{"title":"Brilliant Classics Box Sets","description":"","products":[{"product_id":"eben-velvet-revolution-complete-organ-music-vol-1-5028421963129","title":"Eben: Velvet Revolution, Complete Organ Music, Vol.1","description":"\u003cp\u003eOver more than half a century Petr Eben produced music in diverse genres. He wrote numerous vocal, choral, symphonic, piano, and chamber works, but it was organ music which remained his greatest love and in which he was most prolific.Janette Fishell is Professor of Organ and Chair of the Organ Department at the Jacobs School of Music, Indiana University. (Brilliant)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908157755672,"sku":"5028421963129","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4136056-2911321.jpg?v=1777724411"},{"product_id":"j-s-bach-miscellaneous-pieces-for-harpsichord-5028421960654","title":"J.S. 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With a huge catalogue of Brilliant Classics recordings to his credit, Pieter-Jan Belder has won particular praise for his ambitious project to record the complete Fitzwilliam Virginal Book (95915), a treasury of English keyboard music from the late Elizabethan and early Jacobean era. Now he focuses his attention on the greatest English composer of that age, with a volume dedicated to William Byrd, and to his largest single collection of music for the keyboard. Byrd's vocal works would have assured him a place in history as the greatest English composer of his generation. Yet he was also arguably the outstanding composer of his time in the realm of instrumental music - probably the first musician to achieve supreme stature simultaneously in music for voices, for instrumental consort, and for solo keyboard instruments. Though it has passed through the hands of many celebrated figures such as Elizabeth I herself, My Lady Nevells Booke has belonged continuously tomembers of the Nevill family since 1830, and has been kept at the family seat near Tunbridge Wells in Kent. When Christopher Hogwood made the first complete recording of its contents, he wrote that it 'occupies a unique and privileged position from the musical, musicological, chronological and calligraphic points of view.' The copying of the pieces was undertaken and completed in September 1591 by John Baldwin, a clerk at St George’s Chapel, Windsor, and Lady Nevell’s name was incorporated into the design of the cover as well as the pieces dedicated to her opening each of the volume’s three main sections. The Lady Nevell in question was a generous, capable and cultivated woman who endowed a charitable school and an Oxford college. Like The Fitzwilliam Virginal Book, My Ladye Nevells Booke embraces the most popular genres of its day. Its contents are typical fare for English Renaissance composers: dances, variation sets, marches, contrapuntal fantasies andprogrammatic pieces, and the repertory comes from a period beginning in the mid 1560s. Byrd makes each of these genres his own with consummate ingenuity; the variety and the beauty of the collection as a whole rewards players and listeners alike. The CD booklet contains an extensive essay on My Ladye Nevells Booke by Jon Baxendale, who is co-editor of the latest edition of the score\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908260679960,"sku":"5028421968872","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4223204-3039393_61846366-0d1a-46d8-8b3c-60f9fd153f00.jpg?v=1777628676"},{"product_id":"paganini-complete-quartets-for-string-trio-guitar-vol-1","title":"Paganini: Complete Quartets For String Trio \u0026 Guitar, Vol. 1","description":"\u003cp\u003eThis release is a source of pride for guitarist Alberto Mesirca. The Quartets in this 3-CD set are not in chronological or catalogue order because the full cycle of 15 Quartets will be realized with a second upcoming release (also 3 CDs), and Mesirca decided instead to create a common thread with the tonalities and musical development among the quartets. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908260712728,"sku":"5028421968728","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4202376-3141818.jpg?v=1777604130"},{"product_id":"godowsky-complete-studies-on-chopin-passacaglia-transcri","title":"Godowsky: Complete Studies On Chopin - Passacaglia, Transcri","description":"\u003cp\u003eGodowsky employs various forms in his Studies on Chopin, including variations on the études, transcriptions for the left hand, free transcriptions, cantus firmus, and metamorphoses. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908260745496,"sku":"5028421967066","price":18.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4164098-3141796.jpg?v=1777735958"},{"product_id":"wild-complete-piano-music-5028421967059","title":"Wild: Complete Piano Music","description":"\u003cp\u003eBorn in 1915, the American pianist Earl Wild was known to most listeners as a specialist in the line of Romantic pianist-composers from Chopin to Rachmaninov. Recorded between 2013 and 2018, this is the first and so far only complete collection of Wild’s piano music. It opens with deeply affectionate transcriptions of poetic slow movements from Marcello to Fauré. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908260811032,"sku":"5028421967059","price":18.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4148209-2920433.jpg?v=1722622433"},{"product_id":"handel-organ-concertos-op-4-op-7-transcribed-for-organ-solo-by-clemente-loret-5028421965475","title":"Handel: Organ Concertos Op. 4 \u0026 Op. 7, Transcribed For Organ","description":"\u003cp\u003eThe Organ Concertos Op.4 and Op.7 by George Frideric Handel (1685–1759) were originally composed as musical interludes to be performed during the intervals of the Oratorios. Handel chose to write for the organ, an instrument hitherto relegated to the liturgical service, to emancipate it and have it take on a new character, more brilliant and appealing to the public. 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The Sonata in F major, Op.1 No.1, is a cheerful and light-hearted piece in two movements. The Sonata in E flat major, Op.1 No.2, is very similar to the first sonata in terms of overall mood and structure, featuring two fast movements but with less emphasis on virtuosity. The Sonata in F minor, Op.1 No.3, features an uncommon element for its time: syncopation between the two hands throughout the entire piece. The set concludes with a stormy, rhythmically percussive Allegro agitato. The Op.2 set was engraved in Paris in 1800, with reprints issued in the ensuing years testament to its success at the time. It can be seen as an expansion of Op.1's stylistic language, sharing the same compositional features, but greater in length. The Op.2 No.1 is the shortest of any of Montgeroult’s sonatas, consisting of just two fast movements, the final Presto being a brilliant toccata in two sections. Op.2 No.2 is the first to include a central slower movement, an Andantino quasi Allegretto in G minor. The Sonata in A minor, Op.2 No.3, includes a separate violin accompaniment, not performed in this recording, which follows the ad libitum fashion of the time. With the last three sonatas, Op.5, published by Érard in 1811, Montgeroult rose to mastery. These sonatas are considerably longer and more complex in their formal structure than their predecessors. The central movements seem deeper than those in Op.2. Op.5 No.1 is possibly the most innovative piece in the collection, with an aesthetical point of view that might have something in common with early Schubert. Op.5 No.1 is also the only one to include a Scherzo. Op.5 No.2 is in F minor, and Op.5 No.3 is in F sharp minor. 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(Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908355215640,"sku":"5028421961255","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4202370-3141734.jpg?v=1777605417"},{"product_id":"boccherini-complete-violin-sonatas-vol-1","title":"Boccherini: Complete Violin Sonatas, Vol. 1","description":"\u003cp\u003eThe start of a major new series on Brilliant Classics – historically informed accounts of the violin sonatas by a Classical-era master of Rococo charm and invention. Boccherini, still in his mid-20s, dedicated his Op.5 violin sonatas to the Parisian keyboard soloist Mme. Brillon de Jouy. Movements from these sonatas appear in reworked guises in other chamber works and symphonies. 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The 12 Deutsche Tänze von Beethoven (1939, from the WoO8 cycle) and the Tema con Variazioni aus Op.12 No.1 von L. van Beethoven (1952) display a great passion for the German composer; Rebay also arranged Beethoven’s Sonatas Op.79 and Op.90 for ensembles including a guitar. Rebay often opted for a simple style to make his arrangements accessible to a wide range of performers. This is true of certain (unfortunately undated) transcriptions for violin and guitar: a gavotte in D minor by Jean-Baptiste Lully; a minuet in F major by George Frideric Handel; the Andante from the Italian Concerto BWV971 and the prelude in E major from the first book of The Well-Tempered Clavier by Johann Sebastian Bach. This probably indicates a revision of the violin part, and shows the esteem the composer enjoyed on the Viennese music scene. Rebay returned to the violin and guitar pairing on multiple occasions for a favourite genre of his: the theme and variations. The writing here is more demanding and stands out for the equal weighting given to the two instruments and the use of keys unrelated to the theme for the individual variations, producing a concertato effect with numerous subtle expressive twists. All the cycles of variations on this recording are based on folk themes, with the exception of those based on “Heidenröslein” (1953, from the Lied of the same name by Franz Schubert) and “Und der Hans schleicht umher” (undated), which some scholars, contrary to Rebay’s title, attribute to Franz von Woyna. Finally, Rebay wrote two sonatas for violin and guitar, both in 1942, in which he put his innovative concept of the guitar as a fully versatile harmonic instrument through its paces. They follow a similar expressive journey: a sombre yet assertive first movement leads to vibrant, lyrical playing in the theme and variations, before the tone gradually lightens over the course of the final two movements. Now that the guitar’s status is fully established, Rebay’s refined and dignified voice has made itself heard, thanks to the music’s solid craftsmanship but above all its sincerity. Its rediscovery dispels many clichés and reassures us that humble yet beautiful music is not necessarily destined to be unjustly forgotten.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46908451160344,"sku":"5028421961767","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4412831-3337366.jpg?v=1777536067"},{"product_id":"beethoven-the-9-symphonies-transcribed-for-piano-by-liszt-5028421948638","title":"Beethoven: The 9 Symphonies, Transcribed For Piano By Liszt","description":"\u003cp\u003eThe symphonic world of Beethoven is not merely experienced as a distant echo but translated into the idiom of the virtuoso piano which swept across Europe during the latter half of the 19th century, led by Liszt and Clara Schumann. 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World class performers include Inna Poroshina, Igor Ruhadze, Christian Schmitt, Stuttgart Chamber Orchestra, Pieter-Jan Belder, Musica Amphion, Erik Bosgraaf, the Royal Philharmonic Orchestra and others. The fresh and colorful artwork is eye-catching while the booklet contains liner notes in English. A great series at an unbeatable price! 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Aimed at attracting both the discerning classical connoisseur and the classical newcomer it presents the pillars of classical music: Brahm’s Complete Symphonies \u0026amp; Concertos, Beethoven’s Complete Piano Trios, Mozart’s Music for Violin, Bach’s Brandenburg Concertos, Orchestral Suites \u0026amp; Violin Concertos and Schubert’s Piano Trios, String Quintets and String Quartets. World class performers include Netherlands Philharmonic Orchestra with Jaap van Zweden, Hungarian Chamber Orchestra with Kristóf Baráti and conductor Heinz Bongartz as well as the Berliner Sinfonie-Ochester with Günter Herbigs. 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Born in the provinces in the late 1620s, he was 'discovered' by the visiting court harpsichordist Jacques Champion Chambonnières in about 1650; soon he had an appointment at court and was titulaire of the organ at St Gervais in Paris, founding the Couperin dynasty that included most prominently his nephew, François Couperin 'le grand'. Performers and listeners alike have long gravitated to Louis Couperin's music more than to that of any other member of the French keyboard school of the time, probably because of its fascinating and surprising harmonic language. There are 129 pieces catalogued as authentic. Among these, the unmeasured Preludes stand outas a kind of controlled improvisation in which Couperin gives us 16 examples of a genre that began life in the hands of the lutenists and now finds itself at the very peak of 17th century French harpsichord music. 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Of course, every driven and conscientious musician only stands to benefit from experimenting with the “right” instruments. Using a natural horn can only enrich the inner hearing capacities of a “modern” horn player. It is precisely our experience with historical instruments that allows us to also work with a “modern” orchestra such as this on vibrato control, articulation and even rhythmicity in a stylistically well-considered context. We consider it important to work idiomatically with natural trumpets (Egger) and Baroque kettle drums with a modern tuning system (Kolberg).’ A modern and stylistically flexible symphony orchestra, the Royal Flemish Philharmonic demonstrates an artistic flair which allows for a variety of styles – from classical to contemporary – in a historically authentic manner. Principal Conductor Philippe Herreweghe makes use of his specific background in hisreadings of (pre)Romantic music to lead the group in this new discographic undertaking of Beethoven’s complete symphonies.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":47227829879064,"sku":"5028421970844","price":19.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4257597-3141849.jpg?v=1722625935"},{"product_id":"holt-complete-piano-works-jeroen-van-veen-sandra-van-veen-irene-russo-fred-oldenburg","title":"Holt: Complete Piano Works  Jeroen Van Veen, Sandra Van Veen, Irene Russo, Fred Oldenburg","description":"\u003cp\u003eThe most complete collection ever issued of the Dutch Minimalist master, including the famous Canto Ostinato but also many previously unreleased recordings, all made by a pianist with an international reputation in the field of Minimalism. ‘Given his music’s virtuoso demands, and its spirituality, it is tempting to call him the Franz Liszt of minimalism.’ This assessment of Simeon Ten Holt by an American reviewer points to Ten Holt’s originality, his industry and his influence over modern Minimalism in the generations after its 1960s birth in America. As with Liszt in Weimar during the 1850s and 60s, many paths have led to and from Ten Holt’s music. It has long been recognised that with Canto Ostinato, his flexible sequence of 92 variations on a simple bass-line, Ten Holt built a masterpiece to stand alongside the likes of In C by Terry Riley, and Steve Reich’s Music for 18 Musicians. However, this box-set shows how much more there is to Ten Holt. The boy Simeon was introduced to the world of music by hearing his father play the first movement of Beethoven’s Moonlight Sonata one night, and from then on he was entranced by the possibilities of stretching time through patterns. Late in life, he remarked: ‘I am the time, and I have the time.’ This box traces his development as has never been possible before, from the early untitled Compositions, comparable to the Abstract Expressionist canvases of the time, through miniatures such as sets of Epigrams and Aphorisms, to the triumph of Canto Ostinato, and then far beyond, to the mystical cycles of Lemniscaat, Horizon and finally the renewed vigour of Eadem Sed Aliter (‘The Same but Different’), a late piece which, as the composer remarked, ‘takes away the limits of the concepts of ‘beginning’ and ‘ending’, ‘before’ and ‘after’.’ As he explains in a personal introduction, Jeroen van Veen first encountered the music of Ten Holt as a child, listening to the radio to (as he discovered much later) the premiere of Horizon: ‘the notes melted together to create such a rich tapestry of colour.’ He has since performed Canto Ostinato and the rest of Van Veen’s music many times and in many countries, and in 2001 he became the founder chair of the Simeon Ten Holt Foundation. 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They are rather simpler than the madrigals, both to sing and to appreciate, but their musical worth is amply demonstrated by the largely female voices of Armoniosoincanto joined by a mixed period-instrument ensemble of flutes, violas, theorbo and harpsichord. They impart just the right light-hearted mood and dramatic impact to the playful, folkloric secular strophic poetry.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":47242889691416,"sku":"5028421969107","price":43.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4257592-3141824.jpg?v=1777529054"},{"product_id":"byrd-complete-harpsichord-organ-music-pieter-jan-belder","title":"Byrd: Complete Harpsichord \u0026 Organ Music  Pieter-Jan Belder","description":"\u003cp\u003eByrd's vocal works would have assured him a place in history as the greatest English composer of his generation. Yet he was also the outstanding composer of his time in the realm of instrumental music - indeed, probably the first musician to achieve supreme stature simultaneously in music for voices, for instrumental consort and for solo keyboard instrument. This richly imaginative and polished music gives no hint of its pioneer nature; considering the keyboard tradition, or rather the apparent lack of tradition before Byrd, the originality of his achievement is awesome. His genius is to transfer with such apparent ease his ideas from the brain to the page, and to the keyboard, without spoiling their freshness in the process. ‘The Naturall inclination and love to the Art of Musicke,’ he wrote, ‘wherein I have spent the better part of mine age, have been so powerfull in me, that even in my old yeares which are desirous of rest, I cannot containe my selfe from taking some paines therein.’ His words indicate not only a continually refreshed wellspring of imagination but also a perfectionist temperament that continually drove him to refine his technique. In the hands of Pieter-Jan Belder, whose experience in the field of 17th-century keyboard music is almost unrivalled, these songs and dances and themes and variations seem to develop and unfold as naturally as a tree buds and spreads. Only one recording of Byrd’s complete music for keyboards has been made before now, and it is now unavailable, leaving this new recording by Pieter-Jan Belder in magnificent solitude. The collection begins with two discs of pieces for organ, played on a trio of Dutch instruments chosen for their varied colours and sizes. CD3 and 4 contains the pieces to be found in the Fitzwilliam Virginal Book, of which Belder made the first ever complete recording for Brilliant Classics. The last three discs are dedicated to My Lady Nevells Booke, the beautifully preserved collection which most comprehensively preserves his contribution to keyboard literature.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":47242889724184,"sku":"5028421970745","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4257596-3141847.jpg?v=1722625935"},{"product_id":"hassler-complete-organ-music-manuel-tomadin","title":"Hassler: Complete Organ Music  Manuel Tomadin","description":"\u003cp\u003eBorn in Nuremberg in 1564 within a musical family, Hans Leo Hassler received his formative musical instruction from his father and quickly developed into a keyboard player of formidable gifts. His output for organ and harpsichord has received much less than its fair share of attention. Manuel Tomadin demonstrates that across its range there is no reason for music of this invention and lively originality to be hid under a bushel. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":47301752488216,"sku":"5028421953311","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4046043-2795353_8f9fa2c1-0db1-46e3-9a51-b7d5b5bbdbf0.jpg?v=1777738847"},{"product_id":"martini-complete-organ-music-manuel-tomadin","title":"Martini: Complete Organ Music  Manuel Tomadin","description":"\u003cp\u003eThis new recording presents the complete organ works of Giovanni Battista Martini, consisting mainly of Sonatas, but also shorter pieces like fugues, toccatas and preludes. Played on a variety of historic Italian organs from the 18th century by Manuel Tomadin, one of the foremost Italian organists of today, a scholar and passionate musician, with an impressive discography to his name. (Brilliant)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":47301818482968,"sku":"5028421961828","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4115315-2873082.jpg?v=1777731303"},{"product_id":"dambrosio-complete-music-for-violin-piano-gran-duo-italiano-mauro-tortorelli-angela-meluso","title":"D'Ambrosio: Complete Music For Violin \u0026 Piano  Gran Duo Italiano, Mauro Tortorelli, Angela Meluso","description":"\u003cp\u003eAlfredo d’Ambrosio (1871-1914) was born in Naples and perhaps became a student of Marco Enrico Bossi, but he made his career around the turn of the last century once he moved to France. The present album has the field to itself in attempting a complementary survey of D’Ambrosio’s work as a salon musician. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":47301833457944,"sku":"5028421967271","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4144474-3141803.jpg?v=1777724513"},{"product_id":"reger-complete-organ-music","title":"Reger: Complete Organ Music","description":"\u003cp\u003eThe most comprehensive survey ever made of Reger’s organ music, on a range of superb Austrian, German, and Swiss instruments: a fitting tribute to the composer on the 150th anniversary of his birth.\u003c\/p\u003e\n\u003cp\u003eRoberto Marini's feat of performing Reger's entire output for organ in Italy within a single year (2002) was followed in 2011-13 by this remarkable achievement on record. On the basis of authoritative new critical editions compiled by the Max Reger Institute, Marini recorded the works on historical instruments of Reger's time, which with their orchestral richness of color and dynamic possibilities correspond to the soundworld of an epoch that believed in progress in every dimension and embodied a kind of striving heroism as an attitude to both life and art.\u003c\/p\u003e\n\u003cp\u003eFirst released in individual albums on the Fugatto label, this box compiles Roberto Marini’s Reger albums complete for the first time, together with an authoritative essay by Suzanne Pepp on Reger’s output for organ.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":47483673477400,"sku":"5028421970660","price":58.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4275095-3124908.jpg?v=1777529443"},{"product_id":"bruckner-complete-symphonies","title":"Bruckner: Complete Symphonies","description":"\u003cp\u003e\u003cstrong\u003eANTON BRUCKNER 200 (1824-2024)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNote: \u003cstrong\u003eThis re-release of the cycle of Anton Bruckner's Nine Symphonies and the Mass No. 3 was originally recorded by and released on the PENTATONE label.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecording the symphonies of the iconic Austro-German Romantic, Bruckner, with the Orchestre de la Suisse Romande – an orchestra with roots in the French music-performance tradition – was a courageous decision. Conductor Marek Janowski attests to the fact that exploring and working on this repertoire was a joyful process for all musicians involved, and the result of that endeavour speaks for itself.\u003c\/p\u003e\n\u003cp\u003eThe Symphony No. 1 is performed in the Linz version of 1877 (ed. Nowak).\u003c\/p\u003e\n\u003cp\u003eBruckner’s omnipresent “version problem” manifests itself with great clarity for the first time in the Symphony No. 2. Three versions of the work exist: 1871–72, 1873–77 and 1892. The versions from 1872 and 1877 were presented as part of the “New Complete Edition” in two volumes (ed. William Carragan), and this recording is based on the latter.\u003c\/p\u003e\n\u003cp\u003eThe colossal dimensions of the first version of Symphony No. 3, with its sprawling and untamed shape, and the restrained, pruned-down version dating from 1888\/89 (ed. Nowak) recorded here are worlds apart.\u003c\/p\u003e\n\u003cp\u003eMarek Janowski recorded the well-known second version of Symphony No. 4, i.e. the 1878\/80 Version with Bruckner's 1886 revisions (ed. Nowak).\u003c\/p\u003e\n\u003cp\u003eOnly one version remains of both the Symphony No. 5 and Symphony No .6: the 1878 Version (ed. Nowak) and 1881 Version (ed. Nowak), respectively. Likewise, the Symphony No.7 has only one version, from 1885, however the Nowak edition recorded here differs from the earlier Haas edition.\u003c\/p\u003e\n\u003cp\u003eSymphony No. 8 is recorded here in its 1890 Edition (ed. Nowak), heavily revised at the bidding of conductor Hermann Levi, Bruckner’s intended conductor for the premiere. The unfinished Symphony No.9 is presented here as such: a three-movement work (ed. 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One of their earliest recordings was Tchaikovsky’s Pathétique Symphony, later remade for DG as part of a cycle, and then once more within the present set.\n\u003cbr\u003eThus this music runs in the orchestra’s blood, but there is no danger of routine or staleness in their performances when Pletnev is on the podium. His approach is remarkably attuned to the period and manners of Tchaikovsky’s time, always neat and graceful in the scherzos and the early symphonies, never overlaid with bombast or excess weight in the manner of many postwar recordings.\n\u003cbr\u003eThe bonuses to the canonic cycle of six symphonies: first and foremost the Manfred Symphony in its original, best and uncut version. Then the major symphonic poems such as Romeo and Juliet and Francesca da Rimini, with their dramatic narratives held taut by Pletnev’s phrasing. The coupling for the Second Symphony, which famously quotes Ukrainian melodies throughout and especially in the joyous finale, is a rare chance to hear the first draft of the opening movement, which was cast on a much more expansive scale.\n\u003cbr\u003eAs it was released, the cycle won no shortage of critical accolades. ‘I doubt that there is a more articulate performance to be found… I don’t think I’ve ever heard the final pages more exciting’ (Gramophone, No.2). ‘Mikhail Pletnev remains one of the most intelligent and stylish conductors around… there’s an element of restraint about Pletnev’s treatment… which I personally find supremely touching’ (Gramophone, No.6). ‘Of the subtle inner workings of Tchaikovsky’s score Pletnev remains an unassailable master’ (Gramophone, Manfred Symphony). This reissue packages the individual discs in compact wallets, with full booklet notes for each piece.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":47613794648344,"sku":"5028421970837","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4281844-3124916.jpg?v=1722623622"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/collections\/Box_Sets_1_42cd0468-09e2-45e2-aae0-1c409cce06d4.png?v=1744980537","url":"https:\/\/hbdirect.com\/collections\/brilliant-classics-box-sets.oembed?page=2","provider":"HBDirect","version":"1.0","type":"link"}