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His recent performance of “Siegfried” – with the Bavarian Radio Symphony Orchestra and a first-class lineup of Wagner singers – proves yet again how well the conductor understands and is able to interpret Wagner's music. Now, just a few months after the live event, this powerful and immensely popular music drama has been released on three outstanding CDs. Wagner's \"Siegfried\" tells the story of how the hero forges his own sword, gains invulnerability by slaying the dragon and bathing in its blood, and finally conquers Brünnhilde. The outstanding soloists include Simon O'Neill (Siegfried), Peter Hoare (Mime), Michael Volle (The Wanderer\/Wotan), and Anja Kampe (Brünnhilde). Moreover, orchestral highlights of \"Siegfried\" such as the lyrical \"Forest Murmurs\" or the prelude to Act Three are brilliantly performed by the Bavarian Radio Symphony Orchestra. As Simon Rattle says: “'Siegfried' contains some of the most dramatic, richly-coloured and enchanting music Wagner ever wrote. I am looking forward immensely to the continuation of our 'Ring', together with the greatest singers one could ever wish for.”\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":47105295122712,"sku":"4035719002119","price":34.39,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4412808-3337342.jpg?v=1777534906"},{"product_id":"angelus-ad-pastores-weinachtsgeschichte","title":"Angelus ad Pastores - Weinachtsgeschichte","description":"\u003cp\u003eIn the Revelation of James, an apocryphal gospel that was not included in the Bible, events and details surrounding the birth of Christ are reported that do not appear in the better-known versions of the Christmas story from the gospels of Matthew and Luke. In particular, it portrays very real people, full of emotions and conflicting feelings. Mary, not Jesus, is the focus of the narrative. The Christmas story is presented by James in a vivid, dramatic and almost theatrical manner. Howard Arman's Christmas Story follows the tradition of works such as Bach's \"Christmas Oratorio\", where newly-composed settings of the Gospel alternate with chorales. Here, Gregorian and polyphonic chorales as well as several motets from the 17th century are woven into Arman's composition and form a second narrative level. They frame the episodes of the Christmas story and can also be understood as musical reactions to the narrated events. This new BR-KLASSIK CD is complemented by the chorales from Peter Maxwell Davies' Christmas cantata \"O magnum mysterium\". Arman contrasts the powerful language and mysticism of James’ gospel by reducing musical means to their essentials: monophonic singing, syllabically conceived solo passages and, as the only accompanying instrument, a hurdy-gurdy, which with its monotonous, archaic sound represents a certain timelessness. All of this results in maximum text comprehensibility, whereby the emotional declamatory singing style almost makes the figures resemble characters in a stage play. A key moment is Joseph's vision shortly before the birth of Christ: time seems to stand still, and the mystical and sublime aspect of this scene is intensified by poetic words full of linguistic contrasts and contradictions. – The chorales and motets integrated into Arman’s Christmas Story gradually develop ever greater polyphony. Thus, three settings by Nicolaus Zangius, Hieronymus Praetorius and Hans Leo Hassler, scored for ever greater numbers of voices, lead to a fourth, ten-part composition by Melchior Vulpius, which concludes with the words \"Peace on earth\". In its formal layout, Arman's Christmas Story bears similarities to Peter Maxwell Davies' cantata \"O magnum mysterium\". 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These versions are not in any way intended to cast doubt upon the powerful quality of the originals, they merely place them in a different light, and\/or attempt to make them easier to perform on a larger scale – when an art song cannot be performed in an intimate salon or chamber music hall, it can also make an impact in a large concert hall. Baritone Benjamin Appl has compiled nineteen such arrangements from the 19th and 20th centuries for this new CD from BR-KLASSIK. The Münchner Rundfunkorchester, conducted by Oscar Jockel, provides accompaniment that is subtle and in keeping with the work. \"To my ear, it is often quite insulting, in a giant hall and after an orchestral number, to have to listen to a singer performing lieder to a spindly piano accompaniment!” Max Reger scolded, and he went on to take appropriate action by orchestrating several piano songs, including thirteen by Schubert. Many famous composers were not above taking on the role of arranger. Indeed, they even saw an artistic challenge in \"staging\" the Lied in a new and colourful way using the possibilities of the orchestra – and without altering the musical substance in the process. The versions of Schubert's \"An die Musik\", \"Im Abendrot\", \"Nacht und Träume\", \"Prometheus\" and \"Erlkönig\" recorded here are by Max Reger; Anton Webern created those for \"Du bist die Ruh\", \"Tränenregen\" or \"Der Wegweiser\"; Johannes Brahms arranged \"Geheimes\", Jacques Offenbach the \"Ständchen\", and Benjamin Britten \"Die Forelle\". Further arrangements are by conductor Felix Mottl (\"Der Tod und das Mädchen\"), lied accompanist Alexander Schmalcz (\"Abendstern\", \"An Silvia\") and composer Kurt Gillmann (\"Ganymed\"). The album is rounded off by the first recording of Johann von Herbeck’s orchestrations of Schubert's dances, thus establishing a connection between folk music and Schubert's art songs.\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":47105344667928,"sku":"4035719003468","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4412814-3337348.jpg?v=1777534966"},{"product_id":"bruckner-symphony-no-4-romantic-bernard-haitink","title":"Bruckner: Symphony No. 4 \"Romantic\" \/ Bernard Haitink","description":"\u003cp\u003eThe Dutch conductor Bernard Haitink and the Symphonieorchester des Bayerischen Rundfunks were linked by a long and intensive artistic collaboration, brought to an abrupt end by his death in October 2021. BR-KLASSIK now presents outstanding and as yet unreleased live recordings of concerts from the past years. This recording of Bruckner's Fourth Symphony documents concerts from January 2012 in Munich‘s Philharmonie im Gasteig. Haitink first conducted a Munich subscription concert in 1958, and from then on he repeatedly stood on the podium of the Symphonieorchester des Bayerischen Rundfunks – either in the Herkulessaal of the Residenz or in the Philharmonie im Gasteig. This congenial collaboration lasted more than six decades. The orchestral musicians and singers enjoyed working with him just as much as the BR sound engineers. As an interpreter of the symphonic repertoire, and especially that of the German-Austrian late Romantic period, Haitink was held in high esteem worldwide. It was on the borderline between High and Late Romanticism, where the style of the times was to change and finally dissolve, that Anton Bruckner once again conjured up the very essence of the Romantic attitude to life with his Fourth Symphony. It was the composer himself who gave the work its popular title \"Romantic\"; the name appears in much of his correspondence. – This \"Romantic\" symphony conjures up an ideal world in bright, unbroken colours, and looks back on an intact and carefree past. The consistently relaxed and positive mood of the symphony seems all the more astonishing when one considers the complicated history of the work’s genesis. The first version of 1874, a year of professional setbacks, was rejected by Bruckner after several plans for a premiere came to nothing; with relentless self-criticism, he referred to it as “overladen” and \"too restless\". In 1878 he subjected it to radical revision, in the course of which, among other things, a completely new third movement was written - the Hunting Scherzo. The other three movements were also profoundly reworked, partly shortened and formally condensed, and up to 1880 Bruckner repeatedly altered the final movement, which gradually grew into a crowning finale within the symphonic structure that would dissolve and overcome every last contradiction. It was in this version of 1878\/1880, which also forms the basis of this recording, that the Fourth Symphony was premiered on February 20, 1881 in Vienna, played by the Vienna Philharmonic under the baton of the Wagner aficionado Hans Richter. The performance was a great triumph, and marked a decisive change in the reception of Bruckner's music. His symphonic work to date had largely met with rejection, but now, with the \"Romantic\", he had made his breakthrough. As one of Bruckner’s most-performed works alongside the Seventh, the Fourth has remained just as successful to this day. Indeed, the symphony’s unbroken popularity also underscores the timeless appeal of Bruckner’s work: that deeply human longing for the “Romantic”, which has left no-one unmoved to this day.\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":47105349943576,"sku":"4035719002133","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4412810-3337344.jpg?v=1777534997"},{"product_id":"eisler-kunneke-1929-tempo-tanz-und-technik","title":"Eisler \u0026 Kunneke: 1929 - Tempo, Tanz und Technik","description":"\u003cp\u003eOctober 29, 1923 was a date steeped in history. In the middle of a year of political and economic crises, the age of public radio in Germany was ushered in with the first broadcast of the \"Berliner Funkstunde\" (Berlin Radio Hour) from the attic of an office building on Potsdamer Platz. - Radio offered entirely new possibilities for the production and reception of music. The two compositions on this CD not only benefited from these developments but also played an active role in shaping them.Eduard Künneke's five-movement Concerto grosso \"Tänzerische Suite\" op. 26 for jazz band and large orchestra was the sixth commission the composer received from the Berliner Funk-Stunde. Its five movements corresponded to modern dances: the Overture is a Foxtrot, the Andante a Blues, the Intermezzo a Tango, the valse mélancolique a Boston Waltz and the Finale a Foxtrot again. The premiere took place under Künneke's baton on September 8, 1929 in Hall 5 at the Berlin Funkausstellung. The Berlin Funk Orchestra played together with Dajos Béla’s renowned jazz band. The suite was celebrated as a milestone in contemporary radio music and soon became part of the regular concert programme. Even the critics were enthusiastic: \"Künneke skilfully combines the character of the old suite with modern means. Modern dances are stylised vividly with exciting rhythms and rich tone colours, and with delightful use of prominent solo instruments such as the violin, the saxophone, etc. It all sounds very good on the radio: this is pleasing, imaginative, symphonic jazz at the best level.\" Hanns Eisler's cantata \"Tempo der Zeit\" (Tempo of the Times) op. 16 for soloists, narrator, choir, winds and percussion was written in 1929 as a commission for the Donaueschingen Festival (known as \"Deutsche Kammermusik Baden-Baden\" from 1927 to 1929). The premiere took place in Baden-Baden on July 28 as part of the concert \"Original Music for Radio\", with the Frankfurt Radio Orchestra conducted by Hermann Scherchen. The libretto was written by the popular lyricist Robert Gilbert (\"Ein Freund, ein guter Freund\") under the pseudonym of David Weber. With its pure wind ensemble and percussion, \"Tempo der Zeit\" captures the typical Songspiel sound of the time. The fact that Eisler used the \"modern\" medium of radio, of all things, to get his fundamental criticism of blind enthusiasm for technology across to the people is an ironical aspect of the work’s composition and reception history. This CD is part of the special programme focus on the topic \"The Wild Sound of the Twenties\".\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":47227812544792,"sku":"4035719003505","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4412817-3337351.jpg?v=1777532835"},{"product_id":"bach-johannes-passion-chor-des-bayerischen-rundfunks-concerto-koeln-dijkstra-stra-anac","title":"Bach: Johannes-Passion  Chor Des Bayerischen Rundfunks, Concerto Koeln, Dijkstra, Stra?Anac","description":"\u003cp\u003eThe music of J.S. 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The fresh voices of the young and excellent vocal soloists, the regularly praised \"astonishing three-dimensionality\" and \"crystalline clarity\" of the Chor des Bayerischen Rundfunks under the direction of Peter Dijkstra and, of course, the renowned period instrument ensemble Concerto Köln.\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"DVD","offer_id":47242814193944,"sku":"4035719005158","price":23.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3571968.jpg?v=1777824110"},{"product_id":"bach-messe-in-h-moll-chor-des-bayerischen-rundfunks-concerto-koln-dijkstra-landshamer-vondung-tarver-wolf-vanhoefe","title":"Bach: Mass in B Minor \/ Concerto Köln","description":"\u003cp\u003eFor Bach, the Mass in B minor marked the culmination and also the end point of his life’s work as a composer. 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The fresh voices of the young but excellent vocal soloists: the regularly praised \"astonishing three-dimensionality\" and \"crystalline clarity\" of the Chor des Bayerischen Rundfunks under the direction of Peter Dijkstra and of course of the renowned period instrument ensemble Concerto Köln; and last but not least, the exciting live atmosphere of a concert event that delighted the audiences, and even managed to coax the word “magical” from Munich’s music critics – rare praise, but in this case, richly deserved!\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"DVD","offer_id":47242814226712,"sku":"4035719005165","price":21.74,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4035719009101.pt01.jpg?v=1731089193"},{"product_id":"beethoven-symphony-no-9-karg-fujimura-schade-volle-bavarian-radio-choir-bavarian-radio-symphony-orchestra-jansons","title":"Beethoven: Symphony No. 9  Karg, Fujimura, Schade, Volle, Bavarian Radio Choir, Bavarian Radio Symphony Orchestra, Jansons","description":"\u003cp\u003eTaken from the 2012 Japan tour that performed the complete Beethoven cycle in various cities across Japan garnering much acclaim for the Chor and Symphonieorchester des Bayerischen Rundfunks and now available in single editions, this live recording of Beethoven's Symphony No. 9 from Tokyo's Suntory Hall also includes noted vocal soloists, Christiane Karg, Mihoko Fujimura, Michael Schade and Michael Volle, all frequent collaborators with the Symphonieorchester des Bayerischen Rundfunks.\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":47242815242520,"sku":"4035719001396","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3037695.jpg?v=1777792998"},{"product_id":"beethoven-symphony-no-9-matthews-romberger-padmore-finley-symphonieorchester-des-bayerischen-rundfunks-haitink","title":"Beethoven: Symphony No. 9  Matthews, Romberger, Padmore, Finley, Symphonieorchester Des Bayerischen Rundfunks, Haitink","description":"\u003cp\u003eA recording of Ludwig van Beethoven's \"Ninth\" is always a great event, especially because the symphony’s final chorus, Schiller's \"Ode to Joy\", is understood around the world as a plea for peace and international understanding. It was no coincidence that the catchy melody to the text \"Joy, beautiful spark of divinity\" was chosen as the Hymn of the European Union. This recording of Beethoven’s great choral symphony under thedirection of Bernard Haitink and with excellent instrumental and vocal soloists is not only an outstanding interpretation of the work but also very much an event in itself –because these recordings document Haitink’s last ever concerts with the Symphonieorchester des Bayerischen Rundfunks. Only a few months after his two Munich concerts on February 21 and 22, 2019, the great Dutch conductor –who celebrated his 90thbirthday on March 4 –announced the end of his career.\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":47242815308056,"sku":"4035719001808","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3738133-2523868.jpg?v=1777815595"},{"product_id":"johann-sebastian-bach-johannes-passion-bwv-245-pregardien-nazmi-strazanac-landshamer-malotta-lichdi-bruninghaus-burkhart-yung-oh-hirtreite","title":"Johann Sebastian Bach: Johannes-Passion, Bwv 245  Pregardien, Nazmi, Strazanac, Landshamer, Malotta, Lichdi, Bruninghaus, Burkhart, Yung Oh, Hirtreite","description":"\u003cp\u003eJohann Sebastian Bach’s St. John Passion was written for Holy Week in 1724, directly after Bach was appointed as cantor of St. Thomas’s Church in Leipzig.; St. John’s Passion is a true Baroque masterpiece, and still retains all of its vivacity and brightness nearly three centuries after its composition.; This recording is brilliantly performed by the Chor des Bayerischen Rundfunks alongside Concerto Köln, both highly recognized and admired ensembles.\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":47242825466136,"sku":"4035719009095","price":22.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3083601.jpg?v=1777815053"},{"product_id":"mendelssohn-violin-concerto-in-d-minor-string-symphonies-muenchner-rundfunkorchester-raudales","title":"Mendelssohn: Violin Concerto In D Minor \u0026 String Symphonies  Muenchner Rundfunkorchester, Raudales","description":"\u003cp\u003eIt was thanks to his father's penchant for organizing musical concerts in his family's Berlin apartment on Sunday mornings that the 11-year-old Felix Mendelssohn began to compose quite a long series of string symphonies, and also that the works were initially performed. The study of music and composition spurred the young composer on greatly; his diligence as well as his youthful creativity developed early, and he made astonishing progress. In 1821, he wrote the first half of his string symphonies, which together took less than two years to complete. During performances that formed part of the concerts at home, he always took over the direction of the chamber orchestra, which consisted of amateur and professional musicians from the Berlin court orchestra. Ever since their long-lost manuscripts were successfully rediscovered in 1950, Mendelssohn’s early string symphonies have been a fixed part of the string and chamber orchestra repertoire. In the youthful freshness and carefreeness of these early works, one can already hear echoes of the instrumental masterpieces by this important symphonic composer of early Romanticism that were soon to follow. This release contains the first six of Mendelssohn's string symphonies in the form of studio recordings made by the Münchner Rundfunkorchester under its leader Henry Raudales, a violinist who has won several awards and has made numerous recordings with the orchestra as a conductor and a soloist.\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":47242830545176,"sku":"4035719003246","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3846395.jpg?v=1777826270"},{"product_id":"rachmaninoff-the-bells-symphonic-dances-chor-symphonieorchester-des-bayerischen-rundfunks-pavlovskaya-dolgov-markov-jansons","title":"Rachmaninoff: The Bells \u0026 Symphonic Dances  Chor \u0026 Symphonieorchester Des Bayerischen Rundfunks, Pavlovskaya, Dolgov, Markov, Jansons","description":"\u003cp\u003eTwo large symphonic tone poems by the Russian composer Sergei Rachmaninov can be experienced on this new release from BR-KLASSIK- the four-movement symphonic poem \"The Bells\" (\"Kolokola\") op 35, based on a poem by Edgar Allan Poe, for solo voices, choir and orchestra, composed in 1913, and the three \"Symphonic Dances\" op 45 from 1940 – the last completed work by the composer, who died in 1943. Bells have a special importance for every Russian: their cathedrals are distinctive for the sound of pealing bells. Hearing them also left a lasting impression on Rachmaninov. The four stanzas of the poem vividly present the sounds of sleigh-bells, wedding bells, alarm bells and funeral bells, and these very different moods are masterfully conveyed in the four movements of the most monumental symphonic poem Rachmaninov ever wrote. The \"Symphonic Dances\" for large orchestra were written in 1940 on Long Island. The first movement contains a quotation from Rachmaninov's (unsuccessful) First Symphony; the second deals with the years between the turn of the century and the Russian Revolution; and the third connects the \"Dies Irae\" (representing death) with the \"Hallelujah\" of the Orthodox Liturgy (symbolising the Resurrection). In the last few bars that Rachmaninov ever wrote, a hopeful hymn of praise triumphs over The Last Judgment - possibly a premonition of the composer's imminent death.\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":47242846503192,"sku":"4035719001549","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3763398.jpg?v=1777824643"}],"url":"https:\/\/hbdirect.com\/collections\/br-klassik-summer-sale.oembed?page=12","provider":"HBDirect","version":"1.0","type":"link"}