{"title":"Erato Records","description":"","products":[{"product_id":"michel-legrand-tribute","title":"Michel Legrand Tribute","description":"\u003cp\u003eAfter her triumphs in the world's greatest opera houses, Natalie Dessay extends beyond opera with a tribute to the legendary Michel Legrand.\u003c\/p\u003e","brand":"Erato","offers":[{"title":"CD","offer_id":46908346335512,"sku":"5099993414821","price":10.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1991510.jpg?v=1777602601"},{"product_id":"bach-boulez-piano-works-fray-david","title":"Bach  Boulez: Piano Works  Fray, David","description":"\u003cp\u003ePianist David Frey brings together solo keyboard works of Bach \u0026amp; Boulez in a program that works astonishly well.\u003c\/p\u003e","brand":"Erato","offers":[{"title":"CD","offer_id":47301773459736,"sku":"094638578727","price":9.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/886291.jpg?v=1777613489"},{"product_id":"beethoven-string-quartets-nos-7-8-ebene-287356","title":"Beethoven: String Quartets Nos. 7 \u0026 8 \/ Ebene Quartet","description":"\u003cimg src=\"\/graphics\/features\/gramophone_choice.jpg\"\u003e\u003cbr\u003e  “In themselves, Beethoven’s quartets represent an odyssey, a round-the-world voyage,” says Quatuor Ébène. 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When Rattle chose Elgar’s Enigma Variations for his inaugural concert as the LSO’s music director in 2017, he was celebrating the close historic links between the composer and the orchestra. Not only did the LSO accompany Fritz Kreisler in the premiere of the violin concerto in 1910, Elgar became its Principal Conductor the following year. Paired with the concerto on this album is his violin sonata, first performed in 1919. 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While diDonato offers recklessly inventive da capo decorations, Gauvin favours measured pathos. For a complex and moving Ginevra, this is the Ariodante to have.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e– BBC Music Magazine\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003eAriodante is sung by the wonderful Joyce DiDonato. \"Con l'ali di constanza\" is taken at quite a lick: fair enough, as the reference is to Cupid's wings. In \"Scherz, infida\", with its mournful bassoon, DiDonato has the full measure of Ariodante's despair. There are no weaknesses in the rest of the cast. 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After a couple of hours of vacillation in a series of arias, duets, and quartets, and with the help of trusty Time and Enlightenment, Beauty learns how to be God-fearing and miserable, just like the rest of us. What could be--and often is--a tendentious bore in the hands of other composers (including Mozart in his similar pieces), is redeemed not by faith in Christian morality, but by Handel's music, which is incredibly entertaining right from the zippy opening Sonata, with its violin solos believed to have been written for, and performed by, none other than Corelli.\u003cbr\u003e  \u003cbr\u003e  The work calls for four soloists, all high voices (soprano, mezzo-soprano, alto, and tenor), and happily the women here are excellent, and all have a very distinctive sound that permits them to characterize their roles effectively. Natalie Dessay is completely convincing as Beauty, singing with her trademark lovely tone and plenty of agility. She has a lot to do--about nine arias, plus a couple of ensembles, including the touching conclusion, Tu del Ciel ministro eletto, with its ethereal accompanying violin solo. Especially in this last number Dessay's breath control and legato phrasing rivet the attention despite the very slow tempo, making the soft ending anything but anti-climactic.\u003cbr\u003e  \u003cbr\u003e  As Pleasure, Ann Hellenberg's rich mezzo brings the right measure of seductiveness to the part, but not so much that Sonia Prina's magnificent work as Enlightenment and Pavel Breslik as Time can't make their respective less sexy, more cerebral points with the necessary persuasiveness. Breslik lacks a true trill (let's face it, most singers do), but you have to be impressed by the way he handles his runs in his frantic Part Two aria, È ben folle quell nocchier. The last half hour or so, in which Handel gives all of the characters a chance to show off some particularly fine tunes (including a gorgeous duet for Time and Enlightenment, I bell pianto dell'aurora), finds the young composer at his pre-English-period best. Indeed, much of this music turned up in later works, not to mention the English-language version of this one, renamed The Triumph of Time and Truth, at the very end of the composer's career.\u003cbr\u003e  \u003cbr\u003e  If you've been following Emmanuelle Haïm's work on Virgin Classics, and in particular her terrific Monteverdi recordings, you know what to expect here: lively tempos, highly varied colors from the continuo, and pristine \"authentic\"-style textures that never turn cold or inexpressive. One minor caveat comes in the form of Stéphanie-Marie Degand's solo violin playing. She's one of those anonymous, \"period performance\" clones with a tone of vanishing thinness. Somehow I doubt that Corelli ever sounded like this, but her intonation is spot-on, and her very lack of presence insures that she stays out of the way of the excellent singing. 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Her charisma, captured on the stages of the world’s great opera houses and in the recording studio, illuminates the opera arias and scenes in this collection. From Mozart’s furious Queen of the Night or Offenbach’s robotic Olympia to Strauss’s flirtatious Zerbinetta and Delibes’ devoted Lakmé … Handel’s mercurial Cleopatra to Donizetti’s desperate Lucia… Thomas’s fragile Ophélie to Massenet’s capricious Manon and Verdi’s passionate, tragic Violetta … Natalie Dessay proves irresistible in repertoire that spans three centuries and a wealth of musical and dramatic possibilities.\u003c\/p\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/aside\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003caside class=\"c-page-colbda--long-single\"\u003e  \u003cdiv class=\"c-page-colbda__container\"\u003e \u003c\/div\u003e  \u003c\/aside\u003e","brand":"ERATO","offers":[{"title":"CD","offer_id":47331376988440,"sku":"190295057787","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3938085-2673467.jpg?v=1771964248"},{"product_id":"morgen-strauss-rachmaninoff-duparc-dreisig-ware-393815","title":"Morgen - Strauss, Rachmaninoff \u0026 Duparc \/ Dreisig, Ware","description":"\u003cimg src=\"\/graphics\/features\/gramophone_choice.jpg\"\u003e\u003cbr\u003e  “Phenomenally good … Dreisig’s voice [is] youthful yet assured, agile yet fluid, and powerful through its entire range … We can certainly expect much more to come from this singer,” wrote BBC Music Magazine in its five-star review of Miroir(s), Elsa Dreisig’s debut album of operatic arias and scenes. 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All are performed here on the little-recorded instrument of the Parisian church of Saint-François-Xavier by it's organist Gaston Litaize, who studied with Vierne and went on to become a prolific composer himself. The recordings have been remastered in 24-bit\/192kHz sound from the original tapes.\u003c\/p\u003e","brand":"ERATO","offers":[{"title":"CD","offer_id":47331391996184,"sku":"190295127671","price":24.64,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3947660-2684632.jpg?v=1771964600"},{"product_id":"strauss-vier-letzte-lieder-lieder-damrau-deutsch-jansons-brso-393814","title":"Strauss: Vier letzte Lieder \u0026 Lieder \/ Damrau, Deutsch, Jansons, BRSO","description":"“For me, Strauss is one of the greatest composers,” Diana Damrau has said. “The way he handles the soprano voice is a joy. And to be able to sing his music with my voice feels like coming home.” The centrepiece of this album of Strauss songs is the sublime Vier letzte Lieder, in which Damrau – born and trained in Bavaria – joins forces with the Bavarian Radio Symphony Orchestra and its long-standing Chief Conductor Mariss Jansons, in what was to become his final recording. Her partner in a tempting and diverse selection of songs with piano is Helmut Deutsch. “Not only is Strauss’s music gorgeous,” says Damrau, “there’s the way he combines words and notes – and the psychology.”\u003cbr\u003e  \u003cbr\u003e  -----\u003cbr\u003e  \u003cbr\u003e  REVIEWS:\u003cbr\u003e  \u003cbr\u003e  Damrau’s strength in Strauss is an intrinsic capacity in his darker music to delve rather deeply beyond the text and give us something special. This is the case in lieder like the ‘Ophelia’ songs (included on this disc) - and it’s also evident in ‘Beim Schlafengehen’. The voice is neither as sumptuous nor as creamy as some - unlike the orchestra here which is simply ravishing - but she gives such meaning to Hesse’s words that death becomes enigmatic.\u003cbr\u003e  \u003cbr\u003e  This disc is also very much a supreme reminder of how great a conductor Jansons was of Richard Strauss. The CD closes with ‘Morgen’, but in Strauss’s orchestrated version with Jansons and his Bavarian players supplying amply lush support, Damrau provides that sense of infinite timelessness a great interpreter of this song always brings to it.\u003cbr\u003e \u003cbr\u003e  Where Damrau really does excel on this disc is in the lieder, where she is partnered by the pianist Helmut Deutsch. 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Conducted by John Nelson, it involved over 300 musicians, including tenor Michael Spyres. As Nelson said: “Every measure resonates deeply with me and I feel there is sincerity, even in the great moments of bombast.” The Times wrote: “The surpassing virtue of this performance … was that both aspects, the spine-shakingly spectacular and the heart-rendingly haunting, were allowed to make their impact.\"\u003cbr\u003e  \u003cbr\u003e  -----\u003cbr\u003e  \u003cbr\u003e  REVIEWS:\u003cbr\u003e  \u003cbr\u003e  This conductor has been outstandingly careful about the notorious acoustic. Any complaints registered about its effect in reviews of the concert are hardly apparently on these recordings of it. The recording, in general, has lovely brass tone and is most sensitive to Nelsons’s wide dynamic range. 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DiDonato, however, casts a different light on this beloved cycle of 24 songs in telling their story from the perspective of the woman, the lost love. Nancy Plum, Town Topics writes: “The question of what happened to the woman who sent the narrator on a tortuous journey was not answered in the Wilhelm Müller poetry from which Schubert drew the text, but DiDonato created a scenario onstage of being that woman, reading from the narrator’s journal and responding to the inherent despair.”\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eREVIEWS\u003c\/strong\u003e:\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003eNew York Classical Review wrote about Joyce Didonato’s interpretation: “…what stood out was the heavy emotion that came through in her singing, as she lingered on a syllable here, pressed her tone there. She created vivid feelings with her contrasts…”\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003eFew women sing Schubert's desolate, passionate anti-odyssey of the rejected male lover, but when they do it can be memorable. Never more so than in this superb performance, where Nézet-Séguin is the perfect companion. DiDonato has a voice of rare beauty, but even more heartbreaking than the loveliness of her singing is her endlessly varied dramatic colouring of the text. Incomparable.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e– Sunday Times UK (David Cairns)\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e\u003cbr\u003eDrawing on her formidable range of vocal colour, DiDonato captures the drama within each song, and across the cycle. Any fan will enjoy the insight DiDonato brings.\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e  \u003cp\u003e– The Guardian\/Observer (Fiona Maddocks)\u003c\/p\u003e","brand":"ERATO","offers":[{"title":"CD","offer_id":47331416965400,"sku":"190295284145","price":17.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3895300-2655397.jpg?v=1771964479"},{"product_id":"berlioz-la-damnation-de-faust-spyres-didonato-nelson-strasbourg-philharmonic-392926","title":"Berlioz: La Damnation de Faust \/ Spyres, DiDonato, Nelson, Strasbourg Philharmonic","description":"\u003cb\u003eA New York Times 25 Best Classical Track Selection for 2019\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e  “The most dramatic piece that Berlioz ever wrote,” is how conductor John Nelson describes La Damnation de Faust. The composer designated this thrilling hybrid of oratorio and opera a ‘légende dramatique’. Following in the triumphant footsteps of Les Troyens, also recorded at the Auditorium Erasme in Strasbourg, this performance reunites Nelson and the Orchestre Philharmonique de Strasbourg with singers Michael Spyres, Joyce DiDonato and Nicolas Courjal.\u003cbr\u003e  \u003cbr\u003e  “The most dramatic piece that Berlioz ever wrote,” is how conductor John Nelson describes La Damnation de Faust. Based on Goethe’s Faust and first performed in 1846, it is an epic hybrid of oratorio and opera – a ‘légende dramatique’ according to the composer, who recognised that its greatest potential lay in firing the audience’s imagination: “Music has great wings,” he said, “but the walls of a theatre do not allow it to spread them to the full.”\u003cbr\u003e  \u003cbr\u003e  This recording was made in the Auditorium Erasme in Strasbourg in April 2019, two years after Nelson, the Orchestre Philharmonique de Strasbourg and a superb cast including Joyce DiDonato, Michael Spyres and Nicolas Courjal brought Berlioz’s Les Troyens to life in the same venue. The associated Erato recording of the huge two-part opera has gone on to win unalloyed praise and multiple major prizes. As the New York Times wrote: “Berlioz’s epic opera has rarely been given such luxury treatment as in this magnificent live recording from France.”\u003cbr\u003e  \u003cbr\u003e  For La Damnation de Faust, Nelson, DiDonato, Spyres and Courjal – described by France Musique as a ‘dream team” – were joined by French baritone Alexandre Duhamel. Capturing the thrill of the occasion, and remembering the impact of Les Troyens, Bachtrack wrote: “Lightning, they say, never strikes in the same place twice. If that's the case, then somebody please explain the scorch marks streaked across Strasbourg's Palais de la Musique et des Congrès ... Nelson wove Berlioz's fantastical score miraculously and meticulously.”\u003cbr\u003e  \u003cbr\u003e  The Times, also giving a five-star review to the performance, said: “Strasbourg is a kind of meeting point between France and Germany — and in a way so is Damnation, in which the extravagance of Berlioz’s writing meets the philosophical rigour of Goethe. The conductor favours this orchestra, too, for its Gallic colours and Germanic discipline. It makes an impressive blend. The Hungarian March, kicked off by Nelson with deceptive calm, built up to a strutting, testosterone-fuelled climax. Amid the great setpieces, however, one admired the sinuous delicacy of the OPS’s playing: the gauzy strings accompanying the devil’s serenade, ‘Voici des roses’, the eerie woodwind tinkle of the infernal spirits, and the two instrumental partners in Marguerite’s big arias, first a silky viola, then a luminous cor anglais ... Vivid characters massed behind the orchestra — the Coro Gulbenkian, a virtuosic Portuguese choir who played impeccable Easter celebrants, lusty peasants and outrageously raucous students, but saved the best for worst as the cacophonous imps of Hell. Their richly detailed performances set the tone for the soloists. Nicolas Courjal’s Méphistophélès … took wicked ownership of the text, playing Faust like a fish on a line. This is a devil who would happily pour the champagne at the same time as impaling your nether regions with a pitchfork. He made a compelling foil for Spyres’s ardent, doomed and near unsurpassable Faust. He’s a fearless tenor who can do baritonal strength as well as spinetinglingly floated high notes, and who — by the end of the night — seemed utterly under the spell of Mephisto and Berlioz ... DiDonato [was] a Marguerite of marvellous elegance and vulnerability, close to delirium in her last scene, an emotion the whole audience could partake in when it was all over.”\u003cbr\u003e  \u003cbr\u003e  The central role of Faust is closely identified with Michael Spyres. Le Monde pointed out that the character had resonances for Berlioz himself: “An alter ego condemned to solitude, a spirit too large for a small world … the archetypal Romantic hero.” The online magazine Toute la culture observed that the tenor “took such a grip on Faust’s character that he became indistinguishable from … the man who has sold his soul to the devil, a timeless poetic and romantic character … He [Spyres] was possessed, not by Méphistophélès, but by the music … When everything came to an end, there was an almost religious silence … before thunderous applause broke out. Amidst the acclaim Michael Spyres wiped tears from his eyes … What a musical experience this had been for us all!”\u003cbr\u003e  \u003cbr\u003e  -----\u003cbr\u003e  \u003cbr\u003e  REVIEWS:\u003cbr\u003e  \u003cbr\u003e  Wherever your ears land — on the soloists, the sleekly colourful Orchestre Philharmonique de Strasbourg or the versatile Coro Gulbenkian — there’s music-making of such pounding energy that you’re swept along almost like Faust, hurtling with him into Hell’s abyss. Nelson plays his own vital part shaping dynamics, highlighting contrasts and balancing the bumptious with the tender. Handled carelessly, Damnation can turn into a parade of highlights and little more; Nelson fuses them into a whole.\u003cbr\u003e  \u003cbr\u003e  – The Times (UK)\u003cbr\u003e \u003cbr\u003e  After setting a new standard in “Les Troyens” two years ago, Mr. Nelson is back with another immaculate account of a Berlioz masterwork. Two stars have returned as well: Michael Spyres as Faust and Joyce DiDonato as Marguerite, with a touching blend of hope and sad beauty in this lieder-like aria.\u003cbr\u003e \u003cbr\u003e  – New York Times (Joshua Barone)","brand":"ERATO","offers":[{"title":"CD","offer_id":47331435020568,"sku":"190295417352","price":20.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3743092-2509864.jpg?v=1771964342"},{"product_id":"mirages-devieilhe-157487","title":"Mirages \/ Devieilhe","description":"\u003cimg src=\"\/graphics\/features\/gramophone_choice.jpg\"\u003e\u003cbr\u003e  \u003cbr\u003e  Soprano Sabine Devieilhe’s signature operatic role,Lakmé, forms the starting point for her enticing albumMirages. A collection of opera and song in French, its theme is the exotic allure of faraway – and imagined – places and people. In addition to three numbers from Delibes’ opera, it features music by Berlioz, Debussy and Stravinsky and some rarer names: Thomas, Messager, Koechlin and Delage. Devieilhe is joined by mezzo-soprano Marianne Crebassa, pianist Alexandre Tharaud and the period-instrument orchestra Les Siècles under its founder, François-Xavier Roth.\u003cbr\u003e  \u003cbr\u003e  -----\u003cbr\u003e  \u003cbr\u003e  REVIEW:\u003cbr\u003e  \u003cbr\u003e  This adventurous program places familiar showpieces into the most fascinating of contexts, exploring the fantasy image of a different country that was such an obsession in fin-de-siecle France. 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Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations. + On this DVD, recorded live at the Paris Opera’s Palais Garnier, Ms. Haim is joined by Le Concert d’Astree as well as a stellar cast including Sarah Connolly as Phedre, Stephane Degout as Thesee, Anne-Catherine Gillet as Aricie and Topi Lehtipuu as Hippolyte in the acclaimed production from Ivan Alexandre.\u003c\/p\u003e","brand":"ERATO","offers":[{"title":"DVD","offer_id":47331447570712,"sku":"825646229178","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2801412.jpg?v=1771964304"},{"product_id":"eden-joyce-didonato-190296465154","title":"Eden: Joyce DiDonato","description":"\u003cp\u003eThe 16 tracks, some instrumental, open with Charles Ives’s The Unanswered Question and rove freely, from a premiere recording of Rachel Portman’s prayer-like The First Morning of the World to the baroque composers we associate with DiDonato, to Mahler and, yes, Wagner.  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They were important figures in their day, but their names have since been almost forgotten. Alongside Claudio Monteverdi, Giulio Caccini, Johann Caspar Kerll and Francesco Cavalli are certainly among the musicians who are still known today - but they are rarely heard: Names such as Pallavicino, Marini and Jarzebski.\u003c\/p\u003e\u003cp\u003eTogether with musicologist Yannis François, the countertenor delved deep into the repertoire of the 17th century and unearthed a repertoire that is second to none: \"This music reaches beyond its time. It is still lively, vibrant, moving and entertaining,\" says Orlinski enthusiastically. His selection includes ten world premiere recordings, for example the aria \"Dolcissime catene\" from Giovanni Cesare Netti's opera La moglie del fratello. The album is also a varied compilation of arias, cantatas, madrigals, concerti and purely instrumental works such as sonatas and symphonies. 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There is a strong connection between them: Cage considered Satie a source of inspiration. Satie takes pride of place on the album with such pieces as the three Gymnopedies and the seven Gnossiennes, while Cage is represented by five pieces and a work attributed to him following it's rediscovery amongst the papers of his disciple James Tenney - whose musical homage to Satie also features in the programme. Chamayou recorded the album at the state-of-the-art Miraval Studios in Provence, which inspired him to take an experimental approach: \"I thought we should do something a little different - and I thought of Erik Satie. This was an opportunity to get really intimate with the piano... 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Critics, colleagues and the public were all running out of superlatives. Immediately valued as references, his recordings still fascinate and often leave the listener exhilarated. This 12 CD set tries the challenge of surrounding these marvels with some of the most dazzling rediscoveries, offering famous and less famous music, but equally glorious interpretations.","brand":"ERATO","offers":[{"title":"CD","offer_id":49232761815320,"sku":"5054197605000","price":44.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4223978-2988430.jpg?v=1771960728"},{"product_id":"tribute-to-nicolas-angelich","title":"TRIBUTE TO NICOLAS ANGELICH","description":"A musician as loved as he was admired, the pianist Nicholas Angelich died in Paris in April 2022 at the age of 51. Angelich was a modest, thoughtful man who brought tremendous integrity, depth and insight to the most demanding repertoire. 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Appearing with Angelich are Martha Argerich, Quatuor Ebene, Myung-Whun Chung and the Orchestre philharmonique de Radio France, and Tugan Sokhiev and the Orchestre national du Capitole de Toulouse.","brand":"ERATO","offers":[{"title":"CD","offer_id":49232761880856,"sku":"5054197676185","price":50.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4235994-3022776.jpg?v=1771960686"},{"product_id":"destination-paris","title":"DESTINATION PARIS","description":"\u003cp\u003eDestination Paris is a concept album from our best-selling core classical artist, following the success stories of Intuition (84,000), Emotions (145,000), and Sensations (63,000). Well-known lean-back repertoire from popular film melodies to French chansons to classical pieces - including \"La Foule\" by Édith Piaf, the main theme from Summer of '42 by Michel Legrand, \"Beau soir\" by Debussy, Sicilienne by Fauré, and \"Chi Mai\" by Ennio Morricone. Recorded with pianist Jérôme Ducros, the Maîtrise de Radio France, and the Orchestre de chambre de Paris under conductor Lionel Bringuier. Jean Jacques Goldman, one of France's most popular songwriters and composers, wrote a new song for this album, \"Pense à nous\", for cello, children's choir and orchestra and made a special arrangement of his \"Envole-moi\". Paris will be a worldwide destination in 2024 as the hosting city of the Olympic Games, for which Gautier's album will be the perfect soundtrack.\u003c\/p\u003e","brand":"ERATO","offers":[{"title":"CD","offer_id":49232761913624,"sku":"5054197721465","price":17.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4244219-3040132.jpg?v=1771960639"},{"product_id":"bangalter-mythologies","title":"BANGALTER: MYTHOLOGIES","description":"The sixth album of the prodigy sisters with 470,000 albums sold. French classical crossover stars go back to their roots and revisit the repertoire they loved growing up. An enticing assortment of lean-back repertoire, including Hans Zimmer's \"Now We Are Free\" (from the movie Gladiator), Prelude from Bach's Cello Suite No. 1, Leonard Cohen's \"Hallelujah\", Queen's \"Bohemian Rhapsody\", The Beatles's \"Yesterday\", and Beethoven's Moonlight Sonata. Some tracks feature piano accompaniment. Camille and Julie Berthollet's second album has now sold more than 100 000 copies in France and is now a Platinum Album.","brand":"ERATO","offers":[{"title":"Blu-Ray","offer_id":49232762503448,"sku":"5054197789694","price":44.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4336594-3179525.jpg?v=1771960271"},{"product_id":"mozart-r-strauss-lieder","title":"MOZART \u0026 R. STRAUSS: LIEDER","description":"Richard Strauss considered Mozart to be \"the most sublime of all composers\". Both Mozart and Strauss wrote exquisitely for the soprano voice and Sabine Devieilhe, with pianist Mathieu Pordoy, has assembled a beautifully balanced programme of their songs. Among them is Strauss's sublime 'Morgen', which brings a guest appearance by violinist Vilde Frang. When Devieilhe and Pordoy performed Mozart and Strauss at London's Wigmore Hall, The Spectator wrote of a \"heart-stopping soprano\" who made the songs \"sound dewy-fresh. Her voice picked up and outlined each word; long lines sounded spontaneous but wholly considered. The clarity and the lightly worn self-awareness of Devieilhe's singing made for a seductive combination.\"","brand":"ERATO","offers":[{"title":"CD","offer_id":49232763486488,"sku":"5054197948862","price":18.36,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4336815-3179538.jpg?v=1771960285"},{"product_id":"contratenor","title":"CONTRATENOR","description":"Michael Spyres's new album, recorded with the fabulous Il Pomo d'Oro under Francesco Corti, features works by Handel, Hasse, Mazzoni, Pergolesi, Porpora, Sarro, Scarlatti, Vinci, Vivaldi, and more - spanning even to Mozart. He states, \"In truth, this album's concept was born out of my research to find the absolute extremes of the human voice whether it be yodeling, tuvian throat singing, overtone singing, or the many categories of the classical voice. There has never been an album dedicated to this era of vocal history which is by all accounts uncategorizable by the fach system not to mention virtually unsingable to most singers in the present day\".","brand":"ERATO","offers":[{"title":"CD","offer_id":49232764371224,"sku":"5054197293467","price":17.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4193521-2960129.jpg?v=1771960365"},{"product_id":"delibes-lakme-1","title":"DELIBES: LAKME","description":"Opera audiences in 19th-century Paris may never have visited India, but they loved to dream about it. After the successes enjoyed by Lespecheurs de perles and Le roi de Lahore Delibes knew what he was doing when he chose to set an adaptation of Pierre Loti's exotic Indian novel Rarahu and duly scored a hit with his opera Lakme at the Opera-Comique in 1883. The opera is nothing without a star in the title-role.","brand":"ERATO","offers":[{"title":"CD","offer_id":49232764567832,"sku":"190296279096","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4133430-2884366.jpg?v=1771960497"},{"product_id":"cinema-1","title":"CINEMA","description":"Alexandre Tharaud's relationship with film music runs deep - it also ranges wide. On his double album CINEMA, the French pianist delves into 50 celebrated film scores by composers from France, Italy, the USA, Japan, Poland, Romania and Lebanon - 19 in all. Among them are Michel Legrand, John Williams, Ennio Morricone, Francis Lai, Marvin Hamlisch, Nino Rota and Philip Glass. As Tharaud says: \"This album pays tribute to them with a selection of pieces for piano and orchestra and for piano solo, most in their original versions, creating a sound-world every bit as thrilling without the motion picture.\" The movie magic is reinforced by Tharaud's starry partners on the album: Antonio Pappano conducts the Orchestra dell'Accademia Nazionale di Santa Cecilia, and making guest appearances are singers Vanessa Paradis, Camelia Jordana and Sabine Devieilhe, clarinettist Michel Portal and vioinist Nemanja Radulovic.","brand":"ERATO","offers":[{"title":"CD","offer_id":49232764600600,"sku":"5054197184611","price":18.56,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4154575-2916933.jpg?v=1771960320"},{"product_id":"mythologies","title":"MYTHOLOGIES","description":"2 CD brilliant box. Mythologies is Thomas Bangalter's first composition for orchestra, conceived upon request of choreographer Angelin Preljocaj for the ballet of the same name. Performed by the Orchestre National Bordeaux Aquitaine under the direction of Romain Dumas, it is a large and lyrical work in which Bangalter, co-founder of Daft Punk, reinvents his relationship to composition.","brand":"ERATO","offers":[{"title":"CD","offer_id":49232766566680,"sku":"5054197453847","price":21.69,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4176680-2940830.jpg?v=1771960433"},{"product_id":"complete-erato-recordings-1","title":"COMPLETE ERATO RECORDINGS","description":"Innovator, erudite, entertaining and acclaimed conductor Sir Roger Norrington founded the Schutz Choir, became founding music director of Kent Opera and established the London Classical Players, the period-instrument orchestra. His recordings of historically informed Beethoven's complete symphonies with the later that opened his collaboration with EMI received unanimous critical acclaim. The success led to a busy and productive recording programme that covered music from Purcell and Handel to Wagner, Brahms and Bruckner, encompassing orchestral works, choral works and opera. A rich and varied collection of recordings released under EMI, Virgin and Warner Classics that illustrates the Guardian's observation: \"arguably the most important British conductor of the last half century... a man who has emphatically changed classical music for the better.\"","brand":"ERATO","offers":[{"title":"CD","offer_id":49232766599448,"sku":"190296245275","price":117.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4154573-2916928.jpg?v=1771960637"},{"product_id":"eric-tanguy-in-a-dream-chamber-music","title":"ERIC TANGUY: IN A DREAM-CHAMBER MUSIC","description":"Eric Tanguy's focus on \"imagination, poetry and an interior world\" has helped to make him one of the most widely performed French composers of today. Belonging in a line that leads back from his mentor Henri Dutilleux to Messiaen and Debussy, he does not identify with any specific 'school' of composition. His aesthetic has also been shaped by the music of Sibelius and his technique is characterised by intricate use of modes. \"There is rigour and purpose behind my music,\" he says, but I don't expect the listener to have to decode it... It's the feeling that matters.\" The album In a Dream takes it's title from a piece for violin and piano, one of the eight chamber works on it's programme. Composed between 1999 and 2019, they are performed here by violinists Alexandra Conunova and Rosanne Philippens, viola-player Lise Berthaud, cellist Edgar Moreau, clarinettist Pierre Genisson, pianists Suzana Bartal and David Kadouch, and string ensemble Quatuor Diotima.","brand":"ERATO","offers":[{"title":"CD","offer_id":49232767254808,"sku":"190296355660","price":17.28,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4088129-2821884.jpg?v=1771960589"},{"product_id":"berlioz-harold-en-italie-les-nuits-dete","title":"BERLIOZ: HAROLD EN ITALIE LES NUITS D'ETE","description":"Conductor John Nelson and the Orchestre Philharmonique de Strasbourg record Berlioz's orchestral song cycle on a libretto by Theophile Gautier, Les Nuits d'Ete, sung by (bari)tenor Michael Spyres. 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Both Philippe Jaroussky and Emoke Barath make on-screen appearances - as operatic performers - in Il Boemo. Vaclav Luks conducts Collegium 1704, the period-instrument ensemble he founded in Prague in 2005.","brand":"ERATO","offers":[{"title":"CD","offer_id":49232768336152,"sku":"5054197238147","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4223971-2988423.jpg?v=1771960488"},{"product_id":"mozart-x-3-opera-arias","title":"MOZART X 3 (OPERA ARIAS)","description":"Elsa Dreisig credits Mozart with being the composer who first inspired her to become a professional singer. Now the French-Danish soprano pays him tribute with an album devoted entirely to arias from his operas. It's title, Mozart x3, reflects a programme constructed around the three masterpieces composed to libretti written by Lorenzo Da Ponte: Le nozze di Figaro, Don Giovanni, and Cosi fan tutte. Elsa Dreisig sings arias allocated to three different characters in each of these operas. The total of nine 'Da Ponte arias' is complemented by three arias from examples of the dignified genre opera seria: La clemenza di Tito, Idomeneo and Lucio Silla. Accompanying Elsa Dreisig is the Kammerorchester Basel, conducted by Louis Langree, now director of Paris's celebrated Opera-Comique.","brand":"ERATO","offers":[{"title":"CD","offer_id":49232768631064,"sku":"190296412257","price":17.28,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4042651-2780610.jpg?v=1771960315"},{"product_id":"schumann-poulenc-chaminade-fondation-gautier","title":"SCHUMANN POULENC CHAMINADE (FONDATION GAUTIER","description":"Cellist Gautier Capucon, acting as 'godfather' through the foundation he established in early 2022, presents three outstanding young musicians, all prize winners in international competitions: the Italian pianist Martina Consonni, the French violinist Sarah Jegou-Sageman, and the South Korean cellist Jeein You. Speaking of his foundation, Gautier Capucon says: \"This philanthropic project is close to my heart and extends my long-standing commitment to music education and charitable endeavours.\" It supports exceptional young musicians in France and around the world during their studies and in the early stages of their careers. On this album Martina Consonni performs Robert Schumann's Papillons, then joins Sarah Jegou-Sageman for Schumann's Sonata No 1 for violin and piano, and Jeein You for Poulenc's Sonata for Cello and Piano. All three musicians come together for Cecile Chaminade's Piano Trio No 1, a work dating from 1880 when the composer was just 22 years old.","brand":"ERATO","offers":[{"title":"CD","offer_id":49232768827672,"sku":"5054197642692","price":17.28,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4223979-2988431.jpg?v=1771960719"},{"product_id":"passacalle-de-la-follie","title":"PASSACALLE DE LA FOLLIE","description":"Christina Pluhar collaborates with star countertenor Philippe Jaroussky and her ensemble L'Arpeggiata for a great program of French Baroque music: de Visee, Antoine Boesset, Etienne Mouline, Michel Lambert, and many more.","brand":"ERATO","offers":[{"title":"CD","offer_id":49232769548568,"sku":"5054197221873","price":17.28,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4174858-2937774.jpg?v=1771960372"},{"product_id":"el-bohemio","title":"EL BOHEMIO","description":"\u003cp\u003eThibaut Garcia pays tribute with El Bohemio to the Paraguayan guitar virtuoso and composer Agustín Barrios (1885-1944). 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In addition, the album includes readings of two of Barrios's poems: 'Bohemio', which lends the album it's name, portrays the composer as a wandering troubadour; 'Profesión de fé' (Profession of faith) honours the Guarani, the indigenous people of Paraquay.\u003c\/p\u003e","brand":"ERATO","offers":[{"title":"CD","offer_id":49232771219736,"sku":"5054197726170","price":17.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4347695-3197090.jpg?v=1780078373"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/collections\/images.png?v=1746803666","url":"https:\/\/hbdirect.com\/collections\/erato-records.oembed?page=8","provider":"HBDirect","version":"1.0","type":"link"}