{"title":"Tactus Sale Winter 2025","description":"\u003cp style=\"text-align: left;\"\u003eOver \u003cstrong\u003e500\u003c\/strong\u003e titles from \u003cstrong\u003eTactus\u003c\/strong\u003e are on sale now at \u003cem\u003eHBDirect!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eEstablished in 1986 by Serafino Rossi, \u003cstrong\u003eTactus\u003c\/strong\u003e is devoted to the discovery and preservation of the enormous and still unexplored Italian classical music repertoire, from Gregorian chants to Contemporary Classics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eShop the sale before it ends at \u003cstrong\u003e9:00am ET, Tuesday, January 20, 2026\u003c\/strong\u003e. \u003c\/p\u003e","products":[{"product_id":"donizetti-works-for-violin-piano","title":"Donizetti: Works For Violin \u0026 Piano","description":"\u003cp\u003eWithin this album the “Insolito 8cento” duo (Angelo de Magistris, violin and Rosaria Dina Rizzo, piano) is rediscovering a little-known feature of the great Belcanto master Gaetano Donizetti: his chamber works dedicated to the violin. 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Marina Scaioli and Francesco Tasini face this instrumental 'challenge’ on two Italian historical harpsichords copies: a 1725 Giovanni Ferrini and a 1778 Roberto and Federigo Cresci.\u003c\/p\u003e","brand":"Tactus","offers":[{"title":"CD","offer_id":46908213821720,"sku":"8007194107425","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3953790-2695950.jpg?v=1777643637"},{"product_id":"guerneri-chamber-works","title":"Guerneri: Chamber Works","description":"\u003cp\u003eMaurizio Guernieri’s compositions are a part of an ongoing exploration of instrumental chamber music, in this case focused chiefly on string instruments. 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Ivana Valotti performs a variegated anthology of toccatas, canzonas, and ricercars.\u003c\/p\u003e","brand":"Tactus","offers":[{"title":"CD","offer_id":46908214509848,"sku":"8007194107357","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3901079-2661298_c61fc63a-e9c5-405c-8155-c7c52618abad.jpg?v=1777643773"},{"product_id":"vivaldi-sonatas-for-cello-continuo","title":"Vivaldi: Sonatas For Cello \u0026 Continuo","description":"\u003cp\u003eFor these works, musicological research has often placed the name of Vivaldi side by side with that of Antonio Vandini, whose six sonatas for cello and basso continuo have been recorded for Tactus by Bologna Baroque in 2018. For the recording, we used two cellos of the Fondazione Orpheon that belong to Maestro Jose Vasquez. (Tactus)\u003c\/p\u003e","brand":"Tactus","offers":[{"title":"CD","offer_id":46908518170904,"sku":"8007194200645","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4218792-3014551.jpg?v=1777551353"},{"product_id":"matthey-organ-transcriptions","title":"Matthey: Organ Transcriptions","description":"\u003cp\u003eThis discographic work completes the Tactus series dedicated to the complete organ works by Ulysses Matthey, famous concert artist and teacher of the Italian historical twentieth century. The album is including pages of virtuosity and meditation, from the famous Chaconne in D Minor by Bach for solo violin to the symphonic pages of Liszt, Berlioz, Debussy, Grieg and Wagner. 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Considering that Isabella d’Este was a passionate lover of music and also a musician herself, it is easy to understand that the massive corpus of letters written and received by her can be an extraordinary mine of this type of information. Here the Anonima Frottolisti ensemble (TC490001, TC250001, TC400007) continues its research in a deep introspection into the meanders of the music of Humanism, focusing on a repertoire drawn from the letters of the Marquise of Mantua Isabella d'Este, whose strong cultural and artistic sensibility deeply marked her time.\u003c\/p\u003e","brand":"Tactus","offers":[{"title":"CD","offer_id":47105336934680,"sku":"8007194108002","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389446-3299647.jpg?v=1777534776"},{"product_id":"bononcini-caldara-cantate-e-sinfonie","title":"Bononcini, Caldara \/ Cantate e sinfonie","description":"\u003cp\u003eAmong the musical genres that were most appreciated and cultivated in Vienna in the early eighteenth century, one that stands out decidedly is the chamber cantata. The Italian cantatas, which were favourite compositions for the cultivated entertainment of the court, were abundantly circulated in manuscript form and collected in a great quantity of books that made chiefly between the eighteen-tens and the eighteen-forties. Now these cantatas are scattered in collections and libraries that have been the object of important musicological studies. The six cantatas presented in this recording are all drawn from the Mus.Hs.17567 manuscript in the Österreichische Nationalbibliothek of Vienna, and were quite probably all composed there around 1710-1712. It is an extremely interesting handwritten-copy collection formed of twelve compositions that are attributed with certainty to Giovanni Bononcini (three), Francesco Conti (three), Antonio Caldara (three), Emanuele d’Astorga (two), and Andrea Stefano Fioré (one). The two symphonies by Caldara (for solo cello) and Giovanni Bononcini are completing the listening of this cd by the Aurata Fonte ensemble, already protagonist of the recording of some great Italian Baroque music discovery (TC670202, TC611990).\u003c\/p\u003e","brand":"Tactus","offers":[{"title":"CD","offer_id":47105341260056,"sku":"8007194107920","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389451-3299643.jpg?v=1777534564"},{"product_id":"dambrosio-quartetti-e-quintetti-darchi","title":"D'Ambrosio: Quartetti e quintetti d'archi","description":"\u003cp\u003eAccording to the composer and conductor Clarence Lucas, writing in 1935, “of the merits of d’Ambrosio... he always maintains his standard of elegance and never becomes commonplace”. By the way d’Ambrosio’s instrumental music was highly appreciated by contemporaries and played by the most acclaimed interpreters of his time, though nowadays seems hélas almost neglected. Alfredo D’Ambrosio (Naples, June 13, 1871-Paris, December 28, 1914) was a Neapolitan violinist and composer studying in Naples Conservatoire with Eusebio Dworzak, Ferdinando Pinto, Enrico Bossi, then in Madrid with Pablo Sarasate and in London with August Wilhelmj. He then set up in Nice where for years he promoted the musical programs of the Club L’Artistique, with his Colleagues Harold Bauer and Jacques Thibaud, or playing in his own Quartet with his cousin Luigi d’Ambrosio (violinist and later teacher of Salvatore Accardo). The Archos Quartet guides us on a chronological path to the discovery of the compositions for quartet and quintet of strings, using the collaboration of two exceptional soloists: Friedrich Thiele on the cello and Mio Tamayama on the double bass.\u003c\/p\u003e","brand":"Tactus","offers":[{"title":"CD","offer_id":47105350926616,"sku":"8007194108026","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389458-3299649.jpg?v=1777534593"},{"product_id":"sebastiani-fantasie-dopera-per-clarinetto-e-pianoforte","title":"Sebastiani: Fantasie d'opera per clarinetto e pianoforte","description":"\u003cp\u003eThe Italian 19th Century is characterized by an unparalleled opera bulimia, the theaters tirelessly program stagings to be submitted to the perennial abstinents of “belcanto” and the music publishing industry that revolves around the phenomenon flourishes and gears up to not disappoint the fleets of music lovers. This inexhaustible desire is counterbalanced by the other “case” represented by the nascent idolatry for instrument virtuosos who build around themselves a legendary aura - very closed to the configuration of the romantic hero with a fascinating and mysterious biography - and an adequate literature to inflame the delirious audiences. The relapse of similar “obsessions” has an extraordinary confirmation in the salon and academic consumption of pages intended to “evoke” the emotions felt in crowded theater halls, a secular celebration is consumed between more or less prestigious salons aimed at the beloved entertainment between the promotion of young talents, noble amateurs, damsels to marry, prestigious guests. The work of Ferdinando Sebastiani, one of the most accredited clarinetist of the nineteenth century and founder of a recognized “school” which enjoyed great prestige in the national and international context, fits into this so articulated landscape. Aldo Botta on the clarinet and Giuseppe Galiano on the piano try their hand at this fascinating challenge in the name of a funambolic virtuosity and a marked theatrical expressiveness.\u003c\/p\u003e","brand":"Tactus","offers":[{"title":"CD","offer_id":47227827126552,"sku":"8007194108088","price":9.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389456-3299583.jpg?v=1777533970"},{"product_id":"aichinger-virginalia-1607-concentus-vocum","title":"Aichinger: Virginalia, 1607  Concentus Vocum","description":"\u003cp\u003eThe experience of Gregor Aichinger (Regensburg, 1564\/65 – Augsburg, 20\/21 January 1628) in Italy, which took place during two distinct periods, made it possible for the Bavarian musician to be an important connection between the music that was practiced at that time in Italy and the musical culture on the other side of the Alps (Aichinger was one of the very first German musicians to publish compositions with basso continuo, a practice with which he had become acquainted precisely during his visits to Italy). The Virginalia consist of twenty five-part pieces. The introductory one, Virgo, Dei mater pura, is followed by the pieces of the Joyful Mysteries (from the second to the sixth), then – from the seventh to the eleventh – by those of the Sorrowful Mysteries, and subsequently – from the twelfth to the sixteenth – by those of the Glorious Mysteries. In the last four pieces there is a contemplation of the Virgin Mary, by now projected in a light and a dimension that are beyond the world, as the mediator between mankind and God. 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He seems to be at the peak of his career, yet he has not created those great compositions such as Orpheus and Euridice, Paride ed Elena, Alceste, that would have linked his name to the reform of opera theorised together with Ranieri de’ Calzabigi and which made him one of the immortal names in the music history. The autographs of these arias no longer exist, nor the scores of the entire operas. Some pieces, sometimes with only basso continuo accompaniment, are all that remain of the enormous fortune that those performances had at the time. To be as close as possible to the original performance, arias with existing orchestral part have been chosen, except for the aria\"\"Se viver non poss’io\"\" from the opera Poro which was orchestrated from the basso continuo and some indication of the first violin motif, as complete scores of the opera Poro no longer exist. The curator of the work is Elena De Simone herself, a mezzo-soprano that – accompanied by Il Mosaico ensemble – already distinguished herself with the rediscovery of the works by Hasse and Maria Teresa Agnesi (Tactus' TC690801, TC720101 and TC720102).\u003c\/p\u003e","brand":"Tactus","offers":[{"title":"CD","offer_id":47472024944920,"sku":"8007194108057","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389453-3299651.jpg?v=1777528850"},{"product_id":"busoni-sonate-per-violino-e-pianoforte","title":"Busoni: Sonate Per Violino E Pianoforte","description":"\u003cp\u003eFerruccio Busoni (Empoli 1866 – Berlin 1924) died the same year as Puccini and was born when Puccini was a child, yet he was way more than an opera composer. While he lived several years in Trieste and some time in Bologna, he mainly lived abroad and spent the second half of his life in Berlin. 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The fact that the two publications following in short succession testifies to the singular interest the chamber works of this very young composer from Jesi, who had died in 1736, aroused in Italian and European musical circles.  For all, mention need only be made of the testimony of Charles de Brosses, who, in 1739, judged the fourth cantata of the collection as “the best of the Italian cantatas”.\u003c\/p\u003e","brand":"Tactus","offers":[{"title":"CD","offer_id":47678886019352,"sku":"8007194106022","price":6.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2778000.jpg?v=1777951894"},{"product_id":"pergolesi-la-serva-padrona-salve-regina-i-solisti-liriensi","title":"Pergolesi: La Serva Padrona \u0026 Salve Regina \/ I Solisti Liriensi","description":"\u003cp\u003eGiovanni Battista Pergolesi brought the theatre into churches, and religious seriousness into theatres.  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