{"title":"SWR Jazzhaus Sale","description":"","products":[{"product_id":"jazz-heroes-baden-baden-1959-karlsruhe-1958-292974","title":"Oscar Pettiford","description":"\u003cp\u003eOscar Pettiford's masterful studio recordings at SWF Baden-Baden feature a top-notch list of sidemen such as Jimmy Pratt, Kenny Clarke, Hartwig Bartz, Lucky Thompson, to name a few. Tracks include \"But Not For Me,\" \"Sophisticated Lady,\" \"Minor Plus A Major,\" \"Blues in the Closet,\" \"All the Things You Are,\" and more. (SWR Jazzhaus)\u003c\/p\u003e","brand":"SWR","offers":[{"title":"CD","offer_id":46908299215128,"sku":"730099041959","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3813966-2568076.jpg?v=1777645381"},{"product_id":"big-bands-live-benny-goodman-orchestra-anita-o-day","title":"Benny Goodman Orchestra Feat. 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By Duke Ellington’s standards, this was a modern concert, exuberant in mood and at times mischievous in arrangements, which allowed some shrill coloring. And it also showed that even an ultimately traditional jazz orchestra in the rocky sixties could develop enough charisma to enthrall an audience like that in the Liederhalle. (SWR Jazzhaus)\u003c\/p\u003e","brand":"SWR","offers":[{"title":"CD","offer_id":46908299378968,"sku":"730099040358","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3766068-2529257.jpg?v=1777645316"},{"product_id":"volker-mainz-mainz-studio-recordings-1963-1969-845008","title":"Volker Mainz - Mainz Studio Recordings (1963-1969)","description":"\u003cp\u003eThis release chronicles that journey through the recordings Volker Kriegel made between 1963 and 1969 in Mainz. 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For four days, this arrangement creates a free space for experimentation, with the aim of developing a concert programme that is then presented on a tour throughout the broadcasting area.\n\u003cbr\u003eThe 2021 edition gave the then 23-year-old American vibraphonist Sasha Berliner the opportunity to put together her own dream band. Five musicians from New York and Los Angeles who had never played together in this line-up before, but had always wanted to: Kalia Vandever on trombone and electronics, Matt Sewell on guitar, Max Gerl on double bass and Michael Shekwoaga Ode on drums.\n\u003cbr\u003e2020 Sasha Berliner was first woman to be voted number one in the “Rising Star Vibraphone” category by the critics of the American jazz magazine Down Beat. At the time, she was 21, which made her the youngest person in the history of the poll ever to attain this honor. Today, Berliner is a formative presence in Brooklyn’s young creative scene, firmly grounded in the experimental music world on the one hand and deeply rooted in the jazz tradition on the other. She studied with Stefon Harris at the New School for Jazz and Contemporary Music. 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With such a solid musical foundation, the Oregon four needed to do little more than appear within a zeitgeist that welcomed improvisational and chamber jazz sounds, and before an audience that valued their wild mix of characters and compositional talents.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFollowing the band’s formation in 1970, Oregon soon became well known from their many performances and recordings, subsequently progressing from the style laboratory of the early years into a chamber jazz authority, whose special appeal unfolded above all in their pyrotechnic concerts, such as that in Ludwigsburg, in 1990. 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Seifert was therefore a pioneer, unintentionally so, because he was not interested in revolutionizing his instrument. He wanted rather to discover the secrets of the heroes of his time and understand, for example, how Coltrane managed to convey impressions of texture without having to forego linear melodies. It helped that he knew how a saxophone behaves musically. With this attitude he was ahead of his contemporaries, who were still working their way through structure and aesthetics. That was probably one of the reasons, in combination with his early death from cancer, that Seifert was forgotten for so long by the jazz world. The recordings in the SWR archive are therefore all the more exciting. Angel Wings is from 1973, a stimulating time for Seifert, when he left Poland and settled in West Germany. The sextet at the New Jazz Meeting in Baden-Baden gave him room to prove himself in the fusion context, with a touch of Mahavishnu in the aura, but above all a document of exuberant jazz-rock power. The duo recordings that were made three years later in Donaueschingen are real gems. There Seifert had in Albert Mangelsdorff a partner who understood him. Like Seifert, the trombonist Mangelsdorff had fought battles to liberate his instrument from the brass section and, by simultaneously overblowing and singing, had fetched it into polyphony.","brand":"SWR","offers":[{"title":"CD","offer_id":48462668792088,"sku":"730099047951","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3890408-2659430_0a938156-46d6-440a-a3ab-96c5f203d157.jpg?v=1777645003"},{"product_id":"alice-babs-meets-erwin-lehn","title":"Alice Babs Meets Erwin Lehn","description":"\u003cp\u003eAlice Babs, the Swedish singer and actress, was mostly seen by the industry as the hit-warbling Swedish girl. But she continued to make excursions into the realms of jazz and swing. This was also thanks to Erwin Lehn, who invited her, beginning in 1952, to sing before the microphones of his Südfunk Dance Orchestra (Südfunk-Tanzorchester). One can hear what a good choice this was on the recordings that were made on various occasions between 1952 and 1955 in Stuttgart. One can also hear Alice Babss roots in the European vocal culture, but the sheer presence of her interpretations is impressive. Each of the songs radiates the smile of her enthusiasm, which also makes Erwin Lehns orchestra shine acoustically. Alone for this reason these finds from the SWR archives are jewels of European swing history.\u003c\/p\u003e","brand":"SWR","offers":[{"title":"CD","offer_id":48462668824856,"sku":"730099047258","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3912012.jpg?v=1777645008"},{"product_id":"maria-schneider-swr-big-band","title":"Maria Schneider \u0026 SWR Big Band","description":"\u003cp\u003eConcerts with Maria Schneider are something special. They are stylistically not only out of the ordinary, they also manage to bring large orchestras to perform artistically at high voltage, with an energy and at a creative level which is otherwise known only in much smaller ensembles. It is not the music alone that drives the participants, but rather the serene seriousness of a band leader who demands a maximum of intensity from her compositions and passes this premise on to their interpretation. It is impossible to conceive of compositions for jazz orchestras more stringently. The instrumentalists know this too, and therefore feel called upon not only to reproduce the charts accurately but to work out all the contained hints, implications, and visions of sound down to the deepest levels. This original recording was made in May 2000 when Schneider appeared alongside the SWR Big Band. 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He became famous as the alert, energetic piano engine of the Immanuel Wilkins Quartet. As curator of the 2022 SWR NEWJazz Meeting, Thomas put together a band of outstanding NewnYork improvisers. The sextet never played together in this form before. When asked about a name for the SWR NewJazz Meeting project, Thomas said: Forest. The musical fruits of this album in fact shimmer like a dew-covered forest landscape that extends much farther than a single glance could take in. And in this \"forest\" something magical happens: it is dark, calm and quiet, and then suddenly, for a moment, rare, shy animals appear out of the mist and fog. These tracks, selected subsequently by Thomas, offer such experiences. They are deliberately identified as fragments, highlights from long spontaneous improvisatory passages.","brand":"SWR","offers":[{"title":"CD","offer_id":49183968231704,"sku":"730099048750","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4368758-3232772.jpg?v=1777496104"},{"product_id":"legends-live-albert-mangelsdorff-quintett","title":"Legends Live: Albert Mangelsdorff Quintett","description":"\u003cp\u003eThis concert, which has lay forgotten for almost fifty years, is now available on CD. This concert, recorded June 22, 1964, established Albert Mangelsdorff as Germany’s international jazz star. 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This release contains staples of the repertoire, including Rhapsody in Blue, Malaguena, Malaga, and Love Story.","brand":"SWR","offers":[{"title":"CD","offer_id":49705398829336,"sku":"730099045759","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3341036.jpg?v=1777644970"},{"product_id":"swr-new-jazz-meeting-2013","title":"SWR New Jazz Meeting 2013","description":"Centered around accordionist Vincent Peirani, the ensemble Living Being presents this new, extended album. The works on these two discs were recorded at the November 2013 SWR NEWJazz Meeting. For this meeting, Peirani expanded his core quintet to include Mathias Eick and Leila Martial. The extended group performed three concerts, in Tubingen, Mainz, and Karlsruhe.","brand":"SWR","offers":[{"title":"CD","offer_id":49705398862104,"sku":"730099045858","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3373328.jpg?v=1777580676"},{"product_id":"early-discoveries","title":"Early Discoveries","description":"Albert and Emil Mangelsdorff are two brothers who had an important impact on the development of German jazz. Emil studied clarinet at the Hoch Conservatory in Frankfurt, but he is more widely known for his saxophone playing. After he was a member of the illegal ensemble Hot Club, (jazz was banned in Germany at the time) he was imprisoned by the Gestapo and forced into the Hitler Army. After the war he performed in the Frankfurt All Stars and the Jazz-Ensemble des Hessischen Rundfunks before forming his own quartet in the 1960s. Albert is most known for his technique of playing multiphonics. A trombone player, he led a hard bop quintet in the late 50s, and performed frequently with his brother. This release is a compilation of concerts and studio sessions, recorded in the height of the brothers’ career, between 1956 and 1963.","brand":"SWR","offers":[{"title":"CD","offer_id":49705398894872,"sku":"730099045957","price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3387058.jpg?v=1777644975"},{"product_id":"enjoy-jazz-festival-2014","title":"Enjoy Jazz Festival 2014","description":"“The important thing in a trio is the interaction,” said Greek pianist and composer Nikolas Anadolis. “Not only how well you are in contact with your own feelings, but also how much you’re in agreement with the others musically. How the three of us can be one.” This synergy of opposing impulses first makes a community of musicians into an organism that helps the sound experience, in itself abstract, produce a specific and ideally emotional effect. The small scale form of the trio has been from the beginning one of Anadolis’s preferred options. Even as a composer, he follows the idea of a breathing music that is based on the harmony of its elements. There are many moments of tonal subtlety which, in the fragility of the motifs, give the pelvic range of the percussion the opportunity to develop its own colors. There are also challenging passages where the piano, with its fascinatingly articulated runs and sound salvos, rises to become the dominant instrument, but without blurring its fullness in pathos. In this live recording of his trio performed in Heidelberg, Nikolas Anadolis makes an impressive statement.","brand":"SWR","offers":[{"title":"CD","offer_id":49705399091480,"sku":"730099047159","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3821010.jpg?v=1777644999"},{"product_id":"spiders-egg-1","title":"Spider's Egg","description":"Spider's Egg is a sextet put together by Brasilian guitar player Pedro Martins specifically for the 50th edition of the SWR NewJazz Meeting. For five days the six young, internationally renowned musicians, who come from very different geographical places and stylistic directions, exchanged ideas. They experimented in the SWR studios and developed a concert program that they then presented in three concerts in Germany and recorded for the present release. Pedro Martins,​ Brazilian musical prodigy, and winner of The 2015 Montreux Guitar Competition is well known for his collaborations with Kurt Rosenwinkel, Yaron Herman, David Binney, Jacob Collier, and Genevieve Artadi (Knower), as well as Brazilian jazz greats ​Hamilton de Holanda, ​Gabriel Grossi, and Léo Gandelman.","brand":"SWR","offers":[{"title":"CD","offer_id":49705399189784,"sku":"730099047753","price":20.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3738189-2516111.jpg?v=1777645020"},{"product_id":"swr-new-jazz-meeting","title":"SWR New Jazz Meeting","description":"The SWR NEWJazz Meeting project aims to help artists develop exciting projects that are difficult to realize under existing conditions. It was founded in 1966 and served in the course of its more than fifty-year history as a driving force for new trends in jazz. The young Lukas Kranzelbinder, curator of the 2018 edition has already established himself as one of the most active and versatile bassists of the young Austrian music scene. For this project he brought together six artists including the novelist Fiston Mwanza Mujila in a band called “On boit lumumba – We drink lumumba!”. The name of the band points to Patrice Lumumba (first Congolese Prime Minister and African freedom fighter at the beginning of the 1960s) and to the popular cocoa, milk and rum drink with the same name. There is of course an absurdity in this connection, which in turn relates to the topics Fiston deals with in his writings.","brand":"SWR","offers":[{"title":"CD","offer_id":49705399222552,"sku":"730099047852","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3851218-2607937.jpg?v=1777644966"},{"product_id":"kenny-werner-solo-in-stuttgart-live-4","title":"Kenny Werner Solo in Stuttgart (Live)","description":"This album contains a piano solo recital of Kenny Werner in Stuttgart (Germany) from 1992, live recorded. Born in Brooklyn, NY on November 19, 1951 and then growing up in Oceanside, Long Island, Kenny Werner began playing and performing at a young age, first recording on television at the age of 11. Although he studied classical piano as a child, he enjoyed playing anything he heard on the radio. In high school and his first years of college he attended the Manhattan School of Music as a classical piano major. His natural instinct for improvisation led Kenny to the Berklee School of Music in 1970. There he sought tutelage of the renowned piano teacher Madame Chaloff. Her gracious wisdom and inspiration became a driving force in Kenny’s conception: A music conscious of its spiritual intent and essence. From Boston, Kenny traveled to Brazil with the saxophonist Victor Assis Brasil. There he met Victor’s twin brother, Brazilian pianist Joao Assis Brasil. He studied with Joao, who provided another piece of the puzzle for Kenny’s conception that would lead to Effortless Mastery, his landmark opus on how to allow the master musician from within to manifest. Kenny Werner has been a world-class pianist and composer for over forty years. His prolific output of compositions, recordings and publications continue to impact audiences around the world.","brand":"SWR","offers":[{"title":"Vinyl","offer_id":49709582713112,"sku":"730099047456","price":45.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3669532-2473617.jpg?v=1777645012"},{"product_id":"one-night-in-karlsruhe-live-3","title":"One Night in Karlsruhe (Live)","description":"With his predilection for the piano trio as a central form of expression, Michel Petrucciani was out of step with the mid-eighties. He was a driven man, playing in his most active period more than one hundred concerts a year, with the feeling deep inside him that, given his illness, he had less time available than other people, a feeling which he repeatedly mentioned in talks with friends and journalists. Petrucciani wanted to condense his music, releasing energy under tension in an awaited discharge. The bassist Gary Peacock and the drummer Roy Haynes were the perfect partners. One had been socialized in post bop, sowed his wild oats in Free-Time and later, as a partner of Bill Evans, Paul Bley and Keith Jarrett among others, perfected his trio playing. The other had personally experienced the birth of bebop and was one of the busiest jazz luminaries in his field. This release is a live recording from July 7th, 1988, Karlsruhe.","brand":"SWR","offers":[{"title":"CD","offer_id":49709582745880,"sku":"730099047654","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3846836.jpg?v=1778806707"},{"product_id":"change-of-beauty-2","title":"Change of Beauty","description":"Beauty is a question of view. For some it consists in perfection, symmetry; others perceive it only when ruptures, cracks, relativizations add to the impression. Herbert Joos has called his orchestra suite, which he premiered on the occasion of being awarded the 2017 Baden-Wurttemberg Jazz Prize for Lifetime Achievement, “Change of Beauty.” This fits a process of musical creation that the star chef and bass trumpeter Vincent Klink laconically commented upon his encomium at the award ceremony at the Stuttgart Theaterhaus as follows: “I assert at this point that perfection curtails freedom and completely runs counter to a humanism of the Joosian kind.” Ergo, beauty can endure only in a state of flux. An insight that coincides with Herbert Joos’s experience in the course of a dazzling career as a musician. The trumpeter, flugelhorn player and composer appeared on the jazz scene at a time when certainties were crumbling. Born in 1940 and influenced by musical individualists like Miles Davis, Chet Baker, and Billie Holiday, Joos first learned the craft of imitation in ensembles such as the Modern Jazz Quintet Karlsruhe, but at the same time experienced the beginnings of the aesthetic resistance. In no time at all he sent jazz tradition packing into the museum.","brand":"SWR","offers":[{"title":"CD","offer_id":49709595427096,"sku":"730099047050","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3778501.jpg?v=1777644995"},{"product_id":"cellular-structures-live-4","title":"Cellular Structures (Live)","description":"\u003cp\u003eSteffen Schorn is a saxophonist, composer and sound researcher, interested in the extreme high and low registers as well as in the textures of his instrument. The SWR-recordings from 2000 are for him striking landmarks of his own development. One has the opportunity to hear on this recording a B flat-tubax (subcontrabass saxophone) prototype without keys. Steffen Schorn stands as one of the outstanding original musical voices of the German jazz and actual music scene. He has been awarded numerous prizes, most recently the WDR Jazz Award 2009 for composition, the highest honor awarded for improvised music in Germany. He performed in over 70 countries worldwide and established, as a specialist for the low end of the woodwind family, instruments like the bass sax, contralto- and contrabass clarinet, Bb- and Eb-tubax as solo instruments.\u003c\/p\u003e","brand":"SWR","offers":[{"title":"CD","offer_id":49709595722008,"sku":"730099047555","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3571668_42947943-99a8-4c43-9042-63d2e4916bed.jpg?v=1777645015"},{"product_id":"eddie-sauters-music-time-2","title":"Eddie Sauter's Music Time","description":"This unique release contains live recordings taken in 1957 and 1958 from the broadcast concert series Eddie Sauter’s Music Time, during which Eddie Sauter was leader of the orchestra at the Sudwestfunk. Trumpeter and bandleader Eddie Sauter took over Kurt Edelhagen’s orchestra at the Sudwestfunk in 1957. This was his first time conducting a jazz Big Band without a co-leader. Eddie Sauter’s Music Time became a place for Sauter to experiment with his music. The programme recorded here shows a fantastic balance between standards, originals, and experiments.","brand":"SWR","offers":[{"title":"CD","offer_id":49709595984152,"sku":"730099046053","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3413295.jpg?v=1777644986"},{"product_id":"swr-new-meeting-2016-sound-portraits-from-contemporary-afri-2","title":"SWR New Meeting 2016: Sound Portraits from Contemporary Afri","description":"\u003cp\u003eTo help artists develop exciting projects that are difficult to realize under existing conditions is the goal of the SWR NEWJazzMeeting. This legendary sound laboratory for jazz of the SWR was founded in 1966 by Joachim-Ernst Berendt and takes place every year. The idea: musicians who always wanted to perform with one another but who, for a variety of reasons, have so far not been able to do so, develop a concert programme in the broadcaster’s studios that the SWR then presents in several concerts in its transmission area. In the course of its fifty-year history, the SWR NEWJazz Meeting has in this way served as a driving force for new trends in jazz. “I see a particular value in exploring the music of my South African homeland and making it fit for the future.” Kyle Shepherd, born in 1987, is the most innovative and important pianist of the contemporary South African jazz scene. His sound boldly makes reference to the roots of township jazz and the Goema Beat of his hometown of Cape Town. Nevertheless, he refuses to be put into a pigeonhole; his horizon extends far beyond his beloved Cape Jazz. “It’s cool to choose the African thing in conceptual questions. But just as cool to choose something else.” Kyle Shepherd, the most innovative and important pianist of the contemporary South African jazz scene, is the curator of the 2016 SWR NEWJazz Meeting. At his wish, four young jazz musicians from South Africa and the Benin-born guitarist and singer Lionel Loueke (who since 2001 has been living in the United States) met in November 2016 at the SWR’s Baden-Baden radio studios. The musicians named their project “Sound Portraits From Contemporary Africa”. The African improvisers experimented for five days and developed a concert programme that they then presented on a tour in the SWR broadcasting area.\u003c\/p\u003e","brand":"SWR","offers":[{"title":"CD","offer_id":49709596016920,"sku":"730099046855","price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3718852.jpg?v=1777644990"},{"product_id":"swr-new-jazz-meeting-2017","title":"SWR New Jazz Meeting 2015","description":"“For me jazz music is without bounds, a sanctuary for creativity,” says the Cuban-born and New York-based pianist Fabian Almazan. This is apparent in all the exciting aspects of his double album: Almazan made use of the time during the SWR NEWJazz Meeting to create music that he cannot under conventional conditions. When in 2015 the jazz department of the broadcasting station SWR gave him a blank check for the SWR NEWJazz Meeting, he spontaneously assembled for the improvisation sound lab the band “Realm of Possibilities.” It is comprised of six ambitious performers who are the spearhead of the young New York scene but who worked together for the first time in the band: Anna Webber (tenor sax, flute), Ryan Ferreira (guitar), Chris Dingman (vibraphone), Linda Oh (bass) and Henry Cole (drums). All of them are strong creative personalities, with extremely different musical backgrounds.","brand":"SWR","offers":[{"title":"CD","offer_id":49709660209432,"sku":"730099046657","price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3526639.jpg?v=1777644980"}],"url":"https:\/\/hbdirect.com\/collections\/swr-jazzhaus-sale.oembed","provider":"HBDirect","version":"1.0","type":"link"}