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(Avie)\u003c\/p\u003e","brand":"Avie Records","offers":[{"title":"CD","offer_id":46908297347352,"sku":"822252239621","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3828562.jpg?v=1777750034"},{"product_id":"emma-boynet-the-complete-solo-78rpm-recordings-faure-lps","title":"Emma Boynet - The Complete Solo 78Rpm Recordings \u0026 Faure LPs","description":"\u003cp\u003eAPR’s The French Piano School series is going from strength to strength, unearthing rare recordings of pianists, many who seem to have migrated off the radar. One such is Emma Boynet (1891-1974). You’ll never be let down by APR’s documentation. The Fauré recordings are the plums of the set and, for me, stand shoulder to shoulder with those of that other grande dame of the keyboard Germaine Thyssens-Valentin. - MusicWeb\u003c\/p\u003e","brand":"APR","offers":[{"title":"CD","offer_id":46908452634904,"sku":"5024709160334","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3897343-2662751.jpg?v=1777794029"},{"product_id":"ormandy-conducts-strauss","title":"Ormandy Conducts Strauss","description":"\u003cp\u003eSony Classical announces another ten releases in its popular series of Classical Masters. This new batch of budget-priced sets contains major recording projects by some of the 20th century’s most celebrated musicians. Two boxes in this new batch of Original Masters feature Eugene Ormandy and the Philadelphia Orchestra. The 4-album Richard Strauss set gathers together all of their early 1960s recordings of the famous tone poems along with Salome’s Dance, the Rosenkavalier and Bürger als Edelmann suites, the Burleske with soloist Rudolf Serkin and the First Horn Concerto, featuring Philadelphia principal Mason Jones. An early review in High Fidelity best summed up their powerful appeal in Strauss’s music: “There is no doubt that, for sheer gorgeousness, the Philadelphians have no peers.” More recent assessments in the Penguin Guide reaffirm that verdict: “Virtuoso orchestral playing … and many felicities of characterization” [Also sprach Zarathustra]; “Marvelous orchestral playing and the two soloists play splendidly with plenty of character” [Don Quixote]; “An extraordinarily voluptuous Philadelphia performance … Ormandy directs with licentious abandon, and the orchestra responds with tremendous virtuosity and ardor” [Salome’s Dance]; “Ormandy’s Ein Heldenleben is an engulfing performance, and the composite richness of tone and the fervor of the playing … bring the highest possible level of orchestral tension.”CD 1Also sprach Zarathustra op. 30Don Quixote op. 35Lorne Munroe cello · Carlton Cooley viola​​​​​​​CD 2Till Eulenspiegels lustige Streiche op. 28Don Juan op. 20Tod und Verklärung op. 24CD 3Ein Heldenleben op. 40Der Bürger als Edelmann op. 60CD 4Der Rosenkavalier – Suite TrV 227dTanz der sieben Schleier from Salome op. 54Burleske for Piano and Orchestra in D minor TrV 145Rudolf Serkin pianoConcerto for Horn and Orchestra No. 1 in E-flat major op. 11Mason Jones horn\u003c\/p\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":46908489367832,"sku":"194397095326","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3782458-2549763.jpg?v=1777654522"},{"product_id":"anne-sophie-mutter-vivace","title":"Anne-Sophie Mutter – Vivace","description":"0","brand":"Naxos AudioVisual","offers":[{"title":"DVD","offer_id":46908498182424,"sku":"747313913282","price":13.99,"currency_code":"USD","in_stock":true},{"title":"Blu-Ray","offer_id":46908498149656,"sku":"747313913381","price":15.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/747313913282.pt01.jpg?v=1777562261"},{"product_id":"joplin-the-complete-works-for-piano","title":"Joplin: The Complete Works For Piano","description":"\u003cp\u003eBetween January and April 1975, the classically trained, multi-award-winning jazz pianist and composer Dick Hyman went into RCA’s Studio A in New York City and set down the definitive recording of ragtime legend Scott Joplin’s piano works. Now at last, Sony Classical is issuing Hyman’s entire Joplin album on three well-filled silver discs. (Sony)\u003c\/p\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":46908503818520,"sku":"196587923624","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389407-3299547.jpg?v=1777535950"},{"product_id":"alfven-complete-symphonies-suites-rhapsodies-niklas-willen","title":"Alfven: Complete Symphonies; Suites; Rhapsodies","description":"\u003cp\u003eHugo Alfven’s music has always been close to the hearts of the Swedish people, and ranks among some of the most significant and representative of the spirit of the country. Alfven is known as a cheerful entertainer in compositions such as \"Den forlorade sonen\" (‘The Prodigal Son’), and these recordings sweep us into the remarkable world of Scandinavian landscape and culture. 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This complete edition also contains works attributed to Bach as well as the recording of the Chorale Fantasia Wo Gott der Herr BWV 1128 that has only been rediscovered in 2008.\u003c\/p\u003e","brand":"Ricercar","offers":[{"title":"CD","offer_id":47105292960024,"sku":"5400439004597","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4391582-3304399.jpg?v=1777718018"},{"product_id":"complete-columbia-album-collection-philadelphia-woodwind-quintet-12-cds","title":"Complete Columbia Album Collection \/ Philadelphia Woodwind Quintet [12 CDs]","description":"\u003cp\u003eThe Philadelphia Woodwind Quintet; founded in 1950; comprised the principal woodwinds and French horn of The Philadelphia Orchestra. They made their recording debut for Columbia in 1953: four players from the ensemble were joined by pianist Rudolf Serkin in the Beethoven and Mozart Quintets in E-flat. Serkin; a frequent soloist with the orchestra; had been so taken by the artistry and tonal colors of its first-chair winds that he approached them about making a record together. So began the group’s history at Columbia’s 30th Street Studio in Manhattan. It would span 15 years; during which the ensemble naturally focused on the many outstanding works scored for standard woodwind quintet. But guest performers often joined them on recordings as well as in concerts; extending their repertoire to include not only composers of their own time; but even music outside the classical sphere written by the legendary jazz trumpeter Ornette Coleman. Reviewing the original LP releases; High Fidelity wrote that “one is very conscious of the superb skill with which each player shapes his own melodic line. Yet the ensemble is the thing; and the Philadelphians provide ensemble playing of the highest order. The players seem to breathe as one; the music ebbs and flows with a perfect sense of unanimity. The sound is excellent.” The Philadelphia Woodwind Quintet released their last recording in 1968; and by early in the next decade their albums had practically vanished from record-store shelves. Owing to the legendary reputation of the Philadelphia wind section; many of the albums included in this set have acquired almost mythical status. The vast majority of the ensemble’s recordings; 8 out of 12 CDs; are presented in this collection for the first time in digital format mastered from the original analogue master tapes.\u003c\/p\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":47105296171288,"sku":"196588132629","price":59.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389369-3299548.jpg?v=1731770794"},{"product_id":"juilliard-string-quartet-the-early-columbia-recordings-16-cds","title":"Juilliard String Quartet – The Early Columbia Recordings [16 CDs]","description":"\u003cp\u003eFollowing up its widely acclaimed reissues of the Juilliard Quartet’s complete Epic and RCA Victor albums – originally issued between 1956 and 1960 –Sony Classical is excited to present a new box set collecting the earliest albums of this august American ensemble. Made between 1949 and 1956 in Columbia’s studio on Manhattan’s 30th St., these landmark recordings are mostly new to CD. (Sony)\u003c\/p\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":47105297613080,"sku":"194398311029","price":27.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3969109-2717380.jpg?v=1777654637"},{"product_id":"emanuel-ax-yo-yo-ma-a-celebration-21-cds","title":"Emanuel Ax \u0026 Yo-Yo Ma - A Celebration [21 CDs]","description":"\u003cp\u003e“It has been almost 50 years since I met Yo-Yo in the cafeteria at the Juilliard School… We became friends very quickly and a couple of years later played a benefit concert for a children’s orchestra... I believe that in the life and career of a musician, luck plays an enormous role. The great piece of luck in my musical life has been my partnership with Yo-Yo. I learned most of the standard cello repertoire with him, but through our work together I also learned an enormous amount about all the other music that I was playing – and about sharing my love of music with audiences. Our approaches to learning a new work together started at opposite ends quite often. Yo-Yo always saw the big picture, he thought first about the emotional impact. I often started by asking why the third eighth note in bar 2 had a dot, and the fourth one didn’t. Gradually, we met in the middle. For me, it was revelatory to work in his way, and I hope I did not annoy him too much with my persnickety questions! Our first recordings were the Beethoven Sonatas. We had played them in concert a number of times and thought that we could do a creditable performance on disc. I remember so well the thrill of seeing those LP covers; the pianist is now a white-haired old gentleman, and the cellist looks as young as ever! I am a great lover of Russian music, but never felt that I could play it properly. The albums of Shostakovich, Rachmaninoff and Prokofiev are very special to me as they represent my attempts at music that I adore… When I look at the list of recordings that Yo-Yo and I have done together I feel enormously privileged to have shared in the journey of this unique artist. It was happenstance and great good fortune that gave me this gift, and I am grateful beyond measure for the time we have had together. I hope there are still some years left for me to keep learning from him, and that we continue to have fun exploring together.” (Emanuel Ax)SET CONTENTSDISC 1:Beethoven: Cello Sonata No. 1 in F Major, Op. 5 No. 1   Beethoven: Cello Sonata No. 2 in G Minor, Op. 5 No. 2DISC 2:Beethoven: Cello Sonata No. 4 in C Major, Op. 102 No. 1   Beethoven: 7 Variations on \"Bei Männern, welche Liebe fühlen\", WoO 46   Beethoven: 12 Variations in G Major on \"See the Conqu'ring Hero Comes\", WoO 45   Beethoven: 12 Variations in F Major on \"Ein Mädchen oder Weibchen\", Op. 66   DISC 3:Beethoven: Cello Sonata No. 3 in A Major, Op. 69   Beethoven: Cello Sonata No. 5 in D Major, Op. 102 No. 2DISC 4:Brahms: Cello Sonata No. 1 in E Minor, Op. 38Brahms: Cello Sonata No. 2 in F Major, Op. 99DISC 5:Brahms: Cello Sonata No. 1 in E Minor, Op. 38Brahms: Cello Sonata No. 2 in F Major, Op. 99   Brahms: Violin Sonata No. 3 in D Minor, Op. 108DISC 6:Schumann: Cello Concerto in A Minor, Op. 129   Symphonieorchester des Bayerischen Rundfunks \/ Conductor: Sir Colin Davis Schumann: Fantasiestücke, Op. 73   Schumann: Adagio and Allegro, Op. 70   Schumann: 5 Stücke im Volkston, Op. 102   DISC 7:R. Strauss: Cello Sonata in F Major, Op. 6, TrV 115   Britten: Cello Sonata in C Major, Op. 65DISC 8:Prokofiev: Cello Sonata in C Major, Op. 119Rachmaninov: Cello Sonata in G Minor, Op. 19DISC 9:Brahms: Clarinet Trio in A Minor, Op. 114   Beethoven: Piano Trio No. 4 in B-Flat Major, Op. 11 \"Gassenhauer\"   Mozart: Piano Trio in E-Flat Major, K. 498 \"Kegelstatt\"   Clarinet: Richard Stoltzman DISC 10:Chopin: Piano Trio in G Minor, Op. 8   Violin: Pamela Frank Chopin: Introduction et Polonaise brillante in C Major, Op. 3   Chopin: Cello Sonata in G Minor, Op. 65   Chopin: Introduction et Polonaise brillante in C Major, Op. 3 (Transcribed for Piano)Piano: Eva OsinskaDISC 11:Dvořák: Piano Trio No. 3 in F Minor, Op. 65, B. 130   Dvořák: Piano Trio No. 4 in E Minor, Op. 90, B. 166 \"Dumky\"   Violin: Young Uck Kim DISC 12:Shostakovich: Piano Trio No. 2 in E Minor, Op. 67   Violin: Isaac Stern Shostakovich: Cello Sonata in D Minor, Op. 40   DISC 13:Mozart: Piano Quartet No. 2 in E-Flat Major, K. 493   Mozart: Piano Quartet No. 1 in G Minor, K. 478   Violin: Isaac Stern Viola: Jaime Laredo DISC 14:Beethoven: Piano Quintet in E-Flat Major, Op. 16 (Version for Piano Quartet)   Schumann: Piano Quartet in E-Flat Major, Op. 47   Violin: Isaac Stern Viola: Jaime Laredo DISC 15:Brahms: Piano Quartet No. 1 in G Minor, Op. 25   Brahms: Piano Quartet No. 3 in C Minor, Op. 60   Violin: Isaac Stern Viola: Jaime Laredo DISC 16:Brahms: Piano Quartet No. 2 in A Major, Op. 26   Violin: Isaac Stern Viola: Jaime Laredo DISC 17:Dvořák: Piano Quartet No. 2 in E-Flat Major, Op. 87, B. 162   Violin: Isaac Stern Viola: Jaime Laredo Brahms: Sonata in D Major for Cello and Piano, Op. 78 (arr. from the Sonata in G Major for Violin and Piano)   DISC 18:Fauré: Piano Quartet No. 1 in C Minor, Op. 15   Fauré: Piano Quartet No. 2 in G Minor, Op. 45   Violin: Isaac Stern Viola: Jaime Laredo DISC 19:Schubert: Piano Quintet in A Major, D. 667, Op. 114 \"Trout\"   Violin: Pamela Frank Bass: Edgar Meyer Viola: Rebecca Young Schubert: Arpeggione Sonata in A Minor, D. 821   Schubert: Die Forelle, D. 550, Op. 32   Soprano: Barbara BonneyDISC 20:Lieberson: King Gesar   Conductor: Peter Lieberson Percussion: Stefan Hüge Piano: Peter Serkin Flute: Andras Adorjan Clarinet: Deborah Marshall French Horn: William Purvis Trombone: David Taylor Corigliano: Phantasmagoria   DISC 21:Mendelssohn: Piano Trio No. 1 in D Minor, Op. 49   Mendelssohn: Piano Trio No. 2 in C Minor Op. 66   Mendelssohn: Songs without Words, Op. 19, No. 1 \"Sweet Remembrance\" - Andante con moto   Mendelssohn: Songs without Words, Op. 38, No. 6 \"Duetto\" - Andante con moto   Mendelssohn: Songs without Words, Op. 38, No. 2 - Allegro non troppo   Violin: Itzhak Perlman Mendelssohn: Songs without Words, Op. 62, No. 1 - Andante espressivo   Mendelssohn: Song without Words, Op. 109   Beethoven:  Piano Trio No. 4 in D Major, Op. 70, No. 1 \"Ghost\": II. 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French pianist Didier Castell-Jacomin is a Steinway Artist.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":47105305411864,"sku":"747313416578","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4246505-3143498.jpg?v=1777534148"},{"product_id":"music-from-armenia-for-cello-and-piano","title":"Music from Armenia for Cello and Piano","description":"\u003cp\u003e\"•Cellist Heather Tuach and pianist Patil Harboyan present a recording of tuneful folk-inspired works by Gomidas, Stepanian, Babajanian and Arutiunian. \n\u003cbr\u003e • These works will appeal to many, being brilliantly lyrical and romantic in style throughout. \n\u003cbr\u003e • Almost all of the works are receiving their first recording. Ms. Tuach is a member of the Fitzwilliam String Quartet. \n\u003cbr\u003e • Ms. Harboyan enjoys a versatile musical career as a performer, chamber musician and teacher. \n\u003cbr\u003e • Both musicians perform regularly together.\"\u003c\/p\u003e","brand":"Divine Art","offers":[{"title":"CD","offer_id":47105307836696,"sku":"809730507526","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/2565784.jpg?v=1777547430"},{"product_id":"a-celebration-of-cellos-cello-spice","title":"A Celebration of Cellos \/ Cello Spice","description":"\u003cp\u003eWhen it was originally released in 1995, this album was the very first to be devoted to works for cello ensemble, a genre which has since become much more popular. The release includes mainly works of the Romantic school, with gorgeous melodies and rich harmonies from the four cellos, for example in the Mainardi Notturno and the works by Marie Dare. Many of the pieces here were first recordings and these still remain the only recordings for some. Variety is provided by neo-classical pieces by Rodrigo and Aeschbacher, and the classical-period Trio by Cervetto. Cello Spice was an ensemble of four leading cellists from Scottish orchestras, including Gillian Copp, Alison Lawrance, John Davidson and Mark Bailey, now best known for his work with the Edinburgh Quartet.\u003c\/p\u003e","brand":"Divine Art","offers":[{"title":"CD","offer_id":47105309638936,"sku":"5028117500225","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/1922318.jpg?v=1777605268"},{"product_id":"wonderland-the-kings-singers","title":"Wonderland \/ The King's Singers","description":"\u003cp\u003eWonderland is full of magic and myth. Containing exclusively works commissioned by The King’s Singers across their 55 years; the album celebrates their trademark musical storytelling; with no shortage of comedy. György Ligeti’s six Nonsense Madrigals; each setting playful children’s poetry or extracts from Lewis Carroll’s Alice’s Adventures in Wonderland; provide a musical spine to the album; commemorating 100 years since the composer’s birth in 1923. From just over 50 years ago; the fairytale The Musicians of Bremen (1972) – set to music by the Australian composer and Master of the Queen’s Music Malcolm Williamson – sits alongside Time Piece (1972) by Paul Patterson; which tells an eccentric alternative creation story. These myth-based works have recent companions such as Judith Bingham’s extended work Tricksters (2019); which unearths what could happen if miscreants from different world mythologies could come together for the first time; and Ola Gjeilo’s A Dream within a Dream which questions the very nature of perception and reality. The album also features the legendary Japanese film and game composer Joe Hisaishi’s first ever choral work; I was there (2022); focussing on the cultural memory of tragic events such as 9\/11 and the 2011 Japan Earthquake. Themes of hope and positivity; centred on the natural world; emerge in Makiko Kinoshita’s Ashita no uta (Song for tomorrow) (2020) and Francesca Amewudah-Rivers’ Alive (2022).\u003c\/p\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":47105315209496,"sku":"635212073926","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4391614-3304335.jpg?v=1777534281"},{"product_id":"j-s-bach-mysterium-anne-akiko-meyers-ep","title":"J.S. Bach: Mysterium \/ Anne Akiko Meyers (EP)","description":"\u003cp\u003eSuperstar violinist Anne Akiko Meyers’ imagination and ingenuity knows no bounds. Her idea to persuade leading living composer Morten Lauridsen to transform his choral masterpiece, O Magnum Mysterium, into a work for violin and choir is a masterstroke. Teaming up with conductor Grant Gershon – who first collaborated with Anne as chamber musicians over 40 years ago – and the Los Angeles Master Chorale, for whom Lauridsen was their first Composer in Residence, Anne rounds out this 4-track EP with three other arrangements for violin and chorus of ever-popular works by J.S. 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He taught composition at London’s Royal College of Music from 1883 to 1895, when he succeeded Sir George Grove as director of the College, a post he held until his death. His distinguished list of pupils included Ralph Vaughan Williams, Gustav Holst, Frank Bridge, and John Ireland. Inspired initially by the German romantics Mendelssohn and Schumann, Parry quickly became a devotee of Brahms and Wagner, whose influences can be heard in much of his output. But, from his earliest works, his own individual voice can be heard very clearly. Commissioned for the Three Choirs Festival, in Gloucester in 1880, his Scenes from Shelley’s Prometheus Unbound is just such an early work. The première received a mixed reception, but despite numerous repeat performances, in Cambridge, Oxford, and London, all with rave reviews, the piece sank into obscurity. Vernon Handley gave a performance for BBC Radio 3 in 1980, to mark the centenary of the première, but this world première recording is the first chance for modern audiences to hear this outstanding work.\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"SACD","offer_id":47105345093912,"sku":"0095115531723","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4235485-3152788.jpg?v=1777534470"},{"product_id":"bartok-piano-concertos-sf-symphony-esa-pekka-salonen","title":"Bartok: Piano Concertos \/ SF Symphony; Esa-Pekka Salonen","description":"\u003cp\u003ePianist Pierre-Laurent Aimard joins forces with the San Francisco Symphony and Music Director Esa-Pekka Salonen for a recording of Bartók’s complete piano concertos. A pianist himself; Bartók imbued his three concertos with multiple aspects of his compositional persona; ranging from complex and innovative (the First) to exuberant (the Second) and serene (the Third). The result is a fascinating slice of his musical life. This all-Bartók release marks the first Pentatone collaboration between Esa-Pekka Salonen and the San Francisco Symphony; an ensemble he has reshaped through creative performance concepts and expansive new media projects. A renowned champion of twentieth-century music; Pierre-Laurent Aimard has released multiple acclaimed albums in his exclusive contract with Pentatone; including Messiaen’s Catalogue d’Oiseaux (2018) and Visions de l’Amen (2022); along with Beethoven’s Hammerklavier Sonata \u0026amp; Eroica Variations (2021). He also joined Tamara Stefanovich in Etudes and Frames (2023); with music by Vassos Nicolaou. 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Almost 400 years later, we reconnect with this uncommonly tolerant place and time to share a history that is yet untold. The album includes vivid and charming duets from Monteverdi’s 7th book of madrigals as well as his touching musical love letters (lettere amorose). Additionally, there are four modern-day premieres of works by the little-known composers Boretti, Melani, and Castrovillari; including a moving duet for the lovers Hercules and Theseus as they exit the underworld hand-in-hand. Solo arias by Cavalli and Stradella depict the yearning of hidden love, and the recording culminates with one of the most beautiful duets of all time, ‘Pur ti miro’ from Monteverdi’s L’incoronazione di Poppea. This album is a recognition and celebration of gay love that spans the centuries.\u003c\/p\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":47227815756056,"sku":"635212076927","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389295-3299612_3f8d284e-ab33-48a0-a5aa-a2594895d5cc.jpg?v=1777532525"},{"product_id":"mariachi-mexico-mariachi-sol","title":"Mariachi Mexico \/ Mariachi Sol","description":"\u003cp\u003eMariachi is the name of a traditional Mexican street music with a style that has developed continuously throughout its history. While in earlier times only the vihuela and the gitarron were used, and sometimes also the harp, one finds today that many different instruments are involved. This is a great introductory album to the genre, presented by the well-established Mariachi band, Mariachi Sol. 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He did this by transforming the violin into an orchestra of multiple voices and timbral experimentation, in other words, stretching the very limits of what a single instrument could do. This programme is particularly interesting, both for the quality of the performances as well as the new chamber-string versions created by Francesco Fiore and Salvatore Lombardo. It also juxtaposes extremely popular Paganini works alongside compositions not very often heard in the concert hall but which help flesh out our understanding of the artistry of a composer too often misjudged as merely an acrobat of the violin. In four of Paganini’s best-known compositions – the ‘Campanella’ (Bell) movement from the Violin Concerto No.2, the Moses Fantasy, the Witches’ Dance and the Cantabile – the solo violin is here accompanied by a string quintet. In the first three, the string quintet stands in for the orchestra with a consequent lightening of accompaniment. In the Cantabile, the original of which was for violin and piano (Paganini’s only piece to be accompanied by keyboard rather than guitar), the ‘heavier’ quintet accompaniment still manages to retain a discreet sense of enjoyable sophistication. The next two works, Nos. 6 and 3 of the 6 Sonatas Op.3 for violin and guitar, are presented here in transcriptions for two or three violins. These two sonatas, written in the salon style typical of the age, delight the listener with the conversational nature of the violin writing. Finally come three compositions in their original versions, providing an excursion into a lesser-known, but still very interesting, area of Paganini’s chamber output. 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You feel calm, serene, still, at peace, relaxed, untroubled, chilled-out . . . perhaps we have so many different words for this state of mind because it is so important, and yet so elusive in an often noisy, frantic world.Music has an extraordinary power to evoke tranquillity – as is revealed in the eleven pieces I have chosen to make up this collection. Ten of them happen to be among my personal favourites, drawn from the music of seven composers, plus the treasure trove of anonymous folk music, and I have added an orchestral version of my choral setting of Lord, make me an instrument of thy peace, a text formerly believed to be by St Francis of Assisi.\u003c\/p\u003e","brand":"Collegium Records","offers":[{"title":"CD","offer_id":47242884153624,"sku":"040888040224","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4253166-3206435.jpg?v=1777532679"},{"product_id":"beethoven-complete-string-quartets-dover-quartet","title":"Beethoven: Complete String Quartets  Dover Quartet","description":"\u003cp\u003eNamed one of the greatest string quartets of the last 100 years by BBC Music Magazine, the Grammy-nominated Dover Quartet’s critically acclaimed epic traversal of Beethoven’s Complete String Quartets, including Vol. 1: The Opus 18 Quartets (2020), Vol. 2: The Middle Quartets (2021), and Vol. 3: The Late Quartets (2022), is now available as a specially priced 8-disc boxed set (price of 3 CDs). “It’s hard to imagine a group better suited to recording these works than the Dover Quartet,” wrote New York’s WQXR of the Vol. 1 Op. 18 quartets, often cited as the epitome of the classical string quartet as developed by Haydn and Mozart, while foreshadowing Beethoven’s future innovation. “Beethoven would find it hard to believe that his quartets could be played with such perfection of execution, such beauty of tone, such nuance of expression, and such keen understanding of his music’s meaning and intent” (Fanfare). Vol. 2, the Dover Quartet delivered “the most profoundly penetrating performances of Beethoven’s middle string quartets” (Fanfare), including the three Op. 59 “Razumovsky” Quartets, infused with Russian folk tunes; the graceful “Harp,” Op. 74, named for its plucked string figures; and the intense Op. 95 “Serioso,” a forward-looking experiment that Beethoven originally intended “for a small circle of connoisseurs.” Only Strings said, “The Dover performances sparkle and thrill. Their virtuosity is immediately apparent.” Comprising Beethoven’s very last compositions — the five monumental, revolutionary Late Quartets and imposing Grosse Fuge — Vol. 3 “culminates their excellent recordings of all of Beethoven’s string quartets” (Third Coast Review). Remarkable and often daunting works that upended the concept of the string quartet, they are often considered the ultimate expression of Beethoven’s artistry. “This is a monumental achievement by one of the best string quartets playing today” (Classical CD Reviews). The Dover Quartet has followed a “practically meteoric” (Strings) trajectory to become one of the most in-demand chamber ensembles in the world since sweeping all prizes at the 2013 Banff International String Quartet Competition. In addition to serving as the Penelope P. 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These excellent performances are reissued here in a single box. ClassicsToday: “There’s much to savor over the course of these seven discs … Zinman’s clear-headed, intelligent interpretations are well worth getting to know.” MusicWeb International: “Zinman has the measure of the scope and scale” of Strauss’s music. “Throughout the project there is no question that the Zurich Tonhalle Orchestra play particularly well, while the Arte Nova engineers have produced an atmospheric acoustic and a suitably opulent sound quality … Undoubtedly a major collection.”\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003cbr\u003e \u003cbr\u003e As a Strauss conductor, David Zinman's interests lie more with making sense of the composer's complex linear strands than reveling in his dazzling sonorities and dynamic extremes. In other words, Zinman's a line guy, while Straussians like Kempe and Karajan are chord guys (Strauss is a chord guy disguised as a line guy). There's much to savor over the course of these seven discs.\u003c\/p\u003e\n\u003cp\u003eZinman's Alpine Symphony mirrors the rounded elegance of Karajan's early digital DG recording, but with more accomplished first-desk playing and better-balanced sonics. He also surpasses the venerable Böhm traversal of the garish Festival Prelude (perhaps the worst orchestral composition by a major composer). Zinman leads a disciplined Sinfonia Domestica that proves more genial and less regimented than Szell\/Cleveland, even if we've long been spoiled by Neeme Järvi's stunning brass section. Although Zinman's Metamorphosen doesn't match Karajan's uniform tonal beauty or Kempe's surging climaxes, he takes uncommon care to place the solo and ensemble lines in proper perspective.\u003c\/p\u003e\n\u003cp\u003eAll of the works with soloists are played well, especially Simon Fuchs' supple, rich-toned traversal of the Oboe Concerto and Roland Pöntinen's incisive, frighteningly assured left-hand work in the Parergon. While Kempe\/Dresden reigns as the Strauss collection of reference, Zinman's clear-headed, intelligent interpretations are well worth getting to know.\u003cbr\u003e \u003cbr\u003e --Jed Distler, ClassicsToday.com (reviewing a previous release of this music on Arte Nova)\u003c\/p\u003e","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":47301680726296,"sku":"190759454824","price":12.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/3862728-2651575_880eb15b-7be8-49f2-a150-c1936fd41882.jpg?v=1777654539"},{"product_id":"cleveland-quartet-the-complete-rca-album-collection-gemini-eschenbach-christoph","title":"Cleveland Quartet – The Complete Rca Album Collection  Gemini, Eschenbach, Christoph","description":"\u003cp\u003eImmediately upon their debut at the 1969 Marlboro Festival, four brilliant young American musicians calling themselves the Cleveland Quartet were hailed as a chamber ensemble of exceptional quality. Over the next quarter century, they performed on every continent, including nearly 30 complete Beethoven cycles in the US and Europe. At their peak, the Cleveland Quartet gave more than 100 concerts a year. They became the first classical artists to play on the televised Grammy awards and performed at the White House for President’s Carter inauguration. “A quartet in the great tradition,” declared Stereo Review’s critic, commenting on the Cleveland’s Beethoven for RCA Victor, their exclusive label between 1972 and 1987. Most of the ensemble’s recordings for RCA had never appeared on CD until now. Sony Classical is pleased to present this entire, critically acclaimed discography in a box set of 23 discs. The earliest entry, first released in 1973, comprises the three Brahms quartets, idiomatic performances that Gramophone’s enthusiastic reviewer heard as “suffused with a warm and mellow light. Scrupulous attention is given to every detail and yet lyrical phrases are allowed their head. … There is no other complete set of these three works that effectively rivals this new recording.” The same magazine also acclaimed the next Cleveland release, Schubert’s “Death and the Maiden”: “I know of no string quartet with more sumptuous tone than the Cleveland. Their style of music-making is equally generous: they squeeze the last drop of expression out of every bar. … The recording is excellent in catching their tonal body and bloom.” And so the story continued, with quartets by Haydn, Ives (“A definitive performance” – High Fidelity) and Barber, as well as collaborations with Emanuel Ax in the piano quintets of Schumann, Brahms and Dvorák, which Stereo Review in 1977 deemed “the finest thing the Cleveland Quartet has yet given us – simply gorgeous playing that is totally integrated, within the foursome and with the pianist, at every point.” There are also two octets. In Mendelssohn’s, the Cleveland players are joined by the Tokyo Quartet, in Schubert’s by such distinguished British soloists as Barry Tuckwell on horn and Jack Brymer on clarinet. And, not least, there is the Schubert String Quintet with Yo-Yo Ma as second cellist, recorded and originally released by CBS. Gramophone called the performance “splendid”, one that goes “to the very heart of this wonderful work.” But the core of the Cleveland Quartet’s RCA discography is surely the complete Beethoven cycle they recorded between 1974 and 1979. Stereo Review was thoroughly impressed in the Early Quartets by the “(seemingly) effortless agilità, rhythmic vitality and flexibility, and feel for structure and the big line”, and its reviewer found the performances of the Middle Quartets “full of intensity and flexibility with never a hint of self-indulgence, romantic excess, or, for that matter, academicism or over study. 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Jacopo Salvatori demonstrates, on this groundbreaking new album, how much else there is for pianophiles and enthusiasts for French romanticism to enjoy.\u003c\/p\u003e\n\u003cp\u003eIn his booklet note, Salvatori describes how he tracked down the manuscripts for several pieces heard here effectively for the first time. They include a beautiful four voices fugue written in 1889, a piece clearly influenced by the teaching of Franck. There is also a series called Morceaux egoists, of which some are lost, but there are pointers in what survives towards a different side of Lekeu to the one known from the familiar, Wagnerian richness of the Violin Sonata. Even the Piano Sonata takes on a different complexion as potentially more of a Suite, somewhat loosely assembled, but unified by a poetic motto from the writer George Vanor. 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This new recording includes various Latin motets written by Byrd for the feast, along with the remarkable Mass setting in four parts. Part of this album is a recording, originally released on LP only in 1981, of the Saint Thomas Choir under the late Gerre Hancock, singing Byrd’s complete Great Service, written in the vernacular for the reformed Anglican liturgy – the flip side of Byrd’s Latinate expression.\u003c\/span\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":47472013115672,"sku":"635212077627","price":16.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/4346\/3192\/files\/4389300-3299616.jpg?v=1777532067"},{"product_id":"suppe-fantasia-symphonica-orchestral-overtures-preludes","title":"Suppe: Fantasia Symphonica; Orchestral Overtures; Preludes","description":"\u003cp\u003eThis album presents a selection of Suppé rarities and classics. 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Drawing upon his Ukrainian heritage, La Rocca’s setting of a poem on Ukrainian priest Andrei Ischak (martyred by the Bolsheviks) deeply resonates with those enduring oppression today. The composer’s late sister Carin, who valiantly confronted the challenges of multiple sclerosis, gave inspiration to the “Messe des Malades” (Mass for the Sick). It underscores the universal need for healing, capturing the composer’s personal journey as well in every note. Infused with an ethical power towards empathy, this music moves us to use our own gifts in a more excellent way for a broken world. Benedict XVI Choir’s début recording of these works is sung by some of America’s finest singers, many GRAMMY®-nominated. Sung in Latin and English. 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