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Young Czech Daniel Matejča, winner of Eurovision Young Musician 2022, picks up the baton for the next generation in this bold, impressive set.\" - BBC Music (Supraphon)\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":46908486287640,"sku":"099925431327","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4196669-2975030.jpg?v=1777614023"},{"product_id":"my-musical-life","title":"My Musical Life","description":"\u003cp\u003eAlfred Brendel has often visited Prague to give lectures and masterclasses at the Rudolfinum, highlights of which are captured on this DVD. Beethoven, Mozart and Schubert are the figures he, as a pianist, treasures most. 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She speaks several languages, but she never learned Chechen. She could also be described as a contralto with an extraordinary sensibility in the song repertoire and with a deep, beautifully coloured voice. Or as an improviser who – in rare harmony with pianist Michael Gees – creates spontaneous compositions on texts of their favourite poets. The theme of this album is the search for home and the knowledge of a place where one belongs. Bella Adamova narrates the songs as her own story, at the same time accentuating the life stories of the composers as well as their relationship to their home or their feeling of being outcast. Rather than a typical song recital, this recording is an invitation to the musicians’ own world where every word, no matter what language it is sung in, has its deep meaning. Songs as Bella Adamova’s real home.\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":47105315602712,"sku":"099925432928","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389353-3299540.jpg?v=1777536145"},{"product_id":"cesta-svetla-path-of-light-bohemian-moravian-christmas-carols","title":"Cesta Svetla (Path of Light) - Bohemian \u0026 Moravian Christmas Carols","description":"\u003cp\u003e“And the light shineth in darkness; and the darkness comprehended it not.” John the Evangelist’s words inspired the title of a remarkable Christmas cycle, rendering its profound message, diverting our attention from glittering decorations and refocusing on the very reason for celebrating Christmas – commemorating the birth of Jesus Christ. Many a time with a breath-taking directness, traditional carols clearly capture the poetics of the Nativity and the story of those who were there. Such carols were precisely that which resounded in the mind of Jirí Slavík, a seasoned young jazz musician and composer with a penchant for folklore, in the spring of 2020, when a pandemic locked us down in our homes. “No one had the slightest inkling as to when we would again be able to play and sing together.” The songs immediately became a source of hope, hope that light would begin shining soon. The carols acquired their shape, sometimes soft and intimate, at others bolder, symphonically opulent. Interludes and songs inspired by the Biblical story came to life, ultimately engendering a whole cycle. From the beginning, it was intended to be performed by Ondráš – an orchestra and choir specialising in folk music, yet willing to cross the genre’s borders. As interpreted by the singers and instrumentalists, the Bohemian and Moravian carols sound absolutely natural, be they presented in the usual “dulcimer” texture, or in unconventional colour arrangements. This type of music – just like any music retelling a powerful story – requires quietening. When we let tranquillity take over our minds, we may touch upon a secret. The Nativity story in Bohemian and Moravian Christmas carols\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":47105317994776,"sku":"099925432126","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4182505-3140423.jpg?v=1777647947"},{"product_id":"novak-concertos","title":"Novak: Concertos","description":"\u003cp\u003eThe music of Jan Novák (1921–1984) is extraordinary and remarkable as such. However, this recording puts a kind of stamp of authenticity on it since the solo parts are played not only by pianist Karel Košárek but also by both of the composer’s daughters. While flautist Clara Nováková might have gone back in memories to the time when she was fifteen and her father dedicated the first version of Choreae vernales to her, Dora Novak-Wilmington sat on the piano stool instead of her mother, Eliška, who played the instrument as brilliantly as her husband, Jan. In a way, the recording exudes the atmosphere of a family reunion across time. Novák’s Concerto for Two Pianos reflects his impressions of studying with Bohuslav Martinu in New York (where they visited jazz clubs together) as well as his desire for recognition from his teacher. The historical recording of the work (Jan and Eliška Novák, Czech Philharmonic, Karel Ancerl, 1957) deserves to be complemented by a representative modern recording. Concentus biiugis for piano four hands was performed in the year of its creation in the composer’s exile in Germany as a way of supporting Charter 77, an anti-regime movement in his homeland. The first version of Choreae vernales was written in the same year in Italy and three years later Novák clothed it in the colourful attire of string orchestra. It is this nearly unknown version of the composition that is newly recorded here. The orchestra’s involvement and renowned conductor Tomáš Netopil’s distinct musicianship help the soloists to create Jan Novák’s colourful and striking musical landscape - A new recording of Jan Novák’s concertos – a family reunion across time.\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":47227810283800,"sku":"099925433123","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389355-3325916.jpg?v=1777533988"},{"product_id":"music-from-18th-century-prague-blazikova-nosek-hipocondria-ensemble-hadek","title":"Music From 18Th Century Prague  Blazikova, Nosek, Hipocondria Ensemble, Hadek","description":"\u003cp\u003eŠimon Brixi was one of the most distinguished composers who drew inspiration from Prague in the 18th century, while creating highly inventive music of his own. Made up of superlative soloists, Hipocondria Ensemble bring back to life Šimon Brixi’s overlooked works. Their recording of the Magnificat is the first made on historical instruments. \/ Šimon Brixi – a composer whose music deserves a second life after three centuries. 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Franz Xaver Richter’s professional journey started in Count Rottal’s court orchestra in Holešov and ended in the prestigious post of Kapellmeister at the Cathédrale Notre-Dame in Strasbourg. He is primarily known as one of the major representatives of the renowned Mannheim School, with his “trumpet” Sinfonia No. 52 in D being a typical example of the late Mannheim form. The grandiose Te Deum, featured on the present album, is Richter’s second setting of the hymn and was first performed in 1781 in Strasbourg, during the celebrations marking the centenary of the city’s coming under French administration. Along with the motet Exsultate Deo, the piece falls within the composer’s vocal-instrumental oeuvre, which has yet to be explored (and, just as in the case of Jan Dismas Zelenka’s music, contains many unexpected twists and turns). The virtuoso, engrossing and masterfully balanced Oboe Concerto with the original cadenzas represents Richter’s concertante style. Following their premiere recordings of Richter’s Requiem and the Passion oratorio La Deposizione dalla croce di Gesù Cristo, the present Czech Ensemble Baroque album maps another part of the remarkable 18th–century composer’s work. Newly discovered gems from Franz Xaver Richter’s undeservedly overlooked oeuvre.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49605207490840,"sku":"099925424022","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3765380.jpg?v=1777648597"},{"product_id":"prokofiev-smetana-janacek","title":"Prokofiev - Smetana - Janácek","description":"Twenty-six year old violinist Josef Špaček is fast emerging as one of the most talented virtuosos of his generation, and for his Supraphon debut he’s chosen works by Slavonic composers. The pianist Miroslav Sekera is a wonderful partner to Špaček on the recording, as are the superb and inspiring acoustics of the Dvořák Hall of Prague’s Rudolfinum.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49605227249944,"sku":"099925412920","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2183393.jpg?v=1777648975"},{"product_id":"moravian-folk-songs","title":"Moravian Folk Songs","description":"Large-scale works such as his Glagolitic Mass, Sinfonietta and mature operas brought him worldwide fame, yet Leoš Janáček’s folk-based works have remained relatively little known, even though traditional songs pulsate in the very heart of his music. It is the collections of Moravian and Hukvaldy Folk Poetry in Songs however that contains the most beautiful of these songs. Furnishing them with congenial piano accompaniments, Janáček otherwise left the songs in their pure form. The focus is on the purity of folk songs, reflecting simple directness and enchanting poetics.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49605404033304,"sku":"099925418328","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2985234.jpg?v=1777648991"},{"product_id":"czech-viola-sonatas","title":"Czech Viola Sonatas","description":"Kristina Fialová’s Supraphon debut will undoubtedly be a welcome treat for lovers of the velvety dark timbre of the viola. A gauntlet thrown down to previous recordings can be deemed her singular account of Bohuslav Martinu’s wistful Sonata for Viola and Piano (1955), one of the pieces in which, towards the end of his life, the composer, aware that he would never return to his homeland, ever more frequently reflected his nostalgia for his native Czech-Moravian Highlands region. The other three works featured on the album are virtually unknown (two of them have been recorded for the very first time) yet nevertheless worthy of attention. Karel Husa wrote his Suite for Viola and Piano (1945) prior to leaving his country for good. A winner of the Pulitzer Prize (1969), today Husa’s is perhaps the most frequently performed music by a contemporary Czech composer worldwide. The featured works by two of his contemporaries too are newly discovered viola gems. The Sonata by Jindrich Feld is connected with that of Martinu’s in terms of the year of its origin (1955), as well as its nostalgia, while Viktor Kalabis created his piece almost half a century later (1997). A rising viola star, Kristina Fialová has won several international competitions, debuted at the Tonhalle Zürich and performed at prestigious festivals. 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Speaking volumes are their joint projects with Bobby McFerrin, Alan Vitouš, Lenka Dusilová and Iva Bittová, leading Czech rock bands, including Tata Bojs and Blue Effect, as well as world-renowned orchestras, among them the Prague Philharmonia and the Brno Philharmonic, and the VerTeDance theatre company. Attesting even further to Clarinet Factory’s singularity is their own creation, which may be defined as a fascinating adventure-filled journey through music’s remote nooks and broad avenues, bringing to bear bold imagination and exceptional invention. In the wake of the most recent, internationally acclaimed albums Worx and Reworx and Meadows, the ensemble have come up with a new album, titled Pipers, recorded almost live at the prestigious SONO Studio. Representing another chapter in their exciting musical odyssey, it highlights Clarinet Factory’s intimacy and compactness. Featuring the authenticity and ruggedness characteristic of their live performances in combination with making use of innovative electronic and acoustic instruments, ranging from loopers, through effect devices to the electronic clarinet, the ensemble have succeeded in attaining a truly unique sound! A sound blending elements of classical, jazz and world music with audacious sonic experiment and the traditional song form, overarched by cosmopolitan lyrics in English, Czech and Spanish. Ludek Boura, Vojtech Nýdl, Jindrich Pavliš and Petr Valášek, who have presented their work to great acclaim at Mundial Montréal, Classical:NEXT, WOMEX and other international festivals, have conceived an astonishing album, by means of which they have shifted the perception of the term “crossover” and the sound of the clarinet itself into previously unthought-of levels. A fascinating musical odyssey bound by neither genre nor convention!","brand":"Supraphon","offers":[{"title":"CD","offer_id":49605437653272,"sku":"099925659028","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3826289-3140433.jpg?v=1777649192"},{"product_id":"prague-vienna-journey-in-songs","title":"Prague-Vienna - Journey in Songs","description":"The road between Vienna and Prague, taken in 1787 by the 31-year-old Mozart so as to attend the premiere of his opera Don Giovanni, was familiar to a number of other musicians. It was a journey they made in both directions, often with the vision of attaining a better life at the other end. The Czech songs dating from the turn of the 18th and 19th centuries, which form the axis of the present album, may be a revelation for many a listener – as may be the fact that Czech composers mainly set to music German and Italian texts. This could in part have been down to the boom of the German song for home music-making (and the associated publishing business), as well as the mass distribution of keyboard instruments in the 1780s. According to J. W. Goethe, the ability to play the piano was one of the qualities of well-bred young women that increased their chances of finding a good match ... Leopold Koželuch was one of Vienna’s most successful song composers, and, owing to, among other things, his diplomatic skills, he even eclipsed the bright star of Mozart. The Prague-based composer F. A. Rösler, whose songs are often indistinguishable from those of Mozart’s, did his utmost to preserve Mozart’s legacy following his death. And similarly to Rösler, V. J. Tomášek, who too remained faithful to Prague, possessed a refined literary taste, as duly reflected in his selection of the texts for his songs. The recording captures Martina Janková’s engrossing voice, replete with vitality, innocence, vigour and lightness, which so becomes the Mozart repertoire. Under the hands of Barbara Maria Willi, the bright and colourful sound of the one and only preserved fortepiano built by F. J. Baumeister (1797) will be for many yet another surprise and discovery on this musical odyssey. The previously untraced journeys of Czech songs between Mozart’s Prague and Vienna.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49605440831768,"sku":"099925423124","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3662377.jpg?v=1777648558"},{"product_id":"mahler-das-lied-von-der-erde-3","title":"Mahler: Das Lied von der Erde","description":"In contrast to Symphony No. 8, also known as the “Symphony of a Thousand”, another of Gustav Mahler’s vocal-instrumental pieces, Das Lied von der Erde, speaks in a highly intimate language, full of tenderness and deep sorrow, mirroring the very essence of the artist’s soul towards the end of his days. The grief, reflecting the painful events in the composer’s life and expressed in a variety of shades in all the six songs, seems to dissolve at the end of the work in the repeated, atoned “forever” , a word opening up the infinite space following the life on earth. The internationally renowned Czech mezzo-soprano Dagmar Pecková has always cherished Mahler’s music, as evinced by the highly acclaimed recordings she has made with Jirí Belohlávek, conducting the Prague Philharmonia. Her partners on the album are the tenor Richard Samek, whose voice is known to audiences at Europe’s prominent opera houses, and a chamber ensemble, instead of a large Romantic orchestra, for which Mahler scored the piece. In order to emphasise the work’s intimacy, Pecková opted for Schoenberg’s chamber arrangement of Das Lied von der Erde. The recording has made the soloist’s dream come true, and thus added the final piece in the mosaic of her feted Mahler discography.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49605441683736,"sku":"099925424220","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3773937.jpg?v=1777648617"},{"product_id":"tomasek-fortepiano-sonatas","title":"Tomášek: Fortepiano Sonatas","description":"With Václav Jan Tomášek we find ourselves at the furthermost border marking the realm of the Music from 18th Century Prague cycle. Without his music, however, the edition would not have been complete. Shortly after his arrival in Prague, Tomášek became renowned for his piano playing skills, later winning the moniker of the \"Music Pope\". Not only was he an outstanding pianist and fruitful composer, but he also became a sought-after music teacher. His students included composer Jan Václav Hugo Voříšek, famous critic Eduard Hanslick as well as a number of virtuoso pianists. Tomášek's music oscillates between late classicist and early romantic style with songs and piano compositions making the bulk of his oeuvre. Sadly, only a little fragment of these are accessible on recordings. The present recording brings three out of his seven fortepiano sonatas; they are performed on a copy of a period instrument. Tomášek's sonatas are marked by ap rofuseness of musical ideas and often also unusual modulation plans. Since her fortepiano studies in Paris, Petra Matějová has performed extensively, made a number of recordings and led master classes in several European countries. Her ambition in making thi srecording was to convince listeners and pianists alike that the time has come to bring Tomášek's work to new life and give it back its well-deserved place on concert stages.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49605442044184,"sku":"099925422325","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3177849-2420366.jpg?v=1777648606"},{"product_id":"mozart-beethoven-klein-music-for-wind-instruments","title":"Mozart, Beethoven, Klein: Music for Wind Instruments","description":"The present album marks the 10th anniversary of the PhilHarmonia Octet. The ensemble is made up of superlative soloists, laureates of major international competitions, and members of globally renowned orchestras (the Berliner Philharmoniker, WDR Köln, Czech Philharmonic, etc.). The recording features works by both Czech and foreign composers. The Serenade in C minor is one of the first pieces signalling the change in Mozart’s music, with the hitherto enthralling playful abandon being replaced by serious, dramatic tones. Although formally an entertainment piece, Die kleine Nachtmusik possesses an intellectual profundity. On the other hand, the Wind Octet in E flat major (originally denominated Partita), written by Beethoven at the age of 22, fully corresponded to the piece’s being designated to be performed at banquets - most likely those held by his employer, Maximilian Franz, the Elector and Archbishop of Cologne. Technically challenging, it is conceived as a concert piece, with the parts possessing a virtuoso stylisation. The extraordinarily gifted Czech pianist and composer Gideon Klein (1919-1945) wrote his Divertimento when he was twenty years of age, when he only had less than six years of life ahead of him, before dying at the Fürstengrube concentration camp. One of the most mature of his works, the piece reveals the artist’s having been affected by Janácek and Schönberg, yet palpable too is the influence of Neo-Classicism and the Moravian folk song. The album presents three totally different facets of the wind octet, encompassing music that spans almost two centuries, as performed by a brilliant ensemble.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49605444567320,"sku":"099925421427","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3549951.jpg?v=1777648582"},{"product_id":"impressions-ravel-debussy-sluka-works-for-oboe-and-harp","title":"Impressions \/ Ravel, Debussy, Sluka: Works for Oboe and Harp","description":"On their previous Supraphon recordings, harpist Katerina Englichova and oboist Vilem Veverka sufficiently proved their outstanding performance qualities as well as informed interest in such mutually remote music worlds as the Baroque and the 20th century modernism. The present recording - their first made in dues - reflects more than twelve years of their performing together in concerts. The not-so-common combination of oboe and harp provides an endless scale of timres and the resulting impression is marked both by frailness and confident virtuosity. Ravel's \"Le Tombeau de Couperin\" is the crucial piece on the album and represents the composer's memories of his friends lost in the First World War. Little musical gems written by Ravel and Debussy resound here in sensitive arrangements which have enriched the compositions by new timbre qualities. \"Primavera\" composed by Lubos Sluka was composed explicitly for the Englichova - Veverka duo and appears here in premiere recording.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49605444600088,"sku":"099925421229","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3177850-2420360_ce6b62c9-3474-44fc-9203-6fa4c8b86a51.jpg?v=1777648564"},{"product_id":"portrait-1","title":"Portrait","description":"Backed up by the Czech Philharmonic, the 85-year-old Richard Novák sings the part of the Forester from the Cunning Little Vixen in a way that leaves you gaping in admiration. His performance is a witness not only to his singing skill, but also his life experience. The fact that he was lucky to find great music teachers has combined with persistence and hard work on his part. He was not afraid to interrupt his singing career at its apparent height when he felt his voice was losing inner support, and start anew. In 1961 he won second place in a singing competition in Toulouse (with José van Dame taking the first place) and became a laureate in the competition held in the Dutch city of Hertogenbosch in 1962. Dvorák, Verdi and Janácek represent the three supporting pillars of his repertoire and at the same time his three major musical loves. Novák sang as a guest in Teatro Colón, at the Salzburg Festival under Claudio Abbado and also appeared on prestigious stages in Paris, Madrid and Venice. He has collaborated with many outstanding conductors, having sung oratorios under Ancerl and Neumann and recorded the Glagolitic Mass with both Mackerras and Chailly. One must not forget to mention his beloved song repertoire including works by Schubert, Schumann, Wolf, Kricka, and, first and foremost, Dvorák’s Biblical Songs.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49605444993304,"sku":"099925420628","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3105513.jpg?v=1777648540"},{"product_id":"exaltatio-christmas-carols","title":"Exaltatio - Christmas Carols","description":"Traditional Czech and Moravian carols, Christmas canticles from Czech Baroque hymnbooks, old European Advent and Christmas songs, and Jaroslav Krcek’s original songs. The highly acclaimed Christmas album Nativitas is now joined by a new festive album, bearing the title Exaltatio. While in Colloquial Latin the word means “exaltation” and “elation”, in Christian theology it has a more profound connotation: “elevation”. The mezzo-soprano Dagmar Pecková has recorded yet another Christmas-themed album, featuring Czech and other European carols and folk songs hailing the Nativity. At Christmas, people feel much closer to one another than at any other time of the year, and it has been so for centuries. The special seasonal atmosphere is what French, German, English and Polish songs have in common. Pecková has again reached for Baroque hymnbooks, in which piety combines with a majestic sublime mood. The album also encompasses much more high-spirited and poetic folk carols. Jaroslav Krcek has made stylistic arrangements, whose singular signature relates to Musica Bohemica. The release features several Baroque-inspired pieces he himself has composed. The magic of Christmas evidently continues to be celebrated by contemporary creators. Dagmar Pecková’s new Christmas album: 30 carols and songs from Bohemia, Moravia and other European regions","brand":"Supraphon","offers":[{"title":"CD","offer_id":49605965709592,"sku":"099925428525","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3856799-2626935_b0ce5760-7cfe-41bc-a646-e20778555381.jpg?v=1777649125"},{"product_id":"dvorak-novak-mozart-martinu-shostakovich-janacek-palen","title":"Dvorak, Novak, Mozart, Martinu, Shostakovich, Janacek, Palen","description":"\u003cp\u003eSome legends remain concealed … The name Martin Ballý may be new to many, yet it is definitely worth remembering. Proof in this respect is given by the renowned pianists Jan Bartoš and Miroslav Sekera, his pupils, whose extraordinary art bears witness to Ballý’s outstanding qualities as a teacher. Yet the main testimony is Ballý’s own recordings, hitherto untouched and patiently waiting in the radio archives.\u003c\/p\u003e\n\u003cp\u003eHis repertoire as a solo pianist centers on 20th-century Czech music: unrivaled interpretations of Janáček and Martinů works, mesmerizing renditions of Kabeláč pieces. In his straightforward expressiveness, Ballý is not afraid to venture to the very limit of his instrument’s potential, but his tone remains radiant and colorful. Besides solo piano (his teachers included Josef Páleníček), Ballý devoted to chamber music (studying with the no less famous Josef Vlach). As a member of Ars Trio, his partners were children of the mentioned teachers, the violinist Dana Vlachová (today a member of the Czech Trio) and the cellist Jan Páleníček (now a member of the Smetana Trio). Their recordings feature gems of Czech trio music (Dvořák, Novák, Martinů) and two remarkable global repertoire creations (Shostakovich, Mozart). The majority of the recordings, dating from between 1980 and 1992, are from the Czech Radio archives and are now being released for the very first time. legends are well worth waiting for.\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49606242140440,"sku":"099925432522","price":38.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4202515-3140425.jpg?v=1777613272"},{"product_id":"j-haydn-string-quartets","title":"J. Haydn: String Quartets","description":"\u003cp\u003eDuring the 18th century, the string quartet gained the position of the most valued and most challenging chamber music genre, and gradually became a vehicle for conveying the composer’s personal feelings. Joseph Haydn played a key role in forging the quartet’s classical form. He created almost 70 string quartets, which, along with the symphonies, constitute the largest, as well as the most significant, part of his oeuvre. Haydn accorded them the form that would serve as the model for Mozart, Beethoven, and later composers. Just as fascinating as the quantity is his quartets’ sheer diversity, with each of them being singular, featuring novel (often humorous) ideas, experiments, as well as constant seeking of new possibilities of expression.\u003c\/p\u003e\n\u003cp\u003eThe three quartets included on the present album chart the development of Haydn’s musical idiom, from Op. 17 (1771), which he wrote at the age of 40, through Op. 33, dubbed “Gli Scherzi” (1781, dedicated to the Grand Duke of Russia Pavel Petrovich, the future Tsar Paul I), to the formally experimental pieces making up Op. 54 (1788). The Bennewitz Quartet have given numerous concerts worldwide, including at the most prestigious venues (Wigmore Hall in London, Musikverein in Vienna, Konzerthaus in Berlin, Théâtre des Champs-Elysées in Paris, concert halls in New York, Seoul, etc.) and such renowned festivals as the Salzburger Festspiele, Lucerne Festival and Rheingau Musik Festival. At many of them, they have performed quartets by Haydn, one of their favourite composers, whose music they endow with a transparent sound, revealing their levity and sense for detail. The Bennewitz Quartet – at home with Haydn\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49606242304280,"sku":"099925432621","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4202516-3206442.jpg?v=1777613316"},{"product_id":"marie-podvalova-complete-recordings-1939-1950","title":"Marie Podvalova - Complete Recordings 1939-1950","description":"\u003cp\u003eFor four decades, Marie Podvalová (1909–1992) was one of the most popular and sought-after opera singers of the National Theatre in Prague, where she was engaged from 1937 to 1978. She dazzled in the part of Bedrich Smetana’s Libuše, which she created in 1938 under the guidance of the conductor Václav Talich, as well as in the roles of Milada in Dalibor and Anežka in Two Widows. She also appeared in Dvorák operas, performing to acclaim Armida, the Foreign Princess in Rusalka and Julie in The Jacobin, and in Janácek works, primarily excelling as Kostelnicka in Jenufa.\u003c\/p\u003e\n\u003cp\u003eSupraphon is for the first time releasing the complete studio recordings Marie Podvalová made between 1939 and 1950. The set encompasses three songs from the collection \u003cem\u003eVenec ze zpevu vlasteneckých\u003c\/em\u003e (A Garland of Patriotic Songs, 1835–1844), which she performs accompanied on the piano by J. B. Foerster. It contains Marie Podvalová’s final, previously unreleased, studio recording, with the soprano singing Beatrice in a scene from Zdenek Fibich’s opera The Bride of Messina. The album also captures the voices of Jan Konstantin, Jindrich Blažícek, Marta Krásová, Ivo Žídek, Jaroslav Gleich, Zdenek Otava, Štepánka Jelínková, Jaroslav Jaroš, Josef Otakar Masák, Maria Tauberová, Ludek Mandaus, Stanislav Muž, and other singers. The Prague Symphony Orchestra and the National Theatre Orchestra are conducted by Rudolf Vašata, Zdenek Chalabala, Jaroslav Krombholc, František Škvor, Zdenek Folprecht, Otakar Jeremiáš and Karel Nedbal. The release marks the 30th anniversary of the legendary artist’s death.\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49655294722328,"sku":"099925430726","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4096204-2848754_fbc3b53e-8aea-4daf-8045-17bf5368a013.jpg?v=1777645538"},{"product_id":"dvorak-quintets-op-81-and-99","title":"Dvorák: Quintets, Op. 81 and 97","description":"\u003cimg src=\"\/graphics\/features\/gramophone_choice.jpg\"\u003e\u003cbr\u003e  \u003cbr\u003e   \u003cb\u003e2018 Gramophone Magazine \u003ci\u003eChamber\u003c\/i\u003e Recording of the Year\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e  Seven years after they triumphed with Dvorák’s quartets, Pavel Haas Quartet are back to Dvorák. For the occasion of recording his quintets, they have invited two guests: the pianist Boris Giltburg (winner of 2013 Queen Elizabeth Competition), as well as one of the PHQ founding members, violist Pavel Nikl. Antonín Dvorák composed his Piano Quintet No. 2 while staying at his beloved summer house in Vysoká in the late summer of 1887. The renowned critic Eduard Hanslick responded to its performance in Vienna enthusiastically: \"It is one of his most beautiful works. A genuine Dvorák.“ The String Quintet op. 97, albeit only six years younger, presents a completely \"different Dvorák“. After the Symphony from the New World and the “American” quartet, the string quintet is the composer’s third work written in America. Besides drawing inspiration from the music of the Native American tribe of the Iroquois which he heard in Spillville in the summer of 1893, he built the third movement around a theme that he had previously considered using in a proposal for a new American anthem. And Hanslick’s testimonial? \"This is probably the simplest, most natural and happiest music composed since Haydn’s times. The ear enjoys it with an easy-going attitude and the spirit is not bored for a single moment.“ Pavel Haas Quartet is at home in Dvorák’s music – to quote the Sunday Times, \"In this repertoire, they are simply matchless today.“\u003cbr\u003e  \u003cbr\u003e  -----\u003cbr\u003e  \u003cbr\u003e  REVIEW:\u003cbr\u003e  \u003cbr\u003e  It is the happiest of reunions and their sense of shared purpose is evident from the very start. Giltburg is completely at one with the quartet, who set off full of sighing pathos. From the off, they make the music their own; their sense of story-telling is very persuasive. Another triumphant addition to the Pavel Haas’s already Award-laden discography.\u003cbr\u003e  \u003cbr\u003e  – Gramophone","brand":"Supraphon","offers":[{"title":"CD","offer_id":49682351489304,"sku":"099925419523","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3743434.jpg?v=1777649043"},{"product_id":"mahler-des-knaben-wunderhorn-3","title":"Mahler: Des Knaben Wunderhorn","description":"\u003cp\u003eGustav Mahler’s cycle Des Knaben Wunderhorn features on innumerable recordings – so why yet another one? Because it is … entirely different. Peter Schöne, a baritone with an immense sense for songs, the winner of prestigious international competitions (Franz Schubert Kammermusikwettbewerb in Graz, ARD in Munich), accepted the invitation to work with PhilHarmonia Octet Prague, whose members have performed with leading European orchestras (Czech Philharmonic, Berliner Philharmoniker, WDR Sinfonieorchester Köln). After presenting arrangements of Modest Mussorgsky’s Pictures at an Exhibition and a suite from Leoš Janácek’s opera From the House of the Dead, the Mahler project currently represents the apex of the Czech wind ensemble’s endeavour to extend their repertoire and make it even more intriguing. Even though essentially intimate, Mahler’s songs have often been closely linked with symphonies, which also applies to the Des Knaben Wunderhorn collection. Of the 24 pieces, PhilHarmonia Octet Prague have recorded ten, those best suited to a wind ensemble. Opting for wind instruments makes sense, given that in his childhood Mahler’s musical vocabulary was formed in part by listening frequently to the Jihlava military band. His music is interwoven with military motifs, with wind instruments being afforded a prominent position. The chamber arrangements on the new album show an interesting path between the piano and orchestral versions, and allow for highlighting the colourfulness and intimacy of Mahler’s songs. Mahler’s songs, extraordinarily colourful and intimate\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49704240152856,"sku":"099925432225","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4182506-2962436.jpg?v=1777645568"},{"product_id":"syrinx-2","title":"Syrinx","description":"\u003cspan data-mce-fragment=\"1\"\u003eOne of the oldest musical instruments we know of, the pan flute was played in many antique civilizations. The sophisticated type used in Romanian folk music is the most familiar to a contemporary audience. The virtuosos who brought fame to the pan flute in the second half of the 20th century include the Romanian musicians Damian Luca, Radu Simion, Nicolae Pîrvu, Gheorghe Zamfir and Simion Stanciu. Liselotte Rokyta studied with four of the “Big Five” and also gained authentic pan flute skills from folk players during a number of visits to Romania. The present album documents that the pan flute also occupies an indispensable position in classical music. The pieces by Bartók and Porumbescu are arrangements of Romanian folk dances, in which the pan flute is commonly employed. Debussy composed his Syrinx for the transverse flute, to which the pan flute (or syrinx) would seem to be an equal variant. The other arrangements are based on 19th- and 20th-century French composers’ works for the flute, as well as the piano and organ. You may have been hard pressed to imagine pieces by Varèse, Honegger or Messiaen played on the pan flute, yet you will certainly be engrossed by Liselotte Rokyta’s performance. The respective composers would undoubtedly have written music for the pan flute too had they had available a musician of her quality. The enchanting voice of the nymph Syrinx in the realm of classical music.\u003c\/span\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49709704479000,"sku":"099925431129","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4075307-3140420_1b88622f-aec0-4e59-99d6-a4264833ae42.jpg?v=1777647926"},{"product_id":"beethoven-the-complete-string-quartets-8","title":"Beethoven: The Complete String Quartets","description":"\u003cp\u003eThe Smetana Quartet are a true legend. For over four decades (1945-1989), the ensemble gained critical acclaim and enthused audiences all over world, particularly in the UK, USA and Japan. They attained perfect chime and extraordinary flexibility in voice leading, resulting in part from their playing the entire repertoire by heart. The quartet performed Beethoven’s works throughout their existence – following Smetana, he was the composer on whose music they focused the most and whose complete quartets were in their repertoire from 1974 onwards. They explored some of Beethoven’s pieces for several years before including them in their concert programmes. In collaboration with a Supraphon team, in 1978 the ensemble embarked upon a colossal project, which in 1985 came to fruition with the release on Nippon Columbia of a recording of the complete Beethoven string quartets. Even though the past decade has seen significant changes pertaining to interpretation and technology, the Smetana Quartet’s account of Beethoven’s works is by no means a “museum exhibit”, with their vivacity and dynamism still enthralling today’s listeners. The recording, carefully digitally remastered from the original analogue tapes, is the very first release beyond Japan.\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710161559832,"sku":"099925428327","price":114.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3837885-2597118.jpg?v=1738788119"},{"product_id":"prague-classics-musical-souvenir-from-prague-1","title":"Prague Classics - Musical Souvenir from Prague","description":"After more than eighty years, Supraphon has revived its historical sublabel bearing the name of ARTONA and released its first title: PRAGUE CLASSICS - a musical souvenir from Prague. Originally, ARTONA was a sublabel of the ULTRAPHON gramophone company, predecessor of today’s SUPRAPHON publishing house. For the first time this label appeared in the spring of 1932 bearing the supplementary characteristics of “local product”. The main reason for establishing the side label was Ultraphon’s effort to come up with recordings that might appeal to the general public both by their contents and price. Supraphon now re-introduces this sublabel with the aim of publishing compilations that will please the lovers of the most famous and popular melodies offered by classical music. On the present release, A Musical Souvenir from Prague, experience the magic atmosphere of Prague through the works of classical music written by composers who were in one way or other connected with Prague. We offer you here a musical walkthrough with Antonín Dvorák, Bedrich Smetana, Leoš Janácek, Wolfgang Amadeus Mozart and Gustav Mahler as well as leading Czech orchestras and ensembles. Quite rightly, Prague is considered to be one of most beautiful European cities. Its monuments including the Prague Castle, the Charles Bridge, the astronomical clock of the Old Town City Hall or the Old Jewish Cemetery make the “golden city” one of the most frequently visited tourist destinations in Europe. Prague’s unique charm also attracts artists from all over the world and its “genius loci” has inspired a number of composers both locally and internationally. Allow the city and its music to charm you too!","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710161953048,"sku":"099925424923","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3809399.jpg?v=1777649151"},{"product_id":"nativitas-christmas-carols-1","title":"Nativitas - Christmas Carols","description":"\u003cp\u003eThe mezzo-soprano Dagmar Pecková decided to give herself and her friends and fans a very personal gift in the form of this Christmas album. The listener is treated to Bohemian and Moravian carols and to the tender poetry of Christmas songs from seventeenth-century Bohemian Baroque hymnals (Michna’s Chtíc aby spal is included in the collection, naturally). Dagmar Pecková has, of course, also turned her gaze beyond the hills on her homeland’s borders. Ultimately, whether it is carp or turkey on the festive dinner table, it is the birth of the Savior that is celebrated all over Europe. Good King Wenceslas is sung in England and Lulajze Jezuniu in Poland, while Stille Nacht and Adeste fideles are sung in many places in a variety of translations. But what about in Sweden, Switzerland, the Netherlands, Belgium, or Italy? The musical treasures of those countries are found here as well. Dagmar Pecková’s taste is unerring in her choice of musicians. Jaroslav Krcek enhances the charm of these songs both as the conductor of Musica Bohemica and as the arranger: within just a few bars, his unmistakable touch, inspired by Baroque and folk music, will enchant you with an incredible range of colors, from the intimacy of chamber music to an almost symphonic sound. Adding more color are the male voices of the Gentlemen Singers and other soloists. Please accept this invitation to tour Europe at Christmastide.\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710161985816,"sku":"099925424428","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3825095.jpg?v=1777649101"},{"product_id":"shostakovich-string-quartet-nos-2-7-9","title":"Shostakovich: String Quartet Nos. 2, 7 \u0026 8","description":"Shostakovich – his music is a challenge each and every quartet sooner or later has to face up to. Yet when it comes to the Pavel Haas Quartet, it seems to be in their very DNA. The ensemble’s unbridled, impulsive and, now and then, frenetic energy, sense for extreme contrast, ability to bring to bear gradation from breath-taking subtlety and tenderness to symphonic drama are facets essentially incident to Shostakovich’s music. Although composed in safety, away from the horrors of World War II, String Quartet No. 2 (1944) reflects the suffering, uncertainty and anxiety of living at the time (the lyrical Recitative of the second movement, as performed by Veronika Jarušková, the first violin). Both dating from 1960, String Quartets Nos. 7 and 8 are truly intimate confessions. While Shostakovich dedicated the former (the shortest piece of the cycle) to the memory of his first wife, he most likely intended the latter as his own epitaph, at the time when be hovered on the thin line between life and death. Attesting to the autobiographical nature of String Quartet No. 8 is the opening DSCH motif, Shostakovich’s musical signature, which reoccurs throughout the piece. The Pavel Haas Quartet surpass the abyss of time, as well as the barrier of personal physical existence, delving into the very centre of Shostakovich’s music and reflecting the full scale of emotions with airiness, as if the music were their own. The Pavel Haas Quartet and (in truth) their Shostakovich. At long last!","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710162018584,"sku":"099925427122","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3726494-2502968_7797f604-5d21-4c06-89af-2d6906695e5d.jpg?v=1777649125"},{"product_id":"bach-cello-suites-22","title":"Bach: Cello Suites","description":"Bach could hardly have imagined how popular his cycle of Six Suites for Cello Solo would become nearly 300 years after he finished writing them in Cöthen. There are more than 200 existing historical and contemporary recordings of “informed” and “modern” interpretations – that tells it all. The music makes extraordinary demands on players’ technical and interpretive ability and their overall comprehension. In the suites, Bach managed to create music that is highly innovative (it is worth noting that the cello was still developing at the time), and yet he retained his stylistic purity and comprehensibility. While these are formally dance suites, the architecture of some of them is more like that of a cathedral, in part thanks to the wealth of contrapuntal writing. They are a great challenge for everyone who has mastered the cello, Saša Vectomov included. His first teacher was his father (he studied in Paris with Piatigorsky and Fournier and with Casals’s assistant Alexanian). The playing of the young Vectomov was then strongly influenced by Rostropovich’s teacher Semyon Kozolupov at the Moscow Conservatoire and by André Navarra in Italy. Besides his solo career, he also excelled at playing chamber music (Czech Trio, City of Prague Quartet) and was an equally wonderful teacher. For the recording of the Bach suites that he made in Prague at the Rudolfinum in the summer of 1984, he prepared himself for several years. In 1980, for example, he played the whole cycle from memory at a single concert. His recording can be characterized as having unmistakable beauty of tone, perfect intonation, and brilliant technique, but above all it is the deep comprehension of the “text” and the immediacy of the musicianship that make this recording something timeless and exceptional. Bach – Cello Suites: timeless music on a timeless recording.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710162313496,"sku":"099925427528","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3788038-2556235.jpg?v=1777649147"},{"product_id":"ivan-moravec-grieg-ravel-prokofiev-piano-concertos-1","title":"Ivan Moravec - Grieg\/Ravel\/Prokofiev - Piano Concertos","description":"\u003cp\u003eThe highly valued discography of Ivan Moravec (1930-2015), one of the 20th century’s piano legends, comes to a great extent from recording studios. However, thanks to radio microphones some of his remarkable concert performances in Prague concert halls could be retrieved as well. From 1962 on, he performed twenty times at the Prague Spring festival alone. He played Prokofiev’s first concerto at the festival in May 1967 and the recording captures one of the top – and also one of the last – performances of Karel Ancerl with the Czech Philharmonics before his leaving for Toronto. The Ravel recording from May 1974 represents another unforgettable musical experience and no doubt also one of the best Ravel creations ever performed by Moravec. What is more, the recording of the Grieg concert played in December 1984 is the only recording made public by the virtuoso pianist. Microphones have captured Ivan Moravec in his top shape, his play possessing romantic flight, ferocity and a wide range of timbre nuances on the one hand, and remarkable preciseness on the other. At every moment, Moravec is deeply sunk in the substance of the work he performs. By this threesome of recordings, Supraphon supplements the pianist’s existing discography by unexpected gems found in the radio archives, undoubtedly pleasing all of his admirers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"ctl00_MainContent_gvReviews_cell2_12_ASPxPopupControl1_ASPxLabel2\" class=\"dxeBase_PlasticBlue\"\u003eThese three performances, recorded live with applause retained, do not lack brilliance. But there is an enviable solidity of tone, a seriousness of view, and evident care taken over pacing, balance, and style. These are all features of the Moravec manner that appeal to his admirers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e-- MusicWeb International\u003c\/span\u003e\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710162346264,"sku":"099925424527","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3781355.jpg?v=1777649087"},{"product_id":"carolus-iv-rex-et-imperator-1","title":"Carolus IV. - Rex et Imperator","description":"This new release features music that paints an interesting picture of the musical life of Prague during the reign of Charles IV (1316-1378). During the reign of Charles IV, Prague blossomed into its beauty. The art, music, and architecture that it acquired during this time is evident, and the King was exceptionally supportive of the city’s cultural and spiritual life. The track list is divided into seven sections, each painting a picture of the music of Charles’ time through different lenses of the king’s day to day life: Charles and France, Charles and Relics, Charles and the University, Charles and Courtly Love, Charles and Slavic Liturgy, and Charles and the Worship of Saints. Performers on this album include the Schola Gregoriana Pragensis, soprano Hana Blazikova, and Jakub Kydlicek and Monika Reslerova on recorders.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710162673944,"sku":"099925419325","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3161940.jpg?v=1777649013"},{"product_id":"next-horizon-2","title":"Next Horizon","description":"The name Vilém Veverka is familiar to everyone who has fallen for the enchanting tone of the oboe. His path to virtuosity commenced with accolades at international competitions, and continued with gaining experience with the Berliner Philharmoniker, performances with chamber formations (Ensemble Berlin Prag, PhiHarmonia Octet), and building up an extensive repertoire, ranging from Baroque to contemporary works, a number of which he himself has premiered. Yet Vilém’s horizon is even wider – his ambition is to present the oboe in a context different from that which we are accustomed to. Following several “classical” summits (Telemann, Britten, Vivaldi, Zelenka, Bach, etc.), he has made another of his dreams come true in the form of this crossover album. It would seem that the need to transcend borders is deeply encoded in his DNA. And so you will find side by side Bach, the “classics” of the second half of the 20th century (Morricone, Piazzolla, Žbirka, etc.), and also compositions Martin Hybler wrote for the present album. Everything has been thought through, every single detail refined. As Vilém himself put it, the recording documents “the compulsion of a performer to seek new paths unceasingly”, it is “a report on a new beginning, on the next of a series of horizons beheld.”","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710162903320,"sku":"099925428624","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3856800-2703289.jpg?v=1777649146"},{"product_id":"husa-music-for-prague-2","title":"Husa: Music for Prague","description":"\u003ctable\u003e  \u003ctbody\u003e  \u003ctr\u003e  \u003ctd\u003e  \u003cp\u003eKarel Husa – a Czech-born composer whose name resonates more on an international scale than in his native country. The winner of the Pulitzer Prize and the Grawemeyer Award, he was commissioned to write music for the New York Philharmonic, and other distinguished orchestras and artists. The centenary of Karel Husa’s birth is a unique opportunity to recall his remarkable fate and oeuvre. During World War II, he lived in Nazi-occupied Prague. Following his graduation from the Prague Conservatory, with a concert performed with the Prague Symphony Orchestra (1944), Husa left for Paris to study composition with Arthur Honegger and Nadia Boulanger. The performance in Prague of his Three Frescoes with the Prague Symphony Orchestra in 1949 made it evident that Husa’s music no longer fitted the Communist ideologues’ pigeonholes. Yet Husa did not return to his homeland, opting instead to continue his studies abroad. Later on, he settled in the USA. When it comes to the Warsaw Pact armies’ invasion of Czechoslovakia in August 1968, he got to hear about it on Detroit Radio. Husa expressed his dismay in Music for Prague 1968. The piece contains a quotation of the 15th-century Hussite war song Ktož jsú Boží bojovníci, by which the composer also referenced Václav Talich’s emotional performance of Bedrich Smetana’s My Country in Nazi-occupied Prague. Husa could only begin freely visiting his beloved Prague in the wake of the November 1989 Revolution, yet he pointed out that he kept strolling the city streets in his dreams and works. The present album maps Husa’s creative periods between 1947 and 1983, and it features the very first studio recording of his Three Frescoes.\u003c\/p\u003e  \u003c\/td\u003e  \u003c\/tr\u003e  \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710163067160,"sku":"099925429423","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3973045-2723464.jpg?v=1777649192"},{"product_id":"martinu-_pal-cek","title":"Martinu: Špalícek","description":"This is a recoupling made even more desirable than on its original issue by the inclusion of The Specter's Bride, Martinu's retelling of the same story set by Dvorák about a young girl who runs away with her dead lover's ghost, only to be rescued at the last minute from the cemetery by the arrival of dawn. It's a wonderful piece, as fine in its own way as Dvorák's setting, and, at half an hour, much shorter. Including it in this two-disc set makes a perfect program organized around settings of Czech folk poetry, the Dandelion Romance and The Primrose being two much shorter but very charming further examples.\u003cbr\u003e  \u003cbr\u003e The main attraction, however, is Špalícek, a ballet with songs in which each of the three acts incorporates the telling of a fairy tale, enhanced by plenty of additional dancing and commentary framing the main stories. The music is invariably appealing and rhythmically vivacious, Martinu in his most bubbly folk\/neo-classical mode--and if you enjoy the suite (recorded by Mackerras on Conifer) then you will surely find the complete work equally enchanting.\u003cbr\u003e  \u003cbr\u003e All of the performances here are excellent in every respect. None of the soloists, save bass Richard Novák, are at all well known, but it doesn't matter a bit, while the conductors are veterans who can be counted on to deliver consistently idiomatic and persuasive results. Given the wide variety of forces--from full orchestra with chorus and soloists in The Specter's Bride and Špalícek to solo violin, piano, and a small group of sopranos and altos in The Primrose--the engineering is quite good. A major Martinu release, for sure.\u003cbr\u003e  \u003cbr\u003e --David Hurwitz, ClassicsToday.com\u003cbr\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710163362072,"sku":"099925392529","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1292239.jpg?v=1777648944"},{"product_id":"beethoven-piano-trios-3","title":"Beethoven: Piano Trios","description":"\u003cp\u003eWhen Beethoven assigned the opus number one to his three piano trios, it was evident that the then 22-year-old composer would explore, advance and co-create the composition rules, and that he would very nearly transcend that which was comprehensible to his contemporaries. Upon hearing the first private performance of Op. 1, Joseph Haydn purportedly voiced his doubts as to whether the ordinary listener would be able to understand No. 3. Beethoven experimented with this combination of instruments too – with the form, harmonies and other facets. The Piano Trio in D major, Op. 70 No. 1 may have had its roots in sketches for an opera based on Shakespeare’s drama Macbeth that Beethoven was contemplating at the time. The spectral music of the slow movement, featuring strange modulations and said to be a reworking of the Witches Chorus intended for the opera, earned the piece the nickname “Ghost Trio”. In the “Archduke Trio”, Op. 97, Beethoven emancipated all the instruments, providing each equal scope to apply their technical qualities and possibilities of expression. Its first performance, in April 1814, was the penultimate public concert Beethoven, at the time almost deaf, gave as a pianist. The 250th anniversary of one of the greatest composers of all time was an irresistible impulse for the Smetana Trio. Their new addition to the Beethoven discography possesses all the parameters of the ensemble’s previous, highly acclaimed recordings and will undoubtedly cause quite a stir- Beethoven’s chamber music through the lens of the Smetana Trio.\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710163493144,"sku":"099925428822","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3847102-2703245.jpg?v=1777649168"},{"product_id":"dvor-k-symphonies-nos-1-9","title":"Dvorák: Symphonies Nos. 1-9","description":"\u003cspan class=\"HwtZe\" lang=\"en\" jsaction=\"mouseup:Sxi9L,BR6jm; mousedown:qjlr0e\" jsname=\"jqKxS\"\u003e\u003cspan class=\"jCAhz ChMk0b\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"Gn4SMb\"\u003e\u003cspan class=\"ryNqvb\" jsaction=\"click:E6Tfl,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:E6Tfl,c2aHje\" jsname=\"W297wb\"\u003eIn Dvořák's jubilee year (2004), we bring listeners a complete set of the Master's symphonies in a series of remarkable recordings by the Czech Radio Symphony Orchestra in Prague with conductor Vladimír Válek.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz ChMk0b\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"Gn4SMb\"\u003e\u003cspan class=\"ryNqvb\" jsaction=\"click:E6Tfl,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:E6Tfl,c2aHje\" jsname=\"W297wb\"\u003eThis set will surely please any enthusiastic classical music listener.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz ChMk0b\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"Gn4SMb\"\u003e\u003cspan class=\"ryNqvb\" jsaction=\"click:E6Tfl,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:E6Tfl,c2aHje\" jsname=\"W297wb\"\u003eThe ensemble recording of the symphonies is a first-class calling card of the qualities of this ensemble, published under the license of the Czech Radio.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"jCAhz\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"Gn4SMb\"\u003e\u003cspan class=\"ryNqvb\" jsaction=\"click:E6Tfl,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:E6Tfl,c2aHje\" jsname=\"W297wb\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"jCAhz ChMk0b\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"Gn4SMb\"\u003e\u003cspan class=\"ryNqvb\" jsaction=\"click:E6Tfl,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:E6Tfl,c2aHje\" jsname=\"W297wb\"\u003eAn attractive set of symphonies by Antonín Dvořák!\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710163722520,"sku":"099925380229","price":63.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/687894.jpg?v=1777648901"},{"product_id":"christmas-in-prague-cathedral-music-from-18th-century-pragu-1","title":"Christmas in Prague Cathedral: Music from 18th Century Pragu","description":"The Czech Republic can boast of a Christmas repertoire both ample and colorful, dating from at least the Baroque era. + A notable composer then active was Josef Antonín Sehling (1710-56), who in his day was Kapellmeister of several Prague churches, including the Church of Our Lady under the Chain, where the present world premiere recording was made. + This album features pieces intended for the period from Advent to Epiphany. + Sehling’s music contains the magic of Adam Michna’s 17th c. songs yet concurrently opens upon a world familiar from Jakub Ryba’s most famous late 18thc. Christmas Mass.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710164771096,"sku":"099925417420","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2804959.jpg?v=1777648338"},{"product_id":"phidylz","title":"Phidylé","description":"\u003ctable\u003e  \u003ctbody\u003e  \u003ctr\u003e  \u003ctd\u003eKaterina Knežíková’s lyric coloratura soprano has delighted audiences in numerous music centers worldwide, both at opera houses and concert venues. She has appeared with the BBC Symphony Orchestra, the Bamberger Symphoniker, Camerata Salzburg, the Czech Philharmonic, the Deutsches Symphonie-Orchester Berlin, the Mahler Chamber Orchestra, etc., under the baton of conductors of such renown as J. Belohlávek, S. Baudo, M. Honeck, J. Hruša, T. Netopil and R. Ticciati. The highlights of her career include the invitation to portray the title role in Janácek’s opera Katya Kabanova in Glyndebourne. Katerina Knežíková’s debut Supraphon solo album features enchanting fin de siècle songs, “... songs that are particularly close to my heart and voice, all of them dating from the turn of the 20th century, all of them tinged with Impressionism,” as the singer herself put it. The first of them is Bohuslav Martinu’s Magic Nights, set to Chinese poetry. Henri Duparc’s songs, one of which, depicting Phylidé, a simple and pious country girl, has given the album its title, may come as a revelation to many a listener. All the songs chosen for the album reflect a penchant for the exotic, foregrounding connection with Nature and intuition. Conducted by Robert Jindra, the Janácek Philharmonic Ostrava has created a splendidly colorful backdrop for Katerina Knežíková’s soprano to embellish. Fin de siècle songs – a universe close to Katerina Knežíková’s heart.\u003c\/td\u003e  \u003c\/tr\u003e  \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710165688600,"sku":"099925429621","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3964345-2713392_bdece462-6556-412e-b628-ea94a0d7c6a7.jpg?v=1777648709"},{"product_id":"septem-dies-music-at-prague-university-1360-1462","title":"Septem dies \/ Music at Prague University 1360-1460","description":"\u003cp\u003eThis release presents music played at Charles University in Prague according to mid-15th-century sources, following the Hussite wars and the institution’s renovation. The album provides a wide array of liturgical music, sacred pieces by young clerics, as well as music the university students played for entertainment. It features Gregorian chant, anonymous creations and compositions by Bernard de Cluny, Petrus Wilhelmi de Grudencz and Antonio da Cividale. Contemporary university students would be hard pressed to imagine life without social networking on their smartphones. In the 15th century, the role of social networking was pursued by communal singing, bringing the students together and being part of their everyday life on a variety of occasions. The foundation charter of the Recek College of Charles University in Prague (1438) stipulated for the students the duty to perform music every day within the liturgical services. On the other hand, secular music, including instrumental and dance, was prohibited (especially playing resonant instruments, singing in the vernacular languages and ribald songs), but the students constantly bent the rules. The liturgy prescribed for each day of the week served as the basis for the repertoire of the present recording, which, however, also affords scope to the secular music that in all likelihood the students used to play during their leisure time beyond the walls of the college. The unique album of Schola Gregoriana Pragensis and their very special guest, the clavisimbalist Corina Marti (La Morra), is being released along with an extensive study providing a comprehensive depiction of the 15th-century university music life. The fruit of the collaboration between musicians and musicologists from across Europe is a book with an album, an artefact that will become a natural part of the library of every connoisseur and lover of medieval music.\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710165983512,"sku":"099925428228","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3964344-2713388.jpg?v=1777648665"},{"product_id":"french-arias-1","title":"French Arias","description":"His star has to date blazed the brightest in January 2017, when, at the age of 25, Petr Nekoranec won the prestigious Concurso Francesco Viñas at the Gran Teatre del Liceu in Barcelona, where he also received the coveted Placido Domingo Prize. Two years of studies in New York within the Metropolitan Opera’s Lindemann Young Artist Development Program expanded his experience from the Bayerische Staatsoper in Munich, preparing him for conquering the world of grand opera. The present Nekoranec debut album, featuring French arias, and made with the Czech Philharmonic and the seasoned conductor Christopher Franklin, serves as yet more proof that he is a singer of extraordinary talent. Owing to his light, highly flexible tenor, Petr safely masters even the most challenging virtuoso coloraturas of the Italian repertoire, while his infallible musical intuition has naturally led him to French opera, harboring a plethora of profound and delicate emotions (Nadira’s aria “Je crois entendre encore” from Bizet’s Les pêcheurs de perles), amorous feelings, as well as wild merriment. Petr Nekoranec has succeeded in conveying all the nuances with a remarkable airiness, simplicity and plausibility. As if there were nothing as easy as singing ... Ah! Mes amis, quel jour de fête! The French debut of the stellar young singer with the Czech Philharmonic","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710166114584,"sku":"099925426026","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3788037-2562492.jpg?v=1777648688"},{"product_id":"oboe-concertos-10","title":"Oboe Concertos","description":"If you ask oboists about their instrument’s golden age, they will in all likelihood refer to the first half of the 18th c., a time of plenty for oboe-centric works, including many written by Vivaldi, Telemann and Bach. Dating from the same period yet representing three very different worlds, these master’s works have common bonds in their virtuosity and associated high technical demands. Alongside Ensemble 18 and harpsichordist Barbara Maria Willi, featured oboist Vilém Veverka invited his teacher and colleague Dominik Wollenweber for the recording of Vivaldi’s two oboe concerto, RV535.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710166802712,"sku":"099925418823","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3011854.jpg?v=1777648893"},{"product_id":"myslive_ek-complete-violin-concertos","title":"Mysliveček: Complete Violin Concertos","description":"\u003cp\u003eShortly after Josef Myslivecek left Prague for Italy in 1763, he earned important standing there and soon was enjoying the first great successes of his operas. However, opera was far from his only area of interest. In Padua in the late 1760s, Myslivecek was still able to become familiar with the music of the violin virtuoso Giuseppe Tartini, and it was probably under its influence that Myslivecek successively produced six violin concertos of his own. There are certain unmistakable archaic elements in Myslivecek’s concertos that show Tartini’s influence. The period when they were composed overlaps with the period of Myslivecek’s intensive contacts with the young Mozart, and many aspects of Mozart’s violin concertos were clearly influenced by the music of his elder friend.\u003c\/p\u003e\n\u003cp\u003eThe recording by Shizuka Ishikawa, a laureate of the prestigious Queen Elisabeth Competition in Brussels (1976) and of the Fritz Kreisler Competition in Vienna (1979), apparently represents the only complete set of Josef Myslivecek’s violin concertos. The young Japanese virtuoso recorded them for Supraphon in 1983 and 1986 in the Dvorák Hall of Prague’s Rudolfinum, and her artistic partner was none other than the conductor Libor Pešek. “Il Boemo” and his violin concertos – released for the first time as a complete set.\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710173454616,"sku":"099925429829","price":28.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4112764-2860280.jpg?v=1738788137"},{"product_id":"brahms-quintets-op-34-113","title":"Brahms: Quintets, Op. 34 \u0026 111","description":"\u003cp\u003e\u003cstrong\u003eIn every way, a superior Brahms chamber release.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTheir recording of the American Quartet and String Quartet No. 13, Op. 106 (Gramophone Award – Recording of the Year), elevated the Pavel Haas Quartet among the finest performers of Antonín Dvorák’s music. This position was subsequently confirmed by a recording of the composer’s quintets, made with the violist Pavel Nikl, a founding member of the ensemble, and the pianist Boris Giltburg, winner of the Queen Elisabeth Competition. The album received the most coveted classical music accolades (Gramophone Chamber Award, BBC Radio 3 Record Review Discs of the Year, Diapason d'Or, etc.). While recording the Dvorák quintets, the logical idea of a Brahms album was born. And now it has come to fruition.\u003c\/p\u003e\n\u003cp\u003eDvorák was encouraged by and ultimately attained global fame owing to the kind support and friendship of his older colleague Brahms, who in his twenties had been just as generously aided by Clara and Robert Schumann. Brahms' relationship with Clara is probably also behind the Piano Quintet in F minor, Op. 34. Originally conceived as a string quintet, in the spring of 1864 Brahms transformed it into a sonata for two pianos, yet Clara voiced her doubts about this version’s sound too. The desired contrast and richness of color was ultimately achieved by combining the strings and the piano. Clara Schumann performed the piano part at the private premiere of the quintet, which she referred to as having “symphonic” proportions. This aspect is clearly foregrounded on the present Pavel Haas Quartet recording. Brahms allegedly intended the String Quintet in G major, Op. 111, to be his last piece of music. In this light, it may come across as a reflection of the music he had cherished during his life – from Beethoven, Schubert, the Viennese waltz, his contemporary Wagner, to his beloved Hungarian dance motifs. From Dvorák to Brahms. A spellbinding “symphonic” chamber music sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eThe group gets big sonorities, propelled but not overwhelmed by the piano in Op. 34 and by the cello that opens the Op. 111 quintet. The group really shines in the turbulent F minor piano quintet, as dark and intense as anything else Brahms ever wrote, and a work that went through several versions before the composer was satisfied with it. One feature of this ensemble is the variety of timbres offered by the individual players, with the rich tone of violist Luosha Fang an ideal foil for the edgier violinists. The players are aided by superb, almost tactile sound from Prague's Domovina Studio. In every way, a superior Brahms chamber release.\u003c\/p\u003e\n\u003cp\u003e-- AllMusicGuide.com (James Manheim)\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710173651224,"sku":"099925430627","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4080161-2941233.jpg?v=1777647922"},{"product_id":"merry-christmas-3","title":"Merry Christmas","description":"Classical Music","brand":"Supraphon","offers":[{"title":"CD","offer_id":49710184595736,"sku":"099925406721","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1914114_3144c216-4ece-44cf-8b58-5bd1c73630a0.jpg?v=1777647913"},{"product_id":"hey-romale-1","title":"Hey Romale","description":"“What Romani children lack is the sense of being welcome in the society. Their journey out of the vicious circle of living in the settlements and city ghettos into a world where they are expected to do things, where they can find confidence and achieve, is one of the hardest imaginable. The Chavorenge choir represents an environment motivating them to pursue their dreams and give their life paths meaning.” With this creed, Ida Kelarová has been collaborating with the Czech Philharmonic for the past five years. The result is a project that gives a number of children the above-mentioned hope. What has been achieved? Almost forty concerts have taken place in the Rudolphinum in Prague. Performances and workshops have been given in other places all over the Czech Republic and Slovakia. Most importantly, however, this project has influenced lives of numerous Romani children and youngsters. By participating in it, they relate to their own cultural roots, experience self-esteem and discover their unique life paths. After several summer camps called “Romano drom” (Romani way) held in East Slovakia and the Czech Republic, Chavorenge set out to record an album in collaboration with the Czech Philharmonic and many guests. The catchy, extremely lively but at times also sad tunes emanate an energy that hardly anybody can resist.","brand":"Supraphon","offers":[{"title":"CD","offer_id":49733783126296,"sku":"099925424626","price":21.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3786297.jpg?v=1777649091"},{"product_id":"britten-war-requiem-spring-symphony","title":"Britten: War Requiem - Spring Symphony","description":"\u003cp\u003eBenjamin Britten’s music formed one of the pillars of the Czech Philharmonic’s concert programmes under its chief conductor Karel Ančerl. The famous Variations on a Theme of Purcell was in all likelihood the most frequently performed work (in 1962 also in England), and this CD contains the previously unreleased 1958 recording in the original version without narration.\u003c\/p\u003e\n\u003cp\u003eThe enchanting and joyous Spring Symphony, commissioned by Serge Koussevitzky, was presented in Czech in Prague by Ančerl, the Czech Philharmonic and the finest soloists of the time. Forming a stark contrast to these two works is the War Requiem, a grand piece commemorating the victims of the most gruesome armed conflict in human history. Britten dedicated it to the memory of four friends of his who died in WWII while serving in the British navy or army. The work’s Czech premiere, with the participation of superlative foreign soloists (Gerald English, John Cameron), took place less than four years after its world premiere. So enthused was he by the work that in November 1969, following his emigration to Canada, Ančerl included the War Requiem in one of his first concerts in Toronto. The conductor’s personal profound experience of the senseless barbarity of the war imbued his conception of the work with a chilling authenticity. Both of the two previously unreleased concert recordings were made by the former Czechoslovak Radio.\u003c\/p\u003e","brand":"Supraphon","offers":[{"title":"CD","offer_id":49733808292120,"sku":"099925413521","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2258095.jpg?v=1777648986"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/collections\/Your_paragraph_text_18_3b41ffe0-8e4f-43ec-ac6a-808b12d8cbc1.png?v=1740755715","url":"https:\/\/hbdirect.com\/collections\/supraphon-overstock-sale.oembed?page=2","provider":"HBDirect","version":"1.0","type":"link"}