{"title":"Anton Bruckner 50% Sale on Select Titles","description":"","products":[{"product_id":"bruckner-latin-motets","title":"Bruckner: Latin Motets","description":"\u003cp\u003eOndine is proud to release its 17th album together with the award-winning Latvian Radio Choir and conductor Sigvards Klava dedicated to a cappella words by Anton Brucker. Anton Bruckner (1824–1896) is known as one of the greatest of 19th century symphonists. Yet, also choral music formed an integral part of the composer’s output. This album includes a selection of smaller choral works written between the years 1848 and 1892. Many of these works were long forgotten. Yet after a long stretch on the periphery of the choral world, Bruckner’s motets have now finally returned to a broader consciousness. The Latvian Radio Choir (LRC) ranks among the top professional chamber choirs in Europe and its refined taste for musical material, fineness of expression and vocal of unbelievably immense compass have charted it as a noted brand on the world map. The repertoire of LRC ranges from the Renaissance music to the most sophisticated scores by modern composers; and it could be described as a sound laboratory –the singers explore their skills by turning to the mysteries of traditional singing, as well as to the art of quartertone and overtone singing and other sound production techniques. The choir has established a new understanding of the possibilities of a human voice; one could also say that the choir is the creator of a new choral paradigm: every singer is a distinct individual with his or her own vocal signature and roles in performances.\u003c\/p\u003e","brand":"Ondine","offers":[{"title":"CD","offer_id":46908227649816,"sku":"761195136225","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3862690-2626960.jpg?v=1777684977"},{"product_id":"bruckner-symphonies-nos-3-4-6-7-941367","title":"Anton Bruckner: Symphonies Nos. 3, 4, 6, 7 \u0026 9","description":"\u003cp\u003eSir Roger Norrington has been chief conductor of the former Stuttgart Radio Symphony Orchestra RSO for thirteen years. In Bruckner's entirely individual style (culled from Beethoven, Schubert, Mendelssohn and Wagner, but rarely sounding like any of them), he echoes memories of his own violin playing as a youth at village weddings, quite as much as those of the St. Florian organ loft. (SWR Music)\u003c\/p\u003e","brand":"SWR","offers":[{"title":"CD","offer_id":46908554445080,"sku":"747313952885","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3987902-2729755.jpg?v=1777645773"},{"product_id":"bruckner-symphony-no-7-wolf-lieder","title":"Bruckner: Symphony No. 7 - Wolf: Lieder","description":"\u003cp\u003eThe Seventh, whose Adagio was shaped by news of Wagner’s death in Venice, is paired with songs of Hugo Wolf, who was also deeply affected by that news.\u003c\/p\u003e","brand":"Opus Arte","offers":[{"title":"Blu-Ray","offer_id":46908565422360,"sku":"809478071273","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2266404.jpg?v=1747161339"},{"product_id":"bruckner-symphony-no-5-wab-105","title":"Bruckner: Symphony No. 5, Wab 105","description":"Bruckner: Symphony No. 5, Wab 105","brand":"Naxos","offers":[{"title":"CD","offer_id":49026382463256,"sku":"730099445221","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/194005_893c86bf-e76a-4201-b23a-59c0c85d40f3.jpg?v=1747178606"},{"product_id":"a-musical-journey-bruckner-a-symphony-no-4-romantic","title":"A Musical Journey - Bruckner, A.: Symphony No. 4, \"Romantic\"","description":"The Places \u003cbr\u003e  • The journey is concerned largely with places of importance in the life of Anton Bruckner, his birth-place, the monastery of St Florian where he was trained and worked, and Vienna, where he spent his final years.\u003cbr\u003e  \u003cbr\u003e  The Music\u003cbr\u003e  • A man of modest origins, the composer Anton Bruckner continued and developed the symphonic tradition of Vienna in a series of imposing works that also drew inspiration from Wagner.\u003cbr\u003e \u003cbr\u003e  Picture format: NTSC 4:3\u003cbr\u003e  Sound format: PCM Stereo 2.0\u003cbr\u003e  Region code: 0 (worldwide)\u003cbr\u003e  Running time: 68 mins\u003cbr\u003e  No. of DVDs: 1","brand":"Naxos AudioVisual","offers":[{"title":"DVD","offer_id":49026382430488,"sku":"747313533459","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2266486.jpg?v=1777564667"},{"product_id":"bruckner-symphony-no-18","title":"Bruckner: Symphony No. 3","description":"\u003cimg src=\"\/graphics\/p10s10.gif\"\u003e\u003cbr\u003e  Every so often a recording comes out that is so powerful, so comprehensive in its interpretive vision, that it not only makes the music sound completely new, it forces a complete reappraisal of the music's overall significance. Georg Tintner's Bruckner Third is one such recording. In fact, it offers such a fundamental reappraisal of this music that it's safe to say that until you hear this recording, you have not heard Bruckner's Third Symphony. In order to understand why this is so, it's necessary to understand something of the history of the work. First composed in 1873 and dedicated to Wagner, the symphony went through at least two major revisions in the wake of its disastrous Vienna premiere. For the most part, these revisions involved cuts, but also some recasting of the basic thematic material of the first and last movement in a heavier, more \"late Bruckner\" style. The final, truncated version published by Nowak is the one most frequently played today, but the slightly less cut Oeser edition (the \"middle\" version) has been gaining favor recently, and has been recorded by conductors such as Haitink and Sinopoli.\u003cbr\u003e  \u003cbr\u003e Because Bruckner's later thoughts on the symphony reflect his more mature orchestral practice, the Third has acquired a reputation as a hybrid, a \"magnificent failure\" that falls between the Schubertian world of the early symphonies and his monumental later achievement. This view was reinforced by Robert Simpson's unsympathetic account of the work in his important English language study of the Bruckner symphonies. Eliahu Inbal's first recording of the original 1873 version for Teldec did nothing to dispel this impression, being a rapid and not especially well played performance that merely set out the notes that Bruckner wrote. Tintner's spacious, epic conception of the symphony couldn't be more different. In the first place, it plays for more than 77 minutes, making it Bruckner's longest symphony after the Eighth (and in fact longer than many performances of that work). But the tempos never sound slow. Rather, Tintner gives each thematic group time to breathe, to present its themes in Bruckner's characteristic blocks of sound, and along the way we make some fascinating discoveries. The first of these reveals the exposition of the first movement to be the richest and most thematically diverse that Bruckner ever wrote, with no less than four complete subject complexes. The spaciousness of the exposition makes the development section sound unusually concentrated for Bruckner, the movement's overall form confidently poised and balanced.\u003cbr\u003e  \u003cbr\u003e After the 30-minute first movement, with its huge contrasts of dynamics and texture, the lyrical adagio comes as the ideal contrast, and Tintner's gracious phrasing, combined with his ability to find just the right tempo, keeps the music moving with a real sense of inevitability. The Scherzo has never been controversial, and Tintner captures its lightness and rustic dance qualities as have few others, but it's the finale that offers the final revelation. Here, Tintner's confidence in Bruckner's vision pays huge dividends in a movement long regarded as almost a complete bust, formally speaking. With all the \"cyclical\" elements that were later removed still in place (the recollections of earlier themes), and a tempo that gives the music time to reveal its clear derivation from the melodies and accompaniments of the first movement, what we really have is one of Bruckner's most ambitious and far reaching formal successes, an energetic and satisfying counterbalance to the epic expanses of the symphony's opening. Tintner's belief in this symphony reveals it to be not some sort of unfortunate hybrid, but the product of a fully mature (he was 49 when he wrote it!), even radical composer. This in turn makes its initial failure in performance all the more understandable: there was certainly nothing even remotely like it in 1873. The conventional wisdom that the \"real\" Bruckner begins with the revised Fourth Symphony simply will not stand. It's this work that is his symphonic manifesto, and no one hearing this performance will doubt it for a second.\u003cbr\u003e  \u003cbr\u003e The Royal Scottish National Orchestra deserves a huge amount of credit for sharing Tintner's patience and conviction. The light tone of the strings, in particular, sounds especially \"right\" in this symphony, and in this case preferable to the darker, heavier sound of many Continental orchestras in this music. Tintner's Bruckner series has been almost uniformly excellent, but I think that this recording is the finest of them all. Its importance to our understanding of Bruckner's symphonic achievement is such that it amounts to nothing less than a premiere performance of a newly discovered masterpiece. Recordings this significant happen all too rarely. Don't miss it.\u003cbr\u003e --David Hurwitz, ClassicsToday.com","brand":"Naxos","offers":[{"title":"CD","offer_id":49026382627096,"sku":"730099445429","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/299894.jpg?v=1777580189"},{"product_id":"bruckner-a-string-quintet-in-f-major-string-quartet-in","title":"Bruckner, A.: String Quintet in F Major \/ String Quartet in","description":"\u003cbr\u003e \u003cbr\u003e  \u003cspan class=\"COMPOSER12\"\u003eBRUCKNER \u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003eString Quintet.\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1\u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003e String Quartet. Intermezzo in d.\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1\u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003e Rondo in c \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Fine Arts Qrt; Gil Sharon (va)\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1 \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e NAXOS 8.570788 (78.50) \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eWhen the Bruckner revival was in full swing a few decades ago, this writer was never entirely smitten, and to this day I wince when he and Mahler are combined in casual conversation, since the style and quality of their music is so utterly different. Bruckner’s limited chamber music output hasn’t found much of a home in the repertoire of top-tier ensembles, but there is enough to make a cautious judgment, and the latest entry from Naxos might help some to examine this lonely corner of the repertoire. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eGiven my prejudices, I might not be expected to gush over this new disc of Bruckner’s Quintet in F Major and Quartet in C Minor by the Fine Arts Quartet, and I won’t. The performances are quite good and lovingly delivered, but the same qualities I have always considered weaknesses (utterly predictable phrase patterns and melodic sequences, unjustified repetitions, etc.) are in full bloom here as well, characteristics magnified by the absent splendor of a grand orchestra creating great masses of sonic beauty, which I believe too often masks a dearth of ideas and creative paths through the material. Despite my harsh minority view of the topic, I would not recommend relegating this disc to the garbage heap. In fact, there are intermittent pleasures here and there that might please the casual Bruckner listener and delight his more ardent admirers. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003ePosterity is certainly wise to give greater value to the mature Quintet over the youthful and rather thinly realized Quartet. Composed around the time of the Fifth and Sixth Symphonies (1879), the Quintet sounds like one of his symphonic monuments, though it is a bit shorter and requires more nimble and intimate passagework from the performers, particularly the first violin. Some familiar harmonic patterns are present, and I detect some melodic snippets reminiscent of chamber works from Schumann (the “falling fifth,” for example). There is a fair amount of counterpoint, especially in the development section of the first movement. The Scherzo is one of the stronger movements on the disc, and is spun with a classical lightness that occasionally brings to mind Mendelssohn. There is even a touch of humor here and there, not an attribute Bruckner is known for. Not surprisingly for the \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eüber\u003c\/span\u003e \u003cspan\u003e-revisionist Austrian, there is an alternative to the Scherzo, a rather pleasant Intermezzo, handily included on the disc for those inclined to judge for themselves. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThe Adagio from the Quintet is sometimes heard in a transcription for string orchestra, a setting for which it seems more suited. Its lyrical, tender, and extended themes are among the composer’s finest, and there are occasions when the clarity of five players lends a touching intimacy not possible in massed strings. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThe Quartet was discovered only in 1949 in a sketchbook of works from his student years. This is a much more reticent composer, content to remain well within the models of quartet composition inherited from his predecessors, a tendency most notable in the Scherzo. His attempts at Romantic-era duress seem strained, but there are some catchy tunes, especially in the supple and tender Andante. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eI haven’t heard many of the dozen or so recordings of the Quintet, but you’re unlikely to find one much better than this finely executed and clearly recorded disc; doubly so for the far rarer Quartet. The Fine Arts Quartet gives a warmly expressive and carefully calibrated reading, joined by the fine violist Gil Sharon in the Quintet. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight:bold\"\u003eFANFARE: Michael Cameron \u003c\/span\u003e\u003cbr\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":49026382790936,"sku":"747313078875","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1450885.jpg?v=1777573438"},{"product_id":"bruckner-symphony-no-2-in-c-minor-wab-102-1872-version","title":"Bruckner: Symphony No. 2 in C Minor, WAB 102 (1872 Version)","description":"REVIEWS:\u003cbr\u003eBBC Music (5\/98, p.66) - Performance: 5 (out of 5), Sound: 5 (out of 5) -  \"...What will interest aficionados is the use here of the original 1872 version....Tintner's devotion to the work shines through....The playing is excellent, the recording spaciously warm if occasionally bass-light...\"","brand":"Naxos","offers":[{"title":"CD","offer_id":49026382823704,"sku":"636943400623","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/218698.jpg?v=1747178699"},{"product_id":"bruckner-symphonies-no-8-wab-108-no-0-nullte-wab-1","title":"Bruckner: Symphonies No. 8, WAB 108 \u0026 No. 0, \"Nullte\", WAB 1","description":"Bruckner: Symphonies No. 8, WAB 108 \u0026amp; No. 0, \"Nullte\", WAB 1","brand":"Naxos","offers":[{"title":"CD","offer_id":49026383282456,"sku":"636943421529","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/232362_76841512-4f08-48ef-9962-ac45feab268d.jpg?v=1777591405"},{"product_id":"mahler-symphony-no-7-bruckner-symphony-no-4-romantic","title":"Mahler: Symphony No. 7 - Bruckner: Symphony No. 4 \"Romantic\"","description":"Mahler: Symphony No. 7 - Bruckner: Symphony No. 4 \"Romantic\"","brand":"Vox","offers":[{"title":"CD","offer_id":49026383315224,"sku":"047163552021","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/268919_935fbb4c-00e3-4cad-9aed-13f35dbe5557.jpg?v=1725635166"},{"product_id":"bruckner-symphony-no-00-study-symphony-finale-to-symph","title":"Bruckner: Symphony No. 00 \"Study Symphony\" \u0026 Finale to Symph","description":"Bruckner: Symphony No. 00 \"Study Symphony\" \u0026amp; Finale to Symph","brand":"Naxos","offers":[{"title":"CD","offer_id":49026383347992,"sku":"636943443224","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/306038.jpg?v=1777591218"},{"product_id":"bruckner-symphony-no-1-adagio-to-symphony-no-3-wab-103","title":"Bruckner: Symphony No. 1 - Adagio to Symphony No. 3, WAB 103","description":"\u003cp\u003eThis first-ever recording of the original version of Anton Bruckner's sweeping Symphony No. 1 marked the final great achievement of the acclaimed Bruckner conductor, Georg Tintner, who died in 1999. Following the premiere of the symphony in 1868, Bruckner's devoted conductor friends, all of whom were die-hard Wagnerians like Bruckner himself, championed the work (and Bruckner's other compositions) while subjecting it to their own modifications in order to make Bruckner sound more Wagnerian! Regrettably, the trusting Bruckner sometimes allowed and even abetted these interventions. With the advantage of twenty-twenty hindsight, one can see that Bruckner was, from the beginning, a majestically individual composer and should have been left to his own devices. Under the knowing hand of Tintner, the Royal Scottish National Orchestra reveals this symphony's sprawling orchestral architecture as it was first conceived. The first two movements are surprisingly novel for a fledgling essay in the genre. The second movement already sets the standard for those otherworldly adagio movements, with their glacially unfolding melodies, that populate Bruckner's symphonies.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":49026383380760,"sku":"636943443026","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/311112.jpg?v=1777591201"},{"product_id":"symphony-no-6","title":"SYMPHONY NO. 6","description":"Classical Music","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49026383413528,"sku":"812864017793","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/665325.jpg?v=1777686016"},{"product_id":"bruckner-symphony-no-19","title":"Bruckner: Symphony No. 9","description":"The conductor Sergiu Celibidache was a legend in his own lifetime, mesmerising orchestras with his intensity and brilliance, both in rehearsals and in performances - which were always conducted from memory. His own connection with Bruckner's last great symphony is powerfully evident in this performance. The Celibidache Symphonic Series celebrates the historic release on DVD of rare footage of the few performances ever recorded for television. Celibidache conducting Bruckner's Symphony no. 9 in D Minor with the Orchestra Sinfonica di Torino della RAI in this 1969 Turin recording. RAI's historic black and white master is faithfully restored for this release, with digitally re-mastered 2-track mono.","brand":"Opus Arte","offers":[{"title":"DVD","offer_id":49026383446296,"sku":"809478009764","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1075712.jpg?v=1777684589"},{"product_id":"bruckner-symphony-no-7-wolf-lieder-1","title":"Bruckner: Symphony No. 7 - Wolf: Lieder","description":"\u003cimg src=\"\/graphics\/features\/misc\/edchoice2012_79.jpg\"\u003e\u003cbr\u003e  \u003cbr\u003e\u003ca class=\"links\" href=\"album.jsp?album_id=984832\"\u003e\u003cb\u003eAlso available on Blu-ray\u003c\/b\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e The Dresden Staatskapelle has a living Bruckner tradition, stretching back a century and more, which is lovingly curated by its new music director, Christian Thielemann, who is himself a powerful advocate for the composer's symphonies as the pinnacle of the Austro-German tradition; and in particular for the Wagnerian resonances of the Seventh, whose Adagio was shaped by news of Wagner's death in Venice. Hugo Wolf was also deeply affected by that news; his songs, like Bruckner's symphonies, can be seen as oblique reflections on the influence of Wagner, especially when sung, as they are here by Renée Fleming, with the utmost delicacy and intimacy.\u003cbr\u003e \u003cbr\u003e Hugo Wolf:\u003cbr\u003e Verbogenheit\u003cbr\u003e Er ist’s\u003cbr\u003e Elfenlied\u003cbr\u003e Anakreons Grab\u003cbr\u003e Mignon (2nd version)\u003cbr\u003e \u003cbr\u003e Richard Strauss: Befreit, Op. 39, No. 4\u003cbr\u003e \u003cbr\u003e Anton Bruckner: Symphony No. 7 in E major, WAB 107\u003cbr\u003e \u003cbr\u003e Renée Fleming, soprano\u003cbr\u003e Dresden Staatskapelle\u003cbr\u003e Christian Thielemann, conductor\u003cbr\u003e \u003cbr\u003e Recorded live at Semperoper Dresden, September 2012\u003cbr\u003e \u003cbr\u003e Picture format: NTSC 16:9\u003cbr\u003e Sound format: LPCM 2.0 \/ DTS 5.1\u003cbr\u003e Region code: 0 (worldwide)\u003cbr\u003e Running time: 106 mins\u003cbr\u003e No. of DVDs: 1\u003cbr\u003e","brand":"Opus Arte","offers":[{"title":"DVD","offer_id":49026383479064,"sku":"809478011156","price":28.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2266346_a542cd79-a097-4078-93d6-68bef46a7128.jpg?v=1777684674"},{"product_id":"symphony-no-4","title":"SYMPHONY NO. 4","description":"Classical Music","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49026384134424,"sku":"812864017779","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/665323.jpg?v=1747170591"},{"product_id":"symphony-no-1","title":"SYMPHONY NO. 1","description":"Classical Music","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49026384167192,"sku":"812864017748","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/665320_af81e2cd-e6f2-49f3-977b-beb8bf791cf6.jpg?v=1777686291"},{"product_id":"symphony-no-7","title":"SYMPHONY NO. 7","description":"Classical Music","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49026384199960,"sku":"812864017809","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/665326_379bd3fa-345b-471a-a8ce-675def146a74.jpg?v=1777436343"},{"product_id":"symphony-no-3","title":"SYMPHONY NO. 3","description":"Classical Music","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49026384265496,"sku":"812864016567","price":7.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1525293_c17beb18-11f6-4ea3-abf9-c68401850165.jpg?v=1777947670"},{"product_id":"symphony-no-3-first-version","title":"SYMPHONY NO. 3 (FIRST VERSION","description":"\u003cp\u003e\u003cspan\u003e\"I am more a friend of live performances and don’t believe that much in studio recordings,” commented Simone Young in an interview with Park Avenue magazine. “Our CDs are therefore recordings of live concerts. This was demonstrated with the Hamburg Philharmonic: that is an orchestra with which I can make a statement.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe press reacted with enthusiastic reviews of the first CD out of Hamburg (Bruckner’s Second Symphony, Original Version of 1872): “More analytical than her role-model Daniel Barenboim, but more impulsive than the unforgettable Günter Wand, Simone Young awakes the works of Bruckner’s early years to orchestral life.” (KulturSPIEGEL)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNow, following the fulminate success of the first CD comes Volume 2 with the Third Symphony as a live recording, also in its original version (1873), with the unmistakable acoustics of the Hamburger Musikhalle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEWS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cp\u003eA fair number of conductors...have recorded the original version of\u003cspan\u003e \u003c\/span\u003eAnton Bruckner's Symphony No. 3 in D minor, replete with the quotations from\u003cspan\u003e \u003c\/span\u003eRichard Wagner's Tristan und Isolde, Die Walküre, and Die Meistersinger, as well as quotes from\u003cspan\u003e \u003c\/span\u003eFranz Liszt's Graner Messe and\u003cspan\u003e \u003c\/span\u003eBruckner's own Mass in D minor...\u003c\/p\u003e\n\u003cp\u003eThe Urfassung of 1873 runs to over 68 minutes, and it is easily the longest version of any symphony\u003cspan\u003e \u003c\/span\u003eBruckner\u003cspan\u003e \u003c\/span\u003ecomposed, a dubious achievement for those who think less is more. Still, if this expansive version is the one listeners seek, then Young's exemplary performance is certainly among the best available, both for her deeply sympathetic interpretation and the committed playing of the\u003cspan\u003e \u003c\/span\u003eHamburg Philharmonic. This live performance is captured with sharp yet spacious reproduction, which is well served by the hybrid SACD format.\u003c\/p\u003e\n\u003cp\u003e-- AllMusic.com\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Oehms Classics","offers":[{"title":"SACD","offer_id":49026384232728,"sku":"812864018141","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1335188.jpg?v=1747175025"},{"product_id":"symphony-no-9","title":"SYMPHONY NO. 9","description":"Classical Music","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49026384298264,"sku":"812864016550","price":7.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1513399.jpg?v=1777947638"},{"product_id":"symphony-no-7-in-e-major","title":"SYMPHONY NO. 7 IN E MAJOR","description":"Classical Music","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49026384462104,"sku":"812864016581","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/962105.jpg?v=1777686950"},{"product_id":"symphony-no-8","title":"SYMPHONY NO. 5","description":"Classical Music","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49026384494872,"sku":"812864016574","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/709151_9246a92d-5126-413f-b6d9-3a9a1b0c24e7.jpg?v=1777943905"},{"product_id":"bruckner-symphony-no-6-in-a-major-wab-106-live","title":"Bruckner: Symphony No. 6 in A Major, WAB 106 (Live)","description":"\u003cp\u003eThe 6th Symphony of Anton Bruckner was recorded live for SACD in December 2013 at two concerts in the Hamburg Laeiszhalle. Here, too, critics were unanimous in their enthusiasm, as could be read in the Hamburger Abendblatt of 16 December 2013: “... This rendering of the 6th Symphony became, on the part of the Philharmonic, a festival of precision and punctuality. No wonder: Simone Young showed tempi of an organic effect, bonding with her musicians in a convincingly dosed mixture of fire and soul.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e\u003cspan\u003eThe great success of this issue lies in the conducting, since Young’s instinct for the all-important transitions in Bruckner is so sound and idiomatic—in fact she makes a few illustrious names sound a little self-indulgent by comparison. …one of the best among recent SACD versions of Bruckner’s 6th.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e\u003cspan\u003e-- MusicWeb International\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"ctl00_MainContent_gvReviews_cell2_12_ASPxPopupControl1_ASPxLabel2\" class=\"dxeBase_PlasticBlue\"\u003eSimone Young’s recordings of the symphonies of Anton Bruckner on Oehms Classics are valued for her use of original versions, as well as for their exceptional super audio sound, so they have attracted considerable attention from collectors. Young employs Leopold Nowak’s 1952 publication, so there’s no textual controversy to confuse listeners. To the extent that Bruckner explores unexpected keys and creates ambiguous tonal regions through his chromatic harmonies, the Sixth is one of his most enigmatic and challenging symphonies, paving the way for the late masterpieces. Young and the Hamburg Philharmonic deliver an impassioned and visionary performance that compels the listener to explore the piece in one sitting, and the experience is highly rewarding. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e-- AllMusic.com (Blair Sanderson)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e\u003cspan\u003e[Young’s] conducting is so alive that it brings every bar into the present moment. The cause of women conductors has been advancing too slowly on disc, so it’s gratifying that Young has emerged as a first-rate Brucknerian by any standard.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e\u003cspan\u003e-- Fanfare\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Oehms Classics","offers":[{"title":"SACD","offer_id":49026384560408,"sku":"4260034866874","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2829508.jpg?v=1777687212"},{"product_id":"bruckner-symphony-no-2-in-c-minor-wab-102-1872-version-1","title":"Bruckner: Symphony No. 2 in C Minor, WAB 102 (1872 Version)","description":"\u003cp\u003eThere are at least four versions of Anton Bruckner's 2nd Symphony; the last one was written in 1892. 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Another special characteristic of the original version is the solo horn passage in the Adagio, written in an extremely difficult register for the instruments of that time – but also of moving beauty.\u003c\/p\u003e","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49026384593176,"sku":"4260034864474","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3534819.jpg?v=1777807777"},{"product_id":"bruckner-symphony-no-8-1890-version","title":"Bruckner: Symphony No. 8 (1890 version)","description":"Classical Music","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49026384527640,"sku":"4260034867512","price":7.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1719227.jpg?v=1777687365"},{"product_id":"bruckner-symphony-no-20","title":"Bruckner: Symphony No. 4","description":"The Fourth Symphony in E-flat major with the epithet “The Romantic”, is likely the best-loved symphony of Anton Bruckner. It received its highly successful world premiere in 1881 in Vienna, performed by the Vienna Philharmonic under Hans Richter. The Scherzo with its hunting sequences is in particularly high favor with audiences. OehmsClassics presents here a live recording from April 2008 from the Great Festival Hall in Salzburg.","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49026384625944,"sku":"4260034864078","price":7.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1957386_69016dbd-c8ce-4e57-bc09-fa7fdf8b13c0.jpg?v=1777928149"},{"product_id":"bruckner-study-symphony-in-f-minor-wab-99","title":"Bruckner: Study Symphony in F Minor, WAB 99","description":"Classical Music","brand":"Oehms Classics","offers":[{"title":"SACD","offer_id":49026384691480,"sku":"4260034866867","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2604714.jpg?v=1777687652"},{"product_id":"bruckner-a-motets","title":"Bruckner, A.: Motets","description":"Classical Music","brand":"Capriccio","offers":[{"title":"CD","offer_id":49026387116312,"sku":"845221000046","price":21.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/142371.jpg?v=1777955639"},{"product_id":"bruckner-symphony-no-1-in-c-minor-wab-101-linz-version","title":"Bruckner: Symphony No.1 in C Minor, WAB 101 (Linz Version)","description":"With the present CD, OehmsClassics releases the “Linz Version” of Anton Bruckner’s First Symphony.  It is part of the complete symphony cycle being recorded by the Salzburg Mozarteum Orchestra under Ivor Bolton, its Chief Conductor since 2004. This live recording from the Large Festival Hall in Salzburg was realized in October 2013.  The 91-regular member Mozarteum Orchestra is one of Austria’s leading symphonic organizations, presenting two concert series of its own throughout the year as well as playing the Sunday Matinees concerts at the annual Salzburg Festival.","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":49026387181848,"sku":"4260034864368","price":7.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2794565_24bddc18-7506-4da8-b67f-4eaf043069e9.jpg?v=1777807753"},{"product_id":"bruckner-symphony-no-7-in-e-major-wab-108","title":"Bruckner: Symphony No. 7 in E Major, WAB 107","description":"\u003cp\u003ePaul Hindemith was an all-round musician. He had a near-professional command of most orchestral instruments, which naturally served as an excellent prerequisite for both composing and conducting. His prominence as a composer meant that the best and most famous orchestras were happy to have him as a conductor, which is why he regularly took to the podium with outstanding ensembles. In the studio, he always conducted his own works, recording them for labels such as Deutsche Grammophon, EMI, CBS and Decca. His work as a conductor in the concert hall and his occasional radio studio performances were much more varied, as with the present recording. When we hear Hindemith conducting Bruckner in 1958, we should bear in mind that a grand master is at work, unsurpassed in contrapuntal expertise and musical invention, the product of a vibrant tradition extending from Schütz and Bach to Mozart and Beethoven, and on to Brahms and Reger. 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One of the more popular choral works of late Romanticism, the Mass in F minor is said to have been a work of gratitude for the composer’s recovery from a persistent nervous illness. Soloists featured here are soprano Ruth Ziesak, alto Janina Baechle, tenor Benjamin Bruns, and bass Gunther Groissbock.\u003c\/p\u003e","brand":"Capriccio","offers":[{"title":"CD","offer_id":49026387247384,"sku":"845221052472","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3291271.jpg?v=1777730116"},{"product_id":"bruckner-symphony-no-7-wab-107","title":"Bruckner: Symphony No. 7, WAB 107","description":"\u003cp\u003eThis is a re-release of an SWRmusic-Bestseller. It contains Bruckner‘s most famous symphony heard in an outstanding interpretation. 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Sanderlings guest tours took him almost everywhere in Eastern and Western Europe, to Japan, and the USA, where he conducted the world’s leading ensembles.\u003c\/p\u003e","brand":"SWR","offers":[{"title":"CD","offer_id":49026387673368,"sku":"747313941087","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3457874-2705208_f8f50a98-2f7a-4946-9536-6cdd4535d53a.jpg?v=1777645843"},{"product_id":"bruckner-symphony-no-7-in-e-major-wab-107-1885-version","title":"Bruckner: Symphony No. 7 in E Major, WAB 107 (1885 Version,","description":"\u003cp\u003eBefore the great wave of Bruckner conducting that has taken place since the 1970s, it was Hans Knappertsbusch (1888–1966) who stood out as unquestionably one of the most important Bruckner exponents, and Bruckner was part of his core repertoire. There are several recordings by him of the 3rd to 5th and 7th to 9th Symphonies, two in the case of the Seventh, a live recording from the 1949 Salzburg Festival with the Vienna Philharmonic, and this transfer direct from the original tapes of 1963 (and not “off the air”) with the Cologne Radio Symphony Orchestra. The Seventh is particularly suited to comparison with older recordings insofar as there is no question of the alternative versions and editions we otherwise associate with Bruckner. The difference between the two recordings is substantial, which is no particular surprise when it comes to “Kna”. His later reading released here is painted on a broader canvas, goes into less individual detail; at the same time, one can appreciate how comprehensively Knappertsbusch plans the grand design while noting with amazement – especially at the brass-scored fortissimo climaxes typical of Bruckner – how energetically the conductor shapes, phrases, “turns into music” even here, something one does not hear these days. The orchestra is impressive for its exceptional solo contributions. 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He debuted as a conductor in 1944 with the Augusteo Orchestra, and at the same time became Fernando Previtali’s assistant in the orchestra of the RAI in Rome. Giulini gave up conducting in 1998. His life’s work includes a large number of phonograph recordings with, among them, the Vienna Philharmonic, which counted Giulini as its most important conductor for many years. 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