{"title":"September Blowout Sale","description":"\u003cp class=\"isSelectedEnd\" style=\"text-align: left;\"\u003e\u003cspan\u003eSeptember savings are here! Shop 1,000+ titles at an incredible \u003cstrong\u003e50% OFF\u003c\/strong\u003e during our \u003cstrong\u003eSeptember Blowout Sale.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\" style=\"text-align: left;\"\u003e\u003cspan\u003eExplore works by celebrated composers including \u003cstrong\u003eBartók, Chávez, Leonard Bernstein, Mahler,\u003c\/strong\u003e and more, alongside outstanding performances from the \u003cem\u003eSinfonia of London, I Fagiolini, Latvian Radio Choir,\u003c\/em\u003e and many others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\" style=\"text-align: left;\"\u003e\u003cspan\u003eWith over \u003cstrong\u003e1,000 titles\u003c\/strong\u003e at half price, it’s the perfect opportunity to discover something new, revisit a favorite, or add something special to your collection!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eShop the sale now until Monday, October 5th, 2026 at 9:00AM!\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"amazing-musical-instruments","title":"Those Amazing Musical Instruments! Book","description":"\u003cp\u003eThose Amazing Musical Instruments! takes you on an exciting musical tour! In a revised edition, including access to a brand new, exclusive website, this vibrant, colorful, comprehensive and unique book is a rich exploration of orchestral instruments. Learn about the character of each instrument, how it is constructed and played, which instruments go well together, and hear how they all sound! With conductor Marin Alsop, you’ll even know your heckelphone from your sackbut and your tom-tom from your tam-tam – all by spending hours of fun with words, pictures and music tracks.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"Book","offer_id":46907753005336,"sku":"9781781983584","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3948643-2773700.jpg?v=1777536199"},{"product_id":"manu-martin-lim-fantasy-of-companionship-for-piano-and-orch","title":"Manu Martin: Lim Fantasy Of Companionship For Piano And Orch","description":"\u003cp\u003eExploratory and revelatory release from Tedd Joselson and the London Symphony Orchestra, conducted by Arthur Fagen, together with solo voices and choral ensemble, London Voices.\u003c\/p\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":46907778105624,"sku":"635212067024","price":6.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3953820-2691101.jpg?v=1777659891"},{"product_id":"marvellous-mezzo-soprano-and-contralto-best-loved-opera-ar","title":"Marvellous Mezzo-Soprano And Contralto - Best Loved Opera Ar","description":"\u003cp\u003eFor anyone new to opera, the first question is often: “Where do I start?” The ‘Best Loved’ series from Naxos offers an easy answer to that question with a perfect introduction to this wonderful, varied world. The current release highlights some of the most-loved arias in the genre performed by mezzo-sopranos and contraltos. Tracks include arias from Carmen, The Marriage of Figaro, Macbeth, and more.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46907780759832,"sku":"747313818976","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3945901-2685913.jpg?v=1777768080"},{"product_id":"wranitzky-orchestral-works-vol-3-stilec-947929","title":"V3: Orchestral Works","description":"\u003cp\u003ePaul Wranitzky moved to Vienna from his native Moravia at the age of 20, mixing with the likes of Haydn and Mozart. As the most important symphonist in Vienna in the late 1790s, his style influenced the early symphonies of Beethoven. The Symphony in D major ‘La Chasse’ reflects the popularity of hunting music, and is heard here for the first time in its expanded version. The overtures to Mitgefühl and Die gute Mutter represent Wranitzky’s skill as a composer for the theatre, as does the masterfully scored Symphony in C major in which the composer repurposes some incidental and ballet music.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46907782299928,"sku":"747313428977","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4005806-2749232.jpg?v=1777565518"},{"product_id":"mussorgsky-pictures-at-and-exhibition-glazunov-piano-946194","title":"V12: Idil Biret Solo Edition","description":"\u003cp\u003eThe Idil Biret Archive is now bringing together Biret's past and present recordings. The current album showcases her interpretations of Mussorgsky’s Pictures at an Exhibition and Glazunov’s Piano Sonata No. 2, recorded in March 2017, and Balakirev’s Islamey “Oriental Fantasy,” recorded in concert at the Lille Festival 1993. 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(SWR Classic)\u003c\/p\u003e","brand":"SWR","offers":[{"title":"CD","offer_id":46907801501976,"sku":"747313912988","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4226883-3143581.jpg?v=1777627979"},{"product_id":"vacchi-complete-music-for-guitar","title":"Vacchi: Complete Music For Guitar","description":"\u003cp\u003eBorn in 1949, Fabio Vacchi stands among the pre-eminent Italian composers of his generation. Vacchi’s instrumental pieces have attracted similar high-profile performances. His chamber cycle Luoghi Immaginari (1987-1992), has been given across the world. Any listener with an ear for the Italian postwar avant-garde will find this newly recorded album full of delight and discovery. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907804156184,"sku":"5028421969763","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4223209-3130276.jpg?v=1777628705"},{"product_id":"mison-the-five-sevillian-flute-sonatas","title":"Mison: The Five Sevillian Flute Sonatas","description":"\u003cp\u003eRecent scholarship on Luis Misón (Mataró, 1727–Madrid, 1766) demonstrates the growing interest among the musicological community in studying the life and work of one who is an essential composer in the history of Spanish music. Musical historiography has extolled Misón's contribution to the genre of the tonadilla escénica, a genre widely appreciated in his time and which must have had a notable influence on his instrumental music, about which less is known. His talent as a flautist was appreciated within the noble circle of the House of Alba, where musical academies were held in which Misón actively participated and for which he composed 12 sonatas for transverse flute and bass dedicated to the Duke of Alba. These pieces were located in the archives of the House of Alba and described in 1927 by José Subirá (1882–1980), but unfortunately they disappeared during the Spanish Civil War (1936–39). The discovery of the five hitherto unknown Sonatas for Flute and Bass by Misón represents a substantial contribution to the Spanish chamber music repertoire of the second third of the 18th century for this instrument, given the scarcity of pieces written by Hispanic composers contemporary to Misón in which the flute is definitely the real protagonist. Moreover, they are sonatas which, from a technical point of view, pose interesting challenges to the flautist, something that highlights Misón's mastery of the flute, in accordance with surviving documentation of the period. Ortega explains that José Teixidor (c.1751–c.1811), vice-master of the Royal Chapel from 1778, considered his works to be no lesser than those of the best-known foreign composers and said of him that he was an unequalled performer on the transverse flute. The sonatas are found in five musical manuscripts preserved in the Lebrija Palace in Seville, a stately home dating from the 16th century, which in 1901 became the property of Regla Manjón y Mergelina (1851–1938), Countess of Lebrija. With regard to the sources, it seems unlikely that any of the five are autograph. (Although up to five different copyists have been identified, there is nothing to suggest that any of them could be Misón, himself.) Generally speaking, the sonatas are characterised by the importance of melody, regular phrases and steady rhythms, as can be seen in the elaborate seisillos of the Allegro moderato of the Sonata [No.3] in G major. Overall, the basso continuo line is simple – excepting the B section of the Allegro of the Sonata [No.4] in G major (undated) – allowing the role of the flute to stand out prominently. This recording is the culmination of a long process of recovery of Spanish 18th-century musical heritage that deserves to be disseminated, studied and enhanced. After more than two centuries of silence, Misón's music is heard again.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907807564056,"sku":"5028421968582","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4223203-3130269.jpg?v=1777628659"},{"product_id":"colbran-duchambge-garcia-malibran-mendelssohn-schumann","title":"Colbran, Duchambge, Garcia, Malibran, Mendelssohn \u0026 Schumann","description":"\u003cp\u003eAiming to recreate the musical atmosphere of a 19th-century salon, this recording revolves around two fundamental objectives. The first, to perform music by women who, as composers, performers and hostesses, were absolute cornerstones of these spaces. Second, to perform the songs, originally accompanied by piano, with newly made guitar arrangements. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907808022808,"sku":"5028421967295","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4169752-3141804.jpg?v=1777725254"},{"product_id":"beethoven-9th-symphony-op-125-transcription-for-violin","title":"Beethoven: 9Th Symphony, Op. 125 - Transcription For Violin","description":"\u003cp\u003eHans Sitt (1850–1928) was an extremely important personality in the transition between the 19th and 20th centuries, and was also a remarkably prolific composer. Astonishing in his catalogue, however, is the enormous number (and weight) of his transcriptions of the most important 19th-century symphonic works for the duo of violin and piano. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907808252184,"sku":"5028421967110","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4211067-2989347.jpg?v=1777605530"},{"product_id":"mercadante-music-for-solo-flute","title":"Mercadante: Music For Solo Flute","description":"\u003cp\u003eOperatic, early-Romantic fantasias for solo flute by one of the great names of Italian opera. Laura Trapani’s previous album for Brilliant Classics brought wider renown for the sparkling flute-writing of Beethoven’s pupil Ferdinand Ries (96132). Now the Ferrara-based flautist turns her attention south to another overlooked figure of the early 19th century, Saverio Mercadante. Mercadante learnt the flute as a child and became a virtuoso on the instrument during his training in Naples while learning the craft of an opera composer which would bring him fame across Europe. One of his earliest successes for the stage was a ballet based on the legend of a magic flute - unrelated to Mozart’s masonic tale - and from the 1820s onwards, audiences flocked to Mercadante’s lyric dramas for their pacy drama, memorable tunes and arias that displayed the great singers of the age to best advantage. His Capricci also date from this early stage of his career. Comparable to the more celebrated caprices for violin by his elder contemporary Paganini, they are technical studies which stretch the technique of the most accomplished flautists, and they dazzle the ear with their lightning runs, filigree figurations and flourishes. The Capricci have received recordings from celebrated flautists, whereas the later Arie Variate have been relatively overlooked, and this release marks only their second recording, and the first to be made for CD. They are fantasies on popular operatic arias in the style of the piano pot-pourris and paraphrases which would be raised to an art-form by Franz Liszt a generation later. The chosen themes are mostly drawn from operas of the late 1810s such as Rossini’s Armida and Elisabetta, Regina d’Inghilterra, but they range from Mozart’s Don Giovanni to Mercadante’s own Gabriella di Vergy of 1828. Laura Trapani thus restores to the catalogue a shining example of early Romantic instrumental virtuosity.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907813986584,"sku":"5028421965116","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4412842-3337379_169d5ddb-8e9a-4bb1-9633-2f5e881f3a35.jpg?v=1777628634"},{"product_id":"j-s-bach-trio-sonatas-bwv-525-530","title":"J.S. 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While still based in her homeland, having founded Bulgaria’s only annual early-music festival (Sofia Baroque Arts Festival) she is a frequent soloist with and guest leader of the Helsinki Baroque Orchestra under its founder-director Aapo Häkkinen, who swaps the conductor’s platform on this occasion for a seat at a gentle, plangent-sounding fortepiano from 1820 of Viennese manufacture – ideally suited to the repertoire at hand. Together they make a lively and sympathetic partnership, informed by playing these youthful works in concert. Franz Schubert (1797-1828) was just 19 years old when he wrote a trio of sonatas in the spring of 1816, but he already had four symphonies under his belt as well as masterpieces of song such as Gretchen am Spinnrade and Erlkönig. Like so much of his music, they were only published after his death, when they were given both a misleading opus number (Op.137) and even title, for the diminutive ‘sonatina’ nomenclature shows little respect for both the scale of Schubert’s imagination and handling of form. On a technical level, the trio of pieces lies within the ambit of amateur players of both instruments, though more demanding for the pianist. This relative ease of execution need not obscure the rapturous melodies of the second work in the collection, D385, or its deeply felt harmonies, which culminate in an elegiac finale. Cast in the turbulent Erlkönig key of G minor, D408 turns the listener’s ear towards Beethoven, though the concise opening melody clearly speaks with Schubert’s voice. However, all three of these ‘sonatinas’ are somewhat overshadowed by the Sonata D574 from the summer of the following year, 1817, which ranks among the most inspired productions of even Schubert’s prodigious youth.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907814150424,"sku":"5028421964232","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4007928-2774023.jpg?v=1777810625"},{"product_id":"cirri-sonatas-duos-for-cello","title":"Cirri: Sonatas \u0026 Duos For Cello","description":"\u003cp\u003eAll cellists of an adventurous disposition will accordingly be drawn to this new collection, which contains work dating from after Giovanni Cilli's return to Italy in 1780. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907814969624,"sku":"5028421964164","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4063814-2828417.jpg?v=1777718206"},{"product_id":"fuchs-clarinet-chamber-music-magistrelli-italian-942715","title":"Fuchs: Clarinet Chamber Music","description":"\u003cp\u003eWhere next after Mozart’s Clarinet Quintet? Try these duos and trios by Georg Friedrich Fuchs (1752-1821) in newly recorded period-instrument performances. Born in the German city of Mainz in 1752, Fuchs was a pupil of Haydn’s before becoming a wind-band leader and composer. Aged 32, however, he moved to Paris, and established his name there, teaching at the conservatoire and composing for many French publishers with an eye to the fast-developing market for attractive music for winds, especially the clarinet, accessible to amateurs. His experience as a working musician in the French National Guard prompted him to produce Harmoniemusik – wind-band music – for various combinations of such instruments, without string accompaniment, as the duos and trios found on this album. There is also a brief Pot Pourri on arias of Paisiello conceived for the unusual combination four clarinets, two horns and two bassoons. Between 1803 and 1805 he produced six trios for three clarinets, and Luigi Magistrelli has chosen to record three of them, along with Fuchs’s ingenious arrangements of six arias from Mozart’s Magic Flute, which weave melody and accompaniment between the two instruments, producing pieces satisfying to both play and listen to on their own terms. As a clarinetist and ensemble leader, Luigi Magistrelli has built up a considerable Brilliant Classics discography of lesser-known repertoire from the Classical and early Romantic eras. Most of his albums feature first recordings, and he is joined by Italian colleagues who have equally extensive experience in historically informed performances (using instruments of the time, often returning to the original manuscripts) of 18th- and 19th-century music.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907826471192,"sku":"5028421963051","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3992006-2728088.jpg?v=1777804100"},{"product_id":"rosetta-music-for-guitar","title":"Rosetta: Music For Guitar","description":"\u003cp\u003eGiuseppe Rosetta (1901-1985) studied in Rome under Respighi but soon returned to his Piedmontese birthplace of Vercelli. There he remained, leading and enriching the local musical culture as an organist, choir conductor and music teacher. He spurned fame and dedicated himself to his vocation and to God. His beautifully crafted music is accordingly modest in expressive ambition: elegant, reflective, at times melancholic, generally characterized by introspective, meditative qualities – nothing brilliant or demonstrative. Very little of it has been recorded, making this new album a valuable contribution to a wider appreciation of postwar Italian music. Rosetta taught composition to Angelo Gilardino, who eventually encouraged him to write guitar music, resulting in the Preludi per GIlardino of 1970. These are beautifully and idiomatically written for the instrument after close consultation with the guitarist. Also from 1970, the Canti della Pianura (Songs of the Plain) is a personal evocation of the countryside of the Po Valley where Rosetta lived and worked. The four movements correspond to times of day: the dawn (Mattutino), the afternoon (Meridiana), the evening (Vespertina) and the night (Serenata). The Fantasia dates from 1979, but Rosetta’s conservative idiom recalls the language of his teacher Respighi and contemporaries such as Casella and Pizzetti: he wrote out of time, vividly evoking a lost era of Romanticism on an instrument that sings naturally of nostalgia and regret. As a student of Gilardino, Gian Luca Barbero has become intimately familiar with the private musical world of Giuseppe Rosetta, and is himself a guitar teacher of renown in Italy. The present release marks his debut on Brilliant Classics within the label’s ever-growing library of guitar music.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907831583000,"sku":"5028421961873","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3856710-2632670.jpg?v=1777736621"},{"product_id":"elgar-cello-concerto-arlia-sollima-orchestra-948759","title":"Cello Concerto","description":"\u003cp\u003eFrom Arturo Toscanini and Sir John Barbirolli to Riccardo Muti and Antonio Pappano in our own time, Italian-heritage performers have often brought special qualities of sympathy and understanding to Edward Elgar’s (1857-1934) music. Now comes a new recording made in the ‘boot’ of southern Italy, lending Mediterranean warmth and passion to a trio of Elgarian masterpieces. The Sicilian-born cellist Giovanni Sollima has made well-received albums for Brilliant Classics of music by Offenbach (94475) and by his father Eliodoro Sollima (96287). His latest recording, made at the Teatro Politeama in the one-time ‘lace capital’ of Europe, Catanzaro, illuminates one of the core works of the cello literature with an affecting sense of line and sensitivity to the melancholy introversion which colors every bar of the Concerto composed by Elgar in the wake of the First World War. Twenty years earlier, Elgar’s reputation was secured with audiences across Europe and America through the whirlwind success of his “Enigma” Variations. The stoic beauty of ‘Nimrod’, the gentle wit of ‘Dorabella’ and the nervous excitement and pride of the autobiographical finale spoke directly to listeners who would never know the composer or his ‘friends pictured within’. The agitated, impassioned voice of Elgar in the Variations belonged to its end-of-Empire time and place, orchestrated with a mastery which would soon draw the admiration of Richard Strauss and many more musicians on the other side of the English Channel. Even that quintessential expression of Englishness, the first of five marches which Elgar collected under the Shakesperean banner of “Pomp and Circumstance” and later repurposed to set ‘Land of Hope and Glory’ for the finale of his Coronation Ode, won the composer standing ovations when he conducted it in concerts across mainland Europe. Under the affectionate baton of their music director Filippo Arlia, the Orchestra Filarmonica della Calabria interpret Elgar’s music with a sensitivity and extroversion worthy of the composer.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907837972760,"sku":"5028421960395","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4007924-2774012.jpg?v=1777804062"},{"product_id":"wagner-wesendonck-lieder-angius-orchestra-di-942712","title":"Wagner: Wesendonck-Lieder","description":"\u003cp\u003eRichard Wagner began composing his Wesendonck Lieder during a stay in Zurich between November and December 1857. Originally conceived for female voice and piano alone, the five songs were later orchestrated, first by the Austrian conductor and composer Felix Mottl in 1893, and then later in 1976 by the German composer Hans Werner Henze, in a chamber setting. In fact Wagner had already orchestrated a version of \"Träume” to be performed by chamber orchestra (with violin playing the voice part) on the occasion of his wife Minna’s birthday in 1857. Later, in 1870, for his second wife Cosima’s 33rd birthday, he enacted a similar gesture. Mixing new motifs with themes from his Ring cycle, he composed the Siegfried Idyll and had it performed by a small orchestra as a birthday surprise. Hanz Werner Henze’s orchestration of Wagner’s Wesendonck Lieder highlights the relationship between the words and the sounds. The agile yet intense scoring for ten wind instruments, harp and small string ensemble appears to be Henze’s way of finding an alternative to the original piano without taking the cycle outside the realm of chamber music or altering the lieder’s original image. Siegfried and Brünnhilde sing from the depths of their hearts returns here with the grace of a child’s nursery. Salvatore Sciarrino’s Languire a Palermo (Languishing in Palermo), composed in 2018, is predominantly built around the melody Tempo di Porazzi, a fragment composed by Wagner during a visit to Sicily in late 1881 and early 1882. Sciarrino describes the ‘allure of a distant unaccompanied melody, played by someone for their own benefit and entrusted to the wind’ and hypothesizes that it may correspond ‘to the sounds in Sicily that stimulate and amaze the ears...Mediterranean charm gushes from the throat of every street vendor.’\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907857109272,"sku":"5028421961194","price":7.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3992003-2740939.jpg?v=1777797570"},{"product_id":"bartok-ravel-high-low-duo-945204","title":"Works Arranged For Guitar \/ High Low Duo","description":"\u003cp\u003eGuitarists Cameron Greider and Jack Petruzzelli form the High Low Duo, whose first album on Sono Luminus features electric guitar arrangements of works by Bartok and Ravel. 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