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In the flautist’s words: ‘It’s an incredibly fascinating and stimulating idea for me to try out timbres that are different to the ones I’m usually accustomed to, different to those the majority of composers who have written for the flute have been inspired by. In these transcriptions I have aimed for a more romantic and less delicate way of playing the flute, inspired by the long-drawn-out, sustained phrases and intense vibrato so characteristic of string instruments in this sort of repertoire.’ The technical challenges of transcriptions from violin to flute should not be underestimated. While it might seem as though the flute’s keys would make some aspects related to intonation ‘easier’ on the flute, there are difficulties of other kinds, such as playing loudly and with a full tone in the lower register or playing very high notes that fade away to nothing. But this was the whole point: to challenge the intrinsic identity of the instrument and to transcend its customary role. And so, by way of this repertoire, the expressive capabilities of the flute can be further explored. While the transcription of the Five Pieces by Respighi is a first (no one having thought to arrange them for flute and piano before), the sonatas by Faureì and Franck are already a part of the chamber tradition for flute and piano. Nonetheless, the artists have made further revisions to these two works, coming up with alternative solutions to the ones normally used in such a way as to be as close as possible to the originals. The 5 Pezzi hail from a period when Respighi was defining his style, poised between modernity and a pull towards the past. The titles he gave them are richly allusive (Romanza, Aubade, Madrigale, Berceuse, Humoresque), pointing to a range of different moods and atmospheres and imbued with that ‘Latin sweetness of idiom’ (to quote Adriano Lualdi) that is such a feature of this composer’s remarkable musical language. Faureì’s Sonata in A major for violin and piano Op.13 (1877) offers a dazzling display of rippling arpeggios and scalar activity interspersed with passages of intensely sweet and expressive melancholy shot through with flashes of brilliance, from the opening Allegro molto right up to the heartfelt declamatory verve of the concluding Allegro quasi presto. It is an iconic piece among the works of Faureì, who was one of the key players in the revival of French instrumental music that had been set in motion in 1871 by the Socieìteì nationale de musique. The Socieìteì’s motto ‘ars gallica’ was also readily heeded by Faureì’s colleague Ceìsar Franck. Franck’s Sonata in A major for violin and piano (1886) creates the ideal end-piece for this musical journey. A masterpiece of ‘Cartesian’ clarity and dedicated to EugeÌne Ysay¨e, the Sonata is one of the key works from Franck’s compositional maturity and is pervaded by an ‘algorithmic poetry’ in its carefully planned and grandiose architecture – underpinned by the cyclical form that lends it its unique structural power – in which a sense of calm and meditative intimacy pulsating with boundless emotion is perfectly married with a nervous restlessness propelled along by an all-pervading rhythmic impetus.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":47105288470808,"sku":"5028421969770","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4230666-3141836.jpg?v=1777536089"},{"product_id":"j-s-bach-complete-organ-works-bernard-foccroulle-16-cds","title":"J.S. 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This complete edition also contains works attributed to Bach as well as the recording of the Chorale Fantasia Wo Gott der Herr BWV 1128 that has only been rediscovered in 2008.\u003c\/p\u003e","brand":"Ricercar","offers":[{"title":"CD","offer_id":47105292960024,"sku":"5400439004597","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4391582-3304399.jpg?v=1777718018"},{"product_id":"couperin-complete-harpsichord-music-massimo-berghella-5-cds","title":"Couperin: Complete Harpsichord Music \/ Massimo Berghella [5 CDs]","description":"\u003cp\u003eLouis Couperin (1626-1661) has long been a fabled name among French keyboard composers. Born in the provinces in the late 1620s, he was 'discovered' by the visiting court harpsichordist Jacques Champion Chambonnières in about 1650; soon he had an appointment at court and was titulaire of the organ at St Gervais in Paris, founding the Couperin dynasty that included most prominently his nephew, François Couperin 'le grand'. Performers and listeners alike have long gravitated to Louis Couperin's music more than to that of any other member of the French keyboard school of the time, probably because of its fascinating and surprising harmonic language. There are 129 pieces catalogued as authentic. Among these, the unmeasured Preludes stand outas a kind of controlled improvisation in which Couperin gives us 16 examples of a genre that began life in the hands of the lutenists and now finds itself at the very peak of 17th century French harpsichord music. The Preludes present a sequence of semibreves devoid of indication, the only guide to the manner of performance being the positioning of the semibreves (in itself often confusing), and a complex system of elaborate and elegant slurring. They invite a rich decorative language, but scholars and performers alike must delve deep into Couperin’s world in order to establish the grammar and vocabulary of that language. In making this new recording of all 129 pieces, Massimo Berghella has chosen to take the Preludes as starting points for ‘suites’ – 17 in all – which gather up the remaining dance movements into coherent sequences cast in the same key as the relevant Prelude. This produces suites of greatly differing length – the E minor has only four movements, for example, but the D minor has ten – but makes good sense along both 17th- and 21st-century lines. Among the most distinguished active Italian harpsichordists, Massimo Bergella studied with Kenneth Gilbert at the Mozarteum in Salzburg and at the Accademia Chigiana in Siena. He has a 30-year-long career as a teacher himself, as well as a performance diary and discography that has taken him across Europe for recitals, broadcasts and recordings. 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Serkin; a frequent soloist with the orchestra; had been so taken by the artistry and tonal colors of its first-chair winds that he approached them about making a record together. So began the group’s history at Columbia’s 30th Street Studio in Manhattan. It would span 15 years; during which the ensemble naturally focused on the many outstanding works scored for standard woodwind quintet. But guest performers often joined them on recordings as well as in concerts; extending their repertoire to include not only composers of their own time; but even music outside the classical sphere written by the legendary jazz trumpeter Ornette Coleman. Reviewing the original LP releases; High Fidelity wrote that “one is very conscious of the superb skill with which each player shapes his own melodic line. Yet the ensemble is the thing; and the Philadelphians provide ensemble playing of the highest order. The players seem to breathe as one; the music ebbs and flows with a perfect sense of unanimity. The sound is excellent.” The Philadelphia Woodwind Quintet released their last recording in 1968; and by early in the next decade their albums had practically vanished from record-store shelves. Owing to the legendary reputation of the Philadelphia wind section; many of the albums included in this set have acquired almost mythical status. The vast majority of the ensemble’s recordings; 8 out of 12 CDs; are presented in this collection for the first time in digital format mastered from the original analogue master tapes.\u003c\/p\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":47105296171288,"sku":"196588132629","price":59.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389369-3299548.jpg?v=1731770794"},{"product_id":"bernstein-complete-solo-piano-music","title":"Bernstein: Complete Solo Piano Music","description":"\u003cp\u003eBernstein's piano output reflects the various strands of his multifaceted personality, in works as different as Touches (1981) and, at the other end of the scale, his often tender, sentimental Anniversaries. Taken together his piano works form a musical diary tracing the breadth of his experiences and ideas. Four of his Five Anniversaries (1949-51) appear as themes in his violin concerto, the Serenade after Plato’s “Symposium.” The personal commemorations he created were not portraits so much as self-portrayals, revealing different aspects of his own multi-faceted personality. To play these works well requires an understanding of the various elements that made up the Bernstein persona. The Italian pianist Michele Tozzetti brings out the heartfelt tenderness of most of these tributes, the Jewish elements and the dance rhythms. In the Anniversary dedicated to Aaron Copland (in Seven Anniversaries, 1943), Tozzetti captures the sound and spirit of the man Bernstein called ‘my first friend in New York, my master, my idol, my sage, my shrink, my guide, my counselor, my elder brother, [and] my beloved friend.’ The pianist reveals a delicate sense of sonority along with fine dynamic control in For Paul Bowles, and brings an idiomatic edginess to For Sergei Koussevitzky. He also injects youthful vigor into Bernstein’s Sonata (1937), a probing work rich in counterpoint, written when the composer was still a student. Also on this recording are Non Troppo Presto, a manuscript discovered in the Leonard Bernstein archive at the Library of Congress; and Touches: Chorale, Eight Variations and Coda, commissioned by the Van Cliburn Piano Competition in 1981. Its bluesy chorale is identical to Virgo Blues, written for his daughter, Jamie on her twenty-sixth birthday in 1978. Bernstein dedicated this work ‘to my first love, the keyboard’. In Michele Tozzetti’s hands, that love is beautifully realized.\u003c\/p\u003e","brand":"Piano Classics","offers":[{"title":"CD","offer_id":47105301414168,"sku":"5029365101745","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3905594.jpg?v=1777674790"},{"product_id":"2023-naxos-music-group-catalogue-sampler-cd","title":"2023 Naxos Music Group Catalogue + Sampler CD","description":"\u003cp data-mce-fragment=\"1\"\u003eNaxos was founded in 1987 and has developed from being known primarily as a budget label focusing on standard repertoire into a virtual encyclopaedia of classical music with a catalogue of unparalleled depth and breadth. Innovative strategies for recording exciting new repertoire with exceptional talent have enabled the Naxos label to develop one of the largest and fastest⁠-⁠growing catalogues of unduplicated repertoire. Over 10,000 titles are currently available at affordable prices, recorded in state⁠-⁠of⁠-⁠the⁠-⁠art sound, both in hard format and on digital platforms. Naxos works with artists of the highest calibre and its recordings have been recognised with numerous international honours, including GRAMMY, ICMA, Opus Klassik and Gramophone Editor’s Choice Awards.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe company has also transformed into a global music group that owns, administers and\/or distributes a large number of other independent record labels. Some of these labels are listed in this catalogue.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe sheer size of the 2023 catalogue requires it to be divided into three sections for convenient reading. 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It joins other Naxos albums dedicated to Schubert’s piano dances and miniatures by Yang Liu (8.573941) and Daniel Lebhardt (8.574145, 8.574277). French pianist Didier Castell-Jacomin is a Steinway Artist.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":47105305411864,"sku":"747313416578","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4246505-3143498.jpg?v=1777534148"},{"product_id":"raff-symphony-no-5-lenore","title":"Raff: Symphony No. 5 \"Lenore\"","description":"\u003cp\u003ePreviously released on Marco Polo (8.223455). Joachim Raff’s Fifth Symphony is one of his most popular works in the genre. The overture Ein feste Burg ist unser Gott uses Martin Luther’s famous melody to commemorate the drama of the Thirty Years’ War. This release follows on from the reissue of Symphonies Nos. 8 and 9 by the same forces in July (8.555499).\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":47105305674008,"sku":"747313554126","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4235525-3143545.jpg?v=1777534772"},{"product_id":"music-from-armenia-for-cello-and-piano","title":"Music from Armenia for Cello and Piano","description":"\u003cp\u003e\"•Cellist Heather Tuach and pianist Patil Harboyan present a recording of tuneful folk-inspired works by Gomidas, Stepanian, Babajanian and Arutiunian. \n\u003cbr\u003e • These works will appeal to many, being brilliantly lyrical and romantic in style throughout. \n\u003cbr\u003e • Almost all of the works are receiving their first recording. Ms. Tuach is a member of the Fitzwilliam String Quartet. \n\u003cbr\u003e • Ms. Harboyan enjoys a versatile musical career as a performer, chamber musician and teacher. \n\u003cbr\u003e • Both musicians perform regularly together.\"\u003c\/p\u003e","brand":"Divine Art","offers":[{"title":"CD","offer_id":47105307836696,"sku":"809730507526","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2565784.jpg?v=1777547430"},{"product_id":"reminiscences-of-brazil-justin-badgerow","title":"Reminiscences of Brazil \/ Justin Badgerow","description":"\u003cp\u003eThe debut Divine Art album from American pianist Justin Badgerow is a program of exotic dance rhythms, sensual textures and colors from four Brazilian composers together with the exquisite Saudades do Brasil of Milhaud. Highly influenced by traditional and indigenous music and the landscapes of Brazil, this is music of infectious delight, and includes both well-known works from Villa-Lobos and sparkling miniatures from Mignone, Gondim and Guarnieri. Justin Badgerow obtained a Doctorate in Musical Arts from the University of Colorado after earning bachelor's and master's degrees at the Universities of Texas and Central Florida. He serves on various important committees and boards and is currently Associate Professor of Music at Elizabethtown College in Pennsylvania. A champion of Latin-American music he has performed as a soloist throughout the USA and in Mexico, Brazil and South Africa. He has also enjoyed much success in chamber music collaborations. 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This album, which was recorded on February 2, 2004 in Barcelona, is truly a rare gem for the admirers of a man and piano player, who was loved by so many fans and the entire jazz global community. With his unique take on arrangements from Monk, Dizzy Gillespie, Cole Porter, Miles Davis and Duke Ellington, MM shows us why he is considered a modern legend. On this solo album, MM's piano embarks on an extraordinary musical journey. With each note, he effortlessly paints a vivid tapestry of emotions, traversing a rich musical landscape that spans genres and styles characterized by versatility, proficient soloing and tasteful restraint. He plays like a modern-day exponent of Art Tatum with the deepest musical roots, but with the freshest, most forward-thinking, profoundly original voice that’s uniquely his own. Live in Barcelona shows how he is able to tell us a story and swing like very few others. A real master on the piano. 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So not … immediate. Which is why I am approaching zealot status in my admiration for Sono Luminus and the way in which it submerges listeners within reach of the Atlantis that is the on-stage experience. Which is why, save for live performance, the often inimitable new-music originating in, or in proximity to, Iceland (homeland to an unreasonable percentage of the composers living rent-free in my headphones for more than a decade) has found its most ardent advocate and most clarion amplifier in Winchester, Virginia. Certainly its exceptional national orchestra has. Despite a bewildering insistence by journalists to characterize music written by those with Icelandic surnames as a monolith, the entries on this tracklist are as singular as hand blown glass. 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