{"title":"August Blowout Sale 2026","description":"\u003cp class=\"isSelectedEnd\" style=\"text-align: left;\"\u003e\u003cspan\u003eEnd summer on a high note with our \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAugust Blowout Sale!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\" style=\"text-align: left;\"\u003e\u003cspan\u003eFor a limited time, shop \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eover 1,000 titles at an incredible 50% OFF\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. From timeless favorites to hidden gems, it’s the perfect chance to stock up and discover something new!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eBut hurry—these savings disappear \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enext Wednesday, September 2nd, 2026!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"amazing-musical-instruments","title":"Those Amazing Musical Instruments! Book","description":"\u003cp\u003eThose Amazing Musical Instruments! takes you on an exciting musical tour! In a revised edition, including access to a brand new, exclusive website, this vibrant, colorful, comprehensive and unique book is a rich exploration of orchestral instruments. Learn about the character of each instrument, how it is constructed and played, which instruments go well together, and hear how they all sound! With conductor Marin Alsop, you’ll even know your heckelphone from your sackbut and your tom-tom from your tam-tam – all by spending hours of fun with words, pictures and music tracks.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"Book","offer_id":46907753005336,"sku":"9781781983584","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3948643-2773700.jpg?v=1777536199"},{"product_id":"manu-martin-lim-fantasy-of-companionship-for-piano-and-orch","title":"Manu Martin: Lim Fantasy Of Companionship For Piano And Orch","description":"\u003cp\u003eExploratory and revelatory release from Tedd Joselson and the London Symphony Orchestra, conducted by Arthur Fagen, together with solo voices and choral ensemble, London Voices.\u003c\/p\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":46907778105624,"sku":"635212067024","price":6.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3953820-2691101.jpg?v=1777659891"},{"product_id":"marvellous-mezzo-soprano-and-contralto-best-loved-opera-ar","title":"Marvellous Mezzo-Soprano And Contralto - Best Loved Opera Ar","description":"\u003cp\u003eFor anyone new to opera, the first question is often: “Where do I start?” The ‘Best Loved’ series from Naxos offers an easy answer to that question with a perfect introduction to this wonderful, varied world. The current release highlights some of the most-loved arias in the genre performed by mezzo-sopranos and contraltos. Tracks include arias from Carmen, The Marriage of Figaro, Macbeth, and more.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46907780759832,"sku":"747313818976","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3945901-2685913.jpg?v=1777768080"},{"product_id":"spectacular-soprano","title":"Spectacular Soprano","description":"\u003cp\u003eThe soprano voice occupies the highest-sounding line of music (in Italian ‘sopra’ means ‘over’ or ‘above’) and it is subdivided into various types. The coloratura is the virtuoso, suited for rapid ornamentation such as in Mozart’s Queen of the Night (Die Zauberflöte).  This quintessential collection of best-loved arias confirms that the soprano, in all her variety, sits at the very heart of the operatic experience. (Naxos) \u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46907780792600,"sku":"747313818877","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4021745-2772808.jpg?v=1777741234"},{"product_id":"wranitzky-orchestral-works-vol-3-stilec-947929","title":"V3: Orchestral Works","description":"\u003cp\u003ePaul Wranitzky moved to Vienna from his native Moravia at the age of 20, mixing with the likes of Haydn and Mozart. As the most important symphonist in Vienna in the late 1790s, his style influenced the early symphonies of Beethoven. The Symphony in D major ‘La Chasse’ reflects the popularity of hunting music, and is heard here for the first time in its expanded version. The overtures to Mitgefühl and Die gute Mutter represent Wranitzky’s skill as a composer for the theatre, as does the masterfully scored Symphony in C major in which the composer repurposes some incidental and ballet music.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46907782299928,"sku":"747313428977","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4005806-2749232.jpg?v=1777565518"},{"product_id":"mussorgsky-pictures-at-and-exhibition-glazunov-piano-946194","title":"V12: Idil Biret Solo Edition","description":"\u003cp\u003eThe Idil Biret Archive is now bringing together Biret's past and present recordings. The current album showcases her interpretations of Mussorgsky’s Pictures at an Exhibition and Glazunov’s Piano Sonata No. 2, recorded in March 2017, and Balakirev’s Islamey “Oriental Fantasy,” recorded in concert at the Lille Festival 1993. 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(Challenge)\u003c\/p\u003e","brand":"Challenge Classics","offers":[{"title":"CD","offer_id":46907803533592,"sku":"608917289725","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4018061-2782785.jpg?v=1777693230"},{"product_id":"fiorillo-36-caprices-op-3-for-violin-transcribed-for-vio","title":"Fiorillo: 36 Caprices, Op. 3 For Violin, Transcribed For Vio","description":"\u003cp\u003eDespite his name, Federigo Fiorillo (1755-1823) was German by birth, the third son of a violinist who had studied in Naples with Francesco Durante and Leonardo Leo. Federigo followed in his father’s footsteps as an instrumental virtuoso, both on violin and mandolin; the 19th-century musicologist Fétis praised him as ‘one of the most remarkable violinists of his time’ in the Biographie universelle des musiciens. Having toured Europe, Fiorillo moved by 1788 to London, where he played for the impresario Salomon (who went on to bring Haydn to the English capital), notably as the violist in Salomon’s quartet. He is principally remembered now as a composer, and in particular the author of a set of solo Caprices which formed a method of which formed a method of instruction for every advanced violinist. Until now, however, they have never been recorded on Fiorillo’s ‘second’ instrument of the viola; and indeed complete recordings of the set, even on violin, are very few. With this new recording, Marco Misciagna demonstrates that these 36 pieces have much more than pedagogic interest to them. While they systematically address technical issues in the bow arm and fingering, testing the player’s technique for playing octaves, multiple stopping, passagework, chromatic scales and so on, Fiorillo was a Italianate melodist who naturally wrote and thought in long, cantabile lines which are as grateful to hear as they are to play. Born in 1984, Marco Misciagna studied in Bari and Rome and then with Salvatore Accardo; he now lives and works in Spain. Among his previous recordings is a Brilliant Classics album of a similar undertaking, the 41 Capricci for viola by Bartolomeo Campagnoli (1751–1827).\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907804057880,"sku":"5028421970189","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4230667-3141842.jpg?v=1777536255"},{"product_id":"vacchi-complete-music-for-guitar","title":"Vacchi: Complete Music For Guitar","description":"\u003cp\u003eBorn in 1949, Fabio Vacchi stands among the pre-eminent Italian composers of his generation. Vacchi’s instrumental pieces have attracted similar high-profile performances. His chamber cycle Luoghi Immaginari (1987-1992), has been given across the world. Any listener with an ear for the Italian postwar avant-garde will find this newly recorded album full of delight and discovery. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907804156184,"sku":"5028421969763","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4223209-3130276.jpg?v=1777628705"},{"product_id":"ries-clarinet-trio-sonatas","title":"Ries: Clarinet Trio \u0026 Sonatas","description":"\u003cp\u003eFerdinand Ries may still be known almost exclusively to the musical world as Beethoven’s friend, pupil, secretary and first biographer, but Brilliant Classics have done much to broaden our understanding of this significant figure in the Vienna of the early 19th century with albums of his own compositions, notably his sonatas for violin, cello and flute and his Piano Quintet. In fact the Op.28 Clarinet Trio is one of Ries’s best-known pieces, as well it might be for the mellifluous appeal of its writing for all three instruments. While the top line may also be taken by violin, it belongs most harmoniously to the clarinet’s singing register and hardly suffers by comparison with Beethoven’s Op.11 Trio for the same combination ofinstruments. As grateful as the clarinet writing is the rippling piano part, which supports the other instruments with unfailingly genial warmth before coming to the fore in the finale with some virtuosic passagework as if to demonstrate that the pianist-composer could turn a trick or two himself. The two sonatas for clarinet and piano are much more Romantic-sounding, atmospherically evocative and forward-looking pieces. The Op.29 work begins with a passionately pleading slow introduction, which segues masterfully into a main Allegro of positively Schubertian vitality. After a brief but deeply felt slow movement, the finale mirrors the first movement’s form and intensifies the tempestuous, troubled expression of the sonata as a whole. The E flat major Sonata Op.129 is all sunshine compared to Op.29’s storm and thunder: a delight from start to finish, inflected by the kind of Italianate drama and cantabile that began to make its mark on German and Austrian composers in the 1810s and 20s, most notably in the clarinet writing of Carl Maria von Weber. As one of Belgium’s foremost clarinettists, Vlad Weverbergh has his own big band and klezmer group, but he is also a member of I Solisti del Vento, the wind ensemble uniting the finest Belgian wind players. He has made a speciality of reviving, performing and recording lesser-known treasures of the clarinet repertoire, as well as collecting and playing instruments from the rich history of the clarinet, such as the unusual clarinetto d’amore which he uses on this recording.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907805860120,"sku":"5028421969039","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4230664-3141821.jpg?v=1777536081"},{"product_id":"mison-the-five-sevillian-flute-sonatas","title":"Mison: The Five Sevillian Flute Sonatas","description":"\u003cp\u003eRecent scholarship on Luis Misón (Mataró, 1727–Madrid, 1766) demonstrates the growing interest among the musicological community in studying the life and work of one who is an essential composer in the history of Spanish music. Musical historiography has extolled Misón's contribution to the genre of the tonadilla escénica, a genre widely appreciated in his time and which must have had a notable influence on his instrumental music, about which less is known. His talent as a flautist was appreciated within the noble circle of the House of Alba, where musical academies were held in which Misón actively participated and for which he composed 12 sonatas for transverse flute and bass dedicated to the Duke of Alba. These pieces were located in the archives of the House of Alba and described in 1927 by José Subirá (1882–1980), but unfortunately they disappeared during the Spanish Civil War (1936–39). The discovery of the five hitherto unknown Sonatas for Flute and Bass by Misón represents a substantial contribution to the Spanish chamber music repertoire of the second third of the 18th century for this instrument, given the scarcity of pieces written by Hispanic composers contemporary to Misón in which the flute is definitely the real protagonist. Moreover, they are sonatas which, from a technical point of view, pose interesting challenges to the flautist, something that highlights Misón's mastery of the flute, in accordance with surviving documentation of the period. Ortega explains that José Teixidor (c.1751–c.1811), vice-master of the Royal Chapel from 1778, considered his works to be no lesser than those of the best-known foreign composers and said of him that he was an unequalled performer on the transverse flute. The sonatas are found in five musical manuscripts preserved in the Lebrija Palace in Seville, a stately home dating from the 16th century, which in 1901 became the property of Regla Manjón y Mergelina (1851–1938), Countess of Lebrija. With regard to the sources, it seems unlikely that any of the five are autograph. (Although up to five different copyists have been identified, there is nothing to suggest that any of them could be Misón, himself.) Generally speaking, the sonatas are characterised by the importance of melody, regular phrases and steady rhythms, as can be seen in the elaborate seisillos of the Allegro moderato of the Sonata [No.3] in G major. Overall, the basso continuo line is simple – excepting the B section of the Allegro of the Sonata [No.4] in G major (undated) – allowing the role of the flute to stand out prominently. This recording is the culmination of a long process of recovery of Spanish 18th-century musical heritage that deserves to be disseminated, studied and enhanced. After more than two centuries of silence, Misón's music is heard again.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907807564056,"sku":"5028421968582","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4223203-3130269.jpg?v=1777628659"},{"product_id":"colbran-duchambge-garcia-malibran-mendelssohn-schumann","title":"Colbran, Duchambge, Garcia, Malibran, Mendelssohn \u0026 Schumann","description":"\u003cp\u003eAiming to recreate the musical atmosphere of a 19th-century salon, this recording revolves around two fundamental objectives. The first, to perform music by women who, as composers, performers and hostesses, were absolute cornerstones of these spaces. Second, to perform the songs, originally accompanied by piano, with newly made guitar arrangements. (Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907808022808,"sku":"5028421967295","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4169752-3141804.jpg?v=1777725254"},{"product_id":"beethoven-9th-symphony-op-125-transcription-for-violin","title":"Beethoven: 9Th Symphony, Op. 125 - Transcription For Violin","description":"\u003cp\u003eHans Sitt (1850–1928) was an extremely important personality in the transition between the 19th and 20th centuries, and was also a remarkably prolific composer. Astonishing in his catalogue, however, is the enormous number (and weight) of his transcriptions of the most important 19th-century symphonic works for the duo of violin and piano. 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One of his earliest successes for the stage was a ballet based on the legend of a magic flute - unrelated to Mozart’s masonic tale - and from the 1820s onwards, audiences flocked to Mercadante’s lyric dramas for their pacy drama, memorable tunes and arias that displayed the great singers of the age to best advantage. His Capricci also date from this early stage of his career. Comparable to the more celebrated caprices for violin by his elder contemporary Paganini, they are technical studies which stretch the technique of the most accomplished flautists, and they dazzle the ear with their lightning runs, filigree figurations and flourishes. The Capricci have received recordings from celebrated flautists, whereas the later Arie Variate have been relatively overlooked, and this release marks only their second recording, and the first to be made for CD. They are fantasies on popular operatic arias in the style of the piano pot-pourris and paraphrases which would be raised to an art-form by Franz Liszt a generation later. The chosen themes are mostly drawn from operas of the late 1810s such as Rossini’s Armida and Elisabetta, Regina d’Inghilterra, but they range from Mozart’s Don Giovanni to Mercadante’s own Gabriella di Vergy of 1828. Laura Trapani thus restores to the catalogue a shining example of early Romantic instrumental virtuosity.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907813986584,"sku":"5028421965116","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4412842-3337379_169d5ddb-8e9a-4bb1-9633-2f5e881f3a35.jpg?v=1777628634"},{"product_id":"dauprat-music-for-horn-fliri-brunner-966088","title":"Music For Horn","description":"\u003cp\u003eLouis-François Dauprat was a French horn player, horn teacher and composer. He was born in Paris in 1781 and died there in 1868. As a child he was a chorister at Notre Dame Cathedral in Paris. From 1794 he was taught to play the horn by Philip Kenn, a cor basse (low horn); first at the Institut National de Musique and later in the first horn class of the Conservatoire. In 1797 he was the first horn player to be awarded the premier prix. 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(Brilliant Classics)\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907814084888,"sku":"5028421964386","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4211065-2989219.jpg?v=1777605451"},{"product_id":"schubert-4-sonatas-for-violin-piano-948763","title":"4 Sonatas For Violin \u0026 Piano","description":"\u003cp\u003eThe Bulgarian violinist Zefira Valova graduated from the National Music Academy of her native Sofia, Bulgaria, before specializing in Baroque violin studies with Lucy van Dael. While still based in her homeland, having founded Bulgaria’s only annual early-music festival (Sofia Baroque Arts Festival) she is a frequent soloist with and guest leader of the Helsinki Baroque Orchestra under its founder-director Aapo Häkkinen, who swaps the conductor’s platform on this occasion for a seat at a gentle, plangent-sounding fortepiano from 1820 of Viennese manufacture – ideally suited to the repertoire at hand. Together they make a lively and sympathetic partnership, informed by playing these youthful works in concert. Franz Schubert (1797-1828) was just 19 years old when he wrote a trio of sonatas in the spring of 1816, but he already had four symphonies under his belt as well as masterpieces of song such as Gretchen am Spinnrade and Erlkönig. Like so much of his music, they were only published after his death, when they were given both a misleading opus number (Op.137) and even title, for the diminutive ‘sonatina’ nomenclature shows little respect for both the scale of Schubert’s imagination and handling of form. On a technical level, the trio of pieces lies within the ambit of amateur players of both instruments, though more demanding for the pianist. This relative ease of execution need not obscure the rapturous melodies of the second work in the collection, D385, or its deeply felt harmonies, which culminate in an elegiac finale. Cast in the turbulent Erlkönig key of G minor, D408 turns the listener’s ear towards Beethoven, though the concise opening melody clearly speaks with Schubert’s voice. However, all three of these ‘sonatinas’ are somewhat overshadowed by the Sonata D574 from the summer of the following year, 1817, which ranks among the most inspired productions of even Schubert’s prodigious youth.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46907814150424,"sku":"5028421964232","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4007928-2774023.jpg?v=1777810625"},{"product_id":"cirri-sonatas-duos-for-cello","title":"Cirri: Sonatas \u0026 Duos For Cello","description":"\u003cp\u003eAll cellists of an adventurous disposition will accordingly be drawn to this new collection, which contains work dating from after Giovanni Cilli's return to Italy in 1780. 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His experience as a working musician in the French National Guard prompted him to produce Harmoniemusik – wind-band music – for various combinations of such instruments, without string accompaniment, as the duos and trios found on this album. There is also a brief Pot Pourri on arias of Paisiello conceived for the unusual combination four clarinets, two horns and two bassoons. Between 1803 and 1805 he produced six trios for three clarinets, and Luigi Magistrelli has chosen to record three of them, along with Fuchs’s ingenious arrangements of six arias from Mozart’s Magic Flute, which weave melody and accompaniment between the two instruments, producing pieces satisfying to both play and listen to on their own terms. As a clarinetist and ensemble leader, Luigi Magistrelli has built up a considerable Brilliant Classics discography of lesser-known repertoire from the Classical and early Romantic eras. 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