{"title":"The Mahler Sale","description":"\u003cp style=\"text-align: left;\" data-start=\"861\" data-end=\"1095\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIn honor of \u003cstrong\u003eGustav Mahler\u003c\/strong\u003e's birthday on July 7, explore\u003cstrong\u003e over 150 recordings\u003c\/strong\u003e celebrating one of classical music's most visionary composers. Experience the emotional depth, sweeping scale, and timeless beauty of his extraordinary works!\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-start=\"861\" data-end=\"1095\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003eDiscover performances by the\u003cem\u003e Czech Philharmonic, Milan Rai Symphony Orchestra, the Minnesota Orchestra \u003c\/em\u003eand more!\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"shopify-section\" id=\"shopify-section-template--18107431715050__blocks_NKDyec\"\u003e\n\u003cdiv class=\"shopify-block\" id=\"shopify-block-AdEkyMmpWdUJjZ1lab__ai_gen_block_00051a3_mnQLBe\"\u003e\n\u003cdiv class=\"ai-section-header-adekymmpwdujjz1labaigenblock00051a3mnqlbe\"\u003e\n\u003cdiv class=\"ai-section-header__container-adekymmpwdujjz1labaigenblock00051a3mnqlbe\"\u003e\n\u003cdiv class=\"ai-section-header__description-adekymmpwdujjz1labaigenblock00051a3mnqlbe\"\u003e\n\u003cp style=\"text-align: left;\"\u003eShop these great deals before they end on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTuesday, August 18th at 9:00am ET.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","products":[{"product_id":"shostakovich-mahler-symphonies-no-10-zweden-hong-kong-philharmonic-orchestra","title":"Shostakovich: Symphony No. 10; Mahler: Symphony No. 10 - Ada","description":"\u003cp\u003eThese two Tenth Symphonies represent powerful statements by composers undergoing the greatest of crises in their eventful lives. Shostakovich’s intense and deeply symbolic Symphony No. 10, considered by many to be his finest, was kept hidden by the composer for fear of Soviet reprisals, and was only performed after Stalin’s death in 1953. (Naxos)\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46907929559320,"sku":"747313437276","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4144557-2906087.jpg?v=1777565997"},{"product_id":"mahler-symphony-no-5","title":"Mahler: Symphony No. 5","description":"\u003cp\u003eThe Orchestre symphonique de Montréal and its Music Director Rafael Payare make their Pentatone debut with Mahler’s 5th Symphony. The album is also the first recording under Payare’s tenure, and the beginning of a long recording relationship with the label. (Pentatone)\u003c\/p\u003e","brand":"PENTATONE","offers":[{"title":"CD","offer_id":46908103393560,"sku":"8717306260671","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4177963-2952704.jpg?v=1777724546"},{"product_id":"mahler-symphony-no-5-semyon-bychkov-czech-philharmonic","title":"Mahler: Symphony No. 5","description":"\u003cp\u003eAfter their critically-acclaimed recording of Mahler’s Fourth Symphony, the Czech Philharmonic and Semyon Bychkov continue their Pentatone Mahler cycle with a rendition of the composer’s Fifth. The Fifth Symphony marks an important turning point in Mahler’s symphonic output, away from the  prominence of vocal movements in his previous symphonies. 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Domínguez-Nieto's conception of the work, recorded here for the first time, exploits, with utmost respect for the composer's original orchestration. \" - Classical Music Daily (IBS)\u003c\/p\u003e","brand":"IBS Classical","offers":[{"title":"CD","offer_id":46908108964120,"sku":"8436597700412","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4160923-2933944.jpg?v=1777723495"},{"product_id":"mahler-symphony-no-2","title":"Mahler: Symphony No. 2","description":"\u003cp\u003eAfter critically-acclaimed recordings of Mahler’s Fourth and Fifth Symphony, the Czech Philharmonic and Semyon Bychkov continue their Pentatone Mahler cycle with a rendition of the composer’s Second, nicknamed “The Resurrection”. They are joined by soprano Christiane Karg, alto Elisabeth Kulman and the Prague Philharmonic Choir. 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The atmosphere of the second Nachtmusik becomes much more frightening in Haitink’s performance than in other interpretations, but contains that wistfulness that expresses mourning for the ‘lost paradise’ in all of Mahler’s works.\" (BR Klassik)\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":46908317040920,"sku":"4035719002096","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4207004-3141327.jpg?v=1777608914"},{"product_id":"mahler-symphony-no-9-simon-rattle-bavarian-radio-symphony","title":"Mahler: Symphony No. 9","description":"\u003cp\u003eFor the Bavarian Radio Symphony Orchestra, the performances on November 26 and 27, 2021 in the Isarphilharmonie marked the beginning of a new chapter in its Mahler interpretation: with its designated new principal conductor Simon Rattle. The very long silence after the final chord was one of those “goosebump moments” that one goes to concerts for – and for which music is made in the first place. (BR Klassik)\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":46908317303064,"sku":"4035719002058","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4129350-2896808_a4e91304-838c-4226-803c-2beabce01869.jpg?v=1777734633"},{"product_id":"mahler-auferstehung","title":"Mahler: Auferstehung","description":"\u003cp\u003e﻿The new Geniun CD, featuring a chamber music version of Mahler's 2nd Symphony, offers the listener a new and unusual perspective on this work of the century! Annika Steinbach (soprano) and Henriette Gödde (alto), as well as Emanuel Mütze (trumpet), contribute to this extraordinary, top-notch listening experience. 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I know of no other recording matching this level of clarity and depth, especially in SACD format.\" - The Classic Review (BIS)\u003c\/p\u003e","brand":"BIS","offers":[{"title":"SACD","offer_id":46908444049688,"sku":"7318599924762","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4191808-2972865.jpg?v=1777578583"},{"product_id":"mahler-symphony-no-10-performing-version-by-deryck-cooke","title":"Mahler: Symphony No. 10 (Performing Version By Deryck Cooke)","description":"\u003cp\u003eLeft unfinished at the death of the composer, Gustav Mahler's Tenth Symphony has exerted an enormous fascination on musicologists as well as musicians. Deryck Cooke’s performing version of the symphony is the one that Osmo Vanska has chosen to use for the seventh installment in his and the Minnesota Orchestra’s Mahler series, a cycle characterized by an unusual transparency and clarity of sound as well as musical conception.\u003c\/p\u003e","brand":"BIS","offers":[{"title":"SACD","offer_id":46908444967192,"sku":"7318599923963","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3897359-2660867_7fac91d5-be28-4473-83be-b513ed48358a.jpg?v=1777782088"},{"product_id":"mahler-strauss-wagner-liebestod","title":"Mahler, Strauss, \u0026 Wagner: Liebestod","description":"\u003cp\u003eThe music of Wagner, Mahler and Strauss is very close to the heart of the Bamberg Symphony and even seems to have ingrained itself in their DNA, to which the award-winning recordings of Mahler 4 with Jakub Hruša and Mahler 9 with Herbert Blomstedt impressively attest. 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Mahler’s Eighth Symphony, unlike his others, reveals no contrary despairing voice. It is instead a monumentally affirmative expression of human spiritual achievement achieved through the union of two seemingly incompatible texts: the Latin hymn Veni Creator Spiritus and the conclusion of the second part of Goethe’s Faust. Its première in Munich in September 1910 gave rise to the greatest triumph of Mahler’s career, and a rollcall of European royalty and the artistic élite attended the final public rehearsal and the performances. 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Founded in 1945; The Philharmonia Orchestra creates thrilling performances for a global audience and has premiered works by Richard Strauss; Sir Peter Maxwell Davies; Errollyn Wallen; Kaija Saariaho and many others. (Signum)\u003c\/p\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":47613798613272,"sku":"635212076026","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4391625-3304413.jpg?v=1777534298"},{"product_id":"strauss-ein-heldenleben-mahler-ruckert-lieder","title":"Strauss: Ein Heldenleben \/ Mahler: Ruckert-Lieder","description":"\u003cspan\u003eThe Orchestre symphonique de Montréal and its Music Director Rafael Payare extend their Pentatone discography with a recording of Richard Strauss’s Ein Heldenleben and Gustav Mahler’s Rückert-Lieder, sung by star soprano Sonya Yoncheva. The pairing of works may seem odd at first, with Strauss at his most exuberant and Mahler at his most introspective. They share, however, a deeply personal and autobiographical approach by two giants of fin-de-siècle music coming to terms with the world they lived in and their place in it. After their acclaimed recording of Mahler’s Fifth Symphony, Payare and the orchestra further explore this late-Romantic repertoire that fits them like a glove. Unique about this project is the participation of Sonya Yoncheva, an opera star presenting herself in German orchestral song for the first time on record.\u003c\/span\u003e","brand":"PENTATONE","offers":[{"title":"CD","offer_id":47734188736792,"sku":"8717306262019","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4299878-3144860.jpg?v=1777531980"},{"product_id":"mahler-symphony-no-6-symphonieorchester-des-bayerischen-rundfunks","title":"Mahler: Symphony No. 6  Symphonieorchester Des Bayerischen Rundfunks","description":"\u003cp\u003eAmong Simon Rattle's first concert programs as the new chief conductor of the Bavarian Radio Symphony Orchestra was Gustav Mahler's Sixth Symphony. The performances marked the beginning of a new chapter in Mahler interpretation, for Rattle, like his predecessors Jansons, Maazel and Kubelík, is an ardent admirer of the composer. BR-KLASSIK has now released the live recording of the concerts.\u003c\/p\u003e\n\u003cp\u003eGustav Mahler's Sixth Symphony is perhaps the darkest work he ever wrote – its nickname is \"The Tragic\". And there is something almost destructive about the final movement. \"But strangely enough,\" says Simon Rattle, \"it is also a very classical symphony. Yes, it is extreme, but for long stretches it is less wild than other works of his – although of course it does convey a harrowing message. But it's like a lot of great works: there are always different ways of reading them. I've been conducting the Sixth for forty years now, and over time I’ve come to realise that it also contains hope.\"\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":47844600316184,"sku":"4035719002171","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4412812-3337346.jpg?v=1777532128"},{"product_id":"mahler-symphony-no-3-chor-symphonieorchester-des-bayerischen-rundfunks","title":"Mahler: Symphony No. 3  Chor \u0026 Symphonieorchester Des Bayerischen Rundfunks","description":"\u003cp\u003eTo celebrate the 75th anniversary of the Bavarian Radio Symphony Orchestra (BRSO) in 2024, the BR-KLASSIK label is releasing previously unreleased recordings of concerts worth listening to, available on CD and as a stream. Gustav Mahler's Third Symphony remains today one of the greatest and most powerful creations of the Late Romantic period. The immense symphony, longer and more monumental than others, incorporates texts from the collection of poems by Clemens Brentano and Achim von Arnim entitled “Des Knaben Wunderhorn”. Composed over a period of four years from 1892 to 1896, with particular focus during the summers of 1895 and 1896 spent at the Attersee in Austria, it was premiered in its entirety on June 9, 1902, at the 38th “Tonkünstler Festival” in Krefeld. Mahler conducted the Städtische Kapelle Krefeld and Cologne’s Gürzenich Orchestra at this momentous event, which garnered great acclaim from his contemporaries. Between 1902 and 1907, the composer conducted his Third Symphony a further 15 times. The symphony presents a significant challenge for all its performers, and this concert recording from December 2010 features a prestigious lineup: Mariss Jansons conducting the Chor and Symphonieorchester des Bayerischen Rundfunks, with the Tölzer Knabenchor, and solo parts sung by Nathalie Stutzmann.\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":48335284568344,"sku":"4035719001945","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4302696-3141324.jpg?v=1777528841"},{"product_id":"mahler-symphony-no-9-on-period-instruments","title":"Mahler: Symphony No. 9 on Period Instruments","description":"This recording of Mahler's Ninth Symphony is an event, because it was made with period instruments of the kind the composer used in Vienna. The Mahler Academy Orchestra set itself the task of reconstructing this instrumentarium and researching how musicians of the time played it: 'We were struck during our rehearsals by the incredibly distinctive characterisation of the woodwinds, the shattering blare of the brass, the perfect balance between the instruments, and the pure and warm sound of the strings... They took Mahler's brilliant orchestration to yet another level', says Philipp Von Steinaecker, artistic director of this ambitious 'Originalklang' (original sound) project and conductor of this orchestra, which brings some fifty young musicians into contact with the finest instrumentalists from the world's leading formations (Amsterdam Concertgebouw, Mahler Chamber Orchestra, Budapest Festival Orchestra, Staatskapelle Dresden, Wiener Symphoniker etc.). Together they made this historic recording in Dobbiaco-Toblach in Italy, where Mahler composed his monumental symphony in 1909, two years before his death.","brand":"Alpha","offers":[{"title":"CD","offer_id":48712978104600,"sku":"3701624510575","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4338988-3184683_9ebfa805-1513-4dce-a1e0-9efb4f50fe16.jpg?v=1777516892"},{"product_id":"mahler-symphony-no-10","title":"Mahler: Symphony No. 3","description":"The Minnesota Orchestra and Osmo Vanska bring us Gustav Mahler's Third Symphony, an extraordinary work by any standards. Scored for extended Wagnerian woodwind and brass sections, posthorn, a large array of percussion, women's chorus, alto soloist and boys' choir, the symphony has a duration of over 100 minutes and is filled with extreme emotion, revealing what the composer wanted to say about his own connection with nature and humanity's place in it: 'My symphony will be something the world has never heard before! The whole of nature will have a voice in it...' he wrote about this mammoth work. The recording was made following a concert performance in November 2022. In this musical communion with nature, we hear the beautiful voices of English mezzo-soprano Jennifer Johnston, the Minnesota Boychoir and women of the Minnesota Chorale. The symphony's finale, a deeply absorbing adagio, might simply be some of the most beautiful music ever written. The last work recorded by the Minnesota Orchestra and it's conductor laureate, Osmo Vanska, Mahler's Third Symphony is a fitting culmination to this complete cycle, which began in 2016.","brand":"BIS","offers":[{"title":"SACD","offer_id":48819766952216,"sku":"7318599924861","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4335047-3177852.jpg?v=1777509639"},{"product_id":"mahler-symphony-no-11","title":"Mahler: Symphony No. 9","description":"Classical Electronic","brand":"Urania Records","offers":[{"title":"CD","offer_id":48819802308888,"sku":"8051773578168","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4348996-3202033_7458a96f-eccb-46c1-bec7-8452fe1550dc.jpg?v=1777503184"},{"product_id":"mahler-symphony-no-4-in-g-major-arranged-for-chamber-ense","title":"Mahler: Symphony No. 4 in G major, arranged for chamber ense","description":"\u003cp\u003eIn celebration of his 80th birthday, this four-disc set spans more than five decades of Michael Tilson Thomas' compositional career. It features 18 works, from premiere recordings to remastered archival recordings available for the first time. The deluxe collection also includes an extensive booklet containing composer's notes, original essays, and a timeline of archival photos chronicling MTT's life as a pianist, conductor, composer, recording artist, and teacher.\u003c\/p\u003e\u003cp\u003eAll proceeds from GRACE: The Music of Michael Tilson Thomas will be donated to brain cancer research at the University of California, San Francisco Brain Tumor Center.\u003c\/p\u003e","brand":"Dynamic","offers":[{"title":"CD","offer_id":48898481389848,"sku":"8007144080433","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4357731-3203644.jpg?v=1777497040"},{"product_id":"mahler-symphony-no-4-in-g-major","title":"Mahler: Symphony No. 4 in G Major","description":"The Netherlands Philharmonic Orchestra lives up to its reputation for its brilliant Mahler performances and surpasses all expectations under the baton of conductor Marc Albrecht. And Elizabeth Watts’ performance in the final movement is surely one not to be missed. The chemistry between Watts and the orchestra is utterly pervasive. With a voice described by International Record Review as “one of the most beautiful Britain has produced in a generation”, Watts sweeps the listener off their feet with this sunny, accessible symphony from Mahler.\u003cbr\u003e \u003cbr\u003e  Review:\u003cbr\u003e \u003cbr\u003e  This is a lovely performance–sensitive, very well played, shapely and effortless. Conductor Marc Albrecht makes his points without exaggeration, revealing personal touches in his care for proper observance of Mahler’s dynamics and his concern for textural clarity. Yet the big climaxes in the first movement and Adagio have plenty of impact, and in soprano Elizabeth Watts we have one of the best singers set loose on the tricky finale in many a moon.\u003cbr\u003e \u003cbr\u003e  This being Mahler, of course, there will always be a criticism here and there. The trio sections of the scherzo might just be a touch too relaxed, and Albrecht’s fondness for portamento could well strike some listeners as excessive, particularly in the Adagio, but these are quibbles. I am less happy with the sonics, which are quite impressive when the music is loud, but lack body at lower dynamic levels, even with the substantial boost in the volume. Still, this small reservation could very easily be a non-issue on your own sound system.\u003cbr\u003e \u003cbr\u003e  Holland being “Mahler central” some of the idiomatic response to the music was to be expected, but that doesn’t do anything to diminish Albrecht’s sympathetic handling of the score overall. A winner.\u003cbr\u003e \u003cbr\u003e  - ClassicsToday","brand":"PENTATONE","offers":[{"title":"SACD","offer_id":48985181520152,"sku":"827949048760","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2874641.jpg?v=1777677118"},{"product_id":"mahler-symphonies-no-6-7-m","title":"MAHLER: SYMPHONIES NO 6 \u0026 7  M","description":"MAHLER: SYMPHONIES NO 6 \u0026amp; 7  M","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":49020723134744,"sku":"5099704249520","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3816357.jpg?v=1778091010"},{"product_id":"mahler-syphonies-no-3-6-10","title":"MAHLER: SYPHONIES NO 3, 6 \u0026 10","description":"\u003cb\u003eCharles Adler, a student of Mahler himself, provides emotional truth and scrupulous attention to dynamics in this pioneering first ever commercial recording of Mahler's 6th Symphony.\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e These are 'historic recordings', but you won't have to listen through a sea of crackles to appreciate them. It is astonishing to consider that Mahler's Sixth, long recognized as one of the century's seminal works, had to wait until 1952 for this, its first commercial recording. Its reappearance reminds us just how recent a phenomenon is the Mahler boom. The conductor may be unfamiliar. A refugee from the Nazis, Charles Adler settled in the USA and married into money, using it to subsidize his own record label, SPA. Which is not to decry the venture: SPA issued records of many new and unknown works, while Adler's own musical credentials were impressive enough — he had been a pupil of Felix Mottl and Mahler himself. That said, he wasn't a man to worry too much about fraudulent marketing. On the original LPs, the Vienna Symphony Orchestra masqueraded variously as the 'Vienna Orchestra' and 'Vienna Philharmonia'. Interested readers should note that an article in the winter issue of Gramophone's sister publication, ICRC, provides further useful background. Whatever may be wrong with Adler's Mahler performances, their emotional truth and scrupulous attention to dynamics goes a long way to compensate for indifferent intonation and some rather rough-and-ready orchestral playing. The timpani are the most persistent offenders and brass tuning often slips under pressure.\u003cbr\u003e  \u003cbr\u003e Adler's pioneering Sixth is said to have been set down in only 11 hours. Writing in these pages, Deryck Cooke was much taken with it, but then he always saw the first movement as a world-weary trudge rather than the brutal, authoritarian march conceived by Bernstein and emulated by most subsequent interpreters (including Karajan whose own recording is due for reissue). Adler is nothing if not direct. Having chosen his tempo, he sticks to it right through the chorale, the 'Alma' theme and even (no exposition repeat) the pastoral interlude. Mahler warns against undue 'dragging' but Adler's cowbells are anything but distant and quiet - the herd is close by and frisky. By contrast, the beginning of the coda is surely too slow. The Andante is placed second (the documentation by Gerald Fox of the Gustav Mahler Society of New York - is exceptionally strong on the composer's vacillations regarding the order of the middle movements). Cooke thought Adler sluggish here and the deliberate speed does rather draw attention to the thinness of the string sound. Notated portamentos, here as elsewhere, are too reticent. On the other hand, the narrow-bore horn produces a slightly 'stopped' tone which seems just right in context: this is clearly some sort of Viennese orchestra. Sadly, brass intonation again slips at the climax. The Scherzo fares least well. Timpani tuning is fairly wretched, and, despite a slowish tempo, orchestral ensemble and intonation leave much to be desired. Adler's finale is also on the slow side (the whole movement lasts over 33 minutes) but convincingly so, as if recognizing at the outset that the battle has been lost. It's a pity that the second hammer blow (18'55\") wasn't retaken as the tam-tam is late. But the closing page is remarkable, the fate motif hammered out in very measured quavers, the finality of the strings' pizzicato emphasized by a lengthy, rhetorical pause.\u003cbr\u003e  \u003cbr\u003e At which point you may need to sprint across to your CD player to avoid launching into the opening of the Third Symphony. Back in August 1962 (its first release in the UK), Cooke was less enthusiastic about this, eagerly anticipating Bernstein's more professional CBS set. On its own terms, however, I found myself enjoying Adler's reading a good deal. The orchestral playing is better, presumably on account of the symphony being easier to play, and Adler's direct and unaffected approach seems well suited to the vernal, 'outdoors' mood of the work. The second and third movements respond particularly well to his unfussy direction, though again intonation can be poor, especially noticeable when flutes, E flat clarinets or horns are supporting the 'posthorn'. The mezzo gives a notably eloquent account of the fourth movement. Inevitably, there are weaknesses too. Cooke pointed out the excruciating wrong entry by the second violins in the finale (9.01ff. -why was this allowed to stand?) and the symphony's peroration is torpedoed by the sour tuning of the wind choir and a curiously abrupt last note. Adler is not the only conductor unsure how to pace the first movement. He has summer march in at a noticeably slower tempo (against Mahler's instructions) at 2304\" and the transition to the recapitulation is awkward. The Fafner-like glissandos in horn and bassoon at the outset are strongly characterized, but those seismic runs in the basses are nowhere near distinct enough. Tension is allowed to dissipate.\u003cbr\u003e  \u003cbr\u003e Conifer find room for Adler's textually suspect torso of the Tenth (the first movement plus the \"Purgatorio\"). The violas cope well in the rarefied atmosphere of the opening, but the violins struggle later on. For once, Adler and\/or his recording team do not make quite enough of dynamic markings and you may feel that a basic tempo is never adequately established. Still, the closing pages are as affecting as ever, notwithstanding a peculiarly 'twangy' and close-miked harp. All in all, this is a set of undoubted historical interest, if not quite on a par with the 'classic' Mahler recordings of, say, Bruno Walter. Those constitute essential purchases for the general collector. Adler's Mahler on the other hand will appeal primarily to Mahler completists who will scarcely believe their luck. Despite the difficulties encountered in preparing the present release, the remastering has been well handled and the notes are excellent.\u003cbr\u003e  \u003cbr\u003e -- Gramophone [2\/1998]\u003cbr\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":49020724936984,"sku":"756055127925","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3818925.jpg?v=1777561232"},{"product_id":"strauss-mahler-transcriptions-by-clytus-gottwald-schoenb","title":"Strauss \u0026 Mahler: Transcriptions by Clytus Gottwald; Schoenb","description":"Clytus Gottwald possessed the special gift of translating the most diverse vocal-soloistic-instrumental compositions into pure, polyphonic choral sound.   He was rightly apostrophised by the press as the father of modern choral singing. At the centre of this recording with the Kammerchor Stuttgart under the direction of Frieder Bernius are ten songs by Richard Strauss, to which Gottwald breathes a choral soul with seemingly infinite creativity. The recording is complemented by Gottwald's 16-part transcription of Gustav Mahler's \"Adagietto\" from the 5th Symphony - a true miracle of sound. And the recording also includes an original composition: Friede auf Erden (Peace on Earth), one of the few choral works of the Second Viennese School, is performed on the 150th anniversary of Arnold Schonberg's birth. With this programme, the Kammerchor Stuttgart once again proves itself to be one of the best ensembles of it's kind.","brand":"Carus","offers":[{"title":"CD","offer_id":49020740796696,"sku":"4009350835269","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4365216-3225868.jpg?v=1777496459"},{"product_id":"mahler-symphony-no-2-in-c-minor-resurrection","title":"Mahler: Symphony No. 2 in C minor \"Resurrection\"","description":"\u003cp\u003eThis is the third volume in the Essen Philharmonic Orchestra’s series of Mahler symphonies, conducted by Tomáš Netopil. Since winning the 1st Sir Georg Solti Conductors Competition at Frankfurt in 2002, Netopil has become one of the most sought-after conductors of the younger generation. Now celebrating his ninth season as general music director of the Aalto Musiktheater and Philharmonie Essen, he gave an acclaimed performance of Mahler’s Second Symphony at the Aalto Theater in Essen in May 2022.\u003c\/p\u003e","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49164364316952,"sku":"4260330917171","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4136167-2893711.jpg?v=1777686214"},{"product_id":"mahler-symphony-no-13","title":"Mahler: Symphony No. 9","description":"Classical Music","brand":"C Major Entertainment","offers":[{"title":"DVD","offer_id":49181957456152,"sku":"814337010379","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1806874.jpg?v=1777758853"},{"product_id":"music-is-the-language-of-the-heart-and-soul-a-portrait-of","title":"Music is the Language of the Heart and Soul - A Portrait of","description":"\u003ca class=\"links\" href=\"album.jsp?album_id=722702\"\u003e\u003cb\u003eAlso available on Blu-ray\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e  \u003cbr\u003e Mariss Jansons is one of the most influential conductors of our age. In 2012 the charismatic Latvian musician conducted his second New Year Concert in Vienna, an honour that very few conductors have enjoyed. For the present documentary portrait, the film maker Robert Neumüller observed Jansons at work in Amsterdam, Riga, St Petersburg, Vienna and Salzburg. The film shows Jansons working with his various orchestras, including rehearsals for the 2012 New Year Concert, and also explores his private life, resulting in a number of fascinating insights into Jansons’ artistic development and philosophy. By way of a bonus, this release features a complete performance of Mahler’s Second Symphony with the Royal Concertgebouw Orchestra under Mariss Jansons.\u003cbr\u003e  \u003cbr\u003e Subtitles: G, E, F, Sp, Chin, Kor \u003cbr\u003e  Booklet: E, G, F\u003cbr\u003e  No. of Discs: 2\u003cbr\u003e  Run time: 145 minutes\u003cbr\u003e  Disc Format: DVD\u003cbr\u003e  Picture: NTSC, 16:9\u003cbr\u003e  Audio: PCM Stereo, PCM 5.1\u003cbr\u003e  Region Code: 0 (worldwide)\u003cbr\u003e","brand":"C Major Entertainment","offers":[{"title":"DVD","offer_id":49181959487768,"sku":"814337010973","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1973794_3ee89821-ea35-4e23-84d3-0f0d3a7186ed.jpg?v=1777759437"},{"product_id":"mahler-symphonies-nos-7-and-8","title":"Mahler: Symphonies Nos. 7 and 8","description":"\u003ca class=\"links\" href=\"album.jsp?album_id=1753914\"\u003e\u003cb\u003eAlso available on Blu-ray\u003c\/b\u003e\u003c\/a\u003e\u003cbr\u003e  \u003cbr\u003e  The highly praised Mahler Cycle with Paavo Järvi and the Frankfurt Radio Symphony Orchestra continues with the release of the 7th and 8th Symphonies. \u003cbr\u003e  \u003cbr\u003e  PAAVO JÄRVI CONDUCTS MAHLER SYMPHONIES \u003cbr\u003e  \u003cbr\u003e  Gustav Mahler:\u003cbr\u003e  Symphony No. 7 in E Minor\u003cbr\u003e  Symphony No. 8 in E-Flat Major, “Symphony of a Thousand”\u003cbr\u003e  \u003cbr\u003e  Erin Wall, soprano\u003cbr\u003e  Ailish Tynan, soprano\u003cbr\u003e  Anna Lucia Richter, soprano\u003cbr\u003e  Alice Coote, mezzo-soprano\u003cbr\u003e  Charlotte Hellekant, mezzo-soprano\u003cbr\u003e  Nikolai Schukoff, tenor\u003cbr\u003e  Michael Nagy, baritone\u003cbr\u003e  Ain Anger, bass\u003cbr\u003e  \u003cbr\u003e  Limburger Cathedral Boys Choir\u003cbr\u003e  Czech Philharmonic Choir, Brno\u003cbr\u003e  Europa Chor Akademie\u003cbr\u003e  Frankfurt Radio Symphony Orchestra\u003cbr\u003e  Paavo Järvi, conductor\u003cbr\u003e  \u003cbr\u003e  Recorded at the Rheingau Musik Festival, 2011 (Symphony No. 7) and 2013 (Symphony No. 8)\u003cbr\u003e  \u003cbr\u003e  Bonus:\u003cbr\u003e  - Introductions to the Symphonies by Paavo Järvi \u003cbr\u003e  \u003cbr\u003e  Picture format: NTSC 16:9\u003cbr\u003e  Sound format: PCM Stereo \/ DTS 5.1\u003cbr\u003e  Region code: 0 (worldwide)\u003cbr\u003e  Subtitles: Latin, German, English, French, Spanish, Chinese, Korean, Japanese \/ English, German, Korean, Japanese (bonus)\u003cbr\u003e  Booklet notes: English, German, French\u003cbr\u003e  Running time: 149 mins (concert) + 20 mins (bonus)\u003cbr\u003e  No. of DVDs: 2 (DVD 9)\u003cbr\u003e","brand":"C Major Entertainment","offers":[{"title":"DVD","offer_id":49181960569112,"sku":"814337012953","price":20.48,"currency_code":"USD","in_stock":true},{"title":"Blu-Ray","offer_id":49181960601880,"sku":"814337012960","price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2865861.jpg?v=1777968539"},{"product_id":"salzburg-festival-2011-opening-concert-1","title":"Salzburg Festival 2011 Opening Concert","description":"The opening concert of the Salzburg Festival, for many regarded as the world’s most renowned music festival, is by tradition a high-profile event and the 2011 gala presented here was one of the best in memory.Pierre Boulez, the “grand seigneur of subtle minimalism and exquisitely beguiling sounds” (Der Standard), assembled a cast of tremendous destinction to join the Vienna Philharmonic for this prestigious concert, conceived as a tribute to Gustav Mahler: Dorothea Roschmann, Anna Larsson, Johan Botha and rising star Anna Prohaska.After two works by Mahler’s pupil Alban Berg, featuring Roschmann and Prohaska, the main event of the concert if Mahler’s large-scale cantata Das klagende Lied – a “great spectral opera for the mind’s eye” (Vienna Zeitung).","brand":"C Major Entertainment","offers":[{"title":"DVD","offer_id":49181960896792,"sku":"814337011093","price":13.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2002727.jpg?v=1777762271"},{"product_id":"mahler-symphonies-nos-5-and-6","title":"Mahler: Symphonies Nos. 5 and 6","description":"This 2DVD\/1Blu-ray C Major Entertainment release of Gustav Mahler’s Fifth and Sixth Symphonies continues the issuance of the complete, acclaimed Mahler cycle with Paavo Järvi and the Frankfurt Radio Symphony Orchestra, which since the 1980s and the release of Eliahu Inbal’s FRSO Mahler cycle has come to be known as a “powerful Mahler orchestra” (Frankfurter Rundschau).As on previous releases, conductor Paavo Järvi’s learned and probing introductions to the symphonies heard on the accompanying release are a worthy and self-recommending bonus feature.“The Frankfurt Radio Symphony Orchestra continues … the Mahler Cycle on the highest level.” FAZ“Outstanding” Wiesbadener Kurier (Mahler Symphony No. 6)","brand":"C Major Entertainment","offers":[{"title":"DVD","offer_id":49181962174744,"sku":"814337012939","price":20.48,"currency_code":"USD","in_stock":false},{"title":"Blu-Ray","offer_id":49181962240280,"sku":"814337012946","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2855328.jpg?v=1777973067"},{"product_id":"mahler-the-complete-symphonies-camilla-tilling-genia-kuhmeier-alice-coote-nikolai-schukoff-michael-nagy-frankfurt-radio-sympho","title":"Mahler: The Complete Symphonies  Camilla Tilling, Genia Kühmeier, Alice Coote, Nikolai Schukoff, Michael Nagy, Frankfurt Radio Sympho","description":"\u003cb\u003eThis Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e  \u003ca class=\"links\" href=\"album.jsp?album_id=2142876\"\u003e\u003cb\u003eAlso available on standard DVD\u003c\/b\u003e\u003c\/a\u003e\u003cbr\u003e  \u003cbr\u003e The hr-Sinfonieorchester has for decades been numbered among the world's leading Mahler orchestras. 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In all of these venues Mahler's symphonies left a particularly fascinating impression.\u003cbr\u003e  \u003cbr\u003e Gustav Mahler\u003cbr\u003e  THE COMPLETE SYMPHONIES\u003cbr\u003e  \u003cbr\u003e  Symphony No. 1 in D Major, “Titan”\u003cbr\u003e  Symphony No. 2 in C Minor, “Resurrection”\u003cbr\u003e  Symphony No. 3 in D Minor\u003cbr\u003e  Symphony No. 4 in G Major\u003cbr\u003e  Symphony No. 5 in C-Sharp Minor\u003cbr\u003e  Symphony No. 6 in A Minor, “Tragic”\u003cbr\u003e  Symphony No. 7 in E Minor\u003cbr\u003e  Symphony No. 8 in E-Flat Major, “Symphony of a Thousand”\u003cbr\u003e  Symphony No. 9 in D Major\u003cbr\u003e  Symphony No. 10 in F-Sharp Minor: I. Adagio\u003cbr\u003e \u003cbr\u003e  Camilla Tilling, soprano\u003cbr\u003e  Genia Kühmeier, soprano\u003cbr\u003e  Erin Wall, soprano\u003cbr\u003e  Ailish Tynan, soprano\u003cbr\u003e  Anna Lucia Richter, soprano\u003cbr\u003e  Lilli Paasikivi, mezzo-soprano\u003cbr\u003e  Waltraud Meier, mezzo-soprano\u003cbr\u003e  Alice Coote, mezzo-soprano\u003cbr\u003e  Charlotte Hellekant, mezzo-soprano\u003cbr\u003e  Nikolai Schukoff, tenor\u003cbr\u003e  Michael Nagy, baritone\u003cbr\u003e  Ain Anger, bass\u003cbr\u003e \u003cbr\u003e  Bavarian Radio Chorus\u003cbr\u003e  North German Radio Chorus\u003cbr\u003e  Limburger Cathedral Boys Choir\u003cbr\u003e  Leipzig MDR Radio Choir\u003cbr\u003e  Czech Philharmonic Choir, Brno\u003cbr\u003e  Europa Chor Akademie\u003cbr\u003e  Frankfurt Radio Symphony Orchestra\u003cbr\u003e  Paavo Järvi, conductor\u003cbr\u003e \u003cbr\u003e  Recorded at Rheingau Musik Festival, 2003–2013 \u003cbr\u003e \u003cbr\u003e  Bonus:\u003cbr\u003e  - Introductions to the Symphonies by Paavo Järvi\u003cbr\u003e  - Paavo’s Mahler: The Project \u003cbr\u003e \u003cbr\u003e  Picture format: 1080i High Definition \u003cbr\u003e  Sound format: PCM Stereo \/ DTS-HD Master Audio 5.1 \u003cbr\u003e  Region code: 0 (worldwide)\u003cbr\u003e  Audio Language (bonus): English\u003cbr\u003e  Subtitles: German, English, French, Spanish, Chinese, Korean, Japanese (Symphonies Nos. 2, 3, 4, 8) \/ German, Korean, Japanese (bonus)\u003cbr\u003e  Booklet notes: English, German, French\u003cbr\u003e  Running time: 12 hrs 35 mins (concert) + 96 mins (bonus)\u003cbr\u003e  No. of Discs: 5 (BD 50)\u003cbr\u003e","brand":"C Major Entertainment","offers":[{"title":"DVD","offer_id":49213457629464,"sku":"814337013295","price":77.99,"currency_code":"USD","in_stock":true},{"title":"Blu-Ray","offer_id":49213457662232,"sku":"814337013301","price":77.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/814337013301.jpg?v=1777759755"},{"product_id":"mahler-das-lied-von-der-erde-1","title":"Mahler: Das Lied von der Erde","description":"\u003cp\u003eThis recording was made under the direction of Reinbert de Leeuw in December 2019, two months before his death. 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From the gloomy Adagio of the first movement to the thundering Rondo that concludes the work, Alexandre Bloch and his orchestra lead us from the anguish of twilight to the ecstasies of dawn.\u003c\/p\u003e","brand":"Alpha","offers":[{"title":"CD","offer_id":49309932093720,"sku":"3760014195921","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3846932-2680037.jpg?v=1777811589"},{"product_id":"symphony-no-7-with-sir-simon-rattle","title":"Mahler: Symphony No. 7 with Sir Simon Rattle","description":"\u003cp\u003eIn November 2021, even before taking up his post as chief conductor of the Bavarian Radio Symphony Orchestra, Simon Rattle began a cycle of Mahler symphonies with a performance of the Ninth (BR-KLASSIK 900205). The Sixth followed in September 2023 (BR-KLASSIK 900217), and the conductor is now tackling the composer’s Seventh Symphony. 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