u003c\/strong\u003e featuring astounding Passions are on sale now at \u003cem\u003eHBDirect\u003c\/em\u003e!\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eDiscover Passions from composers such as \u003cstrong\u003eBach\u003c\/strong\u003e, \u003cstrong\u003eHandel\u003c\/strong\u003e, \u003cstrong\u003eTelemann \u003c\/strong\u003eand more!\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eShop the sale now before it ends at\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e9:00am ET, Tuesday, April 7th, 2026.\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"wagner-tristan-isolde-an-orchestral-passion","title":"Wagner: Tristan \u0026 Isolde - An Orchestral Passion","description":"\u003cp\u003eThis new recording from the Staatskapelle Weimar under Hansjörg Albrecht presents a rarely heard compilation of Richard Wagner’s themes from Tristan und Isolde, arranged for orchestra by Henk de Vlieger. 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The two main choruses \"Herr, unser Herrscher\" and \"Ruht wohl, ihr heiligen Gebeine\" form the beginning and culmination of a large-scale orchestral and vocal structure in which Bach reveals his absolute mastery of polyphony. Inwardly reflective chorales are as much interwoven into the events of the Passion as the haunting arias which comment on the biblical texts of the Gospel of St. John. Throughout this solemn Passion oratorio, there is a constant emphasis on Baroque musical magnificence. What makes this live recording of the concert version in March, 2015 so special? 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Osvaldo Golijov´s Pasión Según San Marcos is the work of one who moves back and forth between different worlds. His work unites the music of South America, Cuba, the West and Jewish tradition to produce an unconventional conception of a “Passion“. 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Now in a romantic era with a symphonic sized orchestra and choir, he remodelled both the role of the Evangelist and soloists, compacting the Passion’s length by some 30 percent. \u003cbr\u003e\u003cbr\u003eAfter his death in 1847 Mendelssohn’s ‘edition’ of the Passion lay fallow with his heirs in London, his grandson eventually bequeathing it to the Bodleian Library in Oxford. 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The starting point for the partial reconstruction attempt and the completion of the work is the surviving libretto by the poet Picander from 1725. This unique endeavor draws the audience into a profound exploration of human empathy with the poignant suffering of Jesus and sheds light on a passion aesthetic we had not seen previously in Bach's repertoire.\u003c\/p\u003e","brand":"Passacaille","offers":[{"title":"CD","offer_id":48335260909848,"sku":"5425004841520","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4302768-3148274.jpg?v=1778802338"},{"product_id":"aumann-oratorium-de-passione-domini-nostri-jesu-christi-ars-antiqua-austria-gunar-letzbor","title":"Aumann: Oratorium De Passione Domini Nostri Jesu Christi  Ars Antiqua Austria, Gunar Letzbor","description":"\u003cp\u003eIt was a sensational find in many respects when Gunar Letzbor discovered the Passion by the composer and Augustinian canon Franz Joseph Aumann in the archives of St. Florian's Abbey (near Linz, Austria) and other monasteries. 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Gibbs charges into it with brawn, while Gonzalez interprets Tyner aggressively, passionately, with modern flourishes and a driving style. Essiet is intriguing to say the least, in a support role, diving into a blend of traditional, contemporary and fusion lines that push the arrangements into some truly dazzling areas. It is all ridiculously high energy. Gonzalez takes control on the rapturous \"Naima\"; Gibbs and Essiet drive the opening tunes, \"Fly With the Wind\" and the subsequent track, \"Just Feelin'.\" Together, the trio embraces the elan, the spirit of Tyner, without succumbing to cliches. The material sings, thanks to the high energy performances you'd expect from each of these musicians. They've proven themselves on their independent projects, and they prove themselves as a trio on \u003cem\u003ePassion Reverence Transcendence.\u003c\/em\u003e\u003c\/p\u003e","brand":"Whaling City Sound","offers":[{"title":"CD","offer_id":48845555302680,"sku":"687606010222","price":18.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3781459.jpg?v=1721361625"},{"product_id":"martinu-the-greek-passion","title":"Martinu: The Greek Passion","description":"Bohuslav Martinu's opera The Greek Passion, here in the 1961 version, is based on the novel The re-crucified Christ by Nikos Kazantzakis. The opera develops the Christian doctrine of \"love thy neighbour\" ad absurdum, as a group of refugees are driven out of a little Greek village just as the village is putting on a Passion play for Holy Week. The opera is a pessimistic plea for humanity, made in the awareness that humanity must always wrestle anew with it's own egoism. Director Simon Stone \"creates a modern parable, somehow both contemporary and timeless.\" (The Times) For the last of his 16 operas, Martinu developed a tonal language which combined his early musical experiences with elements of Greek folklore, Greek Orthodox liturgy and dance music. Maxime Pascal, the 2014 winner of the Salzburg Festival's annual Young Conductors Award and at the podium of the Wiener Philharmoniker for the first time, \"unfolds a musical and dramatic intensity that makes your hair stand on end, both in the tender outbursts and the violent ones. A maestro of his time.\" (Le Figaro)    \"A highlight of this year's Salzburg Festival\" The Times  The Greek Passion elected \"BEST PERFORMANCE OF THE YEAR 2023\" OPER! Awards 2024  \"This opulence and the playing of the overall grippingly coherent ensemble hits one to the core.\" Neue Musikzeitung","brand":"UNITEL Edition","offers":[{"title":"Blu-Ray","offer_id":48946336137496,"sku":"810116910908","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4357820-3205684.jpg?v=1777499010"},{"product_id":"martinu-the-greek-passion-1","title":"Martinu: The Greek Passion","description":"Bohuslav Martinu's opera The Greek Passion, here in the 1961 version, is based on the novel The re-crucified Christ by Nikos Kazantzakis. The opera develops the Christian doctrine of \"love thy neighbour\" ad absurdum, as a group of refugees are driven out of a little Greek village just as the village is putting on a Passion play for Holy Week. The opera is a pessimistic plea for humanity, made in the awareness that humanity must always wrestle anew with it's own egoism. Director Simon Stone \"creates a modern parable, somehow both contemporary and timeless.\" (The Times) For the last of his 16 operas, Martinu developed a tonal language which combined his early musical experiences with elements of Greek folklore, Greek Orthodox liturgy and dance music. Maxime Pascal, the 2014 winner of the Salzburg Festival's annual Young Conductors Award and at the podium of the Wiener Philharmoniker for the first time, \"unfolds a musical and dramatic intensity that makes your hair stand on end, both in the tender outbursts and the violent ones. A maestro of his time.\" (Le Figaro)    \"A highlight of this year's Salzburg Festival\" The Times  The Greek Passion elected \"BEST PERFORMANCE OF THE YEAR 2023\" OPER! 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This original oratorio is not only a reinterpretation or a mere revisitation of the Passion, it painfully faces, indeed, the irreconcilable nature of the Passion and the Holocaust. What is the object of this Passion after Auschwitz, which revolves around what can link two musical traditions, two religions that have been separated by barbarism. Which music, which tradition, which language can the composer use in order to express this double silence, both historical and theological, both human and divine? “After the Holocaust, is it possible to compose without crying and trembling?”, Michaël Levinas asks. It is not about anger or compassion. Because of the subtle polyphonies written for the chorus, the voices and the orchestra, and also because of the way the different languages - Old French, Yiddish, Aramaic, German - create meaning out of one another, both the structure and the musical language of this Passion are incredibly intricate. But they are so for a reason: by putting side by side western musical traditions and the tragic component of modern history, Levinas manages to “shake,” during the artistic process, the future of the Holy Language and of the Gospel after Auschwitz. What separates therefore the Gospel of Mark from the Jewish prayer for the dead (Kaddish) or from the El male Rahamim, or from the two poems by Paul Celan ending the work, is not so much a question of representation, but more accurately it is a way to make the tragedy resound, without any artifice and without any safety net.","brand":"BelAir Classiques","offers":[{"title":"DVD","offer_id":49060544774424,"sku":"3760115301528","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3907425.jpg?v=1777774184"},{"product_id":"invictus-a-passion","title":"Invictus: A Passion","description":"\u003cp\u003eChrist Church Cathedral Choir and Stephen Darlington join forces with Soloists from The Sixteen and a stellar group of instrumentalists on this premiere recording. Persecution of the innocent, malevolent authority exerting itself against ideas that threaten and challenge, the power of a peaceful, loving humility in the face of tyranny, the facing-down of fear; all hold profound universal resonance for people of many faiths and those of none. Such is the power of the Passion story and in his new work, Invictus: A Passion, multi-award-winning composer Howard Goodall has found a route directly to people’s hearts, telling the story afresh through his choice of thought-provoking texts combined with heart-rending yet inspiring music. Howard Goodall is a composer of choral music, stage musicals, TV and film scores and a music historian and broadcaster. His choral music has been commissioned to mark many national ceremonies and memorials; his settings of Psalm 23 and Love divine are amongst the most performed of all sacred music. Howard has composed some of the best-known British TV theme tunes of the last 30 years, and his score for the HBO film Into the Storm won him a Primetime EMMY award for Original Dramatic Score in 2009. For the last 25 years he has written and presented his own TV documentary series on the theory and history of music.\u003c\/p\u003e","brand":"Coro","offers":[{"title":"CD","offer_id":49162054664472,"sku":"828021616525","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3821236.jpg?v=1777697567"},{"product_id":"compassion","title":"Compassion","description":"Born in Warren, Ohio, LeeAnn Ledgerwood began studying piano at the age of four. She received intensive classical training which included four years of study with renowned concert pianist Grant Johanessen. \n\tAfter completing her college training at Berklee in Boston, she moved to New York City. Since the early 80s LeeAnn Ledgerwood has been one of the most sought after musicians both on the New York and international scenes. In addition to leading her own groups, she has had longstanding collaboration with such top musicians as Red Mitchell, George Mraz, Eddie Gomez, Jeremy Steig to mention only a few.  She has toured as a featured soloist in the Eddie Gomez group in Europe and the United States. Her trio was featured at the 1999 JVC Festival in New York City.\n\tLeeAnn Ledgerwood is also a dedicated teacher and is the recipient of Distinguished University Teaching Award of 1997 from the New School where she teaches jazz piano and composition courses.","brand":"SteepleChase","offers":[{"title":"CD","offer_id":49264074031384,"sku":"716043147724","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/938424-3296989.jpg?v=1778800537"},{"product_id":"handel-brockes-passion","title":"Handel: Brockes-Passion","description":"\u003cp\u003eBarthold Heinrich Brockes wrote a libretto on the Passion of Christ – based on the account in Matthew’s Gospel – which was set to music by many composers of his time, including Reinhard Keiser, Georg Philip Telemann and George Frideric Handel. It is Handel’s version of the latter that the period-instrument ensemble Arcangelo has chosen to present here. Under the direction of Jonathan Cohen, these specialists in the Baroque repertory are joined by the voices of Sandrine Piau, whose numerous Handel recordings are regarded as a benchmark, the tenor Stuart Jackson and the baritone Konstantin Krimmel, recently revealed in a debut recital for Alpha (Saga, ALPHA549). Together they resurrect the operatic splendor of a work that was first performed in 1719 and is thought to have influenced numerous passages of J. S. Bach’s St John Passion, written a few years later.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003eConductor Jonathan Cohen is working with excellent soloists. They're led by soprano Sandrine Piau, who has a crushing 14 arias and brings personality to each one. Tenor Stuart Jackson has a big, exciting voice, and baritone Konstantin Krimmel is splendid in his duet with Mary Bevan. The oratorio also has smaller solo roles, here taken by members of the choir, and all are well handled.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e– AllMusicGuide.com (James Manheim)\u003c\/p\u003e","brand":"Alpha","offers":[{"title":"CD","offer_id":49309910991128,"sku":"3760014196447","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3920506-2680019.jpg?v=1777801754"},{"product_id":"la-passione","title":"La passione","description":"The starting point for Barbara Hannigan’s third recording for Alpha is a work by Gérard Grisey (1946-98) that is particularly close to her heart. Grisey wrote: ‘I conceived the Quatre Chants pour franchir le seuil [Four songs for crossing the threshold] as a musical meditation on death in four parts: the death of the angel, the death of civilization, the death of the voice and the death of humanity... The texts chosen belong to four civilizations (Christian, Egyptian, Greek, Mesopotamian) and have in common a fragmentary discourse on the inevitability of death.’ Luigi Nono (1924-90) was a politically engaged composer. His stunning monody Djamila Boupacha, a heart-rending cry for solo soprano, pays tribute to a freedom fighter tortured by French paratroopers during the Algerian war; Picasso also portrayed her in charcoal. Once again Barbara Hannigan both sings and directs this pair of twentieth-century works with her friends of the Ludwig Orchestra. She has chosen to couple them with a Classical symphony by the master of the genre, Joseph Haydn, which also deals with the theme of the Passion. 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Catto's family moved to Philadelphia in 1844, where he studied, became an educator, humanities scholar, top cricket and baseball player, and civil rights activist. Together with his fellow campaigners, he achieved the abolition of slavery and discrimination in elections based on race, color, or former serfdom, as well as the creation of educational institutions for African-Americans. Catto was murdered by Frank Kelly during riots on election day in 1871. Octavius Catto: “We shall never rest at ease, but will agitate and work, by our means and by our influence, in court and out of court, asking aid of the press, calling upon Christians to vindicate their Christianity, and the members of the law to assert the principles of the profession by granting us justice and right, until these invidious and unjust usages shall have ceased.”","brand":"Winter \u0026 Winter","offers":[{"title":"Vinyl","offer_id":49415096107288,"sku":"025091700714","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3862758-3271925.jpg?v=1777630239"},{"product_id":"bach-st-matthew-passion-bwv-244-st-john-passion-bwv-2","title":"Bach: St. Matthew Passion, BWV 244 \u0026 St. John Passion, BWV 2","description":"\u003cp\u003eBrilliant Classics proudly presents the brand-new 5-album sets series: QUINTESSENCE, attractively priced compact box sets containing essential core classical repertoire in outstanding performances. Aimed at attracting both the discerning classical connoisseur and the classical newcomer it presents the pillars of classical music: Beethoven complete symphonies, Bach Passions, Schubert symphonies, Mozart piano sonatas, Telemann Tafelmusik, Vivaldi 4 Seasons plus concertos, Shostakovich string quartets, Dvorak symphonies, Grieg Lyric Pieces, and Haydn London Symphonies. World class performers include Staatskapelle Dresden with Herbert Blomstedt, Staatskapelle Berlin with Otmar Suitner, Klara Wurtz, Hakon Austbo, Austro-Hungarian Haydn Orchestra with adam Fischer, Rubio Quartet and others. The fresh and colorful artwork is eye-catching while the booklet contains liner notes in English. A new series at an unbeatable price! 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He lived at Franconia in South East Germany where he is mentioned as a schoolmaster and court organist. But his inclusion in Johann Gottfried Walther’s Musicalisches Lexicon of 1732 provides clues about his significance. The St Mark Passion can be considered to be his most significant work; records show that it was frequently performed in Coburg even after the composer’s death. The work’s substantial dimensions of nearly two and a half hours (!) which is outstanding for this time is due to the fact that the complete performance was divided between several church services between Maundy Thursday and Good Friday. The music is really pleasant; the long recitatives of the Evangelist are formed with pleasing melodies and are continuously accompanied by strings. Most of the text is narrated by the vocal consort or parts of it, often interrupted by instrumental intermezzos. On first glance, the St Mark Passion seems to be straightforward, everyday music ideally suited for choirs, but a closer examination reveals that the work is actually a sophisticated, through-composed musical drama. 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No wonder that in view of numerous other obligations, he also drew on works by other composers and arranged them to suit local conditions and tastes. One of these works is the St. Luke Passion of 1775, most of which is by Gottfried August Homilius (1714-1785). Paul Dombrecht introduces us to this 'Homilius a la C.P.E. Bach'.\u003c\/p\u003e","brand":"Passacaille","offers":[{"title":"CD","offer_id":49605292130584,"sku":"5425004840523","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3802585-2626946.jpg?v=1777678203"},{"product_id":"johannes-passion","title":"JOHANNES-PASSION","description":"In contrast to the St. Matthew Passion, Bach repeatedly changed and supplemented parts of the St. John Passion, but apparently never found a final version. 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