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A few years later came his Carnegie Hall debut, then the prestigious Leventritt Award, followed by triumphant tours of Israel, North America and Europe between 1965 and 1968. By then he was an international celebrity and recognized “not just as the finest violinist of his generation but as one of the greatest musical talents to emerge since World War II” (leading string authority Tully Potter writing in the NEW GROVE).And it was then that Perlman began his illustrious, virtually unparalleled career as a recording artist. His first sessions for RCA, accompanied by pianist David Garvey – with works ranging from sonatas by Handel, Leclair and Hindemith to showpieces by Paganini, Bazzini, Sarasate and Falla – took place in New York in 1965 but were not issued for nearly 40 years because the label felt concertos would make a more suitable commercial debut for the rising star. When an album of these pieces was finally released – as “Perlman Rediscovered”, in 2004 – it was hailed “an outstanding tribute to one of the great names among violinists of any age, as well as a remarkably varied and interesting recital in its own right” (ClassicsToday). These tracks are, of course, included in the new collection.Perlman’s first concerto efforts for RCA – the Tchaikovsky, Sibelius and Prokofiev Second, with Leinsdorf and the Boston Symphony – were set down in 1966\/1967 and released the following years as his recording debut. ClassicsToday acclaimed them in a recent reissue as “offering playing that is gutsy and shamelessly virtuosic, and with a sharper rhythmic focus than Perlman often achieved subsequently. 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The Mendelssohn Piano Trios with Ax and Ma, first released in 2010, appear here for the first time in a Perlman collection (“…ensemble balance, clarity of inner part-writing, drama, lyricism, and phrase shaping of the highest order … I find these performances not just outstanding; I find them astounding” (Fanfare).That other John Williams, the legendary composer for the silver screen, was Perlman’s collaborator in another medium, the movies: his two best-selling “Cinema Serenade” albums arranged and conducted by Williams, with Perlman featured in selections from such classic films as Modern Times, Gone with the Wind, The Adventures of Robin Hood, The Umbrellas of Cherbourg, Out of Africa, Cinema Paradiso, The Color Purple and, of course, the theme that Perlman memorably performed on the soundtrack of Williams’s Oscar-winning score for the Spielberg masterpiece Schindler’s List.New to Perlman CD editions are two complete soundtrack albums: John Williams’s “elegant and thoughtful score” for Memoirs of a Geisha in which the violinist is joined by Yo-Yo Ma and to which Perlman “brings a magical and peculiarly oriental sound to his violin-playing” (Gramophone), and the music for Yimou Zhang’s Hero by Tan Dun: “Few composers today write more effective melodies for bowed strings” (Gramophone). And to round off this uniquely wide-ranging survey of the violinist’s musical passions and triumphs, in its first appearance in a Perlman collection, the artist is joined by golden-voiced cantor Yitzchak Meir Helfgot in Eternal Echoes, a highly praised album of liturgical and traditional selections which the violinist has affectionately described as “Jewish comfort music – everything that I recognize from my childhood is in this program.”SET CONTENTSDISC 1:Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63   Sibelius: Violin Concerto in D Minor, Op. 47DISC 2:Tchaikovsky: Violin Concerto in D Major, Op. 35, TH 59Dvořák: Romance in F Minor, Op. 11, B. 39   DISC 3:Prokofiev: Violin Sonata No. 1 in F Minor, Op. 80   Prokofiev: Violin Sonata in D Major No. 2, Op. 94bis   DISC 4:Lalo: Symphonie espagnole, Op. 21   Ravel: Tzigane, M. 76 (Version for Violin \u0026amp; Orchestra)   DISC 5:Paganini: Centone di sonate, Op. 64, MS 112 (Sonata No. 1 in A Minor)   Paganini: Sonata for Violin and Guitar in E Minor, Op. 3, No. 6, MS 27   Paganini: Sonata concertata in A Major, Op. 61, MS 2   Giuliani: Duo concertante in E Minor, Op. 25 \"Grand Sonata\"   Giuliani: Cantabile in D Major, Op. 17, MS 109   DISC 6:Dohnányi: Serenade in C Major, Op. 10   Beethoven: Serenade in D Major, Op. 8   DISC 7:Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043   Vivaldi: Concerto for 3 Violins in F Major, RV 551   Mozart: Sinfonia Concertante in E-Flat Major, K. 364   DISC 8:Chausson: Concerto for Violin, Piano and String Quartet in D Major, Op. 21   DISC 9:Brahms: Violin Sonata No. 1 in G Major, Op. 78   Brahms: Violin Sonata No. 2 in A Major, Op. 100   Brahms: Violin Sonata No. 3 in D Minor, Op. 108   DISC 10:Mozart: Duo for Violin \u0026amp; Viola in G Major, K. 423   Mozart: Duo for Violin and Viola, K. 424   Leclair: 6 Sonatas for 2 Violins, Op. 3, No. 4   DISC 11:Lubbock\/Rosenbaum\/Jones\/Temperton: The Color Purple: Main Title   Gardel: Scent of a Woman: Tango (Por Una Cabeza)   Legrand: Yentl: Papa, Can You Hear Me?   Bacalov: Il Postino: Theme   Bernstein: The Age of Innocence: Theme   Williams: Theme (From \"Far and Away\")   Legrand: The Umbrellas of Cherbourg: I Will Wait for You   Previn: Four Horsemen of the Apocalypse: Theme   Williams: Sabrina: Theme   Barry: Out of Africa: Main Title   Bonfa: Black Orpheus: Manha de Carnaval   Williams: Main Theme (From \"Schindler's List\")   Morricone: Love Theme (From \"Cinema Paradiso\")   DISC 12:Raksin: Theme from \"Laura\" (1944)   Steiner: Theme from Now, Voyager (1942)Chaplin: Smile from \"Modern Times\" (1936)   Rózsa: Love Theme from Lost Weekend (1945)Young: St. Patrick's Day from The Quiet Man (1952) (Traditional)   Korngold: Marian \u0026amp; Robin Love Theme from \"The Adventures of Robin Hood\" (1938)   Hupfeld: As Time Goes By from \"Casablanca\" (1942)   Walton: Touch Her Soft Lips and Part (From \"Henry V\")   Young: Stella by Starlight from The Uninvited (1944)   Young: Theme from My Foolish Heart (1949)Steiner: Tara's Theme (From \"Gone with the Wind\" 1939)   Newman: Cathy's Theme from \"Wuthering Heights\" (1939)   DISC 13:Tan Dun: Overture   Tan Dun: For the World   Tan Dun: Warriors   Tan Dun: Gone with Leaves   Tan Dun: Longing   Tan Dun: At Emperor's Palace   Tan Dun: In the Chess Court   Tan Dun: Love in Distance   Tan Dun: Spirit Fight   Tan Dun: Swift Sword   Tan Dun: Farewell, Hero   Tan Dun: Sorrow in Desert   Tan Dun: Home   Tan Dun: Above Water   Tan Dun: Snow   Tan Dun: Yearning for the Peace   DISC 14:Paganini: 24 Caprices for Solo Violin, Op. 1, MS 25   Ben-Haim: Berceuse Sfaradite   Sarasate: Navarra, Op. 33   Handel: Violin Sonata in E Major, Op. 1 No. 15, HWV 373   Hindemith: Violin Sonata, Op. 11 No. 1 in E-Flat   Leclair: Violin Sonata, Op. 9 No. 3 in D   Bloch: Baal Shem: II. Nigun (Version for Violin \u0026amp; Piano)   Falla: Spanish Dance No. 1 (from La vida breve)   Bazzini: La ronde des lutins, Op. 25   DISC 15:Williams: Sayuri's Theme   Williams: The Journey to the Hanamachi   Williams: Going to School   Williams: Brush on Silk   Williams: Chiyo's Prayer   Williams: Becoming a Geisha   Williams: Finding Satsu   Williams: The Chairman's Waltz   Williams: The Rooftops of the Hanamachi   Williams: The Garden Meeting   Williams: Dr. Crab's Prize   Williams: Destiny's Path   Williams: A New Name... A New Life   Williams: The Fire Scene and the Coming of War Medley   Williams: As the Water...   Williams: Confluence    Williams: A Dream Discarded   Williams: Sayuri's Theme and End Credits   DISC 16:Mendelssohn: Piano Trio No. 1 in D Minor, Op. 49   Mendelssohn: Piano Trio No. 2 in C Minor Op. 66   Mendelssohn: Songs without Words, Op. 19, No. 1 Sweet Remembrance\" - Andante con moto\"Mendelssohn: Songs without Words, Op. 38, No. 2 - Allegro non troppoDISC 17:Berditchever: A Dudele   Shenker: Mizmor L'Dovid   Goldfaden: Shoyfer Shel Moshiakh   Schwartz: Romanian Doyne   Rosenblatt: T'filas Tal   Traditional: Yism'chu   Schloßberg: R'tzay   Traditional: Dem Trisker Rebns Khosid   Schorr: Sheyibone Bays Hamikdosh   Traditional: Kol Nidrei   DISC 18:Tchaikovsky: Sérénade mélancolique, Op. 26, TH 56   Tchaikovsky: Valse-Scherzo, Op. 34, TH 58   Dvořák: Romance in F Minor, Op. 11, B. 39Dvořák: 8 Humoresques, Op. 101, B. 187: No. 7, Poco lento e grazioso (Transcribed by Oscar Morawetz for Violin, Cello \u0026amp; Orchestra)   Dvořák: Piano Trio No. 4 in E Minor, Op. 90, B. 166: \"Dumky\", V. 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This legendary French flute virtuoso broke through that barrier with his astonishing talent, flair, and commanding stage presence, attaining the kind of visibility previously enjoyed only by pianists and violinists. He regularly filled the world’s largest concert halls for his recitals and chamber performances. Rampal was the father figure of the flute renaissance in the 20th century which restored the instrument to the exalted position it held during the 18th.He also became one the world’s most recorded artists, commanding all the essential repertoire of his instrument but equally embracing previously unknown works, his own discoveries, jazz, pop, folk and contemporary works. Virtually anything written for the flute or plausibly adapted for it was grist for his mill. In his autobiography Rampal referred to the discography that brought him numerous prizes and awards as being so enormous that not even he could keep track of it. In 1969, he began recording for CBS, and in 1979 he signed an exclusive contract with the label. To mark his 100th birthday, Sony Classical will release in a 56-CD box set the first complete edition of Jean-Pierre Rampal’s recordings for CBS, RCA and Sony Classical.Rampal was born in 1922 in Marseille, where his father Joseph was a professor at the conservatoire and principal flute in the orchestra. When he was twelve, Jean-Pierre was given his own flute and went to the conservatory to study with his father. “He was my teacher and my hero,” he later wrote. “I wanted to do what he did.” Playing the flute was the supreme passion of Rampal’s life, as important to him as food or water. In 1945, after the liberation of Paris where he had been studying at the conservatoire, Rampal was invited to play the Ibert Concerto – written in 1934 for another of his idols, the great French flautist Marcel Moyse – on live radio with the Orchestre National de France. That performance launched a career that would span over 50 years. But the music that was already making his heart beat the fastest was Baroque, then enjoying a new wave of popularity in France. Rampal recalled: “Bach, Handel, Vivaldi \u0026amp; Co., with their precise, measured music, gave the public the security and sense of order that the war had taken away. You knew where this music was going and what it would do.”Immediately after the war, Rampal began turning out 78-rpm discs. In time, he would become perhaps the most recorded classical instrumentalist in history. During the LP era, he worked with more than 20 different labels before signing with CBS as an exclusive artist. Having inaugurated his CBS discography with Mozart – joined by Isaac Stern, Alexander Schneider and Leonard Rose in the Flute Quartets – he capped it in 1996 with Boccherini Quintets, partnered by four distinguished French string players. In between came a vast trove of memorable releases, including much more Mozart as well as music by Bach and his sons, Vivaldi, Handel, Telemann, Rameau, Sammartini, Quantz, Benda, Frederick the Great, Kuhlau, Carulli, Cimarosa, Haydn, Gluck, Beethoven, Schubert, Weber, Paganini, Giuliani, Spohr, Rossini, Donizetti, Chopin, Dvořák, Fauré, Saint-Saëns, Debussy, Ravel, Ibert, Gershwin, Kreisler, Martinů and Penderecki, with partners including Mstislav Rostropovich, Kathleen Battle, Plácido Domingo, Pinchas and Eugenia Zukerman, Salvatore Accardo and Trevor Pinnock.And those are just the classical releases. Rampal also became famous for exploring non-traditional flute repertoire as well as for being a proud trailblazer in crossover. His CBS recording of the French jazz pianist Claude Bolling’s Suite for Flute and Jazz Piano, released in 1975, made the Billboard chart of top-selling albums for ten consecutive years, only the second time that milestone had been reached (the first was Pink Floyd’s Dark Side of the Moon). This unprecedented sensation (“Sprightly and consistently romantic … the performances of the two principals are impeccable” – Gramophone) led to two highly successful sequels, Bolling’s Picnic Suite and his Suite No. 2 for Flute and Jazz Piano.Those recordings alone would have sufficed to make Rampal’s name a household word for music lovers of every stripe (a TV appearance with Miss Piggy and the Muppets extended his celebrity to children). But there is also his album of Gershwin songs with the Los Angeles Philharmonic; and Rampal playing European folksongs with trumpeter Maurice André; and a Rampal Christmas album, Pastorales de Noël, with guitarist Alexandre Lagoya – a regular Rampal collaborator, arranged by Michel Legrand who conducts the London Symphony Orchestra; and a haunting album of traditional Japanese melodies with three koto players (Rampal enjoyed an especially devoted following in that country); and an album of Scott Joplin rags accompanied by Tommy Johnson on tuba, Shelly Manne on drums and John Steele Ritter, his long-time musical partner, on piano. Etc. etc. etc.Rampal played for many years on what is probably the most famous flute in the world, the first gold instrument by the legendary Parisian flute maker Louis Lot. Built in 1869 for a French player who moved to Shanghai, this unique 18-carat gold somehow found its way back to Europe, and one day in 1948 the young Jean-Pierre Rampal fortuitously acquired it from a Paris antiques dealer. Soon he was dubbed “L’Homme à la flûte d’or” – “The Man with the Golden Flute”. (Later in his career he would play a 14-carat copy of his golden Lot and consign the priceless original to the safety of a vault.) Jean-Pierre Rampal became permanently associated with gold: not only for the flute he held in his hands, but also for the sound with which he captivated his listeners and, not least, for the sales figures his countless recordings chalked up all over the planet.SET CONTENTS:DISC 1:Mozart Flute QuartetsDISC 2: Bach FamilyDISC 3: Bolling: Suite for Flute and Jazz PianoDISC 4\/5: Rampal and Lagoya in ConcertDISC 6: Vivaldi\/TelemannDISC 7: Bolling: \"Picnic Suite\"DISC 8: Mozart: Flute Quartets K. 285 \u0026amp; K. 298\/Divertimento K. 334DISC 9: Carnaval de Rampal (Showpieces)DISC 10: Schubert: Sonata In A Minor\/Moscheles: Sonata concertanteDISC 11: Pastorales De NoelDISC 12: From Prague With Love (Dvorak, Feld, Martinu)DISC 13: Japanese Melodies, Vol. IIIDISC 14: HaydnDISC 15: Sonatas of J.S. Bach And SonsDISC 16: Jean-Pierre Rampal Plays Scott JoplinDISC 17: Weber: Sonatas for Violin and PianoDISC 18: Bach: Concerto for Flute, Strings and Basso ContinuoDISC 19: Vivaldi: Six Concertos for FluteDISC 20: Fascinatin' Rampal: Jean-Pierre Rampal Plays GershwinDISC 21\/22: Bach: Sonatas and Partita for FluteDISC 23\/24: Haydn: ConcertosDISC 25: The Flute at The Court of Frederick The GreatDISC 26: Night at The Opera: The Magic FluteDISC 27: Chants de Noel \/ Children’s SongsDISC 28: Mozart: SonatasDISC 29: Bolling: Suite No. 2 For Flute and Jazz Piano TrioDISC 30: Mozart: The Flute QuartetsDISC 31: Telemann: Overture\/ConcertosDISC 32: Telemann Kuhlau Bach Mozart DopplerDISC 33: Kuhlau: Flute QuintetsDISC 34: Mozart: Concerto for Flute and Harp\/Sinfonia concertanteDISC 35: Carulli: Flute Concerto and moreDISC 36: Concertos for Two FlutesDISC 37\/38: C.P.E. Bach: The Complete Flute ConcertosDISC 39: Mozart: Flute ConcertosDISC 40: Music for Flute and HarpDISC 41: Mozart-Telemann-J.C. Bach-ReichaDISC 42: Vivaldi: 6 Double ConcertosDISC 43: Rameau: Pièces de clavecin en ConcertsDISC 44: Italian Flute ConcertosDISC 45: Mozart: Divertimento, K.334\/Adagio And Rondo, K.617\/Andante, K.616\/Quintet, K.557DISC 46: Haydn: London TriosDISC 47: Vivaldi: The Four SeasonsDISC 48: Kathleen Battle and Jean-Pierre Rampal in ConcertDISC 49: Pla: Catalan Flute Music of the 18th CenturyDISC 50: Boccherini: Flute QuintetsDISC 51: CollaborationsDISC 52: Mozart: Symphonies Nos. 36 \u0026amp; 38 – Jean Pierre Rampal, conductorDISC 53: Carulli\/Haydn: Guitar Concertos – Jean Pierre Rampal, conductorDISC 54: Bolling: Suite for Chamber Orchestra and Jazz Piano Trio – Jean Pierre Rampal, conductorDISC 55: Romantic Harp Concertos – Jean Pierre Rampal, conductorDISC 56: Mozart: March\/Serenade K. 250 “Haffner” – Jean Pierre Rampal, conductor\u003c\/p\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":47105381990680,"sku":"194398882826","price":99.94,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4018275-2773366.jpg?v=1777654565"},{"product_id":"shakespeare-the-shakespeares-globe-collection-27-dvds","title":"Shakespeare: The Shakespeare's Globe Collection [27 DVDs]","description":"\u003cp\u003eThis collection brings together 26 Globe Theatre productions from 2009 to 2018, featuring the finest actors and leading directors in a project committed to creating ever wider access to this rich cultural heritage. Shakespeare’s Comedies, Histories and Tragedies contain dazzling poetry, romance, epic power struggles, human suffering and ingenious, raucous humour. 27 DVDs in all! (Opus Arte)\u003c\/p\u003e","brand":"Opus Arte","offers":[{"title":"DVD","offer_id":47105391001880,"sku":"809478013709","price":134.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4196581-2963674.jpg?v=1777549257"},{"product_id":"john-williams-the-great-movie-soundtracks-4-cds","title":"John Williams: The Great Movie Soundtracks [4 CDs]","description":"\u003cp\u003eThis 4-CD treasury contains selections from John Williamsʼ most iconic works. Tracks include music from Harry Potter \u0026amp; the Philosopherʼs Stone, Indiana Jones \u0026amp; the Temple of Doom, Jaws, E.T., and Schindlerʼs List; an entire disc of scores from the first six episodes of the Star Wars series; and a collection of works for national events and broadcasts. This must-have collection highlights Williamsʼ brilliance for creating pieces that become true cultural touchstones.\u003c\/p\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":47105398079768,"sku":"888751273221","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3027652.jpg?v=1777538377"},{"product_id":"respighi-orchestral-works-sao-paulo-symphony-orchestra-orchestre-philharmonique-royal-de-liege-anna-caterina-antonacci","title":"Respighi: Orchestral Works  Sao Paulo Symphony Orchestra, Orchestre Philharmonique Royal De Liege, Anna Caterina Antonacci","description":"\u003cp\u003eThis 7-SACD collection includes recordings made by Brazilian-born conductor John Neschling of the orchestral works of Ottorino Respighi, alongside Puccini the best-known Italian composer of the first half of the twentieth century. Widely praised by the press, including BBC Music Magazine, which described them as ‘the finest-ever survey of the composer’s orchestral output undertaken by a single conductor’, these recordings reveal Respighi’s extraordinary range. His transcriptions of works from the baroque period bear witness to his great musical refinement and are an example of the way in which people dared to adapt to current tastes at the beginning of the 20th century. His original compositions, whether symphonic poems, ballets or symphonic works, often call for a large orchestra, sometimes with the addition of numerous percussion instruments, piano, organ and even, in Pines of Rome, a phonograph, present a synthesis of the musical traditions of his native Italy and contemporary romantic, impressionist and neo-classical trends while remaining resolutely closed to modernist developments and atonality. Respighi’s lavish sound palette and the spirit that fills his scores were to find an echo in Hollywood film music, and John Williams considers him to be one of his most important influences.\u003c\/p\u003e","brand":"BIS","offers":[{"title":"SACD","offer_id":47242883072280,"sku":"7318599925202","price":55.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4253129-3143309.jpg?v=1777534070"},{"product_id":"haydn-complete-piano-sonatas-jean-efflam-bavouzet","title":"Haydn: Complete Piano Sonatas  Jean-Efflam Bavouzet","description":"\u003cp\u003eThis boxed-set of the complete Haydn piano sonatas performed by Jean-Efflam Bavouzet is presented in a clam-shell box, retailing at eleven discs for the price of five. Recorded between 2009 and 2021, this mammoth project has consistently drawn the highest critical acclaim: ‘A project that began in 2010 is completed; what a journey it has been. Bavouzet’s gifts of insightful exposition and revelation are matched by the wisdom of his curation... A triumph’ -The Sunday Times ‘A recording worth rushing to the shops for. Bavouzet plays these inventive masterpieces with real love’ -Classic FM ‘Quite apart from his stylistic command and sheer delight in the music, Bavouzet’s mixing and matching of different periods in the composer’s awe-inspiring pianistic development ensures there is never a dull moment’ -The Financial Times ‘Bavouzet’s readings have a strong claim to be the finest Haydn playing of recent vintage on the modern piano. They are a work of an insightful musician of profound culture and wide interests, whose intellectual emotional identification with Haydn is unreserved, and whose playing, beautifully captured in technical terms, is a delight to listen to.’- International Record Review ‘A major modern recording landmark in the Haydn discography’ - Gramophone\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":47242883989784,"sku":"0095115230725","price":82.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4253160-3206438.jpg?v=1778800475"},{"product_id":"artur-rodzinski-the-cleveland-orchestra-the-complete-col-the-cleveland-orchestra","title":"Artur Rodzinski – The Cleveland Orchestra – The Complete Col  The Cleveland Orchestra","description":"\u003cp\u003eFollowing Sony Classical’s recent 16-CD release of Artur Rodzinski’s New York Philharmonic recordings, here is the label’s eagerly awaited 13-disc collection of his complete recordings with the Cleveland Orchestra, which Rodzinski headed from 1933 to 1943. The fiery, volatile Polish conductor (1892–1958) – whose lean, propulsive style emulated that of his idol Toscanini – earned a reputation as a builder of great orchestras: he led and developed the Los Angeles Philharmonic before taking up his position in Cleveland. In 1935, he brought nationwide attention to the midwestern orchestra when he conducted it in the US première of Shostakovich’s opera Lady Macbeth of the Mtsensk District. During his tenure in Cleveland, Rodzinski moulded its orchestra into a brilliant ensemble which his successor, George Szell, would then elevate to international pre-eminence. Meanwhile, Rodzinski was also active in Europe, becoming the first naturalized American to conduct the Vienna Philharmonic at the Salzburg Festival. There Toscanini admired his work and in 1938 picked him to train his new NBC Symphony Orchestra. In Cleveland between 1939 and 1942, Rodzinski conducted a number of important recordings for Columbia Masterworks, all of them contained in this new set. With dedicatee Louis Krasner as soloist, he made the first studio recording of the Berg Violin Concerto. His other acclaimed 78-sets include the Berlioz Symphonie fantastique, Rimsky-Korsakov’s Scheherazade (“among the finest statements ever given this incorrigibly popular score” – High Fidelity), Strauss’s Ein Heldenleben, the Fifth Symphony of Tchaikovsky (“Remarkable here is the tension of the second movement and the heroic close to the first” – Gramophone) as well as those of Sibelius and Shostakovich, Tchaikovsky’s Romeo and Juliet (“Unsullied excitement” – Gramophone), Debussy’s La Mer and the orchestral “scenario” from Jerome Kern’s Show Boat – plus a previously unreleased recording of Mendelssohn’s Violin Concerto with Nathan Milstein. Until now, most of these albums have only been released on 78s and reissued on LP. Thus Sony Classical’s meticulously transferred and mastered 13-disc collection of Rodzinski’s Cleveland recordings fills a large gap in this still widely admired conductor’s CD discography.\u003c\/p\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":47242885562648,"sku":"194399287729","price":31.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4253409-3140450.jpg?v=1777529000"},{"product_id":"anshel-brusilow-conducts-the-chamber-symphony-of-philadelphi-chamber-symphony-of-philadelphia","title":"Anshel Brusilow Conducts The Chamber Symphony Of Philadelphi  Chamber Symphony Of Philadelphia","description":"\u003cp\u003eThe Chamber Symphony of Philadelphia was founded in 1965 by Anshel Brusilow, then concertmaster of the Philadelphia Orchestra. Brusilow, who studied conducting and played under Pierre Monteux, George Szell and Eugene Ormandy, auditioned more than 1,000 musicians for the 36 full-time positions and conducted the ensemble from 1966 until 1968, when it was disbanded for want of adequate philanthropic support in the city for a second orchestra. But over the course of two-and-a-half 34-week seasons it had already performed more than 200 concerts and made six albums for RCA Victor. Sony Classical is now issuing all these LP recordings by the Chamber Symphony of Philadelphia on CD for the first time. The original LP releases were praised by High Fidelity, which called the Chamber Symphony of Philadelphia “an orchestra of rare quality”. Reviewing its début release, Brahms’s D major Serenade, the US classical music magazine opined: “Brusilow could hardly have chosen a better work to show off the capabilities of his new orchestra – every first-chair woodwind and brass player has his chance to shine (and each does shine, brilliantly).” The Brahms was followed by a series of choice couplings: Tchaikovsky’s “Mozartiana” Suite with Arensky’s Variations on a Theme by Tchaikovsky (“Brusilow is thoroughly at home in this literature, and his players respond beautifully to his direction” – High Fidelity); symphonies by Haydn and Cherubini; a French programme of Ravel, Ibert and Françaix (“Perhaps a reflection of the Monteux influence … this record … carries true stylistic conviction in matters of phrasing, texture, and timbre” – High Fidelity); and Richard Strauss’s Le Bourgeois gentilhomme as well as Hugo Wolf’s Italian Serenade. The orchestra also premièred and recorded a new sacred choral work by Richard Yardumian, the Philadelphia-based composer championed by Eugene Ormandy. Come, Creator Spirit for mezzo-soprano, chorus (or congregation) and orchestra was the first mass setting by an established American composer in the English vernacular following the Vatican Council’s 1963 decision. The work was lauded for its integrity, spiritual fervor, and power to communicate the essence of devotion in all its nuances from praise to supplication.\u003c\/p\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":47242885595416,"sku":"196587920722","price":23.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4253410-3140454.jpg?v=1777529008"},{"product_id":"monteverdi-edition-le-nuove-musiche-armoniosoincanto-ensemble-san-felice","title":"Monteverdi Edition  Le Nuove Musiche, Armoniosoincanto, Ensemble San Felice","description":"\u003cp\u003eThis substantial set dedicated to the vocal music of Claudio Monteverdi (1567–1643) features the great cycle undertaken (to date) by Krijn Koetsveld and the singers of Le Nuove Musiche: all nine books of madrigals, the music in Monteverdi collections such as the Selva Morale e Spirituale (1641) and the posthumous Messa a quattro voci ed salmi (1650), and the individual works by Monteverdi that were compiled in the collections of others, the so-called Fragments. To this is joined the cycle of operas directed by Sergio Vartolo and sung by casts of Italian early music specialists, including the first recording of the five-act version of Il ritorno d’Ulisse in patria. These thoroughly researched, historically informed interpretations demonstrate Monteverdi’s pioneering and transformative role in the emergence and development of staged, dramatic vocal music. Also featured are the grand Vespers – sacred music in the Gregorian plainchant tradition but on an operatic scale – in a fantastic recording with fine Italian soloists and authentic period instruments including the early brass of La Pifarescha. Federico Bardazzi and Ensemble Felice make scrupulous interpretative decisions about the order of movements, interpolating the choral motets within the prescribed sequence of psalms to great effect. Finally, there are Monteverdi’s youthful three-part canzonettas, written when the composer was 17. They are rather simpler than the madrigals, both to sing and to appreciate, but their musical worth is amply demonstrated by the largely female voices of Armoniosoincanto joined by a mixed period-instrument ensemble of flutes, violas, theorbo and harpsichord. 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Vol. 2, the Dover Quartet delivered “the most profoundly penetrating performances of Beethoven’s middle string quartets” (Fanfare), including the three Op. 59 “Razumovsky” Quartets, infused with Russian folk tunes; the graceful “Harp,” Op. 74, named for its plucked string figures; and the intense Op. 95 “Serioso,” a forward-looking experiment that Beethoven originally intended “for a small circle of connoisseurs.” Only Strings said, “The Dover performances sparkle and thrill. Their virtuosity is immediately apparent.” Comprising Beethoven’s very last compositions — the five monumental, revolutionary Late Quartets and imposing Grosse Fuge — Vol. 3 “culminates their excellent recordings of all of Beethoven’s string quartets” (Third Coast Review). Remarkable and often daunting works that upended the concept of the string quartet, they are often considered the ultimate expression of Beethoven’s artistry. “This is a monumental achievement by one of the best string quartets playing today” (Classical CD Reviews). The Dover Quartet has followed a “practically meteoric” (Strings) trajectory to become one of the most in-demand chamber ensembles in the world since sweeping all prizes at the 2013 Banff International String Quartet Competition. In addition to serving as the Penelope P. 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