{"title":"Hyperion","description":"","products":[{"product_id":"the-lion-of-nobility","title":"The Lion Of Nobility","description":"\u003cp\u003eThe titular 'lion of nobility' was (probably) King John II of France, making the most expansive work on this album a lament for a historical event: the French defeat at the Battle of Poitiers in 1356. Elsewhere, Machaut's protagonist continues to scrutinize the joys and sorrows of courtly love in obsessive detail.\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":46908525740312,"sku":"034571283180","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3883750-2649659.jpg?v=1745522400"},{"product_id":"berlioz-symphonie-fantastique-reverie-et-caprice-etc-fischer-utah-symphony-293162","title":"Berlioz: Symphonie Fantastique, Reverie et caprice, Etc \/ Fischer, Utah Symphony","description":"\u003cp\u003eThe choral versions of \"La mort d'Ophélie\" and \"Sara la baigneuse\" may be relative rarities on record but both are vintage Berlioz. These short and striking pieces should be much better known. They are paired here with a terri?c account of the Symphonie fantastique.\u003cbr\u003e \u003cbr\u003e -----\u003cbr\u003e \u003cbr\u003e REVIEW:\u003cbr\u003e \u003cbr\u003e The Utah Symphony under conductor Thierry Fischer has carved out a distinctive specialty in French music, with a fine three-volume cycle of Saint-Saëns and now, perhaps even better, with this confident album of Berlioz. The Symphonie Fantastique is one of Fischer's fortes; conducted without a score, it seems to unfold here in a single gesture. Equally enjoyable are the three short works that conclude the program, neglected because they tend not to fit modern symphonic programs. The program is coherent, confident, and fresh, and the fine sound is just icing on the cake.\u003cbr\u003e \u003cbr\u003e – All Music GUide (J. Manheim)\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331356901656,"sku":"034571283241","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3776610-2531989.jpg?v=1745522383"},{"product_id":"brahms-piano-sonatas-rhapsodies-ohlsson-936324","title":"Brahms: Piano Sonatas \u0026 Rhapsodies \/ Ohlsson","description":"\u003cp\u003eBoth sonatas recorded here are the work of the young Brahms, who was still a teenager when he wrote Op.2. They are paired with, and perfectly complement the much later rhapsodies. These are magisterial accounts from Garrick Ohlsson, a pianist noted for his mastery of the Romantics.\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331359260952,"sku":"034571283340","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3966836-2747722.jpg?v=1745522283"},{"product_id":"feinberg-piano-sonatas-nos-1-6-hamelin-293159","title":"Feinberg: Piano Sonatas Nos. 1-6 \/ Hamelin","description":"\u003cimg src=\"\/graphics\/features\/gramophone_choice.jpg\"\u003e\u003cbr\u003e  This album's program represents one phenomenal composer-pianist's homage to another. Marc-André Hamelin has long been a champion of the music of Russian-Soviet composer Samuil Feinberg. Hamelin's performances are sensitive to all it's shadows and anxieties while being fully equal to the prodigious technical demands.\u003cbr\u003e \u003cbr\u003e  -----\u003cbr\u003e \u003cbr\u003e  REVIEW:\u003cbr\u003e \u003cbr\u003e  The more notes per second – and Feinberg is up there with the notiest of them – the more the Canadian virtuoso is in his element. Hamelin does far more than tame these pianistic leviathans. He gives them momentum, character and individuality.\u003cbr\u003e \u003cbr\u003e  – Gramophone","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331368894744,"sku":"034571282336","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3776608-2531987.jpg?v=1745522394"},{"product_id":"jancevskis-aeternum-cabulis-riga-cathedral-mixed-choir-293163","title":"Jancevskis: Aeternum \/ Cabulis, Riga Cathedral Mixed Choir","description":"\u003cp\u003eJekabs Jancevskis is a young Latvian composer and an exponent of that thrilling, accessible brand of choral writing which flourishes in the Baltic States as nowhere else, and which has become something of an established Hyperion enthusiasm.\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331370795288,"sku":"034571283289","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3776611-2531990.jpg?v=1745522388"},{"product_id":"love-songs-hewitt-936477","title":"Love Songs \/ Hewitt","description":"\u003cp\u003eAngela Hewitt's new album is clearly destined to become a favorite. It features some of the best-known musical declarations of love across the centuries, heard in transcriptions by some of the great pianists (including Angela herself).\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331379118360,"sku":"034571283418","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3966837-2747723.jpg?v=1745522471"},{"product_id":"music-for-the-king-of-scots-816855","title":"Music for the King of Scots \/ Kirkman, Binchois Consort","description":"\u003cdiv class=\"c-page--product c-page--classical\"\u003e  \u003cdiv class=\"c-product__secondaryblock\"\u003e  \u003caside class=\"c-product__product-additional\"\u003e  \u003cdiv class=\"js-tabs c-tabs-block c-tabs-block--product\" data-toggle=\"tabslet\" data-deeplinking=\"true\"\u003e  \u003cdiv id=\"about\" class=\"c-tabs-block__tab c-tabs-block__tab--about\"\u003e  \u003cdiv class=\"c-tabs-block__tab-content has-raw-content\"\u003e  \u003cp\u003eThis album stands as a monument to a particular space, place and time: the Chapel Royal of Linlithgow Palace, as it once stood, at the turn of the sixteenth century. Now a ruined shell, it was once the great pleasure palace of the kings and queens of Scotland, and the birthplace of James V and Mary, Queen of Scots. The building once resounded to music sung by the skilled musicians of the itinerant chapel royal, surrounded by magnificent decorations and sculptures. Almost none of this—the music or the building, save its walls—survives.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003eWhat we do have, though, is the famous Carver Choirbook, from which all the polyphonic works on this recording, with one exception, are taken. Our reconstruction of the palace focuses instead on a slightly earlier period, before the building of an organ within the chapel and the consequent changes to its internal layout. The centrepiece of our recording is a magnificent Mass cycle, found within a layer of the choirbook containing—alongside Dufay’s \u003cem\u003eMissa L’homme armé\u003c\/em\u003e—works both anonymous and from the mid-to-late fifteenth century. \u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003eAndrew Kirkman offers yet another casket of rediscovered musical gems. The main work here is the Missa Horrendo (the ‘Catherine Wheel Mass’). Its endlessly unfolding melodic contours are challenging but are sung here with a magical poise. The singers conclude with a beautifully constrained rendering of a Magnificat and Cornysh’s lovely Ave Maria.’\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e– BBC Music Magazine\u003c\/p\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/aside\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331380920600,"sku":"034571283333","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3931196-2676128.jpg?v=1745522440"},{"product_id":"mozart-the-complete-multipiano-concertos-816856","title":"Mozart: The Complete Multipiano Concertos \/ Multipiano Ensemble, English Chamber Orchestra","description":"\u003cdiv class=\"c-page--product c-page--classical\"\u003e  \u003cdiv class=\"c-product__secondaryblock\"\u003e  \u003caside class=\"c-product__product-additional\"\u003e  \u003cdiv class=\"js-tabs c-tabs-block c-tabs-block--product\" data-toggle=\"tabslet\" data-deeplinking=\"true\"\u003e  \u003cdiv id=\"about\" class=\"c-tabs-block__tab c-tabs-block__tab--about\"\u003e  \u003cdiv class=\"c-tabs-block__tab-content has-raw-content\"\u003e  \u003cp\u003eThe Larghetto and Allegro in E flat major is mature Mozart—contemporary with 'Idomeneo' and 'Die Entführung'—but remains incomplete. Tomer Lev has finished the job brilliantly, making it the perfect companion for Mozart's official multipiano concertos.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003eThis is just joyful music-making from the MultiPiano Ensemble and the ECO. The lightness of touch and the sheer enjoyment you sense as they explore these works is most captivating.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e– Record Review\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/aside\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331381149976,"sku":"034571283678","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3931197-2676129.jpg?v=1745522470"},{"product_id":"saint-saens-symphony-no-1-carnival-of-the-animals-fischer-utah-symphony-290153","title":"Saint-Saens: Symphony No. 1 \u0026 Carnival of the Animals \/ Fischer, Utah Symphony","description":"\u003cp\u003eDon’t be fooled by those well-known portraits of Saint-Saëns the bearded éminence grise—the two symphonies recorded here are the work of the young Camille, spreading his compositional wings and displaying a technical fluency far beyond his teenage years. In between, a certain musical menagerie roars, clucks, brays and squawks for attention …\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331381739800,"sku":"034571282237","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3749032-2612244.jpg?v=1745522372"},{"product_id":"music-for-the-100-years-war-kirkman-165239","title":"Music for the 100 Years' War \/ Kirkman, Binchois Consort","description":"\u003cimg src=\"\/graphics\/features\/gramophone_choice.jpg\"\u003e\u003cbr\u003e  \u003cbr\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331382722840,"sku":"034571281704","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3554600.jpg?v=1747213558"},{"product_id":"paganini-24-caprices-ibragimova-829153","title":"Paganini: 24 Caprices \/ Ibragimova","description":"\u003cp\u003eThe transcendental heroics of Paganini's Caprices have presented the ultimate test for generations of violinists. Alina Ibragimova's account of this most exclusive repertoire joins a select few of the most celebrated.\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331383214360,"sku":"034571283661","price":19.69,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3943126-2679758.jpg?v=1745522457"},{"product_id":"stanford-a-song-of-agincourt-other-works-168658","title":"Stanford: A Song of Agincourt \u0026 Other Works \/ Shelley, Ulster Orchestra","description":"From the charming whimsy of Fairy Day to the dignified ceremonial of Verdun, this is a welcome and varied collection of some of Stanford’s finest occasional pieces.\u003cbr\u003e \u003cbr\u003e  -----\u003cbr\u003e \u003cbr\u003e  REVIEW:\u003cbr\u003e \u003cbr\u003e  The pilgrimage through Stanford’s music continues with this harvesting of works not otherwise recorded and dating from the early 1900s, when he was in his fifties, to the years when he saw the death of many of his pupils in the Great War.\u003cbr\u003e \u003cbr\u003e  Right from the veritable shriek that starts Overture in the style of a tragedy we know that the Ulster Orchestra, Howard Shelley and Hyperion (engineers: Ben Connellan and Annabel Connellan) are deadly serious and accomplish what they accomplish with brilliance. For a start the Ulster Orchestra have a date with destiny when it comes to Stanford and that staunch commitment stretches back to the days of its predecessor the BBC Northern Ireland Orchestra. Otherwise believed not to have been previously performed, this Overture was premiered by the same orchestra but conducted by Kenneth Montgomery in 2010. Jeremy Dibble in his searching and satisfying liner note quite adroitly says that, for all its brevity, it is cut from the same flax as the dark-cloud scudding and brooding storms of Brahms’ Tragic Overture and Parry’s fine Overture to an Unwritten Tragedy. Dibble also says that it is reminiscent of the music from Stanford’s Oedipus Rex and that its impetus might well have been Sophoclean tragedy. This is a theme further developed by Bantock in his Overture to a Greek Tragedy (1911).\u003cbr\u003e \u003cbr\u003e  Verdun: Solemn March and Heroic Epilogue is in two tracks. While the Op. 90 overture has some poetic episodes, the March is all subdued poetry with a stern yet yielding dignity not that far removed from Elgar but with a dash of La Marseillaise in the March and the Epilogue - giving it a more generous profile in the last movement. The work is an orchestration of the last two movements of his Organ Sonata No 2 in G minor Eroica, dedicated to Widor and “the Great Country to which he belongs”. Stanford added a superscription to the score: “On ne passera pas” said to be the words of General Robert Nivelle. As a call to arms it may be familiar in its Spanish version as \"No pasarán\" used during the Spanish Civil War. The work, especially in the epilogue, majors on “courage and resilience” but there is nothing of tragedy or disillusion. It comes from a more innocent age but what it does has sensational bite.\u003cbr\u003e \u003cbr\u003e  Verdun is an occasional piece and so is the strenuous A Welcome March (‘Céad míle fáilte’ - a hundred thousand welcomes). The occasion was Edward VII’s state visit to Ireland in 1903 with its strenuous itinerary. Mr Dibble reports that the work was to be played at the various stop-offs “by such ensembles as regimental bands”. It includes reference to “Irish tunes such as ‘Oh for the swords of former time’ and …. ‘Let Erin remember the days of old’”.\u003cbr\u003e \u003cbr\u003e  Fairy Day consists of Three Idylls for Female Chorus (SSAA) and Small Orchestra (Fairy Dawn; Fairy Noon; Fairy Night). This is a triumph of feathery lyricism and sets words (laid out in full in the booklet) by William Allingham (1824–1889). Stanford is heard here in almost impressionistic delicacy and as for the prominent role of the choir (Codetta, including the nicely fragile solo soprano of Kerry Stamp in the outer sections) it at times evokes his part-song The Bluebird. The whole piece fits rather neatly with Elgar’s Scenes from the Bavarian Highlands, Spanish Serenade and Starlight Express (review review). Fairy Day in this version was first given in 2011 by the Ulster Youth Choir and Ulster Orchestra conducted by Howard Shelley. If the earlier works can veer off into pomp and bluster this stands at the other pole right next to its gentle contemporary Proserpine by Parry.\u003cbr\u003e \u003cbr\u003e  Stanford’s meaty tone poem A Song of Agincourt may be counted in the company of the six Irish Rhapsodies. It comes from the same year as Verdun and is a stirring piece. The use of the medieval English song rings true without the queasy and slightly overcooked overtones of La Marseillaise in Verdun’s Heroic Epilogue. There are some nicely judged poetic moments to set off the sometimes Tchaikovskian passion and fury of the brass and the violins. The work was written ‘in commemoration of those members of the Royal College of Music who fought, worked, and died for their country (1914–18)’.\u003cbr\u003e \u003cbr\u003e  This disc is a resoundingly confident contribution to the Stanford revival. After Lyrita’s Via Victrix and At the Abbey Gate (review review) and Dutton’s disc of the early concertos (review review) how many more otherwise unrecorded Stanford works are there to come? To be celebrated.\u003cbr\u003e \u003cbr\u003e  – MusicWeb International (Rob Barnett)","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331397370136,"sku":"034571282831","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3687317-2612290.jpg?v=1745522383"},{"product_id":"the-early-horn-monberg-cohen-archangelo-293161","title":"The Early Horn \/ Monberg, Cohen, Archangelo","description":"\u003cp\u003eThe Mozarts—father Leopold and son Wolfgang Amadeus—bookend a virtuosic recital from Ursula Paludan Monberg, who traces the development of the natural horn as a solo instrument throughout the eighteenth century.\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331399434520,"sku":"034571282893","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3776609-2531988.jpg?v=1745522318"},{"product_id":"chisholm-violin-concerto-dance-suite-brabbins-bbc-92149","title":"Chisholm: Violin Concerto \u0026 Dance Suite \/ Brabbins, BBC Scottish Symphony","description":"Classical Music","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331409854744,"sku":"034571282084","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3698758.jpg?v=1747213466"},{"product_id":"palestrina-missa-confitebor-tibi-domine-hill-yale-242441","title":"Palestrina: Missa Confitebor tibi Domine \/ Hill, Yale Schola Cantorum","description":"A journey from twenty-first-century Connecticut to late sixteenth-century Rome: Yale Schola Cantorum presents a programme of quasi-Baroque richness in which Palestrina’s a cappella Mass is imaginatively interspersed with instrumental interludes for cornett and organ.\u003cbr\u003e \u003cbr\u003e  -----\u003cbr\u003e \u003cbr\u003e  REVIEW:\u003cbr\u003e \u003cbr\u003e  Hill produces a marvelous sound from his choir, beautifully tuned, beautifully balanced, and with many truly exciting moments. Bruce Dickie is a totally authoritative player for the two Bassano pieces and two further Palestrina pieces; and Liuwe Tamminga plays with equal authority. These tracks are an unalloyed pleasure.\u003cbr\u003e \u003cbr\u003e  – Gramophone","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331413328152,"sku":"034571282107","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3753292.jpg?v=1747213478"},{"product_id":"pixis-piano-trios-leonore-piano-trio-92148","title":"Pixis: Piano Trios \/ Leonore Piano Trio","description":"Classical Music","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331413524760,"sku":"034571282077","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3748903.jpg?v=1747213416"},{"product_id":"guerrero-magnificat-lamentations-canciones","title":"Guerrero: Magnificat, Lamentations \u0026 Canciones","description":"\u003cp\u003eFrancisco Guerrero is still insufficiently well known by comparison to his great contemporary and compatriot Victoria. El León de Oro here affirms his rightful place in the history of the Golden Age of Spanish polyphony.\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331417293080,"sku":"034571283470","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3897231-2782926.jpg?v=1745522331"},{"product_id":"piano-music-by-emmanuel-chabrier-angela-hewitt-76698","title":"Piano Music By Emmanuel Chabrier \/ Angela Hewitt","description":"\u003cp\u003eEmmanuel Chabrier's piano music has everything going for it: charm, wit, imagination, unexpected harmonic twists, and more than a few technical challenges. So why do pianists habitually ignore it? Hopefully Angela Hewitt's freshly minted, sharply honed interpretations will inspire recitalists to dust off these unsung treasures. Her keen ear for detail always arises from the music's character and never draws attention to itself. The Schumann-esque Ronde champêtre boasts remarkable rhythmic spring, while Bourrée fantasque's busy contrapuntal lines resonate with the clarity of Hewitt's best Bach playing, yet without sacrificing one iota of scintillation. There have been lighter, crisper renditions of the (relatively) well-known Scherzo-valse, but Hewitt's telling left-hand inflections keep things airborne. In fact, the nine other Pièces pittoresques benefit from Hewitt's ability to give each one its own timbral voice. On paper, for example, Mauresque's steady accompanimental chords don't look like anything special. However, in Hewitt's hands they come to animated life. The recording quality is slightly too resonant for my taste--perhaps a more lustrous SACD transfer looms on the horizon, and more French music from Angela Hewitt.--Jed Distler, ClassicsToday.com\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331431711000,"sku":"034571175157","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/813079.jpg?v=1747213308"},{"product_id":"pizzetti-castelnuovo-tedesco-violin-sonatas-shaham-erez-169395","title":"Pizzetti \u0026 Castelnuovo-Tedesco: Violin Sonatas \/ Shaham, Erez","description":"Hagai Shaham and Arnon Erez continue their exploration of the early twentieth-century violin repertoire, turning this time to Italy. These musicians are noted for their full-blooded performances: here they revel exuberantly in the music’s operatic passion. \u003cbr\u003e  \u003cbr\u003e \"Castelnuovo-Tedesco's 'Sonata quasi una fantasia' is an eclectic, sexy mix of impressionism and jazz. The Pizzetti demands something other than beauty in performance, and Shaham and Erez are uncompromising and abrasive with it.\"\u003cbr\u003e  \u003cbr\u003e -- Tim Ashley, The Guardian [5\/2014]\u003cbr\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331431809304,"sku":"034571178691","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2554549.jpg?v=1747213669"},{"product_id":"schumann-liederkreis-gedichte-gerald-finley-julius-drake-227665","title":"Schumann: Liederkreis, Gedichte \/ Gerald Finley, Julius Drake","description":"\u003cp\u003eGerald Finley and Julius Drake return to Schumann, following a magisterially intense Dichterliebe which won them a third Gramophone award. Here they focus on the two contrasting Liederkreis (‘song-circle’) cycles using texts by Heine and Eichendorff. Heine is the poet of Dichterliebe, and Op 24 contains extremes of elation and despair that call all Finley’s considerable dramatic powers into play. Eichendorff’s seductive, crepuscular ‘night-songs’ of Op 39 require the velvety tone for which this singer is equally revered. Separating these two great works are the Sechs Gedichte aus dem Liederbuch eines Malers, Op 36, which find Schumann in more homespun, folksong-influenced vein.\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"CD","offer_id":47331432202520,"sku":"034571179445","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2052670.jpg?v=1747213709"},{"product_id":"tomasek-songs-pokupic-vignoles-242396","title":"Tomasek: Songs \/ Pokupic, Vignoles","description":"Václav Jan Krtitel Tomášek wrote numerous songs and short piano pieces, genres in which his works predate those of his rather more famous near contemporary Franz Schubert by some years. Quite why they are so neglected today is a mystery as this enthralling new album from Renata Pokupic and Roger Vignoles unfolds twenty-eight songs of a rare appeal. Perhaps we should not be surprised: Tomášek was one of the very few composers of Goethe settings to meet with the great poet’s (relatively) undivided approval.\u003cbr\u003e  \u003cbr\u003e  -----\u003cbr\u003e  \u003cbr\u003e  Reviews:\u003cbr\u003e  \u003cbr\u003e  Many of Tomášek’s songs are little gems in their own right, and you can hear why Goethe himself approved of settings including Heldenröslein...Pokupi?’s supple, gleaming mezzo-soprano could use a notch more color at times, but is eloquent nonetheless, and pianist Roger Vignoles makes each song sound its best.\u003cbr\u003e  \u003cbr\u003e  – Guardian (UK)\u003cbr\u003e  \u003cbr\u003e  While Tomášek had a gift for shapely, often plaintive melody, in an idiom somewhere between Mozart and Schubert, he never hijacks a poem to create a new musical-dramatic entity, as Schubert famously did. 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