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In Cleveland between 1939 and 1942, Rodzinski conducted a number of important recordings for Columbia Masterworks, all of them contained in this new set. With dedicatee Louis Krasner as soloist, he made the first studio recording of the Berg Violin Concerto. His other acclaimed 78-sets include the Berlioz Symphonie fantastique, Rimsky-Korsakov’s Scheherazade (“among the finest statements ever given this incorrigibly popular score” – High Fidelity), Strauss’s Ein Heldenleben, the Fifth Symphony of Tchaikovsky (“Remarkable here is the tension of the second movement and the heroic close to the first” – Gramophone) as well as those of Sibelius and Shostakovich, Tchaikovsky’s Romeo and Juliet (“Unsullied excitement” – Gramophone), Debussy’s La Mer and the orchestral “scenario” from Jerome Kern’s Show Boat – plus a previously unreleased recording of Mendelssohn’s Violin Concerto with Nathan Milstein. Until now, most of these albums have only been released on 78s and reissued on LP. 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Reviewing its début release, Brahms’s D major Serenade, the US classical music magazine opined: “Brusilow could hardly have chosen a better work to show off the capabilities of his new orchestra – every first-chair woodwind and brass player has his chance to shine (and each does shine, brilliantly).” The Brahms was followed by a series of choice couplings: Tchaikovsky’s “Mozartiana” Suite with Arensky’s Variations on a Theme by Tchaikovsky (“Brusilow is thoroughly at home in this literature, and his players respond beautifully to his direction” – High Fidelity); symphonies by Haydn and Cherubini; a French programme of Ravel, Ibert and Françaix (“Perhaps a reflection of the Monteux influence … this record … carries true stylistic conviction in matters of phrasing, texture, and timbre” – High Fidelity); and Richard Strauss’s Le Bourgeois gentilhomme as well as Hugo Wolf’s Italian Serenade. The orchestra also premièred and recorded a new sacred choral work by Richard Yardumian, the Philadelphia-based composer championed by Eugene Ormandy. Come, Creator Spirit for mezzo-soprano, chorus (or congregation) and orchestra was the first mass setting by an established American composer in the English vernacular following the Vatican Council’s 1963 decision. The work was lauded for its integrity, spiritual fervor, and power to communicate the essence of devotion in all its nuances from praise to supplication.\u003c\/p\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":47242885595416,"sku":"196587920722","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4253410-3140454.jpg?v=1777529008"},{"product_id":"but-i-like-to-sing-carolyn-sampson-joseph-middleton-jack-liebeck","title":"But I Like To Sing...  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Indeed, it may be this particular specialization in complex musical structures that allows the musicians to explore Brahms' late quintet with the previously unheard thoroughness and careful reconnaissance displayed on this album. Strikingly, both faster movements in the work – the opening “I. Allegro” and the closing “IV. Con moto” – are examined more slowly, with deep profundity. Contrary to what one may expect, the work is enriched by reining in the tempo, enlarging the underlying thought process of Brahms' compositional technique as if viewed through a magnifying glass. But there's yet another artistic merit to this measure – unifying all four movements of Brahms’ quintet in terms of speed also makes them fit perfectly with the otherwise vastly different Clarinet Quintet (2007) by Elliott Carter, a work that consists of movements which blend into one another. 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Kennedy Inaugural Excerpt.\u003cbr\u003eSelection includes Dwight Eisenhower Inaugual Excerpt.\u003cbr\u003eSelection includes Harry Truman Inaugural Excerpt.\u003cbr\u003eSelection includes Franklin Roosevelt Inaugural Excerpt.","brand":"Altissimo","offers":[{"title":"CD","offer_id":48712300462360,"sku":"754422558020","price":7.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/694903.jpg?v=1777561403"},{"product_id":"brahms-cello-sonatas-songs","title":"Brahms: Cello Sonatas \u0026 Songs","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis year, legendary cellist Antonio Meneses celebrates his 60th birthday and the 40th anniversary of winning first prize and the gold medal at the 1982 Tchaikovsky Competition. Shortly after that triumph Antonio made a renowned recording of Brahms’ Double Concerto with conductor Herbert von Karajan. He revisits the composer’s music on his 11th recording for AVIE and his first of Brahms’ two cello sonatas, generously paired with a selection of lieder arrangements. Antonio mines Brahms’ baritonal sound world, extracting the full expressive range of the cello. Similar qualities infuse a selection of seven Lieder in arrangements that sound so effective on the cello that one cannot help but wonder whether somewhere in the back of his mind Brahms had the sound of the instrument – he was, after all, an accomplished player in his youth, and it would remain central to his chamber music output throughout his life.\u003c\/span\u003e","brand":"Avie Records","offers":[{"title":"CD","offer_id":48918662054168,"sku":"822252249323","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4092619-2839308.jpg?v=1777712784"},{"product_id":"the-very-best-of-satie","title":"The Very Best of Satie","description":"\u003cp\u003eIncludes work(s) by Erik Satie.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":49000944337176,"sku":"730099213721","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/984717.jpg?v=1777842622"},{"product_id":"century-french-debussy","title":"CENTURY FRENCH: DEBUSSY","description":"\u003cp\u003eWorks for solo piano and orchestra, including the ever popular pieces La Mer and Three Nocturnes, highlight this budget collection of music by this giant of French impressionism.\u003c\/p\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":49020715303192,"sku":"888751929029","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3324625_fdb1bdb3-cc48-42f0-a3d5-1355896ad758.jpg?v=1777654744"},{"product_id":"my-first-piano-album","title":"MY FIRST PIANO ALBUM","description":"Classical Music","brand":"Naxos","offers":[{"title":"CD","offer_id":49164364218648,"sku":"747313820771","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1908271.jpg?v=1777761873"},{"product_id":"4-symphonies-1","title":"4 Symphonies","description":"\u003cbr\u003e \u003cbr\u003e\u003cspan class=\"ARIAL12bi\"\u003e4 SYMPHONIES \u003c\/span\u003e\u003cspan class=\"BULLET12\"\u003e • \u003c\/span\u003e\u003cspan class=\"ARIAL12\"\u003e Thomas Dausgaard, cond; Danish Natl SO \u003c\/span\u003e\u003cspan class=\"BULLET12\"\u003e • \u003c\/span\u003e\u003cspan class=\"ARIAL12\"\u003e C MAJOR 710508 (DVD: 168:00) Live: Copenhagen 2009 \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan class=\"COMPOSER12\"\u003eBRAHMS \u003c\/span\u003e\u003cspan class=\"ARIAL12b\"\u003eSymphony No. 1. \u003c\/span\u003e\u003cspan class=\"COMPOSER12\"\u003eDVO?ÁK \u003c\/span\u003e\u003cspan class=\"ARIAL12b\"\u003eSymphony No. 9. \u003c\/span\u003e\u003cspan class=\"COMPOSER12\"\u003eSIBELIUS \u003c\/span\u003e\u003cspan class=\"ARIAL12b\"\u003eSymphony No. 5. \u003c\/span\u003e\u003cspan class=\"COMPOSER12\"\u003eNIELSEN \u003c\/span\u003e\u003cspan class=\"ARIAL12b\"\u003eSymphony No. 3 \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan\u003eIf, as I did, you were to begin your examination of this release with disc 1, track 1 (the Brahms symphony), you might well conclude that there was little need to continue. There is something rather too cool and casual about Dausgaard’s interpretation of this powerful music. It lacks inner tension. There is not enough contrast between ideas. Accents are in the wrong places. Short notes are cheated of their value. And that’s not all. The second movement just plods on, the third is charmless, the fourth frantic and lurches from one tempo change to the next. Listening to the complete symphony several times could not induce me to alter my initial unfavorable observations. Adding visual insult to aural injury, sight and sound are not synchronized, and the difference between the two is disturbing, to put it mildly. \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan\u003eBut then came the Nielsen symphony. \u003c\/span\u003e\u003cspan style=\"font-style:italic\"\u003eWhat a difference!\u003c\/span\u003e\u003cspan\u003e Right from the opening moments it had all the vigor and élan and determination lacking in the Brahms. Rhythms were tight and crisp. The music bristled with enthusiasm and commitment. The finale positively beamed with Elgarian nobility and breadth, rising to an absolutely thrilling climax. What a joy! Nielsen’s Third had hitherto never been one of my favorite symphonies, but Dausgaard nearly made it so in this performance. \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan\u003eDoes Dausgaard work his magic on the two remaining works as well? The answer, I’m glad to say, is yes. Furthermore, the synchronization problem that affected the Brahms symphony is only minimal in the Nielsen and nonexistent in Dvo?ák and Sibelius. The “New World” Symphony receives one of the finest performances I have heard. Dausgaard’s approach is no romantic wallow but rather a clean, purposeful traversal filled with taut rhythms, precise attacks and releases, glowing sound, and architectural strength. Dausgaard likewise makes a strong case for the Sibelius Fifth, never allowing momentum to sag, carefully propelling the music forward with masterly control. I am particularly impressed with the ease in which he handles the tempo change for the second part of the first movement. By the time the grand climax of the finale arrives, one feels a great journey has been completed. \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan\u003eAll four performances were recorded live in Copenhagen’s Koncerthuset in 2009. The personnel changes from symphony to symphony, but both principal horns, both principal trumpets, and both timpanists are star players. Generally the woodwinds are excellent, but violins seem a bit thin for an orchestra that is otherwise so assured and well balanced. However, the basses make up for this deficiency with their huge, rich sound, heard at its best at the quiet endings of three of the Brahms movements and in some of the more powerful moments of the Dvo?ák symphony. Aside from the basses, the orchestra plays with a bright sound, textures are clear and clean, balances are well controlled. \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan\u003eThe camerawork is devoted about 20 percent of the time to Dausgaard and his facial contortions, 10 percent to views of the full orchestra from afar, and 70 percent to the business of jerking the viewer’s eyes from one instrumental close-up to another—two seconds of a horn player’s embouchure, a second of flute keys, two notes from the timpani, etc. Who determined that this is what we want to see? I find it annoying to the point where I simply can’t bear to watch. \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan\u003eOn ArkivMusic the price for these four symphonies is $27 ($40 for the Blu-ray version)—just under $7 a symphony, a good buy even without the inferior Brahms symphony, especially for performances as fine as the other three. \u003c\/span\u003e \u003cbr\u003e  \u003cbr\u003e\u003cspan style=\"font-weight:bold\"\u003eFANFARE: Robert Markow \u003c\/span\u003e","brand":"C Major Entertainment","offers":[{"title":"DVD","offer_id":49181958766872,"sku":"814337011055","price":16.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2002743_43b4b6d9-a9f8-4bd7-ab14-1bc7f49c2f40.jpg?v=1777759429"},{"product_id":"brahms-the-complete-symphonies","title":"Brahms: The Complete Symphonies","description":"Before moving into the Elbphilharmonie, chief conductor Thomas Hengelbrock and his NDR Elbphilharmonie Orchester performed a “Brahms Marathon” with all four symphonies of the Hamburg-born composer in the historic Laeiszhalle. Brahms’ music has always played an important role in the history of the orchestra, whose defining interpretations of the symphonies by Brahms and Bruckner have become the ensemble’s artistic hallmark. The orchestra, founded in 1945, was led by outstanding conductors such as Günter Wand, Christoph Eschenbach and Christoph von Dohnanyi. Since 2011, chief conductor Thomas Hengelbrock is in charge of continuing the NDR Elbphilharmonie Orchester’s history. In the bonus program ''Discovering Brahms'', Thomas Hengelbrock offers interesting background information on all four symphonies. “The evening was more than worth it” (Hamburger Abendblatt).","brand":"C Major Entertainment","offers":[{"title":"DVD","offer_id":49181959684376,"sku":"814337014100","price":20.48,"currency_code":"USD","in_stock":true},{"title":"Blu-Ray","offer_id":49181959717144,"sku":"814337014117","price":34.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3629530.jpg?v=1778118973"},{"product_id":"brahms-piano-concertos-nos-1-and-2","title":"Brahms: Piano Concertos Nos. 1 and 2","description":"One of our day’s most legendary performers, pianist Rudolph Buchbinder has been appearing on stages all over the globe for the last fifty years. Later this year, in celebration of his 70th birthday, he will be honored in numerous concert halls, including Carnegie Hall, Suntory hall, and the Berliner Philharmonie. The Kurier newspaper described this performance with rave reviews. “It is not every day that Brahms sounds so perfect as this.” (Kurier) They also praised Buchbinder as a “phenomenal piano virtuoso.” In the Golden Hall of the Vienna Musikverein, under the baton of Maestro Zubin Mehta, Buchbinder performs for this release the First and Second Piano Concertos of Johannes Brahms. These works demand a soloist with a wide range of both interpretal refinement and technical skill, both of which Buchbinder brings to the table. “What Rudolph Buchbinder, the Vienna Philharmonic and conductor Zubin Mehta delivered at the Musikverein easily deserves the accolade ‘milestone’.” (Kurier)","brand":"C Major Entertainment","offers":[{"title":"DVD","offer_id":49181961486616,"sku":"814337013356","price":24.99,"currency_code":"USD","in_stock":true},{"title":"Blu-Ray","offer_id":49181961519384,"sku":"814337013363","price":22.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3444039.jpg?v=1778118969"},{"product_id":"christmas-with-septura","title":"Christmas with Septura","description":"\u003cp\u003eWith this recording Septura answers the question, “what if the greatest Christmas music had been written for brass?” In arrangements that go far beyond Yultide clichés, Septura has carefully crafted a programme that explores virtuosity and festive celebration in pieces such as the Christmas Suite with music by J.S. Bach, rapturous serenity from the likes of Robert Parson´s beautiful Ave Maria, and nostalgic favourites such as the ravishingly polyphonic The Three Kings by Peter Cornelius. Septura pushes its colours and combinations to the limit in re-imagining this varied selection of sublime Christmas music from the past 450 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"ctl00_MainContent_gvReviews_cell11_12_ASPxPopupControl1_ASPxLabel2\" class=\"dxeBase_PlasticBlue\"\u003eThe English brass septet Septura's ensemble work is unimpeachable, but where they break new ground is in their arrangements, which both draw on a slightly wider range of sources than usual and have a more varied selection of textures. The program starts off normally enough with Schütz, Bach, and Praetorius, but brings some delightful surprises in the middle parts, such as arrangements of two sections from Rachmaninoff’s Vespers. There’s nothing to make this collection unsuitable for festive holiday listening, and indeed it will fill the bill elegantly in that regard. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e-- AllMusic.com (James Manheim)\u003c\/span\u003e\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":49194635395352,"sku":"747313371976","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3495536.jpg?v=1777768438"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/collections\/3_55c633eb-9da5-4b5b-9e17-43cca52bb7d7.png?v=1792435987","url":"https:\/\/hbdirect.com\/collections\/fall-blowout-sale-2026.oembed","provider":"HBDirect","version":"1.0","type":"link"}