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From an unlikely group of students who just happened to be in string quartet formation, to an indescribable smush of string quartet, folk band, and singer-songwriter(s), over the years we have grown into ourselves as an ensemble, as composers, and as equal partners in this wild venture that is Invoke. 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The orchestra piece Aeriality is at the center of the album which also features Into Second Self, Ró, Tactility, Trajectories and Shades of Silence. It was quite a personal journey to record these pieces in Iceland, working with long time collaborators such as the Iceland Symphony Orchestra, Caput Ensemble and Nordic Affect. It is such a joy to continue the collaboration with Sono Luminus that we have grown for many years now with releases of, now, all my portrait albums to date! The new release of Aerial will also feature percussion quartet Aura performed by the LA Percussion Quartet.”  (Anna Thorvaldsdottir)\u003c\/p\u003e","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":47678865867032,"sku":"053479702524","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4085600-2830731.jpg?v=1777655215"},{"product_id":"atmospheriques-vol-1-iceland-symphony-orchestra","title":"Atmosphériques, Vol. 1 \/ Iceland Symphony Orchestra","description":"\u003cp\u003eAt the risk of getting doxxed by my musician colleagues, I’m going to divulge a dark truth about classical music: it’s never as captivating or molecule-altering for anyone as it is for us on stage.Which is why I often find classical records, especially those of the orchestral persuasion, so underwhelming. So not … immediate. Which is why I am approaching zealot status in my admiration for Sono Luminus and the way in which it submerges listeners within reach of the Atlantis that is the on-stage experience. Which is why, save for live performance, the often inimitable new-music originating in, or in proximity to, Iceland (homeland to an unreasonable percentage of the composers living rent-free in my headphones for more than a decade) has found its most ardent advocate and most clarion amplifier in Winchester, Virginia. Certainly its exceptional national orchestra has. Despite a bewildering insistence by journalists to characterize music written by those with Icelandic surnames as a monolith, the entries on this tracklist are as singular as hand blown glass. The inclusion of American sonic clairvoyant Missy Mazzoli is a helpful geographic foil here, but there is one element fusing all of these inventions: Your person is about to feel minuscule or massive, by contrast to – or motivated by – these sounds. Anna Thorvaldsdottir’s music is often intimidatingly cyclopean, and Catamorphosis at times mimics the cosmic indifference of Lovecraft- ian deities, but it simultaneously introduces an iridescent hope I have not encountered before in her music. Mazzoli’s Sinfonia (for Orbiting Spheres) catapults us from one end of a pulsing solar system to the other while Daníel Bjarnason’s From Space I Saw Earth improbably stretches perspective from earth to the moon and back, seeming somehow both terrestrial and paranormal within a single phrase. Maria Huld Markan Sigfúsdóttir's Clockworking bridges a similar expanse, coexisting within the measurable realm of time-keeping … and the immeasurable realm of what occurs as the seconds tick by. Is Bára Gísladóttir's ÓS gasping in air, or desperately exhaling? 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During the Covid-19 pandemic, which continues at the time we write these words, we’ve repeatedly found ourselves performing for audiences virtually, separated from one another by the computer screen and yet connected to one another by that same screen. In recording this album we sought to bring some of the live concert experience to the listener. The track order, tempos, pacing between selections, the improvisatory nature of some of the phrasing, dynamics, articulations, and embellishments, were elements in our process that we felt could contribute to providing some of the live concert feeling that we’ve all been missing during periods of lockdown. This music is especially close to each of us: The tangos were composed for me (Zachary) to play, and like the sonatas of the Italian violinist-composers of the Baroque Era, these compositions provide an environment for exploration, an invitation to embrace improvisation as part of the process… The Balkan Dances are a musical reflection of the cultural influences in my (Mina’s) childhood, in what was then Yugoslavia. 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Influenced by my work with storyteller Ken Burns, I feature vintage immigrant songs and dances from my Pittsburgh childhood, later life in Boston and travels–my own arrangements of American standards, lesser-known gems, and imported and homegrown creations, from countryside to Tin Pan Alley...” (Jacqueline Schwab)\u003c\/p\u003e","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":47678874485016,"sku":"053479225726","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4105805-2852400.jpg?v=1777655230"},{"product_id":"music-of-the-sephardim-and-renaissance-spain-la-rondinella","title":"Music of the Sephardim and Renaissance Spain \/ La Rondinella","description":"Music of the Sephardim \u0026amp; Renaissance Spain","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":47678879891736,"sku":"751758013025","price":14.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/138568.jpg?v=1778804918"},{"product_id":"robert-maggio-man-up-man-down-constellation-mens-ensemble","title":"Robert Maggio: Man Up \/ Man Down \/ Constellation Men's Ensemble","description":"\u003cp\u003eConstellation has been in existence since 2013 and yet, 10 years later, this is our first album to be released. Part of that was simply our longstanding focus on “Music \u0026amp; Brotherhood” that began with Saturday morning rehearsals followed by a “cheers!” in Evanston, IL. Another part of that has been the uphill battle to create, sustain, and grow an arts organization in America today. But the biggest focus for me has always been the “why” of all of our performances. What place does another vocal ensemble have in the recorded history of music to release albums unless it has something to say? With the creation of Man Up \/ Man Down, I knew we had something important to add to the conversation. The album features Robert Maggio’s large-scale work of the same name, Man Up \/ Man Down, which explores masculinity in America through multiple lenses, including anonymously sourced responses from prompts about pride, parenting, our past, and more. The album begins with Jeffrey Derus’ HOME, depicting a mother rocking her child to sleep and the world that constantly tries to invade our innermost peace. It ends with david lang’s manifesto and after a journey of such intense introspection regarding societal norms of masculinity, simply wanting “to be with someone who gets me” is such a perfect close. Thank you for trusting us with your ears and your minds. –Ryan Townsend Strand, executive director \u0026amp; tenor\u003c\/p\u003e","brand":"Sono Luminus","offers":[{"title":"CD + Blu-Ray","offer_id":47678892638488,"sku":"053479226600","price":11.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4200275-3126988.jpg?v=1777625605"},{"product_id":"songs-of-love-despair-boyd-meets-girl","title":"Songs of Love \u0026 Despair \/ Boyd Meets Girl","description":"\u003cp\u003eRupert Boyd writes: “This is an album of love. But also of despair. And some things in between. 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When we had found a mutual understanding of what we would call time then other systems could be developed, kind of like a third-party software. Music notation works as a fine example. Today our life is synchronized “to the beat.” Not only is every single footstep kept track of by our telephones or every breath by our smart wrist watches – even our thoughts are as good as monitored as we scroll casually through advertisements on social media. Without us even realizing, the idea of time and synchronicity is apparently encrypted so deep in our consciousness that the thought of viewing the world without it is beyond our comprehension. That doesn’t change the fact that time as we understand it has not always been the same. Our ideas on time have changed throughout the centuries and will most probably continue to do so. 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We’ve all had some really tough weeks, which sometimes turned into months, and (with a bit of bad luck) into years… I like to think that “off” years help us grow and prepare for the beautiful things that will undoubtedly come our way (I am an optimist at heart), but living through dark times is a complicated process. The year 2020 was complicated indeed. The world was put on hold and we hardly remember what we did in February, or May, or September… Many suffered from isolation and the inability to socialize - and they probably prefer to think back to 2020 as a year that never happened… I, on the other hand, felt liberated by the lack of schedules, appointments and the pressure to be productive - that horrid word which is killing our souls, slowly but surely. Instead I embraced seclusion and enjoyed the time off which was forced upon us. Yes, I did miss performing in front of a live audience and traveling to beautiful places, but I found that staying home, with my piano, offered me a better view towards my inner self and a chance to experience the joy of a new discovery. That was for me the Cuban master Ernesto Lecuona…Two years later, the pandemic isn’t over and neither is the collective anxiety- but at least I can offer you this very personal recording, which I hope will take your mind away from current realities. This is music’s most phenomenal power- to bring joy when we really need it!...”\u003c\/p\u003e","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":47678896832792,"sku":"053479225825","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4096203-2842883.jpg?v=1777655244"},{"product_id":"utility-music-053479702722","title":"Brink: Utility Music","description":"\u003cp\u003eJulian Brink is a South African composer. 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It was later repurposed, reorchestrated and combined with a few older pieces into what is its current form. The album features performances by several distinguished musicians, with the heart of the music being the string trio of Moldovan violin virtuoso Dan-Iulian Drutac; Nick Revel, violist of the Grammy Nominated PUBLIQuartet; and Joe Zeitlin who was the lead cellist on Mica Levi’s Oscar-nominated score for Pablo Lorraín’s Jackie.\u003c\/p\u003e","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":47678897127704,"sku":"053479702722","price":8.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4136193-2894155.jpg?v=1777655223"},{"product_id":"without-words-levingston","title":"Without Words \/ Bruce Levingston","description":"\u003cp\u003eMendelssohn’s Songs without Words simply defy ordinary description. Refined and nuanced, they constitute some of the composer’s finest and best-known works. 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The Bach works—four movements that make up a sonata—offer a multitude of interpretive options, including an approach that wanders through the harmonic labyrinth without regard to pulse and traditional notions of time, magnifying minute rhetorical statements along the way. It can be such that the Bach works represent the dreamscape while the atonal prepared piano pieces of Cage represent structure. This might be in opposition to many listeners’ expectations. Performance traditions of Bach, combined with the underlying dance rhythms and characters that pervade his instrumental writing, steer many musicians in the direction of the rational: consistent tempo, consistent articulation in each motif’s repetition, concise determination of tempo and character as related to the movement’s marking, such as “allegro.” Bach’s exquisite contrapuntal writing and harmonic nuance contribute to the idea of intellectualism as an oft utilized guide for musical interpretation—when deciding about phrasing, articulation, and the sense of time. Conversely, Cage’s exploration of non-Western music idioms played on western instruments seems a natural departure from the European ideas of form and content. Thankfully, written music has much room for the implementation of ever-changing ideas in time, ideas that change over time, and even though a recording seems to be a permanent medium, recordings can be approached as a performance: a rendition of a work or an entire concert program is a reflection of ideas that are offered to the audience here and now. In this recorded rendition, Cage offers the morning coffee following each Bachian dream.\n\u003cbr\u003e- (Carrettin\/Gajic)\u003c\/p\u003e","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":48335312388376,"sku":"053479227300","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4313850-3139367.jpg?v=1777528438"},{"product_id":"dreamspace","title":"Dreamspace","description":"SOME NOTES ON THE AUDIO\/RECORDING PROCESS WE USED  The singular sound of \"Dreamspace\" comes from fusing two sonic goals. By using a number of different microphones in various positions and distances, we create a comprehensive perspective on the piano and Michael Mizrahi's dynamic approach to performance, as well as a� realistic and life-like final \"image\" of the piano and Mizrahi's playing. The listener is situated in a specific place in the performance space while simultaneously experiencing sounds that could be heard from a number of listener positions. Bringing those two goals into harmony, aiming for both a multi-perspective and realistic soundworld, is what leads to the sounds you are hearing.�    NOTES ON DREAMSPACE  Dreamspace is a destination and state of mind.�  Give dreams space.  This record gives space for dreaming.  Keep dreaming.","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":48762033766680,"sku":"053479227607","price":14.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4335174-3177891.jpg?v=1777521525"},{"product_id":"cohen-brevoort-steal-a-pencil-for-me","title":"Cohen \u0026 Brevoort: Steal A Pencil for Me","description":"Steal a Pencil for Me, by composer Gerald Cohen and librettist Deborah Brevoort, is an opera in two acts about one of the Holocaust's most unusual love stories-between Jaap Polak, a Dutch accountant, and Ina Soep, the daughter of a wealthy diamond manufacturer-who fell in love while imprisoned in the Westerbork and Bergen-Belsen concentration camps. Based on their love letters, which were published in a book of the same title, Steal a Pencil for Me is about the indestructibility of the life spirit and the power of humankind to survive adversity. The opera dramatizes intimate concerns and private dramas alongside the epic horrors of the Holocaust.     The action of Steal a Pencil for Me takes place in Amsterdam, at Westerbork transit camp, and at Bergen-Belsen concentration camp between the years of 1943-1945. Thirty-year old Jaap Polak is unhappily married to Manja, a capricious woman with a sharp tongue. He falls in love with 20-year old Ina Soep, whose boyfriend, Rudi Acohen, has been seized and deported to Poland by the Nazis. When Jaap, Manja, and Ina are deported to Westerbork, they actually find themselves living in the same barracks. Jaap's wife objects to the relationship, and Jaap and Ina resort to writing secret love letters, which sustain them throughout the horrible circumstances of the war. Rudi appears onstage in the opera in Ina's mind, as she gradually reconciles herself to her grief over losing him.     Gerald Cohen knew Jaap and Ina for over 25 years, and was inspired to write the opera after hearing their story and reading their letters. He and Deborah Brevoort met with them many times in the process of writing the libretto, and Jaap and Ina were present at the first workshop of the opera in celebration of Jaap's 100th and Ina's 90th birthdays.     Steal a Pencil for Me was given it's premiere production in 2018 by Opera Colorado. The album, recorded in Denver in 2022, features most of the central performers of the Opera Colorado production, with Ari Pelto as conductor, and (in the principal vocal roles) Gideon Dabi as Jaap, Inna Dukach as Ina, and Adriana Zabala as Manja.     Further information on Steal A Pencil For Me, including the full libretto, can be found at: https:\/\/www. 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Yes, the actual sea, but also the sea of my childhood and the sea of my recurring dreams. In the process of writing, I've learned that if I look long enough, rooms that I didn't previously have access to emerge, floating in front of me like hard working tugboats, pulling behind them all the postcards that I've written to myself. I've learned that if I listen long enough, a vine will always grow out my head and become a phone cord, connecting me to all the times I've wanted to tell you I love you and have held it back. - Alex Sopp","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":49020733128984,"sku":"053479703507","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4353108-3201819.jpg?v=1777499612"},{"product_id":"clear-voices-in-the-dark","title":"Clear Voices In The Dark","description":"\u003cp\u003eAfter a pilgrimage to Rocamadour I had the idea of composing a clandestine work which could be prepared in secret and then performed on the long-awaited day of liberation. With great enthusiasm I began Figure Humaine and completed it by the end of the summer. I composed the work for unaccompanied choir because I wanted this act of faith to be performed without instrumental aid, by sole means of the human voice.” \u003cbr\u003e– Francis Poulenc\u003c\/p\u003e\n\u003cp\u003e“The day the Americans arrived, I triumphantly placed my cantata on the studio desk, beneath my flag, at the window.” \u003cbr\u003e– Francis Poulenc\u003c\/p\u003e\n\u003cp\u003e“Francis, I never heard myself. \u003cbr\u003eFrancis, I needed you to understand me.” \u003cbr\u003e– Paul Éluard\u003c\/p\u003e\n\u003cp\u003eI believe that great art is often the product of great difficulty and tribulation, in many cases for the artist themselves. I also think art borne out of a time of societal turmoil can be even more profound, and can shed light today on what it was like to live and endure through tragedies of the past.\u003c\/p\u003e\n\u003cp\u003eFigure Humaine is one of the ultimate artistic achievements from a time of turmoil. Composed by Francis Poulenc in 1943 in occupied France, it was composed in secret, inspired by the resistance poems of the surrealist poet Paul Éluard (poems that were distributed under plain cover during the occupation). It is one of the most profound pieces in the a cappella choral repertoire, if also one of the most difficult. Scored for double choir in six parts each, it is a vocal gauntlet which requires unmatched concentration and musicianship from every singer involved to mount a successful performance. Given that the piece was written at a time when victory was by no means assured, I believe that the difficulty of the work was intentional; to be worthy of the expressive task of communicating Éluard’s wartime thoughts, I think Poulenc believed that a choir must possess outstanding commitment, dedication, and skill. \u003cbr\u003eBecause of its challenges, Figure Humaine is rarely performed. Soon after founding Skylark, I began to feel that this was a piece we simply had to share. But at only 20 minutes in length, I struggled to find the appropriate way to present it to allow people to truly engage with the work. While on a walk in 2014, I realized that we were approaching the 150th anniversary of the end of the Civil War, as well as the 70th anniversary of the end of World War II, occasions that presented a unique opportunity to share music of both time periods. \u003c\/p\u003e\n\u003cp\u003eI set out on a journey to find the appropriate Civil War-era songs to pair with the Poulenc movements. Figure Humaine sets forth an intense emotional progression, cycling between despair and optimism against a backdrop of gathering madness. It was critical to find pieces that would make sense musically and textually in the context of Poulenc’s work.\u003c\/p\u003e\n\u003cp\u003eIt was a fascinating journey. Through exploring my own musical heritage, I soon discovered that Alice Parker arranged Johnny I Hardly Knew Ye for the Robert Shaw Chorale in the late 1960s. Consultation with other Skylarks revealed several brilliant arrangements from Ron Jeffers, and a search through the Duke University Historical Sheet Music Archives uncovered several pieces that I never knew existed. The discovery that Abide with me (one of my favorite hymns) was written during 1861 was particularly poignant. Where no appropriate arrangement existed, I filled in myself with very simple editions. In all cases, the goal was to create as simple and honest an expression of the songs as possible. Against the foil of Poulenc’s monumental achievement of the choral art, we aim to juxtapose the simple, the familiar, the universal.\u003c\/p\u003e\n\u003cp\u003eThrough sharing this program, we hope to take you on an emotional and historical journey, a journey that we hope will illuminate the struggles of people who endured these two great wars, a journey that can shed light on nightmares of the past through the art that emerged from them, and most importantly, a journey that will affirm the incredible power of the human spirit to endure in times of tragedy.\u003c\/p\u003e\n\u003cp\u003e– Matthew Guard, Artistic Director\u003c\/p\u003e","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":49052932636952,"sku":"053479227805","price":14.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4327453-3147994.jpg?v=1777521529"},{"product_id":"dear-mrs-kennedy","title":"Dear Mrs. Kennedy","description":"There is power in the written word. The words we say often go unremembered, spilling out into our world and never reaching another's ear. When words are important enough to write, they gain the power of history. When words are important enough to sing, they gain the power of humanity.    On November 22, 1963, U.S. President John F. Kennedy was assassinated in Dallas, Texas, while sitting next to his wife, Jacqueline Kennedy. For years to come after this infamous day, letters were written to Jackie, expressing condolences and confusion, the spectrum of grief memorialized in the written word. This project has sought to give voice to those letters, providing community for listeners sharing in that collective grief. It is a touchstone for turning inward and experiencing grief through the lens of a national tragedy.�    The music of Dear Mrs. Kennedy provides a communal journey to safely explore grief and spark conversation on the importance of human connection. Rather than President Kennedy or First Lady Jackie explicitly, the central character in this music is Grief itself: the grief of a nation-and of a world.�  -Ryan Townsend Strand, tenor","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":49183972196632,"sku":"053479228406","price":12.74,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4368993-3232689.jpg?v=1777495540"},{"product_id":"persist","title":"Persist","description":"PERSIST    In celebration of the courage, patience and resilience displayed by people in times of great difficulty, Ethel, the GRAMMY�-winning, genre-defying string quartet, joins forces with Allison Loggins-Hull, composer, flutist, producer, and Daniel R. Lewis Composer Fellow to the Cleveland Orchestra. Together, they have elicited new commissions from four brilliant early-career composers: Migiwa \"Miggy\" Miyajima, Xavier Muzik, Sam Wu, and 2022 Pulitzer Prize finalist, Leilehua Lanzilotti. Loggins-Hull herself contributed her own masterwork to the project. Passionate, committed, hopeful and inspiring, each piece contributes to an experience which surpasses the sum of it's parts.�    Taking it's title from Loggins-Hull's quintet, Persist marks the fifth iteration of HomeBaked, Ethel's commissioning program for early-career composers. The initiative, begun in 2010, has commissioned and debuted 20 works by 16 early-career artists. Loggins-Hull teamed with Ethel to solicit, select, and collaborate with composers from historically underrepresented backgrounds. Supported by two NEA grants, the program was premiered in 2022 at Brooklyn Public Library, and tours in 2024\/25.","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":49238990422296,"sku":"053479228109","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4376112-3271926.jpg?v=1777495358"},{"product_id":"manuscripts-dont-burn","title":"Manuscripts Don't Burn","description":"\u003cp\u003eManuscripts Don’t Burn is a famous line in Bulgakov’s Master and Margarita – the retelling of Faust, the 20th-century cult novel of an artist surviving in a Totalitarian regime, the love story, the burlesque with giant, vodka-drinking cats, and vampiric theater administrators.\u003c\/p\u003e\n\n\u003cp\u003eI first read the book as a kid, growing up in Soviet Odesa. I took it with me when my parents and I immigrated, as Jewish refugees running from antisemitism, through Austria and Italy, to the United States.  Crossing the border, I worried that guards would discover my book, and I would be severely punished. Throughout the years, the book played a role in my life. My childhood best friend from Odesa reread the book in adulthood and decided to find me - we are now together for 20 years, with two kids.  I read the book to my mother as she was dying from brain cancer. \u003c\/p\u003e\n\n\u003cp\u003eBulgakov’s novel weaves through my own newly published memoir, Weight in the Fingertips - A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, October 2023). I consider this very personal recording to be something of a mirror image to my memoir, as it intertwines the literal images from Master and Margarita with more autobiographical themes and layers.\u003c\/p\u003e\n\n\u003cp\u003eThe five premieres, written for me and recorded here, are vastly different in styles and aesthetic. The understated, elegant Master and Margarita Suite by Veronika Krausas complements the wild, theatrical, brooding and extended techniques-filled “Manuscripts Don’t Burn” by Maya Miro Johnson.  Mike Garson’s Psalm to Odesa, an improvisatory ballad, with bits of my own improvisation based on a well-known Odesan song, sets off “Voices” by Ljova, a piece for piano and historical recordings of Jewish cantorial and klezmer music. Both take me back to my home city, currently under vicious attack, like the rest of Ukraine. The poetry I recite, sing and hum while performing the four-movement Godai - the Four Elements - is rounded off by the propulsive bravura whirlwind of Hero.  Fasil Say’s Black Earth takes the listener on a journey from Odesa across the Black Sea - a Turkish ballad and jazzy beats alternate with improvisatory melisma of a Turkish lute, played on muted strings of the piano. The rarely heard Notturno of Fanny Mendelssohn connects a gifted female voice to the others on this disc, as well as, perhaps, to the dark, impassioned character of Margarita. In Master and Margarita, “Manuscripts Don’t Burn” is spoken by Satan when he retrieves the manuscript of a novel presumed burnt – and in Clarice Assad’s “Godai”, Steve Schroeder’s poem depicts the loss of a manuscript in a fire.\u003c\/p\u003e\n\n\u003cp\u003eThe lieder of Schubert, transcribed for solo piano by Liszt, riffs on the mythical and the Faustian lore found also in Master and Margarita: Gretchen (Margarita) at the spinning wheel, a mystical love story by the sea, a monstrous Elf King and the death of a child, of innocence, of joy - one’s worst fear.\u003c\/p\u003e\n\n\u003cp\u003eThis collection of music speaks to my love of dialogue between music and words. As in my Music\/Words series, where I pair poets with musical programs in the form of a recital\/reading, the connections between text and sound here are not just literal but emotional, based on memory, intuition, dreams, and hopes.\u003c\/p\u003e\n\n\u003cp\u003e- Inna Faliks\u003c\/p\u003e","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":49254253723928,"sku":"053479227904","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4327454-3147995.jpg?v=1777521525"},{"product_id":"handel-oguz-rachmaninoff-solace","title":"Handel, Oguz \u0026 Rachmaninoff: Solace","description":"\u003cp\u003eTurkish pianist KCS is the Grand Prize winner of the 2022 Alexis Gregory Vendome Prize, where he was also awarded the Recording Prize.   has performed in concert halls such as the Morgan Library \u0026amp; Museum’s Gilder Lehrman Hall in New York, Wiener Saal in Salzburg, Verbrugghen Hall in Sydney and in other venues in cities such as Paris, Nice, Brussels, Cleveland, Verona and Istanbul. He has appeared in festivals such as the Gümüşlük Classical Music Festival, Antalya Piano Festival and Bellapais Music Festival. This season, he will appear at the 2024 Sydney Festival as the winner of The Rex Hobcroft People’s Choice Prize at the Sydney International Piano Competition, as well as in concerts with the Borusan Istanbul Philharmonic Orchestra conducted by James Judd and New Manhattan Sinfonietta conducted by Gürer Aykal.\u003c\/p\u003e\n\u003cp\u003eBorn in 1999 in Ankara, he began his musical education with Gamze Kırtıl at the Bilkent University’s Music and Ballet Primary School at the age of seven. After studying with Antonio Pompa-Baldi and Sergei Babayan at the Cleveland Institute of Music, he received his bachelor’s degree from The Juilliard School, where he was a recipient of the Ahmet Ertegün Memorial Scholarship and the Susan W. Rose Piano Fellowship twice. In 2018, he was accepted as a scholar of “Young Musicians on World Stages” (YMWS), led by Güher-Süher Pekinel. During his studies, he has had the chance to work with musicians such as Jacques Rouvier, Pavel Gililov, Boris Berman, Ilya Itin, Michel Beroff, Jean-Francois Heisser, Gabriela Montero and Emanuel Ax. He is currently pursuing graduate studies at the Cleveland Institute of Music under the direction of Maestro Babayan.\u003c\/p\u003e","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":49254255821080,"sku":"053479227201","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389348-3320910.jpg?v=1777532027"},{"product_id":"thorvaldsdottir-ubique","title":"Thorvaldsdottir: Ubique","description":"UBIQUE lives on the border between enigmatic lyricism and atmospheric distortion. 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As with my music generally, the inspiration is not something I am trying to describe through the music as such - it is a way to intuitively approach and work with the core energy, structure, atmosphere and material of the piece.     UBIQUE is 45 minutes in duration and is written in 11 parts, for flutes, grand piano, 2 cellos and pre-constructed electronics.   - Anna Thorvaldsdottir","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":49475653665048,"sku":"053479228000","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4395535-3312237.jpg?v=1777490275"},{"product_id":"aequora","title":"AEQUORA","description":"Aequora?  aequor aequoris neuter noun?    [AEQUUS] a smooth or level surface, expanse, surface; a level stretch of ground, plain;     inmensumne noctis aequor confecimus? have we made it across the vast plain of night?     the surface of the sea especially as considered as calm and flat, a part of the sea;     per aperta volans aequora soaring over open sea; the waters of a river, lake, sea;     tibi rident aequari ponti the waters of the sea laugh up at you.     Gajic and Carrettin have performed under the moniker \"Mystery Sonata\" when performing new work and non-classical music styles. 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