{"title":"Latest \u0026 Greatest Box Sets Sale","description":"\u003cp\u003eOver 200 box sets are on sale now at HBDirect!\u003c\/p\u003e\n\u003cp\u003eDiscover the latest and greatest box sets including \u003cstrong\u003eBeethoven\u003c\/strong\u003e's\u003cem\u003e Complete Piano Sonatas\u003c\/em\u003e\u003cstrong\u003e, \u003c\/strong\u003ethe\u003cstrong\u003e J.S. Bach \u003c\/strong\u003e\u003cem\u003eComplete Edition\u003c\/em\u003e\u003cstrong\u003e, Mozart\u003c\/strong\u003e's \u003cem\u003eComplete Divertimenti \u0026amp; Serenades for Winds\u003c\/em\u003e, and many more!\u003c\/p\u003e\n\u003cp\u003eShop the sale now before it ends at\u003cstrong\u003e 9:00am ET, Tuesday, March 31st, 2026. \u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"gazarossian-24-etudes-5029365102636","title":"Gazarossian: 24 Etudes","description":"\u003cp\u003eThough she gave piano recitals throughout Europe during her career, the name of Koharik Gazarossian has largely been forgotten today. Gazarossian made a name and a career for herself as a pianist touring 24 ‘well-tempered’ recitals, arranged by tonality after the model of Bach’s keyboard manuals. This album of the 24 Etudes presents the most compelling case for her revival. (Piano Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908353872152,"sku":"5029365102636","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4148240-2920416.jpg?v=1777731836"},{"product_id":"dandrieu-trois-livres-de-pieces-de-clavecin","title":"Dandrieu: Trois Livres De Pieces De Clavecin","description":"\u003cp\u003eJean-François Dandrieu was born in August or September 1682 on rue Saint-Louis, Île de la Cité, Paris. He was the eldest of at least four children and showed such musical precocity that it is reported he played the harpsichord for Louis XIV and his court at the age of five. It can be assumed that his reputation led to great demand for his services as a performer. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908355215640,"sku":"5028421961255","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4202370-3141734.jpg?v=1777605417"},{"product_id":"hummel-piano-quintets-op-74-87","title":"Hummel: Piano Quintets, Op. 74 \u0026 87","description":"\u003cp\u003eAs a pupil of Mozart and contemporary of Beethoven, Hummel was esteemed for the elegance of both his playing and his music. A quartet of Dutch string players, experienced in the early-music scene, forms the core of the Nepomuk quintet; they are joined by the pianist Riko Fukuda, who contributes an authoritative essay on Hummel and his piano quintets to the booklet. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908449882392,"sku":"5028421969015","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4223205-3130272_531c7e9b-b7a5-4b3f-997f-6f5a934499a3.jpg?v=1777628701"},{"product_id":"boellmann-widor-dindy-french-cello-sonatas-vol-2","title":"Boellmann, Widor \u0026 D'Indy: French Cello Sonatas, Vol. 2","description":"\u003cp\u003eLeon Böellmann (1862-1897) was born in the Alsatian town of Ensisheim. He moved to Paris after the Franco-Prussian War after which Alsace became part of Germany. In Paris, he studied organ, piano and composition at the Classical Music School, graduating from it with honors. After graduation, he worked as a teacher at school. His compositions brought him considerable recognition, and he would almost certainly have made a bigger name for himself if he had not died at the young age of 35. Presented on this album is his remarkable Cello Sonata Op.40, hailing from the late French Romantic period. The Cello Sonata Op.80 in A major of 1907, by Charles-Marie Widor (1844–1937), is a grandiose work consisting of three movements with a magnificent introduction, foreshadowing a sonatafull of ideas. When comparing the cello part with other sonatas of the period, a cellist feels that Widor cared little for technical constraints. Due in part to the use of huge intervals, the cello part matches the piano part for virtuosity. The sonata’s premiere was given by Jules Lebeau and the composer on 14 March 1907 at the salon of Madame Max, who also offered Widor’s Violin Sonata Op.79 in the same program. Vincent d’Indy (1851–1931) was a French composer and organist, conductor and teacher, music critic, publicist and meaningful public figure. He lived a long and active live throughout at least three epochs of French history. He is considered the greatest representative of the César Frank School of composition. His Sonata for Cello and Piano Op.84 was written in 1925 when d’Indy was over 70 years old. His style had undergone significant changes in the years following his retirement and move from Paris to the southof France, where he composed a series of works generally in a bright and cheerful mood. Despite its name, this Sonata in fact takes the form of a Baroque suite. The opening movement (Entrée) is elegant and charming. This is followed by a Gavotte in Rondo, in which pizzicato in the cello is used to evoke the lute. The third part (titled \"Air\") is characterized by a soft and melancholic mood. The finale (Gigue) is a lively updated form of this baroque dance.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908449915160,"sku":"5028421968216","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4223202-3130268_b06b3ca1-92f4-49ab-9436-decc12da23fa.jpg?v=1777628693"},{"product_id":"boccherini-complete-violin-sonatas-vol-1","title":"Boccherini: Complete Violin Sonatas, Vol. 1","description":"\u003cp\u003eThe start of a major new series on Brilliant Classics – historically informed accounts of the violin sonatas by a Classical-era master of Rococo charm and invention. Boccherini, still in his mid-20s, dedicated his Op.5 violin sonatas to the Parisian keyboard soloist Mme. Brillon de Jouy. Movements from these sonatas appear in reworked guises in other chamber works and symphonies. 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The form of these early works resembles a suite rather than the three- and four-movement pieces determined by tempo marking which soon became standard practice for the sonatas and concertos composed by Vivaldi in such profusion. In all but three of the Opus 1 Sonatas, a freely developed prelude introduces a sequence of three dance movements such as sarabandes, gigues and gavottes. Solemnity and lively intimacy sit side by side, in an ingenious synthesis of church and chamber modes of expression. Vivaldi’s Opus 1 reaches a grand climax with a free-standing set of variations on the most popular melody in 18th century Italy, ‘La Folia’. This grave and antique chord-sequence of Spanish origin inspired the 20-something composer to handle the familiar instrumental line-up in a bold new way, liberating the bass line from a supporting role and giving some especially brilliant canonical dialogues to the two violins. The sonata demonstrates the degree to which vocal writing inspired Vivaldi’s slow movements and paved the way for his future ventures in opera. The album is completed by two sonatas from the Opus 5 collection published in 1716, and six more sonatas without an opus number (RV 60, 68, 71, 71, 74 and 77 in the Vivaldi catalogue), all scored for the same combination of instruments.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908451127576,"sku":"5028421961880","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3998658-2740942.jpg?v=1777807276"},{"product_id":"rebay-complete-music-for-violin-guitar","title":"Rebay: Complete Music For Violin \u0026 Guitar","description":"\u003cp\u003eIt was Jakob Ortner, one of the composer’s colleagues at the academy in Vienna, who piqued Rebay’s interest in the guitar. The enthusiasm and skill Ortner and his pupils displayed convinced Rebay that the guitar could handle any harmonic construction thrown at it, far beyond the clichéd writing for the instrument of the late 19th century. The 12 Deutsche Tänze von Beethoven (1939, from the WoO8 cycle) and the Tema con Variazioni aus Op.12 No.1 von L. van Beethoven (1952) display a great passion for the German composer; Rebay also arranged Beethoven’s Sonatas Op.79 and Op.90 for ensembles including a guitar. Rebay often opted for a simple style to make his arrangements accessible to a wide range of performers. This is true of certain (unfortunately undated) transcriptions for violin and guitar: a gavotte in D minor by Jean-Baptiste Lully; a minuet in F major by George Frideric Handel; the Andante from the Italian Concerto BWV971 and the prelude in E major from the first book of The Well-Tempered Clavier by Johann Sebastian Bach. This probably indicates a revision of the violin part, and shows the esteem the composer enjoyed on the Viennese music scene. Rebay returned to the violin and guitar pairing on multiple occasions for a favourite genre of his: the theme and variations. The writing here is more demanding and stands out for the equal weighting given to the two instruments and the use of keys unrelated to the theme for the individual variations, producing a concertato effect with numerous subtle expressive twists. All the cycles of variations on this recording are based on folk themes, with the exception of those based on “Heidenröslein” (1953, from the Lied of the same name by Franz Schubert) and “Und der Hans schleicht umher” (undated), which some scholars, contrary to Rebay’s title, attribute to Franz von Woyna. Finally, Rebay wrote two sonatas for violin and guitar, both in 1942, in which he put his innovative concept of the guitar as a fully versatile harmonic instrument through its paces. They follow a similar expressive journey: a sombre yet assertive first movement leads to vibrant, lyrical playing in the theme and variations, before the tone gradually lightens over the course of the final two movements. Now that the guitar’s status is fully established, Rebay’s refined and dignified voice has made itself heard, thanks to the music’s solid craftsmanship but above all its sincerity. Its rediscovery dispels many clichés and reassures us that humble yet beautiful music is not necessarily destined to be unjustly forgotten.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908451160344,"sku":"5028421961767","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4412831-3337366.jpg?v=1777536067"},{"product_id":"beethoven-the-9-symphonies-transcribed-for-piano-by-liszt-5028421948638","title":"Beethoven: The 9 Symphonies, Transcribed For Piano By Liszt","description":"\u003cp\u003eThe symphonic world of Beethoven is not merely experienced as a distant echo but translated into the idiom of the virtuoso piano which swept across Europe during the latter half of the 19th century, led by Liszt and Clara Schumann. 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He plays an Italian Cello by Francesco Rugeri (Cremona 1690), formerly played by Maurice Gendron. In this three-album set he tackles the sacred summit of the solo cello repertoire, rightly pointing out that the lack of original manuscripts for the Six Suites leaves them especially open to individual interpretation. Yet he takes a further step in making this recording his own, interpolating between each of the suites miniature compositions for solo cello that he commissioned from composers on six different continents under the motto “Sounds of Light”, thereby placing Bach’s Western European masterworks in dialogue with music from across the globe in our own time.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908461252888,"sku":"5028421964034","price":11.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4007927-2774020.jpg?v=1777804083"},{"product_id":"giuliani-complete-music-for-flute-guitar","title":"Giuliani: Complete Music For Flute \u0026 Guitar","description":"\u003cp\u003eMauro Giuliani (1781-1828) was a contemporary of Schubert, and many of his works are still popular today, firmly in the standard guitar repertoire. 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According to the tenor, Britten ‘wanted to recreate these melodies with their texts for concert performance, to make them art-songs … he therefore takes the tune as if he had written it himself and thinks himself back as to how he would turn it into a song.’ Thus the piano parts are no mere accompaniments but highly wrought, deftly illustrative comments on the texts and stories of love and country life. In cases such as The Foggy, Foggy Dew and O Waly, Waly, Britten’s arrangements have become better known than any ‘original’ version; they have assumed the identity of the song in the popular imagination, and the distinctive voice of Pears singing them imprinted itself on the imaginations of countless music-lovers in the second half of the last century. However, the songs retain their place in the concert repertoire of many young singers, often as more than encore material, and they admit a rich variety of interpretative approaches. The tenor Mark Milhofer has previously taken part in Brilliant Classics surveys of the complete song output of Alban Berg (95549) and Francesco Tosti (Vol.1 – 95201), with the Berg attracting particularly enthusiastic praise: ‘Totally absorbing… convincingly performed from the first note to the last. Each performer brings sincerity and enthusiasm to this varied repertoire. The recording is ideal’ (MusicWeb International).\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908502737176,"sku":"5028421960098","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3897375-2670828.jpg?v=1777805377"},{"product_id":"de-falla-collection-945091","title":"De Falla Collection","description":"\u003cp\u003eWith its super-budget-priced boxes of Bach, Mozart, Haydn, Beethoven, Brahms, Tchaikovsky and Shostakovich among many others, Brilliant Classics cornered the market in definitive composer editions long before other labels began to follow their lead. Music-lovers can now add a one-stop guide to the thrilling and colourful world of Manuel de Falla to their libraries with this comprehensive collection of his greatest masterpieces in modern digital recordings. As the central figure of Spanish music in the first half of the last century, de Falla (1876-1946) came to define the sound of Spain for listeners beyond its borders. Folk music, romanticism, neoclassicism, modernism: all the prevalent styles of his time were assimilated and absorbed within a personal idiom that advanced the work of notable predecessors such as Albeniz and Granados in establishing a distinctively Spanish idiom for art music, making him a worthy contemporary of other composers outside the central European mainstream from Vaughan Williams in England to Bartók in Hungary and Sibelius in Finland. Falla’s cycle of Seven Popular Spanish Songs is a perfect synthesis of artsong and folksong, performed here in Luciano Berio’s orchestration by Marta Senn and the Simon Bolivar Orchestra of Venezuela under the baton of Eduardo Mata, the Mexican conductor renowned for his dynamic interpretations of Hispanic repertoire. The songs return in their instrumental guise as the Suite populaire espagnole, with the cellist Timora Rosler accompanied by Klára Würtz. Rafael Puyana is a uniquely sympathetic soloist in the Harpsichord Concerto which gave the instrument new life beyond its Baroque associations. Benita Meshulam is widely recognized as the inheritor of Alicia de Larrocha’s mantle with her superbly atmospheric recordings of Spanish piano music.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908526428440,"sku":"5028421963532","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3998663-2741387.jpg?v=1777804195"},{"product_id":"bach-famous-concertos-397626","title":"Famous Concertos","description":"\u003cp\u003eBrilliant Classics proudly presents 5 more titles in the exciting 5-album sets series: QUINTESSENCE, attractively priced compact box sets containing essential core classical repertoire in outstanding performances. Aimed at attracting both the discerning classical connoisseur and the classical newcomer it presents the pillars of classical music: Dvorák Complete Piano Music, Tchaikovsky Complete Ballets, J.S. 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Diálogo del Olivo y el Nuraga (‘Dialogue of the Olive Trees and the Nuraghe’) imagines a wordless exchange between two ancient features of the Sardinian landscape, the trees which have provided food and fuel and money for its people for centuries, and the Stone-Age towers which dot the island. Each of the works here tells a vivid story: Porqueddu’s own Sonata III is subtitled ‘The Rite of Fire’ after an ancient Sardinian legend which imagines Saint Anthony and his piglet descending to Hell in order to procure some firelight. Angelo Gilardino draws on his personal memories of sights and sounds experienced when visiting the island in his Sardegna Suite (including another piece evoking the nuraghe). 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There he remained for the best part of a decade, and a glowing testimonial from Bach commended his talents on the clavier, violin and lute, as well as in composition. Krebs never attained the Leipzig post which his instrumental talents deserved, but he served as an organist in several churches south of Leipzig through the course of a long and distinguished professional life which reached fruition as organist at the court of Prince Friedrich of Gotha-Altenburg from 1755 onwards. The inveterate traveler and commentator Charles Burney reported that ‘M. Krebs of Altenburg, scholar of Sebastian Bach, has been much admired for his full and masterly manner of playing the organ.’ The style of Krebs’s own music reflects the transitional period in which he lived. The hand of the master lightly guides the cosmopolitan elegance of the three partitas on album 1 of this collection. Krebs compiled a Clavier-Übung (Keyboard Practice) of his own in 1744, from which Michele Benuzzi performs a C major suite and, six lively Italianate sonatas. A volume of six suites from 1746 shows the influence of the galant style which was coming into fashion at the time, embodied by the output of Bach’s most accomplished son, Carl Philipp Emanuel. Several more suites here are sophisticated examples of Krebs’s mastery in the ‘French and Italian taste’ as well as demonstrating the fluency of his keyboard writing and the craftsmanship of his counterpoint. This important collection joins several other albums of little-known keyboard music from the period, recorded for Brilliant Classics by Michele Benuzzi. 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Although Francescatti is probably best remembered for his wide-ranging concerto recordings with Bernstein, Ormandy and Bruno Walter and Casadesus for his sparkling Mozart concertos with Szell, their duo recordings were also greatly admired by music lovers, especially their landmark interpretations of the Beethoven Violin Sonatas. The first of these recordings – made in mono between 1949 and 1957 in New York, when both musicians were living in the US – comprised Nos. 3–9. A remake, this time the complete cycle, was recorded in stereo in Paris in 1958 and 1961. Now Sony Classical is reissuing all of these performances in a single 7-CD box set.Zino Francescatti (1902–1991), born in Marseille to two violinists who were also his teachers, was noted for his exceptionally sweet tone, eloquent lyricism and romantic warmth. Virgil Thomson extolled his playing in a 1947 review: “Everywhere there was beauty, dignity, repose and the authority of solid worth. 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